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The Works of Honore de Balzac Part 36

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The first gleams of daybreak were struggling with the lights in the King's workshop, where the Comte de Solern had left him alone, when he heard the door open and saw his mother, looking like a ghost in the gloom. Though Charles IX. was highly strung and nervous, he did not start, although under the circ.u.mstances this apparition had an ominous and grotesque aspect.

"Monsieur," said she, "you are killing yourself----"

"I am fulfilling my horoscopes," he retorted, with a bitter smile. "But you, madame, are you as ill as I am?"

"We have both watched through the night, monsieur, but with very different purpose. When you were setting out to confer with your bitterest enemies in the open night, and hiding it from your mother, with the connivance of Tavannes and the Gondis, with whom you pretended to be scouring the town, I was reading dispatches which prove that a terrible conspiracy is hatching, in which your brother the Duc d'Alencon is implicated with your brother-in-law, the King of Navarre, the Prince de Conde, and half the n.o.bility of your kingdom. Their plan is no less than to s.n.a.t.c.h the Crown from you by taking possession of your person. These gentlemen have already a following of fifty thousand men, all good soldiers."

"Indeed!" said the King incredulously.



"Your brother is becoming a Huguenot," the Queen went on.

"My brother joining the Huguenots?" cried Charles, brandishing the iron bar he held.

"Yes. The Duc d'Alencon, a Huguenot at heart, is about to declare himself.

Your sister, the Queen of Navarre, has scarcely a tinge of affection left for you. She loves Monsieur le Duc d'Alencon, she loves Bussy, and she also loves little la Mole."

"What a large heart!" said the King.

"Little la Mole, to grow great," the Queen went on, "can think of no better means than making a King of France to his mind. Then, it is said, he is to be High Constable."

"That d.a.m.ned Margot!" cried the King. "This is what comes of her marrying a heretic----"

"That would be nothing; but then there is the head of the younger branch, whom you have placed near the throne against my warnings, and who only wants to see you all kill each other! The House of Bourbon is the enemy of the House of Valois. Mark this, monsieur, a younger branch must always be kept in abject poverty, for it is born with the spirit of conspiracy, and it is folly to give it weapons when it has none, or to leave them in its possession when it takes them. The younger branches must be impotent for mischief--that is the law of sovereignty. The sultans of Asia observe it.

"The proofs are upstairs in my closet, whither I begged you to follow me when we parted last night, but you had other projects. Within a month, if we do not take a high hand, your fate will be that of Charles the Simple."

"Within a month!" exclaimed Charles, amazed at the coincidence of this period with the term fixed by the princes that very night. "In a month we shall be the masters," thought he to himself, repeating their words. "You have proofs, madame?" he asked aloud.

"They are unimpeachable, monsieur; they are supplied by my daughter Marguerite. Terrified by the probable outcome of such a coalition, in spite of her weakness for your brother d'Alencon, the throne of the Valois lay, for once, nearer to her heart than all her amours. She asks indeed, as the reward of her revelation, that la Mole shall go scot free; but that popinjay seems to me to be a rogue we ought to get rid of, as well as the Comte de Coconnas, your brother d'Alencon's right-hand man. As to the Prince de Conde, that boy would agree to anything so long as I may be flung into the river; I do not know if that is his idea of a handsome return on his wedding-day for the pretty wife I got him.

"This is a serious matter, monsieur. You spoke of predictions! I know of one which says that the Bourbons will possess the throne of the Valois; and if we do not take care, it will be fulfilled. Do not be vexed with your sister, she has acted well in this matter."

"My son," she went on, after a pause, with an a.s.sumption of tenderness in her tone, "many evil-minded persons, in the interest of the Guises, want to sow dissension between you and me, though we are the only two persons in the realm whose interests are identical. Reflect. You blame yourself now, I know, for Saint-Bartholomew's night; you blame me for persuading you to it.

But Catholicism, monsieur, ought to be the bond of Spain, France, and Italy, three nations which by a secretly and skilfully worked scheme may, in the course of time, be united under the House of Valois. Do not forfeit your chances by letting the cord slip which includes these three kingdoms in the pale of the same faith.

"Why should not the Valois and the Medici carry out, to their great glory, the project of Charles V., who lost his head? Let those descendants of Jane the Crazy people the new world which they are grasping at. The Medici, masters of Florence and Rome, will subdue Italy to your rule; they will secure all its advantages by a treaty of commerce and alliance, and recognize you as their liege lord for the fiefs of Piedmont, the Milanese, and Naples over which you have rights. These, monsieur, are the reasons for the war to the death we are waging with the Huguenots. Why do you compel us to repeat these things?

"Charlemagne made a mistake when he pushed northwards. France is a body of which the heart is on the Gulf of Lyons, and whose two arms are Spain and Italy. Thus we should command the Mediterranean, which is like a basket into which all the wealth of the East is poured to the benefit of the Venetians now, in the teeth of Philip II.

"And if the friendship of the Medici and your inherited rights can thus ent.i.tle you to hope for Italy, force, or alliance, or perhaps inheritance, may give you Spain. There you must step in before the ambitious House of Austria, to whom the Guelphs would have sold Italy, and who still dream of possessing Spain. Though your wife is a daughter of that line, humble Austria, hug her closely to stifle her! There lie the enemies of your dominion, since from thence comes aid for the Reformers.--Do not listen to men who would profit by our disagreement, and who fill your head with trouble by representing me as your chief enemy at home. Have I hindered you from having an heir? Is it my fault that your mistress has a son and your wife only a daughter? Why have you not by this time three sons, who would cut off all this sedition at the root?--Is it my part, monsieur, to reply to these questions? If you had a son, would Monsieur d'Alencon conspire against you?"

