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As she entered the Pike farmyard, Eli was just going to milking, with cl.u.s.ters of shining pails.
"You're up early," said he. "Well, there's nothin' like the mornin'!"
"No," answered Dilly, smiling at him with the radiance of one who carries good news, "except night-time! There's a good deal in that!" And while Eli went gravely on, pondering according to his wont, she ran up to smooth her tumbled bed.
After breakfast, while Mrs. Pike was carrying away the dishes, Dilly called Jethro softly to one side.
"You come out in the orchard. I want to speak to you."
Her voice thrilled with something like the gladness of confidence, and Jethro's own face brightened. Dilly read that vivid antic.i.p.ation, and caught her breath. Though she knew it now, the old charm would never be quite gone. She took his hand and drew him forward. She seemed like a child, unaffected and not afraid. Out in the path, under the oldest tree of all, she dropped his hand and faced him.
"Jethro," she said, "we can't do it. We can't get married."
He looked at her amazed. She seemed to be telling good news instead of bad. She gazed up at him smilingly. He could not understand.
"Don't you care about me?" he asked at length, haltingly; and again Dilly smiled at him in the same warm confidence.
"Oh, yes," she said eagerly. "I do care, ever and ever so much. But it's your folks I care about. It ain't you. I've found it all out, Jethro.
Things don't al'ays belong to us. Sometimes they belong to them that have gone before; an' half the time we don't know it."
Jethro laid a gentle hand upon her arm. "You're all tired out," he said soothingly. "Now you give up picking over things, and let me hire somebody. I'll be glad to."
But Dilly withdrew a little from his touch. "You're real good, Jethro,"
she answered steadily. She had put aside her exaltation, and was her old self, full of common-sense and kindly strength. "But I don't feel tired, an' I ain't a mite crazed. All you can do is to ride over to town with Eli--he's goin' after he feeds the pigs--an' take the cars from there.
It's all over, Jethro. It is, truly. I ain't so sorry as I might be; for it's borne in on me you won't care this way long. An' you needn't, dear; for nothin' between us is changed a mite. The only trouble is, it ain't the kind of thing we thought."
She looked in his eyes with a long, bright farewell glance, and turned away. She had left behind her something which was very fine and beautiful; but she could not mourn. And all that morning, about the house, she sang little s.n.a.t.c.hes of song, and was content. The Joyces had done their work, and she was doing hers.
THE WAY OF PEACE
It was two weeks after her mother's funeral when Lucy Ann c.u.mmings sat down and considered. The web of a lifelong service and devotion still clung about her, but she was bereft of the creature for whom it had been spun. Now she was quite alone, save for her two brothers and the cousins who lived in other townships, and they all had homes of their own. Lucy Ann sat still, and thought about her life. Brother Ezra and brother John would be good to her. They always had been. Their solicitude redoubled with her need, and they had even insisted on leaving Annabel, John's daughter, to keep her company after the funeral. Lucy Ann thought longingly of the healing which lay in the very loneliness of her little house; but she yielded, with a patient sigh. John and Ezra were men-folks, and doubtless they knew best.
A little more than a week had gone when school "took up," rather earlier than had been intended, and Annabel went away in haste, to teach. Then Lucy Ann drew her first long breath. She had resisted many a kindly office from her niece, with the crafty innocence of the gentle who can only parry and never thrust. When Annabel wanted to help in packing away grandma's things, aunt Lucy agreed, half-heartedly, and then deferred the task from day to day. In reality, Lucy Ann never meant to pack them away at all. She could not imagine her home without them; but that, Annabel would not understand, and her aunt pushed aside the moment, reasoning that something is pretty sure to happen if you put things off long enough. And something did; Annabel went away. It was then that Lucy Ann took a brief draught of the cup of peace.
Long before her mother's death, when they both knew how inevitably it was coming, Lucy Ann had, one day, a little shock of surprise. She was standing before the gla.s.s, coiling her crisp gray hair, and thinking over and over the words the doctor had used, the night before, when he told her how near the end might be. Her delicate face fell into deeper lines. Her mouth dropped a little at the corners; her faded brown eyes were hot with tears, and stopping to wipe them, she caught sight of herself in the gla.s.s.
"Why," she said aloud, "I look jest like mother!"
And so she did, save that it was the mother of five years ago, before disease had corroded the dear face, and patience wrought its tracery there.
"Well," she continued, smiling a little at the poverty of her state, "I shall be a real comfort to me when mother's gone!"
Now that her moment of solitude had struck, grief came also. It glided in, and sat down by her, to go forth no more, save perhaps under its other guise of a patient hope. She rocked back and forth in her chair, and moaned a little to herself.
"Oh, I never can bear it!" she said pathetically, under her breath. "I never can bear it in the world!"
The tokens of illness were all put away. Her mother's bedroom lay cold in an unsmiling order. The ticking of the clock emphasized the inexorable silence of the house. Once Lucy Ann thought she heard a little rustle and stir. It seemed the most natural thing in the world, coming from the bedroom, where one movement of the clothes had always been enough to summon her with flying feet. She caught her breath, and held it, to listen. She was ready, undisturbed, for any sign. But a great fly buzzed drowsily on the pane, and the fire crackled with accentuated life. She was quite alone. She put her hand to her heart, in that gesture of grief which is so entirely natural when we feel the stab of destiny; and then she went wanly into the sitting-room, looking about her for some pretense of duty to solace her poor mind. There again she caught sight of herself in the gla.s.s.
