The Works of Horace Part 2

O daughter, more charming than your charming mother, put what end you please to my insulting iambics; either in the flames, or, if you choose it, in the Adriatic. Nor Cybele, nor Apollo, the dweller in the shrines, so shakes the breast of his priests; Bacchus does not do it equally, nor do the Corybantes so redouble their strokes on the sharp-sounding cymbals, as direful anger; which neither the Noric sword can deter, nor the shipwrecking sea, nor dreadful fire, not Jupiter himself rushing down with awful crash. It is reported that Prometheus was obliged to add to that original clay [with which he formed mankind], some ingredient taken from every animal, and that he applied the vehemence of the raging lion to the human breast. It was rage that destroyed Thyestes with horrible perdition; and has been the final cause that lofty cities have been entirely demolished, and that an insolent army has driven the hostile plowshare over their walls. Compose your mind. An ardor of soul attacked me also in blooming youth, and drove me in a rage to the writing of swift-footed iambics. Now I am desirous of exchanging severity for good nature, provided that you will become my friend, after my having recanted my abuse, and restore me your affections.

ODE XVII.

TO TYNDARIS.

The nimble Faunus often exchanges the Lycaean mountain for the pleasant Lucretilis, and always defends my she-goats from the scorching summer, and the rainy winds. The wandering wives of the unsavory husband seek the hidden strawberry-trees and thyme with security through the safe grove: nor do the kids dread the green lizards, or the wolves sacred to Mars; whenever, my Tyndaris, the vales and the smooth rocks of the sloping Ustica have resounded with his melodious pipe. The G.o.ds are my protectors. My piety and my muse are agreeable to the G.o.ds. Here plenty, rich with rural honors, shall flow to you, with her generous horn filled to the brim. Here, in a sequestered vale, you shall avoid the heat of the dog-star; and, on your Anacreontic harp, sing of Penelope and the frail Circe striving for one lover; here you shall quaff, under the shade, cups of unintoxicating Lesbian. Nor shall the raging son of Semele enter the combat with Mars; and unsuspected you shall not fear the insolent Cyrus, lest he should savagely lay his intemperate hands on you, who are by no means a match for him; and should rend the chaplet that is platted in your hair, and your inoffensive garment.

ODE XVIII.

TO VARUS.

O Varus, you can plant no tree preferable to the sacred vine, about the mellow soil of Tibur, and the walls of Catilus. For G.o.d hath rendered every thing cross to the sober; nor do biting cares disperse any otherwise [than by the use of wine]. Who, after wine, complains of the hardships of war or of poverty? Who does not rather [celebrate] thee, Father Bacchus, and thee, comely Venus? Nevertheless, the battle of the Centaurs with the Lapithae, which was fought in their cups, admonishes us not to exceed a moderate use of the gifts of Bacchus. And Bacchus himself admonishes us in his severity to the Thracians; when greedy to satisfy their l.u.s.ts, they make little distinction between right and wrong. O beauteous Bacchus, I will not rouse thee against thy will, nor will I hurry abroad thy [mysteries, which are] covered with various leaves. Cease your dire cymbals, together with your Phrygian horn, whose followers are blind Self-love and Arrogance, holding up too high her empty head, and the Faith communicative of secrets, and more transparent than gla.s.s.

ODE XIX.

TO GLYCERA.

The cruel mother of the Cupids, and the son of the Theban Gemele, and lascivious ease, command me to give back my mind to its deserted loves.

The splendor of Glycera, shining brighter than the Parian marble, inflames me: her agreeable petulance, and her countenance, too unsteady to be beheld, inflame me. Venus, rushing on me with her whole force, has quitted Cyprus; and suffers me not to sing of the Scythians, and the Parthian, furious when his horse is turned for flight, or any subject which is not to the present purpose. Here, slaves, place me a live turf; here, place me vervains and frankincense, with a flagon of two-year-old wine. She will approach more propitious, after a victim has been sacrificed.

ODE XX.

TO MAECENAS.

My dear knight Maecenas, you shall drink [at my house] ign.o.ble Sabine wine in sober cups, which I myself sealed up in the Grecian cask, stored at the time, when so loud an applause was given to you in the amphitheatre, that the banks of your ancestral river, together with the cheerful echo of the Vatican mountain, returned your praises. You [when you are at home] will drink the Caecuban, and the grape which is squeezed in the Calenian press; but neither the Falernian vines, nor the Formian hills, season my cups.

ODE XXI.

ON DIANA AND APOLLO.

Ye tender virgins, sing Diana; ye boys, sing Apollo with his unshorn hair, and Latona pa.s.sionately beloved by the supreme Jupiter. Ye (virgins), praise her that rejoices in the rivers, and the thick groves, which project either from the cold Algidus, or the gloomy woods of Erymanthus, or the green Cragus. Ye boys, extol with equal praises Apollo's Delos, and his shoulder adorned with a quiver, and with his brother Mercury's lyre. He, moved by your intercession, shall drive away calamitous war, and miserable famine, and the plague from the Roman people and their sovereign Caesar, to the Persians and the Britons.

ODE XXII.

TO ARISTIUS FUSCUS.

The man of upright life and pure from wickedness, O Fuscus, has no need of the Moorish javelins, or bow, or quiver loaded with poisoned darts.

Whether he is about to make his journey through the sultry Syrtes, or the inhospitable Caucasus, or those places which Hydaspes, celebrated in story, washes. For lately, as I was singing my Lalage, and wandered beyond my usual bounds, devoid of care, a wolf in the Sabine wood fled from me, though I was unarmed: such a monster as neither the warlike Apulia nourishes in its extensive woods, nor the land of Juba, the dry-nurse of lions, produces. Place me in those barren plains, where no tree is refreshed by the genial air; at that part of the world, which clouds and an inclement atmosphere infest. Place me under the chariot of the too neighboring sun, in a land deprived of habitations; [there] will I love my sweetly-smiling, sweetly-speaking Lalage.

ODE XXIII.

TO CHLOE.

You shun me, Chloe, like a fawn that is seeking its timorous mother in the pathless mountains, not without a vain dread of the breezes and the thickets: for she trembles both in her heart and knees, whether the arrival of the spring has terrified by its rustling leaves, or the green lizards have stirred the bush. But I do not follow you, like a savage tigress, or a Gaetulian lion, to tear you to pieces. Therefore, quit your mother, now that you are mature for a husband.

ODE XXIV.

TO VIRGIL.

What shame or bound can there be to our affectionate regret for so dear a person? O Melpomene, on whom your father has bestowed a clear voice and the harp, teach me the mournful strains. Does then perpetual sleep oppress Quinctilius? To whom when will modesty, and uncorrupt faith the sister of Justice, and undisguised truth, find any equal? He died lamented by many good men, but more lamented by none than by you, my Virgil. You, though pious, alas! in vain demand Quinctilius back from the G.o.ds, who did not lend him to us on such terms. What, though you could strike the lyre, listened to by the trees, with more sweetness than the Thracian Orpheus; yet the blood can never return to the empty shade, which Mercury, inexorable to reverse the fates, has with his dreadful Caduceus once driven to the gloomy throng. This is hard: but what it is out of our power to amend, becomes more supportable by patience.

ODE XXV.