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When it cried in his ears, he went to sit with Lily, and plunged into conversation on subjects that interested them both. He made her play to him, or sing to him in the twilight. He read aloud to her. This was at night. By day he worked unremittingly. When he was not driving to see patients he laboured to increase his knowledge of medicine. He pursued the most subtle investigations into the causes of obscure diseases, and specially directed his enquiries towards the pathology of the brain. He a.n.a.lysed the mult.i.tudinous developments of madness and traced them back to their beginnings; and when, as was often the case, he discovered that the mad man or woman whose malady was laid bare to him had inherited this curse of humanity, he smiled with a momentary thrill of joy. His ancestors on both sides of the family had been sane. Yet one of the commonest, most invariable delusions of the insane was the imaginary idea that they were pursued by voices, ordering them to do this or that, suggesting crimes to them or weeping in their ears over some tragedy of the past. Maurice knew that the mind which does not inherit a legacy of insanity may yet be overturned by some terrible incident, by a great shock, or by an unexpected bereavement. But surely such a mind would be aware of its transformation, even as a man who, from an accident, becomes disfigured is aware of the alteration of his face from beauty to desolation. Maurice was not aware that his mind had been transformed.
Deliberately, calmly, he asked himself, "Am I insane?" Deliberately, calmly, his soul answered, "No." Yet the cry of the child rang in his ears, pursued his goings out and comings in, filled his days with lamentation, and his nights with horror.
Then, leaving the subject of madness, Maurice began to inst.i.tute a close investigation into the subject of alleged hauntings of human beings by apparitions and by sounds. He read of the actress, whose lover, who had slain himself in despair at her cruelty, remained for ever with her, manifesting his presence, although invisible, by cries, curses, and clappings of the hands. He read of the clergyman who was haunted by the footsteps of his murdered sweetheart, which even ascended the pulpit stairs behind him, and pattered furtively about him when he knelt to pray for pardon of his sin. He filled his mind with visionary terrors, but they seemed remote or even ridiculous to him, and he said to himself that they were the clever inventions of imaginative people. They were worked up. They were moulded into conventional stories. They pleased the magazines of their time. He alone was really haunted of all men in the world, so far as he knew. And then a great and greedy desire came upon him to meet some other man in a like case, to hear from live lips the true and undecorated history of a despair like his own, one of those bald and terse narratives which pierce the imagination of the hearer like a sword, with no tinselled scabbard of exaggeration and of lies. He wondered whether upon the earth a man walked in a darkness similar to that which fell round him like a veil. He wondered whether he was unique, even as he felt. Sometimes he caught himself looking furtively at a harmless stranger, a bright girl tanned by the sea, or a lad just back from a fishing excursion to Raynor's Bay, and saying to himself low and drearily: "Does any spirit trouble you, I wonder? Does any spirit cry to you in the night?" But neither his work, his excursions of the imagination, nor the presence of Lily in his house, availed to cleanse the life of Maurice from the stain of sound, that ever widened and spread upon it. He fought for freedom for a while, strenuously, with all his heart and soul. But the lost battle left him with his energies exhausted, his courage broken. One night he said to Lily:
"Do you know all I have been doing since we came back here?"
"Yes, Maurice, I know."
"And that it has all been in vain," he said, with a pa.s.sion of bitterness that he could not try to conceal.
"That too I understand, Maurice--I knew it would be in vain."
He looked at her almost as at an enemy, for his heart was so full of misery, his mind was so worn with weariness, that he began to lose the true appreciation of human relations, and to confuse the beauty near him with the ugliness that companioned him so closely.
"You knew it? What do you mean?" he said. "How could you know it?"
"I felt it, Maurice; do not try any longer to work out alone your own redemption."
"You can say that to me?"
"Yes, for I believe that it is useless--you will fail."
He set his lips together and said nothing. But a frown distorted his face slowly.
"Leave your redemption to G.o.d. Oh, Maurice, leave it," Lily said, and there were tears in her eyes. "If this cry of the dead child is his punishment to you it must--it will--endure so long as he pleases. Your efforts cannot still it now. You yourself told me so once."
"I told you?"
"Yes--for the dead are beyond our hands and our lips. We cannot clasp them. We cannot kiss them. We cannot speak to them."
"But they can speak to us and mock us. You are right. I can't still the cry--I can't! Then it's all over with me!"
Suddenly, with a sob, Maurice flung himself down. He felt as if something within him snapped, and as if straightway a dissolution of all the man in him succeeded this rupture of the spirit. Careless of the pride of man, before the world and even in his own home, he gave himself up to a despair that was too weak to be frantic, too complete to be angry; a despair that no longer strove but yielded, that lay down in the dust and wept. Then, presently, raising his head and seeing Lily, in whose eyes were tears of pity, Maurice was seized with an enmity against her, unreasonably wicked, but suddenly so vehement that he did not try to resist it.