"Oh, my!" breathed Lucy Ann. Low as they were, the words held a fullness of joy.
Her face had been aging through these days of grief; it had grown more and more like her mother's. She felt as if a hand had been stretched out to her, holding a gift, and at that moment something told her how to make the gift enduring. Running over to the little table where her mother's work-basket stood, as it had been, undisturbed, she took out a pair of scissors, and went back to the gla.s.s. There she let down her thick gray hair, parted it carefully on the sides, and cut off lock after lock about her face. She looked a caricature of her sober self.
But she was well used to curling hair like this, drawing its crisp silver into shining rings; and she stood patiently before the gla.s.s and coaxed her own locks into just such fashion as had framed the older face. It was done, and Lucy Ann looked at herself with a smile all suffused by love and longing. She was not herself any more; she had gone back a generation, and chosen a warmer niche. She could have kissed her face in the gla.s.s, it was so like that other dearer one. She did finger the little curls, with a reminiscent pa.s.sion, not daring to think of the darkness where the others had been shut; and, at that instant, she felt very rich. The change suggested a more faithful portraiture, and she went up into the spare room and looked through the closet where her mother's clothes had been hanging so long, untouched. Selecting a purple thibet, with a little white sprig, she slipped off her own dress, and stepped into it. She crossed a muslin kerchief on her breast, and pinned it with the cameo her mother had been used to wear. It was impossible to look at herself in the doing; but when the deed was over, she went again to the gla.s.s and stood there, held by a wonder beyond her will. She had resurrected the creature she loved; this was an enduring portrait, perpetuating, in her own life, another life as well.
"I'll pack away my own clo'es to-morrer," said Lucy Ann to herself.
"Them are the ones to be put aside."
She went downstairs, hushed and tremulous, and seated herself again, her thin hands crossed upon her lap; and there she stayed, in a pleasant dream, not of the future, and not even of the past, but face to face with a recognition of wonderful possibilities. She had dreaded her loneliness with the ache that is despair; but she was not lonely any more. She had been allowed to set up a little model of the tabernacle where she had worshiped; and, having that, she ceased to be afraid. To sit there, clothed in such sweet familiarity of line and likeness, had tightened her grasp upon the things that are. She did not seem to herself altogether alive, nor was her mother dead. They had been fused, by some wonderful alchemy; and instead of being worlds apart, they were at one. So, John c.u.mmings, her brother, stepping briskly in, after tying his horse at the gate, came upon her unawares, and started, with a hoa.r.s.e, thick cry. It was in the dusk of evening; and, seeing her outline against the window, he stepped back against the wall and leaned there a moment, grasping at the casing with one hand. "Good G.o.d!" he breathed, at last, "I thought 't was mother!"
Lucy Ann rose, and went forward to meet him.
"Then it's true," said she. "I'm so pleased. Seems as if I could git along, if I could look a little mite like her."
John stood staring at her, frowning in his bewilderment.
"What have you done to yourself?" he asked. "Put on her clo'es?"
"Yes," said Lucy Ann, "but that ain't all. I guess I do resemble mother, though we ain't any of us had much time to think about it. Well, I _am_ pleased. I took out that daguerreotype she had, down Saltash way, though it don't favor her as she was at the end. But if I can take a glimpse of myself in the gla.s.s, now and then, mebbe I can git along."
They sat down together in the dark, and mused over old memories. John had always understood Lucy Ann better than the rest. When she gave up Simeon Bascom to stay at home with her mother, he never pitied her much; he knew she had chosen the path she loved. The other day, even, some one had wondered that she could have heard the funeral service so unmoved; but he, seeing how her face had seemed to fade and wither at every word, guessed what pain was at her heart. So, though his wife had sent him over to ask how Lucy Ann was getting on, he really found out very little, and felt how painfully dumb he must be when he got home. Lucy Ann was pretty well, he thought he might say. She'd got to looking a good deal like mother.
They took their "blindman's holiday," Lucy Ann once in a while putting a stick on the leaping blaze, and, when John questioned her, giving a low-toned reply. Even her voice had changed. It might have come from that bedroom, in one of the pauses between hours of pain, and neither would have been surprised.
"What makes you burn beech?" asked John, when a shower of sparks came crackling at them.
"I don't know," she answered. "Seems kind o' nat'ral. Some of it got into the last cord we bought, an' one night it snapped out, an' most burnt up mother's nightgown an' cap while I was warmin' 'em. We had a real time of it. She scolded me, an' then she laughed, an' I laughed--an' so, when I see a stick or two o' beech to-day, I kind o'
picked it out a-purpose."
John's horse stamped impatiently from the gate, and John, too, knew it was time to go. His errand was not done, and he balked at it.
"Lucy Ann," said he, with the bluntness of resolve, "what you goin' to do?"
Lucy Ann looked sweetly at him through the dark. She had expected that.
She smoothed her mother's dress with one hand, and it gave her courage.
"Do?" said she; "why, I ain't goin' to do nothin'. I've got enough to pull through on."
"Yes, but where you goin' to live?"
"Here."
"Alone?"
"I don't feel so very much alone," said she, smiling to herself. At that moment she did not. All sorts of sweet possibilities had made themselves real. They comforted her, like the presence of love.
John felt himself a messenger. He was speaking for others that with which his soul did not accord.