This Side of Paradise Part 24

And the rain and over the fields a voice calling...

Our gray blown cloud scurries and lifts above, Slides on the sun and flutters there to waft her Sisters on. The shadow of a dove Falls on the cote, the trees are filled with wings; And down the valley through the crying trees The body of the darker storm flies; brings With its new air the breath of sunken seas And slender tenuous thunder...

But I wait...

Wait for the mists and for the blacker rain- Heavier winds that stir the veil of fate, Happier winds that pile her hair; Again They tear me, teach me, strew the heavy air Upon me, winds that I know, and storm.

There was a summer every rain was rare; There was a season every wind was warm....

And now you pa.s.s me in the mist... your hair Rain-blown about you, damp lips curved once more In that wild irony, that gay despair That made you old when we have met before; Wraith-like you drift on out before the rain, Across the fields, blown with the stemless flowers, With your old hopes, dead leaves and loves again- Dim as a dream and wan with all old hours (Whispers will creep into the growing dark...

Tumult will die over the trees) Now night Tears from her wetted breast the splattered blouse Of day, glides down the dreaming hills, tear-bright, To cover with her hair the eerie green...

Love for the dusk... Love for the glistening after; Quiet the trees to their last tops... serene...

Faint winds, and far away a fading laughter..."

CHAPTER 4. The Supercilious Sacrifice

Atlantic City. Amory paced the board walk at day's end, lulled by the everlasting surge of changing waves, smelling the half-mournful odor of the salt breeze. The sea, he thought, had treasured its memories deeper than the faithless land. It seemed still to whisper of Norse galleys ploughing the water world under raven-figured flags, of the British dreadnoughts, gray bulwarks of civilization steaming up through the fog of one dark July into the North Sea.

"Well-Amory Blaine!"

Amory looked down into the street below. A low racing car had drawn to a stop and a familiar cheerful face protruded from the driver's seat.

"Come on down, goopher!" cried Alec.

Amory called a greeting and descending a flight of wooden steps approached the car. He and Alec had been meeting intermittently, but the barrier of Rosalind lay always between them. He was sorry for this; he hated to lose Alec.

"Mr. Blaine, this is Miss Waterson, Miss Wayne, and Mr. Tully."

"How d'y do?"

"Amory," said Alec exuberantly, "if you'll jump in we'll take you to some secluded nook and give you a wee jolt of Bourbon."

Amory considered.

"That's an idea."

"Step in-move over, Jill, and Amory will smile very handsomely at you."

Amory squeezed into the back seat beside a gaudy, vermilion-lipped blonde.

"h.e.l.lo, Doug Fairbanks," she said flippantly. "Walking for exercise or hunting for company?"

"I was counting the waves," replied Amory gravely. "I'm going in for statistics."

"Don't kid me, Doug."

When they reached an unfrequented side street Alec stopped the car among deep shadows.

"What you doing down here these cold days, Amory?" he demanded, as he produced a quart of Bourbon from under the fur rug.

Amory avoided the question. Indeed, he had had no definite reason for coming to the coast.

"Do you remember that party of ours, soph.o.m.ore year?" he asked instead.

"Do I? When we slept in the pavilions up in Asbury Park-"

"Lord, Alec! It's hard to think that Jesse and d.i.c.k and Kerry are all three dead."

Alec shivered.

"Don't talk about it. These dreary fall days depress me enough."

Jill seemed to agree.

"Doug here is sorta gloomy anyways," she commented. "Tell him to drink deep-it's good and scarce these days."

"What I really want to ask you, Amory, is where you are-"

"Why, New York, I suppose-"

"I mean to-night, because if you haven't got a room yet you'd better help me out."

"Glad to."

"You see, Tully and I have two rooms with bath between at the Ranier, and he's got to go back to New York. I don't want to have to move. Question is, will you occupy one of the rooms?"

Amory was willing, if he could get in right away.

"You'll find the key in the office; the rooms are in my name."

Declining further locomotion or further stimulation, Amory left the car and sauntered back along the board walk to the hotel.

He was in an eddy again, a deep, lethargic gulf, without desire to work or write, love or dissipate. For the first time in his life he rather longed for death to roll over his generation, obliterating their petty fevers and struggles and exultations. His youth seemed never so vanished as now in the contrast between the utter loneliness of this visit and that riotous, joyful party of four years before. Things that had been the merest commonplaces of his life then, deep sleep, the sense of beauty around him, all desire, had flown away and the gaps they left were filled only with the great listlessness of his disillusion.

"To hold a man a woman has to appeal to the worst in him." This sentence was the thesis of most of his bad nights, of which he felt this was to be one. His mind had already started to play variations on the subject. Tireless pa.s.sion, fierce jealousy, longing to possess and crush-these alone were left of all his love for Rosalind; these remained to him as payment for the loss of his youth-bitter calomel under the thin sugar of love's exaltation.

In his room he undressed and wrapping himself in blankets to keep out the chill October air drowsed in an armchair by the open window.

