Tom Brown at Oxford Part 34

Dame Winburn paused a moment before answering to subdue her vexation, and then said, "How can 'ee let hankerin' arter a la.s.s take the heart out o' thee so? Hold up thy head, and act a bit measterful. The more thow makest o' thyself, the more like thou art to win."

"Did you hear aught of her last night, mother?" replied Harry, taking advantage of this ungracious opening to speak of the subject which was uppermost in his mind.

"I heer'd she wur goin' on well," said his mother.

"No likelihood of her comin' home?"

"Not as I could make out. Why, she hevn't been gone not four months. Now, do 'ee pluck up a bit, Harry; and be more like thyself."

"Why, mother, I've not missed a day's work since Christmas; so there ain't much to find fault with."

"Nay, Harry, 'tisn't thy work. Thou wert always good at thy work, praise G.o.d. Thou'rt thy father's own son for that. But thou dostn't keep about like, and take thy place wi' the lave on 'em since Christmas. Thou look'st hagged at times, and folk'll see't, and talk about thee afore long."

"Let 'em talk. I mind their talk no more than last year's wind,"

said Harry, abruptly.

"But thy old mother does," she said, looking at him with eyes full of pride and love; and so Harry, who was a right good son, began to inquire what it was that was specially weighing on his mother's mind, determined to do anything in reason to re-place her on the little harmless social pinnacle from which she was wont to look down on all the other mothers and sons of the parish. He soon found out that her present grievance arose from his having neglected his place as ringer of the heavy bell in the village peal on the two preceding Sundays; and, as this post was, in some sort the corresponding one to stroke of the boat at Oxford, her anxiety was reasonable enough. So Harry promised to go to ringing in good time that morning, and then set about little odds and ends of jobs till it would be time to start. Dame Winburn went to her cooking and other household duties, which were pretty well got under when her son took his hat and started for the belfry. She stood at the door with a half-peeled potato in one hand, shading her eyes with the other, as she watched him striding along the raised footpath under the elms, when the sound of light footsteps and pleasant voices, coming up from the other direction, made her turn round and drop a curtsey as the rector's daughter and another young lady stopped at her door.

"Good morning, Betty," said the former; "here's a bright Sunday morning at last, isn't it?"

"'Tis indeed, miss; but where hev'ee been to?"

"Oh, we've only been for a little walk before school-time. This is my cousin, Betty. She hasn't been at Englebourn since she was quite a child; so I've been taking her to the Hawk's Lynch to see our view."

"And you can't think how I have enjoyed it," said her cousin; "it is so still and beautiful."

"I've heer'd say as there ain't no such a place for thretty mile round," said Betty, proudly, "But do'ee come in, tho', and sit'ee down a bit," she added, bustling inside her door, and beginning to rub down a chair with her ap.r.o.n; "'tis a smart step for gentlefolk to walk afore church." Betty's notions of the walking powers of gentlefolk were very limited.

"No, thank you, we must be getting on," said Miss Winter; "but how lovely your flowers are! Look, Mary, did you ever see such double pansies? We've nothing like them at the Rectory."

"Do'ee take some," said Betty, emerging again, and beginning to pluck a handful of her finest flowers; "'tis all our Harry's doing; he's 'mazing partickler about seeds."

"He seems to make everything thrive, Betty. There, that's plenty, thank you. We won't take many, for fear they should fade before church is over."

"Oh, dwont'ee be afeard, there's plenty more; and you be as welcom' as the day."

Betty never said a truer word; she was one of the real open-handed sort, who are found mostly amongst those who have the least to give. They or anyone else were welcome to the best she had.

So the young ladies took the flowers, thanked her again, and pa.s.sed on towards the Sunday-school.

The rector's daughter might have been a year or so older than her companion; she looked more. Her position in the village had been one of much anxiety, and she was fast getting an old head on young shoulders. The other young lady was a slip of a girl just coming out; in fact, this was the first visit which she had ever paid out of leading strings. She had lived in a happy home, where she had always been trusted and loved, and perhaps a thought too much petted.

There are some natures which attract petting; you can't help doing your best to spoil them in this way, and it is satisfactory, therefore, to know (as the fact is) that they are just the ones which cannot be so spoilt.

Miss Mary was one of these. Trustful, for she had never been tricked; fearless, for she had never been cowed; pure and bright as the Englebourn brook at fifty yards from its parent spring in the chalk, for she had a pure and bright nature, and had come in contact as yet with nothing which could soil or cast a shadow.

What wonder that her life gave forth light and music as it glided on, and that every one who knew her was eager to have her with them, to warm themselves in the light and rejoice in the music!

Besides all her other attractions, or in consequence of them for anything I know, she was one of the merriest young women in the world, always ready to bubble over and break out into clear laughter on the slightest provocation. And provocation had not been wanting during the last two days which she had spent with her cousin. As usual she had brought sunshine with her, and the old doctor had half forgotten his numerous complaints and grievances for the time. So the cloud which generally hung over the house had been partially lifted, and Mary, knowing and suspecting nothing of the dark side of life at Englebourn Rectory, rallied her cousin on her gravity, and laughed till she cried at the queer ways and talk of the people about the place.

As soon as they were out of hearing of Dame Winburn, Mary began--

"Well, Katie, I can't say that you have mended your case at all."

"Surely you can't deny that there is a great deal of character in Betty's face?" said Miss Winter.

"Oh, plenty of character; all your people, as soon as they begin to stiffen a little and get wrinkles, seem to be full of character, and I enjoy it much more than beauty; but we were talking about beauty, you know."

"Betty's son is the handsomest young man in the parish," said Miss Winter; "and I must say I don't think you could find a better-looking one anywhere."

"Then I can't have seen him."

