To Let Part 11

"Rather!"

She reached up, twisted off a blossom, and, twirling it in her fingers, said:

"I suppose I can call you Jon?"

"I should think so just."

"All right! But you know there's a feud between our families?"

Jon stammered: "Feud? Why?"

"It's ever so romantic and silly? That's why I pretended we hadn't met.

Shall we get up early to-morrow morning and go for a walk before breakfast and have it out? I hate being slow about things, don't you?"

Jon murmured a rapturous a.s.sent.

"Six o'clock, then. I think your mother's beautiful."

Jon said fervently: "Yes, she is."

"I love all kinds of beauty," went on Fleur, "when it's exciting. I don't like Greek things a bit."

"What! Not Euripides?"

"Euripides? Oh! no, I can't bear Greek plays; they're so long. I think beauty's always swift. I like to look at ONE picture, for instance, and then run off. I can't bear a lot of things together. Look!" She held up her blossom in the moonlight. "That's better than all the orchard, I think."

And, suddenly, with her other hand she caught Jon's. "Of all things in the world, don't you think caution's the most awful? Smell the moonlight!"

She thrust the blossom against his face; Jon agreed giddily that of all things in the world caution was the worst, and bending over, kissed the hand which held his.

"That's nice and old-fashioned," said Fleur calmly. "You're frightfully silent, Jon. Still I like silence when it's swift." She let go his hand. "Did you think I dropped my handkerchief on purpose?"

"No!" cried Jon, intensely shocked.

"Well, I did, of course. Let's get back, or they'll think we're doing this on purpose too." And again she ran like a ghost among the trees.

Jon followed, with love in his heart, Spring in his heart, and over all the moonlit white unearthly blossom. They came out where they had gone in, Fleur walking demurely.

"It's quite wonderful in there," she said dreamily to Holly.

Jon preserved silence, hoping against hope that she might be thinking it swift.

She bade him a casual and demure good-night, which made him think he had been dreaming....

In her bedroom Fleur had flung off her gown, and, wrapped in a shapeless garment, with the white flower still in her hair, she looked like a mousme, sitting cross-legged on her bed, writing by candlelight.

"DEAREST CHERRY:

"I believe I'm in love. I've got it in the neck, only the feeling is really lower down. He's a second cousin--such a child, about six months older and ten years younger than I am. Boys always fall in love with their seniors, and girls with their juniors or with old men of forty.

Don't laugh, but his eyes are the truest things I ever saw; and he's quite divinely silent! We had a most romantic first meeting in London under the Vospovitch 'Juno.' And now he's sleeping in the next room and the moonlight's on the blossom; and to-morrow morning, before anybody's awake, we're going to walk off into Down fairyland. There's a feud between our families, which makes it really exciting. Yes! and I may have to use subterfuge and come on you for invitations--if so, you'll know why! My father doesn't want us to know each other, but I can't help that. Life's too short. He's got the most beautiful mother, with lovely silvery hair and a young face with dark eyes. I'm staying with his sister--who married my cousin; it's all mixed up, but I mean to pump her to-morrow. We've often talked about love being a spoil-sport; well, that's all tosh, it's the beginning of sport, and the sooner you feel it, my dear, the better for you.

"Jon (not simplified spelling, but short for Jolyon, which is a name in my family, they say) is the sort that lights up and goes out; about five feet ten, still growing, and I believe he's going to be a poet. If you laugh at me I've done with you for ever. I perceive all sorts of difficulties, but you know when I really want a thing I get it. One of the chief effects of love is that you see the air sort of inhabited, like seeing a face in the moon; and you feel--you feel dancey and soft at the same time, with a funny sensation--like a continual first sniff of orange blossom--just above your stays. This is my first, and I feel as if it were going to be my last, which is absurd, of course, by all the laws of Nature and morality. If you mock me I will smite you, and if you tell anybody I will never forgive you. So much so, that I almost don't think I'll send this letter. Anyway, I'll sleep over it. So good-night, my Cherry--oh!

Your FLEUR."

VIII

IDYLL ON GRa.s.s

When those two young Forsytes emerged from the chine lane, and set their faces East towards the sun, there was not a cloud in heaven, and the Downs were dewy. They had come at a good bat up the slope and were a little out of breath; if they had anything to say they did not say it, but marched in the early awkwardness of unbreakfasted morning under the songs of the larks. The stealing out had been fun, but with the freedom of the tops the sense of conspiracy ceased, and gave place to dumbness.

"We've made one blooming error," said Fleur, when they had gone half a mile. "I'm hungry."

Jon produced a stick of chocolate. They shared it and their tongues were loosened. They discussed the nature of their homes and previous existences, which had a kind of fascinating unreality up on that lonely height. There remained but one thing solid in Jon's past--his mother; but one thing solid in Fleur's--her father; and of these figures, as though seen in the distance with disapproving faces, they spoke little.

The Down dipped and rose again towards Chanctonbury Ring; a sparkle of far sea came into view, a sparrowhawk hovered in the sun's eye so that the blood-nourished brown of his wings gleamed nearly red. Jon had a pa.s.sion for birds, and an apt.i.tude for sitting very still to watch them; keen-sighted, and with a memory for what interested him, on birds he was almost worth listening to. But in Chanctonbury Ring there were none--its great beech temple was empty of life, and almost chilly at this early hour; they came out willingly again into the sun on the far side. It was Fleur's turn now. She spoke of dogs, and the way people treated them. It was wicked to keep them on chains! She would like to flog people who did that. Jon was astonished to find her so humanitarian. She knew a dog, it seemed, which some farmer near her home kept chained up at the end of his chicken run, in all weathers till it had almost lost its voice from barking!

"And the misery is," she said vehemently, "that if the poor thing didn't bark at every one who pa.s.ses it wouldn't be kept there. I do think men are cunning brutes. I've let it go twice, on the sly; it's nearly bitten me both times, and then it goes simply mad with joy; but it always runs back home at last, and they chain it up again. If I had my way, I'd chain that man up."

Jon saw her teeth and her eyes gleam. "I'd brand him on his forehead with the word 'Brute'; that would teach him!"

Jon agreed that it would be a good remedy. "It's their sense of property," he said, "which makes people chain things. The last generation thought of nothing but property; and that's why there was the war."

"Oh!" said Fleur, "I never thought of that. Your people and mine quarrelled about property. And anyway we've all got it--at least, I suppose your people have."

"Oh! yes, luckily; I don't suppose I shall be any good at making money."

"If you were, I don't believe I should like you."

Jon slipped his hand tremulously under her arm.

Fleur looked straight before her, and chanted:

"Jon, Jon, the farmer's son, Stole a pig, and away he run!"

Jon's arm crept round her waist.

"This is rather sudden," said Fleur calmly; "do you often do it?"

Jon dropped his arm. But when she laughed, his arm stole back again; and Fleur began to sing:

"O who will o'er the downs so free, O who will with me ride?

O who will up and follow me--"

"Sing, Jon!"