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To Cuba and Back.

by Richard Henry Dana.

I.

FROM MANHATTAN TO EL MORRO

The steamer is to sail at one P.M.; and, by half-past twelve, her decks are full, and the mud and snow of the pier are well trodden by men and horses. Coaches drive down furiously, and nervous pa.s.sengers put their heads out to see if the steamer is off before her time; and on the decks, and in the gangways, inexperienced pa.s.sengers run against everybody, and mistake the engineer for the steward, and come up the same stairs they go down, without knowing it. In the dreary snow, the newspaper vendors cry the papers, and the book vendors thrust yellow covers into your face--"Reading for the voyage, sir--five hundred pages, close print!" And that being rejected, they reverse the process of the Sibyl--with "Here's another, sir, one thousand pages, double columns."



The great beam of the engine moves slowly up and down, and the black hull sways at its fasts. A motley group are the pa.s.sengers. Shivering Cubans, exotics that have taken slight root in the hothouses of the Fifth Avenue, are to brave a few days of sleet and cold at sea, for the palm trees and mangoes, the cocoas and orange trees, they will be sitting under in six days, at farthest. There are Yankee shipmasters going out to join their "cotton wagons" at New Orleans and Mobile, merchants pursuing a commerce that knows no rest and no locality; confirmed invalids advised to go to Cuba to die under mosquito nets and be buried in a Potter's Field; and other invalids wisely enough avoiding our March winds; and here and there a mere vacationmaker, like myself.

Captain Bullock is sure to sail at the hour; and at the hour he is on the paddle-box, the fasts are loosed, the warp run out, the crew pull in on the warp on the port quarter, and the head swings off. No word is spoken, but all is done by signs; or, if a word is necessary, a low clear tone carries it to the listener. There is no tearing and rending escape of steam, deafening and distracting all, and giving a kind of terror to a peaceful scene; but our ship swings off, gathers way, and enters upon her voyage, in a quiet like that of a bank or counting-room, almost under a spell of silence.

The state-rooms of the "Cahawba," like those of most American sea-going steamers, are built so high above the water that the windows may be open in all but the worst of weather, and good ventilation be ensured. I have a very nice fellow for my room-mate, in the berth under me; but, in a state-room, no room-mate is better than the best; so I change my quarters to a state-room further forward, nearer "the eyes of her,"

which the pa.s.sengers generally shun, and get one to myself, free from the rattle of the steering gear, while the delightful rise and fall of the bows, and leisurely weather roll and lee roll, cradle and nurse one to sleep.

The routine of the ship, as regards pa.s.sengers, is this: a cup of coffee, if you desire it, when you turn out; breakfast at eight, lunch at twelve, dinner at three, tea at seven, and lights put out at ten.

Throughout the day, sailing down the outer edge of the Gulf Stream, we see vessels of all forms and sizes, coming in sight and pa.s.sing away, as in a dioramic show. There is a heavy cotton droger from the Gulf, of 1200 tons burden, under a cloud of sail, pressing on to the northern seas of New England or Old England. Here comes a saucy little Baltimore brig, close-hauled and leaning over to it; and there, half down in the horizon, is a pile of white canvas, which the experienced eyes of my two friends, the pa.s.senger shipmasters, p.r.o.nounce to be a bark, outward bound. Every pa.s.senger says to every other, how beautiful! how exquisite! That pale thin girl who is going to Cuba for her health, her brother travelling with her, sits on the settee, propped by a pillow, and tries to smile and to think she feels stronger in this air. She says she shall stay in Cuba until she gets well!

After dinner, Capt. Bullock tells us that we shall soon see the high lands of Cuba, off Matanzas, the first and highest being the Pan of Matanzas. It is clear over head, but a mist lies along the southern horizon, in the latter part of the day. The sharpest eyes detect the land, about 4 P.M., and soon it is visible to all. It is an undulating country on the coast, with high hills and mountains in the interior, and has a rich and fertile look. That height is the Pan, though we see no special resemblance, in its outline, to a loaf of bread. We are still sixty miles from Havana. We cannot reach it before dark, and no vessels are allowed to pa.s.s the Morro after the signals are dropped at sunset.

We coast the northern sh.o.r.e of Cuba, from Matanzas westward. There is no waste of sand and low flats, as in most of our southern states; but the fertile, undulating land comes to the sea, and rises into high hills as it recedes. "There is the Morro! and right ahead!" "Why, there is the city too! Is the city on the sea? We thought it was on a harbor or bay."