"You have broken me," he said. "You have told me that there is no redemption, that I am in the hands of G.o.d, who persecutes me. You have told me the truth and made me hate you."
"Maurice!"
The cry came from her lips faintly, but there was the ring of anguish in it.
"It is so," he repeated doggedly. "And, indeed, I believe that you have added to the weight of my burden. Since we have been married the persecution has increased. Once, when I was alone, I could bear it. Now you are here I cannot bear it. The child hates you. When you are near--in the night--its cry is so intense that I wonder you can sleep.
Yet I hear your quiet breathing. You say you love me. Then why are you so calm? Why do you tell me to trust? Why do you hint that I may yet find peace, and then tell me to cease from working for my own peace? You don't love me, you laugh at my trouble. You despise me."
He burst out of the room almost like a man demented.
It might be supposed that Lily, who loved him, would have been overwhelmed by this ecstasy of anger against her. But there was something that sheathed her heart from death. She might be wounded, she might suffer; but she looked beyond the present time, over the desert of her fate to roses of a future that Maurice, in his misery, could not see, in his self-engrossment could not divine. There is no living thing that understands how to wait, that can feel the beauty of patience, as a woman understands and feels. The curious depth of calm in Lily which irritated Maurice was created by a faith, half religious, half unreasoning, wholly strong and determined, such as no man ever knows in quite the same fullness as a woman. It is such a perfection of faith which gilds the silences in which the souls of many women wait, surrounded by the clouds of apparently shattered lives, but conscious that there is a great outcome, obscure and remote, but certain as the purpose which beats forever in Creation.
From that day Maurice no longer kept up a pretence of energy, or a simulation of even tolerable happiness in his home. The idea that the spirit of the dead child was stirred to an intense disquietude by his connection with Lily, and that, consequently, his marriage had deepened his punishment, grew in him until at length it became fixed. He brooded over it for hours together, his ears full of that eternal complaining.
He began to feel that by linking himself with Lily he had added to his original sin, that his wedding had been a ceremony almost criminal, and that if he had scourged himself by living ascetically, and by putting rigorously away from him all earthly happiness, he might at last have laid the child to rest and found peace and forgiveness himself. And this fixed idea led him to shut Lily entirely out from his heart. He looked upon the fate of her being with him in the house as irrevocable. But he resolved that he ought to disa.s.sociate himself from her as far as possible, and, without explaining further to her the thought that now possessed him, he ceased to sit with her, ceased to walk out with her.
After dinner at night he retired to his study leaving her alone in the drawing-room. He let her go up to bed without bidding her good-night.
When he was obliged to be with her at meals he maintained for the most part an obstinate silence.
Yet the cry of the child grew louder. The spirit of the child was not mollified. Its persecution continued and seemed to him to grow more persistent with each pa.s.sing day.
What else could he do? How could he separate himself more completely from Lily?
Canon Alston came one day to solve this problem for him. The Canon had resolved on taking a holiday, and being no lover of solitude in his pleasures, he wished to persuade Maurice to become a gra.s.s widower for three weeks.
"Can you let Lily go?" he said. "I know it is a shame to leave you alone, but--"
He stopped, surprised at the sudden brightness that had come into Maurice's usually pale and grave face. Maurice saw his astonishment and hastened to allay it.
"I shall miss Lily of course," he began. "Still, if you want her, and she is anxious to go--"
"I have not mentioned it to her," the Canon said.
And at this moment Lily came into the room. The project was laid before her. She hesitated, looking from her father to her husband. Her perplexity seemed to both the men curiously acute, even to Maurice who was on fire to hear her decision. The prospect of solitude was sweet to his tormented heart now that he was possessed by the fancy that Lily's presence intensified his martyrdom. Yet Lily's obvious disturbance of mind surprised him. The two courses open to her were really so simple that there seemed no possible reason why she should look upon the taking of one of them as a momentous matter.
"Well, Lily, what do you say?" the Canon asked, after a pause. "Will you come with me?"
"But Maurice--"
"Maurice permits it, and I want you."
"I--I had not meant to leave home at present, father, not till after--"
She stopped abruptly.
"Till after what, my dear?" enquired the Canon.
She made no answer.
"Lily," Maurice said, trying to make his voice cool and indifferent, "I think you ought to go. It will do you good. Do not mind me. I shall manage very well for a little while."
"You would rather I went, Maurice?"
"I think we ought not to let your father go on his holiday alone."
"I will go," she said quietly.
So it was arranged. The Canon was jubilant at the prospect of his daughter's company, and asked her where they should travel.
"What do you say to the English Lakes, Lily?" he asked, "they are lovely at this time of year, and the rush of the tourist season has scarcely begun. Shall we go there?"
"Wherever you like, father," she said.
The Canon was feeling too gay to notice the preoccupation of her manner, the ungirlish gravity of her voice. That day, in the evening, when she was at dinner with Maurice, Lily said: