The Writer on the Hill Part 2

'Where else?' said the woman.

'Just for tonight.'

She smiled, and waited. Rusty stood in front of her, his hands behind his back.

Sit down,' she said, and patted the bedclothes beside her.

Reverently, and as respectfully as he could, Rusty sat down.

The woman ran little fair fingers over his body, and drew his head to hers; their lips were very close, almost touching, and their breathing sounded terribly loud to Rusty, but he only said, 'I am hungry.'

A poet, thought the woman, and kissed him full on the lips; but the boy drew away in embarra.s.sment, unsure of himself, liking the woman on the bed and yet afraid of her...

'What is wrong?' she asked. 'I'm tired,' he said. The woman's friendly smile turned to a look of scorn; but she saw that he was only a boy whose eyes were full of unhappiness, and she could not help pitying him.

'You can sleep here,' she said, 'until you have lost your tiredness.'

But he shook his head. 'I will come some other time,' he said, not wishing to hurt the woman's feelings. They were both pitying each other, liking each other, but not enough to make them understand each other.

Rusty left the room. Mechanically, he descended the staircase, and walked up the bazaar road, past the silent sleeping forms, until he reached the Clock Tower. To the right of the Clock Tower was a broad stretch of gra.s.sland where, during the day, cattle grazed and children played and young men like Ranbir wrestled and kicked footb.a.l.l.s. But now, at night, it was a vast empty s.p.a.ce.

But the gra.s.s was soft, like the gra.s.s in the forest, and Rusty walked the length of the maidan. He found a bench and sat down, warmer for the walk. A light breeze was blowing across the maidan, pleasant and refreshing, playing with his hair. Around him everything was dark and silent and lonely. He had got away from the bazaar, which held the misery of beggars and homeless children and starving dogs, and could now concentrate on his own misery; for there was nothing like loneliness for making Rusty conscious of his unhappy state. Madness and freedom and violence were new to him: loneliness was familiar, something he understood.

Rusty was alone. Until tomorrow, he was alone for the rest of his life.

If tomorrow there was no Somi at the chaat shop, no Ranbir, then what would he do? This question badgered him persistently, making him an unwilling slave to reality. He did not know where his friends lived, he had no money, he could not ask the chaat-walla for credit on the strength of two visits. Perhaps he should return to the amorous lady in the bazaar; perhaps... but no, one thing was certain, he would never return to his guardian...

The moon had been hidden by clouds, and presently there was a drizzle. Rusty did not mind the rain, it refreshed him and made the colour run from his body; but, when it began to fall harder, he started shivering again. He felt sick. He got up, rolled his ragged pyjamas up to the thighs and crawled under the bench.

There was a hollow under the bench, and at first Rusty found it quite comfortable. But there was no gra.s.s and gradually the earth began to soften: soon he was on his hands and knees in a pool of muddy water, with the slush oozing up through his fingers and toes. Crouching there, wet and cold and muddy, he was overcome by a feeling of helplessness and self-pity: everyone and everything seemed to have turned against him; not only his people but also the bazaar and the chaat shop and even the elements. He admitted to himself that he had been too impulsive in rebelling and running away from home; perhaps there was still time to return and beg Mr Harrison's forgiveness. But could his behaviour be forgiven? Might he not be clapped into irons for attempted murder? Most certainly he would be given another beating: not six strokes this time, but nine.

His only hope was Somi. If not Somi, then Ranbir. If not Ranbir ...well, it was no use thinking further, there was no one else to think of.

The rain had ceased. Rusty crawled out from under the bench, and stretched his cramped limbs. The moon came out from a cloud and played with his wet, glistening body, and showed him the vast, naked loneliness of the maidan and his own insignificance. He longed now for the presence of people, be they beggars or women, and he broke into a trot, and the trot became a run, a frightened run, and he did not stop until he reached the Clock Tower.

The Crooked Tree.

You must pa.s.s your exams and go to college, but do not feel that if you fail, you will be able to do nothing.

MY ROOM IN Shahganj was very small. I had paced about in it so often that I knew its exact measurements: twelve feet by ten. The string of my cot needed tightening. The dip in the middle was so p.r.o.nounced that I invariably woke up in the morning with a backache; but I was hopeless at tightening charpoy strings.

Under the cot was my tin trunk. Its contents ranged from old, rejected ma.n.u.scripts to clothes and letters and photographs. I had resolved that one day, when I had made some money with a book, I would throw the trunk and everything else out of the window, and leave Shahganj forever. But until then I was a prisoner. The rent was nominal, the window had a view of the bus stop and rickshaw stand, and I had nowhere else to go.