There, indeed, is the Morro, a stately hill of tawny rock, rising perpendicularly from the sea, and jutting into it, with walls and parapets and towers on its top, and flags and signals flying, and the tall lighthouse just in front of its outer wall. It is not very high, yet commands the sea about it. And there is the city, on the sea-coast, indeed--the houses running down to the coral edge of the ocean. Where is the harbor, and where the shipping? Ah, there they are! We open an entrance, narrow and deep, between the beetling Morro and the Punta; and through the entrance, we see the spreading harbor and the innumerable masts. But the darkness is gathering, the sunset gun has been fired, we can just catch the dying notes of trumpets from the fortifications, and the Morro Lighthouse throws its gleam over the still sea. The little lights emerge and twinkle from the city. We are too late to enter the port, and slowly and reluctantly the ship turns her head off to seaward.

The engine breathes heavily, and throws its one arm leisurely up and down; we rise and fall on the moonlit sea; the stars are near to us, or we are raised nearer to them; the Southern Cross is just above the horizon; and all night long, two streams of light lie upon the water, one of gold from the Morro, and one of silver from the moon. It is enchantment. Who can regret our delay, or wish to exchange this scene for the common, close anchorage of a harbor?

II.

HAVANA: First Glimpses (I)

We are to go in at sunrise, and few, if any, are the pa.s.sengers that are not on deck at the first glow of dawn. Before us lie the novel and exciting objects of the night before. The Steep Morro, with its tall sentinel lighthouse, and its towers and signal staffs and teeth of guns, is coming out into clear daylight; the red and yellow striped flag of Spain--blood and gold--floats over it. Point after point in the city becomes visible; the blue and white and yellow houses, with their roofs of dull red tiles, the quaint old Cathedral towers, and the almost endless lines of fortifications. The masts of the immense shipping rise over the headland, the signal for leave to enter is run up, and we steer in under full head, the morning gun thundering from the Morro, the trumpets braying and drums beating from all the fortifications, the Morro, the Punta, the long Cabana, the Casa Blanca and the city walls, while the broad sun is fast rising over this magnificent spectacle.

What a world of shipping! The masts make a belt of dense forest along the edge of the city, all the ships lying head in to the street, like horses at their mangers; while the vessels at anchor nearly choke up the pa.s.sage ways to the deeper bays beyond. There are the red and yellow stripes of decayed Spain; the blue, white and red--blood to the fingers'

end--of La Grande Nation; the Union crosses of the Royal Commonwealth; the stars and stripes of the Great Republic, and a few flags of Holland and Portugal, of the states of northern Italy, of Brazil, and of the republics of the Spanish Main. We thread our slow and careful way among these, pa.s.s under the broadside of a ship-of-the-line, and under the stern of a screw frigate, both bearing the Spanish flag, and cast our anchor in the Regla Bay, by the side of the steamer "Karnac," which sailed from New York a few days before us.

Instantly we are besieged by boats, some loaded with oranges and bananas, and others coming for pa.s.sengers and their luggage, all with awnings spread over their sterns, rowed by sallow, attenuated men, in blue and white checks and straw hats, with here and there the familiar lips and teeth, and vacant, easily-pleased face of the Negro. Among these boats comes one, from the stern of which floats the red and yellow flag with the crown in its field, and under whose awning reclines a man in a full suit of white linen, with straw hat and red c.o.c.kade and a cigar. This is the Health Officer. Until he is satisfied, no one can come on board, or leave the vessel. Capt. Bullock salutes, steps down the ladder to the boat, hands his papers, reports all well--and we are p.r.o.nounced safe. Then comes another boat of similar style, another man reclining under the awning with a cigar, who comes on board, is closeted with the purser, compares the pa.s.senger list with the pa.s.sports, and we are declared fully pa.s.sed, and general leave is given to land with our luggage at the custom-house wharf.

Now comes the war of cries and gestures and grimaces among the boatmen, in their struggle for pa.s.sengers, increased manifold by the fact that there is but little language in common between the parties to the bargains, and by the boatmen being required to remain in their boats.

How thin these boatmen look! You cannot get it out of your mind that they must all have had the yellow fever last summer, and are not yet fully recovered. Not only their faces, but their hands and arms and legs are thin, and their low-quartered slippers only half cover their thin yellow feet.

In the hurry, I have to hunt after the pa.s.sengers I am to take leave of who go on to New Orleans:--Mr. and Mrs. Benchley, on their way to their intended new home in western Texas, my two sea captains, and the little son of my friend, who is the guest, on this voyage, of our common friend the captain, and after all, I miss the hearty hand-shake of Bullock and Rodgers. Seated under an awning, in the stern of a boat, with my trunk and carpet-bag and an unseasonable bundle of Arctic overcoat and fur cap in the bow, I am pulled by a man with an oar in each hand and a cigar in mouth, to the custom-house pier. Here is a busy scene of trunks, carpet-bags, and bundles; and up and down the pier marches a military grandee of about the rank of a sergeant or sub-lieutenant, with a preposterous strut, so out of keeping with the depressed military character of his country, and not possible to be appreciated without seeing it. If he would give that strut on the boards, in New York, he would draw full houses nightly.

Our pa.s.sports are kept, and we receive a license to remain and travel in the island, good for three months only, for which a large fee is paid.

These officers of the customs are civil and reasonably rapid; and in a short time my luggage is on a dray driven by a Negro, and I am in a volante, managed by a Negro postilion, and am driving through the narrow streets of this surprising city.

The streets are so narrow and the houses built so close upon them, that they seem to be rather s.p.a.ces between the walls of houses than highways for travel. It appears impossible that two vehicles should pa.s.s abreast; yet they do so. There are constant blockings of the way. In some places awnings are stretched over the entire street, from house to house, and we are riding under a long tent. What strange vehicles these volantes are!--A pair of very long, limber shafts, at one end of which is a pair of huge wheels, and the other end a horse with his tail braided and brought forward and tied to the saddle, an open chaise body resting on the shafts, about one third of the way from the axle to the horse; and on the horse is a Negro, in large postilion boots, long spurs, and a bright jacket. It is an easy vehicle to ride in; but it must be a sore burden to the beast. Here and there we pa.s.s a private volante, distinguished by rich silver mountings and postilions in livery. Some have two horses, and with the silver and the livery and the long dangling traces and a look of superfluity, have rather an air of high life. In most, a gentleman is reclining, cigar in mouth; while in others, is a great puff of blue or pink muslin or cambric, extending over the sides to the shafts, topped off by a fan, with signs of a face behind it. "Calle de los Oficios," "Calle del Obispo," "Calle de San Ignacio," "Calle de Mercaderes," are on the little corner boards. Every little shop and every big shop has its t.i.tle; but nowhere does the name of a keeper appear. Almost every shop advertises "por mayor y menor,"

wholesale and retail. What a Gil Blas-Don Quixote feeling the names of "posada," "tienda," and "cantina" give you!

There are no women walking in the streets, except negresses. Those suits of seersucker, with straw hats and red c.o.c.kades, are soldiers. It is a sensible dress for the climate. Every third man, perhaps more, and not a few women, are smoking cigars or cigarritos. Here are things moving along, looking like c.o.c.ks of new mown gra.s.s, under way. But presently you see the head of a horse or mule peering out from under the ma.s.s, and a tail is visible at the other end, and feet are picking their slow way over the stones. These are the carriers of green fodder, the fresh cut stalks and blades of corn; and my chance companion in the carriage, a fellow pa.s.senger by the "Cahawba," a Frenchman, who has been here before, tells me that they supply all the horses and mules in the city with their daily feed, as no hay is used. There are also mules, a.s.ses, and horses with bananas, plantains, oranges and other fruits in panniers reaching almost to the ground.

Here is the Plaza de Armas, with its garden of rich, fragrant flowers in full bloom, in front of the Governor's Palace. At the corner is the chapel erected over the spot where, under the auspices of Columbus, ma.s.s was first celebrated on the island. We are driven past a gloomy convent, past innumerable shops, past drinking places, billiard rooms, and the thick, dead walls of houses, with large windows, grated like dungeons, and large gates, showing glimpses of interior court-yards, sometimes with trees and flowers. But horses and carriages and gentlemen and ladies and slaves, all seem to use the same entrance. The windows come to the ground, and, being flush with the street, and mostly without gla.s.s, nothing but the grating prevents a pa.s.senger from walking into the rooms. And there the ladies and children sit sewing, or lounging, or playing. This is all very strange. There is evidently enough for me to see in the ten or twelve days of my stay.