He remembered a poem he had read months before: "Oh staunch old heart who toiled so long for me, I waste my years sailing along the sea-"

Yet he had no sense of waste, no sense of the present hope that waste implied. He felt that life had rejected him.

"Rosalind! Rosalind!" He poured the words softly into the half-darkness until she seemed to permeate the room; the wet salt breeze filled his hair with moisture, the rim of a moon seared the sky and made the curtains dim and ghostly. He fell asleep.

When he awoke it was very late and quiet. The blanket had slipped partly off his shoulders and he touched his skin to find it damp and cold.

Then he became aware of a tense whispering not ten feet away.

He became rigid.

"Don't make a sound!" It was Alec's voice. "Jill-do you hear me?"

"Yes-" breathed very low, very frightened. They were in the bathroom.

Then his ears caught a louder sound from somewhere along the corridor outside. It was a mumbling of men's voices and a repeated m.u.f.fled rapping. Amory threw off the blankets and moved close to the bathroom door.

"My G.o.d!" came the girl's voice again. "You'll have to let them in."

"Sh!"

Suddenly a steady, insistent knocking began at Amory's hall door and simultaneously out of the bathroom came Alec, followed by the vermilion-lipped girl. They were both clad in pajamas.

"Amory!" an anxious whisper.

"What's the trouble?"

"It's house detectives. My G.o.d, Amory-they're just looking for a test-case-"

"Well, better let them in."

"You don't understand. They can get me under the Mann Act."

The girl followed him slowly, a rather miserable, pathetic figure in the darkness.

Amory tried to plan quickly.

"You make a racket and let them in your room," he suggested anxiously, "and I'll get her out by this door."

"They're here too, though. They'll watch this door."

"Can't you give a wrong name?"

"No chance. I registered under my own name; besides, they'd trail the auto license number."

"Say you're married."

"Jill says one of the house detectives knows her."

The girl had stolen to the bed and tumbled upon it; lay there listening wretchedly to the knocking which had grown gradually to a pounding. Then came a man's voice, angry and imperative: "Open up or we'll break the door in!"

In the silence when this voice ceased Amory realized that there were other things in the room besides people... over and around the figure crouched on the bed there hung an aura, gossamer as a moonbeam, tainted as stale, weak wine, yet a horror, diffusively brooding already over the three of them... and over by the window among the stirring curtains stood something else, featureless and indistinguishable, yet strangely familiar.... Simultaneously two great cases presented themselves side by side to Amory; all that took place in his mind, then, occupied in actual time less than ten seconds.

The first fact that flashed radiantly on his comprehension was the great impersonality of sacrifice-he perceived that what we call love and hate, reward and punishment, had no more to do with it than the date of the month. He quickly recapitulated the story of a sacrifice he had heard of in college: a man had cheated in an examination; his roommate in a gust of sentiment had taken the entire blame-due to the shame of it the innocent one's entire future seemed shrouded in regret and failure, capped by the ingrat.i.tude of the real culprit. He had finally taken his own life-years afterward the facts had come out. At the time the story had both puzzled and worried Amory. Now he realized the truth; that sacrifice was no purchase of freedom. It was like a great elective office, it was like an inheritance of power-to certain people at certain times an essential luxury, carrying with it not a guarantee but a responsibility, not a security but an infinite risk. Its very momentum might drag him down to ruin-the pa.s.sing of the emotional wave that made it possible might leave the one who made it high and dry forever on an island of despair.

... Amory knew that afterward Alec would secretly hate him for having done so much for him....

... All this was flung before Amory like an opened scroll, while ulterior to him and speculating upon him were those two breathless, listening forces: the gossamer aura that hung over and about the girl and that familiar thing by the window.

Sacrifice by its very nature was arrogant and impersonal; sacrifice should be eternally supercilious.

Weep not for me but for thy children.

That-thought Amory-would be somehow the way G.o.d would talk to me.

Amory felt a sudden surge of joy and then like a face in a motion-picture the aura over the bed faded out; the dynamic shadow by the window, that was as near as he could name it, remained for the fraction of a moment and then the breeze seemed to lift it swiftly out of the room. He clinched his hands in quick ecstatic excitement... the ten seconds were up....

"Do what I say, Alec-do what I say. Do you understand?"

Alec looked at him dumbly-his face a tableau of anguish.

"You have a family," continued Amory slowly. "You have a family and it's important that you should get out of this. Do you hear me?" He repeated clearly what he had said. "Do you hear me?"

"I hear you." The voice was curiously strained, the eyes never for a second left Amory's.

"Alec, you're going to lie down here. If any one comes in you act drunk. You do what I say-if you don't I'll probably kill you."

There was another moment while they stared at each other. Then Amory went briskly to the bureau and, taking his pocket-book, beckoned peremptorily to the girl. He heard one word from Alec that sounded like "penitentiary," then he and Jill were in the bathroom with the door bolted behind them.

"You're here with me," he said sternly. "You've been with me all evening."

She nodded, gave a little half cry.

In a second he had the door of the other room open and three men entered. There was an immediate flood of electric light and he stood there blinking.

"You've been playing a little too dangerous a game, young man!"

Amory laughed.

"Well?"