I did not live entirely alone. Sometimes a beggar spent the night on the balcony; and, during cold or wet weather, the boys from the tea shop, who normally slept on the pavement, crowded into the room.

Usually I woke early in the mornings, as sleep was fitful, uneasy, crowded with dreams. I knew it was five o'clock when I heard the first upcountry bus leaving its shed. I would then get up and take a walk in the fields beyond the railroad tracks.

One morning, while I was walking in the fields, I noticed someone lying across the pathway, his head and shoulders hidden by the stalks of young sugar cane. When I came near, I saw he was a boy of about sixteen. His body was twitching convulsively, his face was very white, except where a little blood had trickled down his chin. His legs kept moving and his hands fluttered restlessly, helplessly.

'What's the matter with you?' I asked, kneeling down beside him.

But he was still unconscious and could not answer me.

I ran down the footpath to a well and, dipping the end of my shirt in a shallow trough of water, ran back and sponged the boy's face. The twitching ceased and, though he still breathed heavily, his hands became still and his face calm. He opened his eyes and stared at me without any immediate comprehension.

'You have bitten your tongue,' I said, wiping the blood from his mouth. 'Don't worry. I'll stay with you until you feel better.'

He sat up now and said, 'I'm all right, thank you.'

'What happened?' I asked, sitting down beside him.

'Oh, nothing much. It often happens, I don't know why. But I cannot control it.'

'Have you seen a doctor?'

'I went to the hospital in the beginning. They gave me some pills, which I had to take every day. But the pills made me so tired and sleepy that I couldn't work properly. So I stopped taking them. Now this happens once or twice a month. But what does it matter? I'm all right when it's over, and I don't feel anything while it is happening.'

He got to his feet, dusting his clothes and smiling at me. He was slim, long-limbed and bony. There was a little fluff on his cheeks and the promise of a moustache.

'Where do you live?' I asked. 'I'll walk back with you.'

'I don't live anywhere,' he said. 'Sometimes I sleep in the temple, sometimes in the gurdwara. In summer months I sleep in the munic.i.p.al gardens.'

'Well, then let me come with you as far as the gardens.'

He told me that his name was Kamal, that he studied at the Shahganj High School, and that he hoped to pa.s.s his examinations in a few months' time. He was studying hard and, if he pa.s.sed with a good division, he hoped to attend a college. If he failed, there was only the prospect of continuing to live in the munic.i.p.al gardens...

He carried with him a small tray of merchandise, supported by straps that went round his shoulders. In it were combs and b.u.t.tons and cheap toys and little vials of perfume. All day he walked about Shahganj, selling odds and ends to people in the bazaar or at their houses. He made, on an average, two rupees a day, which was enough for his food and his school fees.

He told me all this while we walked back to the bus stand. I returned to my room, to try and write something, while Kamal went on to the bazaar to try and sell his wares.

There was nothing very unusual about Kamal's being an orphan and a refugee. During the communal holocaust of 1947, thousands of homes had been broken up, and women and children had been killed. What was unusual in Kamal was his sensitivity, a quality I thought rare in a Punjabi youth who had grown up in the Frontier Provinces during a period of hate and violence. And it was not so much his positive att.i.tude to life that appealed to me (most people in Shahganj were completely resigned to their lot) as his gentleness, his quiet voice and the smile that flickered across his face regardless of whether he was sad or happy. In the morning, when I opened my door, I found Kamal asleep at the top of the steps. His tray lay a few feet away. I shook him gently, and he woke at once.

'Have you been sleeping here all night?' I asked. 'Why didn't you come inside?'

'It was very late,' he said. 'I didn't want to disturb you.'

'Someone could have stolen your things while you slept.'

'Oh, I sleep quite lightly. Besides, I have nothing of special value. But I came to ask you something.'

'Do you need any money?'

'No. I want you to take your meal with me tonight.'

'But where? You don't have a place of your own. It will be too expensive in a restaurant.'

'In your room,' said Kamal. 'I will bring the food and cook it here. You have a stove?'

'I think so,' I said. 'I will have to look for it.'

'I will come at seven,' said Kamal, strapping on his tray. 'Don't worry. I know how to cook!'

He ran down the steps and made for the bazaar. I began to look for the oil stove, found it at the bottom of my tin trunk, and then discovered I hadn't any pots or pans or dishes. Finally, I borrowed these from Deep Chand, the barber.