But there are no costumes among the men, no Spanish hats, or Spanish cloaks, or bright jackets, or waistcoats, or open, slashed trousers, that are so picturesque in other Spanish countries. The men wear black dress coats, long pantaloons, black cravats, and many of them even submit, in this hot sun, to black French hats. The tyranny of systematic, scientific, capable, unpicturesque, unimaginative France, evidently rules over the realm of man's dress. The houses, the vehicles, the vegetation, the animals, are picturesque; to the eye of taste

"_Every prospect pleases, and only man is vile._"

We drove through the Puerta de Monserrate, a heavy gateway of the prevailing yellow or tawny color, where soldiers are on guard, across the moat, out upon the "Paseo de Isabel Segunda," and are now "extramuros," without the walls. The Paseo is a grand avenue running across the city from sea to bay, with two carriage-drives abreast, and two malls for foot pa.s.sengers, and all lined with trees in full foliage.

Here you catch a glimpse of the Morro, and there of the Presidio. This is the Teatro de Tacon; and, in front of this line of tall houses, in contrast with the almost uniform one-story buildings of the city, the volante stops. This is Le Grand's hotel.

III.

HAVANA: First Glimpses (2)

To a person unaccustomed to the tropics or the south of Europe, I know of nothing more discouraging than the arrival at the inn or hotel. It is n.o.body's business to attend to you. The landlord is strangely indifferent, and if there is a way to get a thing done, you have not learned it, and there is no one to teach you. Le Grand is a Frenchman.

His house is a restaurant, with rooms for lodgers. The restaurant is paramount. The lodging is secondary, and is left to servants. Monsieur does not condescend to show a room, even to families; and the servants, who are whites, but mere lads, have all the interior in their charge, and there are no women employed about the chambers. Antonio, a swarthy Spanish lad, in shirt sleeves, looking very much as if he never washed, has my part of the house in charge, and shows me my room. It has but one window, a door opening upon the veranda, and a brick floor, and is very bare of furniture, and the furniture has long ceased to be strong. A small stand barely holds up a basin and ewer which have not been washed since Antonio was washed, and the bedstead, covered by a canvas sacking, without mattress or bed, looks as if it would hardly bear the weight of a man. It is plain there is a good deal to be learned here. Antonio is communicative, on a suggestion of several days' stay and good pay.

Things which we cannot do without, we must go out of the house to find, and those which we can do without, we must dispense with. This is odd, and strange, but not uninteresting, and affords scope for contrivance and the exercise of influence and other administrative powers. The Grand Seigneur does not mean to be troubled with anything; so there are no bells, and no office, and no clerks. He is the only source, and if he is approached, he shrugs his shoulders and gives you to understand that you have your chambers for your money and must look to the servants.

Antonio starts off on an expedition for a pitcher of water and a towel, with a faint hope of two towels; for each demand involves an expedition to remote parts of the house. Then Antonio has so many rooms dependent on him, that every door is a Scylla, and every window a Charybdis, as he pa.s.ses. A shrill, female voice, from the next room but one, calls "Antonio! Antonio!" and that starts the parrot in the court yard, who cries "Antonio! Antonio!" for several minutes. A deep, ba.s.s voice mutters "Antonio!" in a more confidential tone; and last of all, an unmistakably Northern voice attempts it, but ends in something between Antonio and Anthony. He is gone a good while, and has evidently had several episodes to his journey. But he is a good-natured fellow, speaks a little French, very little English, and seems anxious to do his best.

I see the faces of my New York fellow-pa.s.sengers from the west gallery, and we come together and throw our acquisitions of information into a common stock, and help one another. Mr. Miller's servant, who has been here before, says there are baths and other conveniences round the corner of the street; and, sending our bundles of thin clothes there, we take advantage of the baths, with comfort. To be sure, we must go through a billiard-room, where the Creoles are playing at the tables, and the c.o.c.kroaches playing under them, and through a drinking-room, and a bowling-alley; but the baths are built in the open yard, protected by blinds, well ventilated, and well supplied with water and toilet apparatus.

With the comfort of a bath, and clothed in linen, with straw hats, we walk back to Le Grand's, and enter the restaurant, for breakfast--the breakfast of the country, at 10 o'clock. Here is a scene so pretty as quite to make up for the defects of the chambers. The restaurant with cool marble floor, walls twenty-four feet high, open rafters painted blue, great windows open to the floor and looking into the Paseo, and the floor nearly on a level with the street, a light breeze fanning the thin curtains, the little tables, for two or four, with clean, white cloths, each with its pyramid of great red oranges and its fragrant bouquet--the gentlemen in white pantaloons and jackets and white stockings, and the ladies in fly-away muslins, and hair in the sweet neglect of the morning toilet, taking their leisurely breakfasts of fruit and claret, and omelette and Spanish mixed dishes, (ollas,) and cafe noir. How airy and ethereal it seems! They are birds, not substantial men and women. They eat ambrosia and drink nectar. It must be that they fly, and live in nests, in the tamarind trees. Who can eat a hot, greasy breakfast of cakes and gravied meats, and in a close room, after this?