"Indeed you have; I pointed him out to you at the post office yesterday. Don't you remember? He was waiting for a letter."

"Oh, yes! now I remember. Well, he was better than most. But the faces of your young people in general are not interesting--I don't mean the children, but the young men and women--and they are awkward and clownish in their manners, without the quaintness of the elder generation, who are the funniest old dears in the world."

"They will all be quaint enough as they get older. You must remember the sort of life they lead. They get their notions very slowly, and they must have notions in their heads before they can show them on their faces."

"Well, your Betty's son looked as if he had a notion of hanging himself yesterday."

"It's no laughing matter, Mary. I hear that he is desperately in love."

"Poor fellow! that makes a difference, of course. I hope he won't carry out his notion. Who is it, do you know? Do tell me all about it."

"Our gardener's daughter, I believe. Of course, I never meddle with these matters; but one can't help hearing the servant's gossip. I think it likely to be true, for he was about our premises at all sorts of times until lately, and I never see him now that she is away."

"Is she pretty?" said Mary, who was getting interested.

"Yes, she is our belle. In fact, they are the two beauties of the parish."

"Fancy that cross-grained old Simon having a pretty daughter. Oh, Katie, look here! who is this figure of fun?"

The figure of fun was a middle-aged man of small stature, and very bandy-legged, dressed in a blue coat and bra.s.s b.u.t.tons, and carrying a great ba.s.s-viol bigger than himself, in a rough baize cover. He came out of a footpath into the road just before them, and, on seeing them, touched his hat to Miss Winter, and then fidgeted along with his load, and jerked his head in a deprecatory manner away from them as he walked on, with the sort of look and action which a favorite terrier uses when his master holds out a lighted cigar to his nose. He was the village tailor and constable, also the princ.i.p.al performer in the church-music which obtained in Englebourn. In the latter capacity he had of late come into collision with Miss Winter.

For this was another of the questions which divided the parish--The great church music question. From time immemorial, at least ever since the gallery at the west end had been built, the village psalmody had been in the hands of the occupiers of that Protestant structure. In the middle of the front row sat the musicians, three in number, who played respectively a ba.s.s-viol, a fiddle, and a clarionet. On one side of them were two or three young women, who sang treble--shrill, ear-piercing treble--with a strong nasal Berkshire drawl in it. On the other side of the musicians sat the blacksmith, the wheelwright, and other tradesmen of the place. Tradesmen means in that part of the country what we mean by artisan, and these were naturally allied with the laborers, and consorted with them. So far as church-going was concerned, they formed a sort of independent opposition, sitting in the gallery, instead of in the nave, where the farmers and the two or three princ.i.p.al shopkeepers--the great landed and commercial interests--regularly sat and slept, and where the two publicans occupied pews, but seldom made even the pretence of worshipping.

The rest of the gallery was filled by the able-bodied male peasantry. The old worn-out men generally sat below in the free seats; the women also, and some few boys. But the hearts of these latter were in the gallery--a seat on the back benches of which was a sign that they had indued the _toga virilis_, and were thenceforth free from maternal and pastoral tutelage in the matter of church-going. The gallery thus const.i.tuted had gradually usurped the psalmody as their particular and special portion of the service; they left the clerk and the school children, aided by such of the aristocracy below as cared to join, to do the responses; but, when singing time came, they reigned supreme. The slate on which the Psalms were announced was hung out from before the centre of the gallery, and the clerk, leaving his place under the reading-desk, marched up there to give them out. He took this method of preserving his const.i.tutional connection with the singing, knowing that otherwise he could not have maintained the rightful position of his office in this matter. So matters had stood until shortly before the time of our story.

The present curate, however, backed by Miss Winter, had tried a reform. He was a quiet man, with a wife and several children, and small means. He had served in the diocese ever since he had been ordained, in a hum-drum sort of way, going where he was sent for, and performing his routine duties reasonably well, but without showing any great apt.i.tude for his work. He had little interest, and had almost given up expecting promotion, which he certainly had done nothing particular to merit. But there was one point on which he was always ready to go out of his way, and take a little trouble. He was a good musician, and had formed choirs at all his former curacies.

Soon after his arrival, therefore, he, in concert with Miss Winter, had begun to train the children in church-music. A small organ, which had stood in a pa.s.sage in the Rectory for many years, had been repaired, and appeared first at the schoolroom, and at length under the gallery of the church; and it was announced one week to the party in possession, that, on the next Sunday, the const.i.tuted authorities would take the church-music into their own hands. Then arose a strife, the end of which had nearly been to send the gallery off, in a body, headed by the offended ba.s.s-viol, to the small red-brick little Bethel at the other end of the village. Fortunately the curate had too much good sense to drive matters to extremities, and so alienate the parish constable, and a large part of his flock, though he had not tact or energy enough to bring them round to his own views.

So a compromise was come to; and the curate's choir were allowed to chant the Psalms and Canticles, which had always been read before, while the gallery remained triumphant masters of the regular Psalms.

My readers will now understand why Miss Winter's salutation to the musical constable was not so cordial as it was to the other villagers whom they had come across previously.

Indeed, Miss Winter, though she acknowledged the constable's salutation, did not seem inclined to encourage him to accompany them, and talk his mind out, although he was going the same way with them; and, instead of drawing him out, as was her wont in such cases, went on talking herself to her cousin.

The little man walked out in the road, evidently in trouble of mind. He did not like to drop behind or go ahead without some further remark from Miss Winter, and yet could not screw up his courage to the point of opening the conversation himself. So he ambled on alongside the footpath on which they were walking, showing his discomfort by a twist of his neck every few seconds, and perpetual shiftings of his ba.s.s-viol, and hunching up of one shoulder.