Kamal brought a chicken for our dinner. This was a costly luxury in Shahganj, to be taken only two or three times a year. He had bought the bird for three rupees, which was cheap, considering it was not too skinny. While Kamal set about roasting it, I went down to the bazaar and procured a bottle of beer on credit, and this served as an appetizer.

'We are having an expensive meal,' I observed. 'Three rupees for the chicken and three rupees for the beer. But I wish we could do it more often.'

'We should do it at least once a month,' said Kamal. 'It should be possible if we work hard.'

'You know how to work. You work from morning to night.'

'But you are a writer, Rusty. That is different. You have to wait for a mood.'

'Oh, I'm not a genius that I can afford the luxury of moods. No, I'm just lazy, that's all.'

'Perhaps you are writing the wrong things.'

'I know I am. But I don't know how I can write anything else.'

'Have you tried?'

'Yes, but there is no money in it. I wish I could make a living in some other way. Even if I repaired cycles, I would make more money.'

'Then why not repair cycles?'

'No, I will not repair cycles. I would rather be a bad writer than a good repairer of cycles. But let us not think of work. There is time enough for work. I want to know more about you.'

Kamal did not know if his parents were alive or dead. He had lost them, literally, when he was six. It happened at the Amritsar railroad station, where trains coming across the border disgorged thousands of refugees, or pulled into the station half empty, drenched with blood and littered with corpses.

Kamal and his parents were lucky to escape the ma.s.sacre. Had they travelled on an earlier train (they had tried desperately to get into one), they might well have been killed; but circ.u.mstances favoured them then, only to trick them later.

Kamal was clinging to his mother's sari, while she remained close to her husband, who was elbowing his way through the frightened, bewildered throng of refugees. Glancing over his shoulder at a woman who lay on the ground, wailing and beating her b.r.e.a.s.t.s, Kamal collided with a burly Sikh and lost his grip on his mother's sari.

The Sikh had a long curved sword at his waist; and Kamal stared up at him in awe and fascination-at his long hair, which had fallen loose, and his wild black beard, and the bloodstains on his white shirt. The Sikh pushed him out of the way and when Kamal looked around for his mother, she was not to be seen. She was hidden from him by a ma.s.s of restless bodies, pushed in different directions. He could hear her calling, 'Kamal, where are you, Kamal?' He tried to force his way through the crowd, in the direction of the voice, but he was carried the other way...

At night, when the platform was empty, he was still searching for his mother. Eventually, some soldiers took him away. They looked for his parents, but without success, and finally, they sent Kamal to a refugee camp. From there he went to an orphanage. But when he was eight, and felt himself a man, he ran away.

He worked for some time as a helper in a tea shop; but, when he started getting epileptic fits, the shopkeeper asked him to leave, and he found himself on the streets, begging for a living. He begged for a year, moving from one town to another, and ended up finally at Shahganj. By then he was twelve and too old to beg; but he had saved some money, and with it he bought a small stock of combs, b.u.t.tons, cheap perfumes and bangles; and, converting himself into a mobile shop, went from door to door, selling his wares.

Shahganj was a small town, and there was no house which Kamal hadn't visited. Everyone recognized him, and there were some who offered him food and drink; the children knew him well, because he played a small flute whenever he made his rounds, and they followed him to listen to the flute.

I began to look forward to Kamal's presence. He dispelled some of my own loneliness. I found I could work better, knowing that I did not have to work alone. And Kamal came to me, perhaps because I was the first person to have taken a personal interest in his life, and because I saw nothing frightening in his sickness. Most people in Shahganj thought epilepsy was infectious; some considered it a form of divine punishment for sins committed in a former life. Except for children, those who knew of his condition generally gave him a wide berth.

At sixteen, a boy grows like young wheat, springing up so fast that he is unaware of what is taking place within him. His mind quickens, his gestures become more confident. Hair sprouts like young gra.s.s on his face and chest, and his muscles begin to mature. Never again will he experience so much change and growth in so short a time. He is full of currents and countercurrents.

Kamal combined the bloom of youth with the beauty of the short-lived. It made me sad even to look at his pale, slim body. It hurt me to look into his eyes. Life and death were always struggling in their depths.

'Should I go to Delhi and take up a job?' I asked.

'Why not? You are always talking about it.'

'Why don't you come, too? Perhaps they can stop your fits.'

'We will need money for that. When I have pa.s.sed my examinations, I will come.'

'Then I will wait,' I said. I was twenty-two, and there was world enough and time for everything.