I can truly say that I ate, this morning, my first orange; for I had never before eaten one newly gathered, which had ripened in the sun, hanging on the tree. We call for the usual breakfast, leaving the selection to the waiter; and he brings us fruits, claret, omelette, fish fresh from the sea, rice excellently cooked, fried plantains, a mixed dish of meat and vegetables (olla), and coffee. The fish, I do not remember its name, is boiled, and has the colors of the rainbow, as it lies on the plate. Havana is a good fishmarket; for it is as open to the ocean as Nahant, or the beach at Newport; its streets running to the blue sea, outside the harbor, so that a man may almost throw his line from the curb-stone into the Gulf Stream.

After breakfast, I take a volante and ride into the town, to deliver my letters. Three merchants whom I call upon have palaces for their business. The entrances are wide, the staircases almost as stately as that of Stafford House, the floors of marble, the panels of porcelain tiles, the rails of iron, and the rooms over twenty feet high, with open rafters, the doors and windows colossal, the furniture rich and heavy; and there sits the merchant or banker, in white pantaloons and thin shoes and loose white coat and narrow necktie, smoking a succession of cigars, surrounded by tropical luxuries and tropical protections. In the lower story of one of these buildings is an exposition of silks, cotton and linens, in a room so large that it looked like a part of the Great Exhibition in Hyde Park. At one of these counting-palaces, I met Mr.

Theodore Parker and Dr. S. G. Howe, of Boston, who preceded me, in the "Karnac." Mr. Parker is here for his health, which has caused anxiety to his friends lest his weakened frame should no longer support the strong intellectual machinery, as before. He finds Havana too hot, and will leave for Santa Cruz by the first opportunity. Dr. Howe likes the warm weather. It is a comfort to see him--a benefactor of his race, and one of the few heroes we have left to us, since Kane died.

The Bishop of Havana has been in delicate health, and is out of town, at Jesus del Monte, and Miss M---- is not at home, and the Senoras F---- I failed to see this morning; but I find a Boston young lady, whose friends were desirous I should see her, and who was glad enough to meet one so lately from her home. A clergyman to whom, also, I had letters, is gone into the country, without much hope of improving his health.

Stepping into a little shop to buy a plan of Havana, my name is called, and there is my hero's wife, the accomplished author and conversationist, whom it is an exhilaration to meet anywhere, much more in a land of strangers. Dr. and Mrs. Howe and Mr. Parker are at the Cerro, a pretty and cool place in the suburbs, but are coming in to Mrs.

Almy's boarding-house, for the convenience of being in the city, and for nearness to friends, and the comforts of something like American or English housekeeping.

In the latter part of the afternoon, from three o'clock, our parties are taking dinner at Le Grand's. The little tables are again full, with a fair complement of ladies. The afternoon breeze is so strong that the draught of air, though it is hot air, is to be avoided. The pa.s.sers-by almost put their faces into the room, and the women and children of the poorer order look wistfully in upon the luxurious guests, the colored gla.s.ses, the red wines, and the golden fruits. The Opera troupe is here, both the singers and the ballet; and we have Gazzaniga, Lamoureux, Max Maretzek and his sister, and others, in this house, and Adelaide Phillips at the next door, and the benefit of a rehearsal, at nearly all hours of the day, of operas that the Habaneros are to rave over at night.

I yield to no one in my admiration of the Spanish as a spoken language, whether in its rich, sonorous, musical, and lofty style, in the mouth of a man who knows its uses, or in the soft, indolent, languid tones of a woman, broken by an occasional birdlike trill--

"_With wanton heed, and giddy cunning,_ _The melting voice through mazes running_"--

but I do not like it as spoken by the common people of Cuba, in the streets. Their voices and intonations are thin and eager, very rapid, too much in the lips, and, withal, giving an impression of the pa.s.sionate and the childish combined; and it strikes me that the tendency here is to enfeeble the language, and take from it the openness of the vowels and the strength of the harder consonants. This is the criticism of a few hours' observation, and may not be just; but I have heard the same from persons who have been longer acquainted with it.

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To Cuba and Back Part 1 summary

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