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The Works of Honore de Balzac Part 89

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She hesitated, but something gave her courage to tell the secrets of her married life, and she went on.

"Yes, tell him that to secure his mastery over me the Count has me bled in both arms and exhausts me. Tell him he has dragged me by my hair--tell him I am a prisoner--say that----"

Her heart was bursting, sobs choked her throat, a few tears fell again, and in her agitation she allowed the young man to kiss her hand while he uttered incoherent phrases.

"No one may speak to the King, poor child! Though I am the nephew of the grand captain of the crossbowmen, I cannot get into Le Plessis this night.

My beloved lady, my beautiful queen!----Good G.o.d! how she has suffered!



Marie, let me say two words to you or we are lost!"

"What is to become of us?" said she.

The Countess discerned on the blackened wall a picture of the Virgin on which the light fell, and she cried out:

"Holy Mother of G.o.d, give us counsel."

"To-night," the gentleman went on, "I will be in your house."

"How?" she asked, very simply.

They were in such great peril that their fondest words seemed bereft of tenderness.

"I am going this evening to propose myself as an apprentice to Maitre Cornelius, the King's treasurer. I have succeeded in obtaining a letter of introduction which will secure his receiving me. His house is close to yours. Once under that old rascal's roof, by the help of a silken ladder I can find my way to your rooms."

"Oh!" cried she, petrified with dismay, "if you love me, do not go to Maitre Cornelius."

"Why!" cried he, clasping her to his heart with all the strength of his youth. "Then you love me?"

"Yes," said she. "Are you not my only hope? You are a gentleman; I place my honor in your hands. And indeed," she went on with dignified confidence, "I am too unfortunate for you co betray my trust. But to what end is all this? Go, leave me to die rather than take up your abode with Cornelius. Do you not know that all his apprentices----"

"Have been hanged?" said the gentleman, laughing. "Do you suppose that his treasure tempts me?"

"Nay, nay, do not go there; you will be the victim of some sorcery."

"I cannot pay too dearly for the honor of serving you," replied he, giving her a look of such ardor as made her lower her eyes.

"And my husband?" said she.

"Here is something to send him to sleep," replied the young man, taking a small phial out of his belt.

"Not for ever?" said the Countess, trembling.

The young man's reply was a gesture of horror.

"I would have challenged him to single combat, if he were not so old," he said. "But G.o.d forbid I should rescue you from him by giving him a philter."

"Forgive me," said the Countess, blushing. "I am cruelly punished for my sins. In a moment of despair I did wish to kill the Count; I feared lest you might wish the same. My grief is great that I have not yet had an opportunity of confessing that wicked thought, but I feared that he would be told of it and he would be revenged. You are ashamed of me?" she added, hurt by the young man's silence. "I deserve your blame!"

She flung the phial violently to the ground, and it broke.

"Do not come," she went on; "the Count sleeps lightly. It is my duty to await the aid of Heaven. And that is what I will do."

She rose to go.

"Ah!" cried the young man, "bid me kill him, and I will do it, madame. You will see me this evening."

"I was wise to waste that drug," she replied, her voice husky with the joy of finding herself so ardently beloved. "The dread of awaking my husband will save us from ourselves."

"I plight my life to you," said the youth as he held her hand.

"If the King desires it, the Pope may annul my marriage; then we may be united," said she, giving him a look full of rapturous hope.

"Here comes Monseigneur," cried the page, hurrying up.

Instantly the gentleman, amazed at the shortness of the time he had spent with his mistress, and at the Count's swift movements, s.n.a.t.c.hed a kiss which the lady could not refuse.

"This evening!" he repeated, as he slipped out of the chapel.

Favored by the darkness, the lover made his way to the great entrance, creeping from pillar to pillar along the shaft of shadow cast across the church by each great column.

An old canon suddenly stepped out of the confessional and seated himself by the Countess, after gently closing the gate, while the page marched gravely up and down outside, with the composure of an a.s.sa.s.sin.

A glare of light heralded the Count; escorted by a party of friends and retainers carrying torches, he himself held his drawn sword. His gloomy gaze seemed to pierce the darkness, and search the deepest corners of the cathedral.

"Monseigneur, madame is here," said the page, going to meet him.

The Lord of Saint-Vallier found his wife kneeling in front of the altar, and the canon standing by her, reading his breviary. At this sight he shook the gate furiously as if to give vent to his rage.

"What are you doing with a naked sword in hand in this church?" asked the priest.

"Father, this gentleman is my husband," said the Countess.

The priest took the key out of his sleeve and opened the chapel gate. The Count almost involuntarily glanced round the confessional, and then went into it; then he stood listening to the silence of the place.

"Monsieur," said his wife, "you owe your thanks to this venerable canon who gave me shelter here."

The Sire de Saint-Vallier turned pale with anger, and dared not look at his friends, who had come to laugh at him rather than to help him. He sharply replied:

"Thank the Lord, Father. I will find some way to repay you."

He took his wife by the arm, and without giving her time to make her courtesy to the canon, he signed to his people and went away, without a word to those who had given him their company. There was something ominous in his silence.

Impatient to be at home, and puzzling his brain for some means of discovering the truth, he made his way along the winding streets which at that time led from the cathedral to the porch of the Chancery office, where stood the n.o.ble mansion then recently built by the Chancellor Juvenal des Ursins, on the site of an old fortress given by Charles VII. to that faithful servant as a reward for his splendid services. There began a street which has since been named Rue de la Scellerie, in memory of the office of the Great Seal which long stood there. It connected old Tours with the borough of Chateauneuf, where stood the famous Abbey of Saint-Martin, of which many kings were content to be canons. For about a hundred years, and after long discussions, this borough had been incorporated with the city.

Many of the streets adjacent to the Rue de la Scellerie, in the heart now of modern Tours, were already built; but the finest houses, and more particularly that of the Treasurer Xancoings, still standing in the Rue du Commerce, were actually situated in the commune of Chateauneuf.

It was past this that the Sire de Saint-Vallier's torch-bearers led the way, to that part of the town which lay by the river Loire; he mechanically followed, casting a dark glance now and again at his wife and at the page, hoping to detect a look of mutual understanding between them which might throw some light on this most puzzling adventure.

At last the Count found himself in the Rue du Murier, where his house was.

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The Works of Honore de Balzac Part 89 summary

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