We decided to save a little money from his small earnings and my occasional payments. We would need money to go to Delhi, money to live there until we could earn a living. We put away twenty rupees one week, but lost it the next when we lent it to a friend who owned a cycle rickshaw. But this gave us the occasional use of his cycle rickshaw, and early one morning, with Kamal sitting on the crossbar, I rode out of Shahganj.

After cycling for about two miles, we got down and pushed the cycle off the road, taking a path through a paddy field and then through a field of young maize, until in the distance we saw a tree, a crooked tree, growing beside an old well.

I do not know the name of that tree. I had never seen one like it before. It had a crooked trunk and crooked branches, and was clothed in thick, broad, crooked leaves, like the leaves on which food is served in the bazaar.

In the trunk of the tree there was a hole, and when we set the bicycle down with a crash, a pair of green parrots flew out, and went dipping and swerving across the fields. There was gra.s.s around the well, cropped short by grazing cattle.

We sat in the shade of the crooked tree, and Kamal untied the red cloth in which he had brought our food. When we had eaten, we stretched ourselves out on the gra.s.s. I closed my eyes and became aware of a score of different sensations. I heard a cricket singing in the tree, the cooing of pigeons from the walls of the old well, the quiet breathing of Kamal, the parrots returning to the tree, the distant hum of an airplane. I smelled the gra.s.s and the old bricks round the well and the promise of rain. I felt Kamal's fingers against my arm, and the sun creeping over my cheek. And when I opened my eyes, there were clouds on the horizon, and Kamal was asleep, his arm thrown across his face to keep out the glare.

I went to the well, and putting my shoulders to the ancient handle, turned the wheel, moving it around while cool, clean water gushed out over the stones and along the channel to the fields. The discovery that I could water a field, that I had the power to make things grow, gave me a thrill of satisfaction; it was like writing a story that had the ring of truth. I drank from one of the trays; the water was sweet with age.

Kamal was sitting up, looking at the sky.

'It's going to rain,' he said.

We began cycling homeward; but we were still some way out of Shahganj when it began to rain. A lashing wind swept the rain across our faces, but we exulted in it, and sang at the top of our voices until we reached the Shahganj bus stop.

Across the railroad tracks and the dry riverbed, fields of maize stretched away, until there came a dry region of thorn bushes and lantana scrub, where the earth was cut into jagged cracks, like a jigsaw puzzle. Dotting the landscape were old, abandoned brick kilns. When it rained heavily, the hollows filled up with water.

Kamal and I came to one of these hollows to bathe and swim. There was an island in the middle of it, and on this small mound lay the ruins of a hut where a night.w.a.tchman had once lived, looking after the brick kilns. We would swim out to the island, which was only a few yards from the banks of the hollow. There was a gra.s.sy patch in front of the hut, and early in the mornings, before it got too hot, we would wrestle on the gra.s.s.

Though I was heavier than Kamal, my chest as sound as a new drum, he had strong, wiry arms and legs, and would often pinion me around the waist with his bony knees. Now, while we wrestled on the new monsoon gra.s.s, I felt his body go tense. He stiffened, his legs jerked against my body, and a shudder pa.s.sed through him. I knew that he had a fit coming on, but I was unable to extricate myself from his arms.

He gripped me more tightly as the fit took possession of him. Instead of struggling, I lay still, tried to absorb some of his anguish, tried to draw some of his agitation to myself. I had a strange fancy that by identifying myself with his convulsions, I might alleviate them.

I pressed against Kamal, and whispered soothingly into his ear; and then, when I noticed his mouth working, I thrust my fingers between his teeth to prevent him from biting his tongue. But so violent was the convulsion that his teeth bit into the flesh of my palm and ground against my knuckles. I shouted with the pain and tried to jerk my hand away, but it was impossible to loosen the grip of his jaws. So I closed my eyes and counted-counted till seven-until consciousness returned to him and his muscles relaxed.

My hand was shaking and covered with blood. I bound it in my handkerchief and kept it hidden from Kamal.

We walked back to the room without talking much. Kamal looked depressed and weak. I kept my hand beneath my shirt, and Kamal was too dejected to notice anything. It was only at night, when he returned from his cla.s.ses, that he noticed the cuts, and I told him I had slipped in the road, cutting my hand on some broken gla.s.s.

Rain upon Shahganj. And, until the rain stops, Shahganj is fresh and clean and alive. The children run out of their houses, glorying in their nakedness. The gutters choke, and the narrow street becomes a torrent of water, coursing merrily down to the bus stop. It swirls over the trees and the roofs of the town, and the parched earth soaks it up, exuding a fragrance that comes only once in a year, the fragrance of quenched earth, that most exhilarating of smells.