As she spoke these words, Catherine fixed her eyes on Charles IX. with the fascinating gaze of a bird of prey on its victim. The daughter of the Medici was beautiful in her way; her real feelings illumined her face, which, like that of a gambler at the green-table, was radiant with ambitious greed. Charles IX. saw her no longer as the mother of one man, but, as she had been called, the mother of armies and empires (_mater castrorum_). Catherine had spread the pinions of her genius, and was boldly soaring in the realm of high politics of the Medici and the Valois, sketching the vast plans which had frightened Henri II., and which, transmitted by the Medici to Richelieu, were stored in the Cabinet of the House of Bourbon. But Charles IX., seeing his mother take so many precautions, supposed them to be necessary, and wondered to what end she was taking them. He looked down; he hesitated; his distrust was not to be dispelled by words.

Catherine was astonished to see what deeply founded suspicion lurked in her son's heart.

"Well, monsieur," she went on, "do you not choose to understand me? What are we, you and I, compared with the eternity of a royal Crown? Do you suspect me of any purposes but those which must agitate us who dwell in the sphere whence empires are governed?"

"Madame," said he, "I will follow you to your closet--we must act----"

"Act?" cried Catherine. "Let them go their way and take them in the act; the law will rid you of them. For G.o.d's sake, monsieur, let them see us smiling."

The Queen withdrew. The King alone remained standing for a minute, for he had sunk into extreme dejection.

"On which side are the snares?" he said aloud. "Is it she who is deceiving me, or they? What is the better policy? _Deus! discerne causam meam_," he cried, with tears in his eyes. "Life is a burden to me. Whether natural or compulsory, I would rather meet death than these contradictory torments,"

he added, and he struck the hammer on his anvil with such violence that the vaults of the Louvre quaked. "Great G.o.d!" he exclaimed, going out and looking up at the sky, "Thou for whose holy religion I am warring, give me the clearness of Thine eyes to see into my mother's heart by questioning the Ruggieri."

The little house inhabited by the Lady of Belleville, where Charles had left his prisoners, was the last but one in the Rue de l'Autruche, near the Rue Saint-Honore. The street-gate, guarded by two little lodges built of brick, looked very plain at a time when gates and all their accessories were so elaborately treated. The entrance consisted of two stone pillars, diamond-cut, and the architrave was graced with the reclining figure of a woman holding a cornucopia. The gate, of timber covered with heavy iron scroll-work, had a wicket peephole at the level of the eye for spying any one who desired admittance. In each lodge a porter lived, and Charles'

caprice insisted that a gatekeeper should be on the watch day and night.

There was a little courtyard in front of the house paved with Venetian mosaic. At that time, when carriages had not been invented, and ladies rode on horseback or in litters, the courtyards could be splendid with no fear of injury from horses or vehicles. We must constantly bear these facts in mind to understand the narrowness of the streets, the small extent of the forecourts, and various other details of the dwellings of the fifteenth century.

The house, of one story above the ground floor, had at the top a sculptured frieze, on which rested a roof sloping up from all the four sides to a flat s.p.a.ce at the top. The sides were pierced by dormer-windows adorned with architraves and side-posts, which some great artist had chiseled into delicate arabesques. All the three windows of the first-floor rooms were equally conspicuous for this embroidery in stone, thrown into relief by the red-brick walls. On the ground floor a double flight of outside steps, elegantly sculptured--the balcony being remarkable for a true lovers'

knot--led to the house door, decorated in the Venetian style with stone cut into pointed lozenges, a form of ornament that was repeated on the window-jambs on each side of the door.

A garden laid out in the fashion of the time, and full of rare flowers, occupied a s.p.a.ce behind the house of equal extent with the forecourt. A vine hung over the walls. A silver pine stood in the centre of a gra.s.s plot; the flower borders were divided from the turf by winding paths leading to a little bower of clipped yews at the further end. The garden walls, covered with a coa.r.s.e mosaic of colored pebbles, pleased the eye by a richness of color that harmonized with the hues of the flowers. The garden front of the house, like the front to the court, had a pretty balcony from the middle window over the door; and on both facades alike the architectural treatment of this middle window was carried up to the frieze of the cornice, with a bow that gave it the appearance of a lantern. The sills of the other windows were inlaid with fine marbles let into the stone.

Notwithstanding the perfect taste evident in this building, it had a look of gloom. It was shut out from the open day by neighboring houses and the roofs of the Hotel d'Alencon, which cast their shadow over the courtyard and garden; then absolute silence prevailed. Still, this silence, this subdued light, this solitude, were restful to a soul that could give itself up to a single thought, as in a cloister where we may meditate, or in a snug home where we may love.

Who can fail now to conceive of the interior elegance of this dwelling, the only spot in all his kingdom where the last Valois but one could pour out his heart, confess his sufferings, give play to his taste for the arts, and enjoy the poetry he loved--pleasures denied him by the cares of his most ponderous royalty. There alone were his lofty soul and superior qualities appreciated; there alone, for a few brief months, the last of his life, could he know the joys of fatherhood, to which he abandoned himself with the frenzy which his presentiment of an imminent and terrible death lent to all his actions.

In the afternoon of this day, Marie was finishing her toilet in her oratory--the ladies' boudoir of that time. She was arranging the curls of her fine black hair, so as to leave a few locks to turn over a new velvet coif, and was looking attentively at herself in the mirror.

"It is nearly four o'clock! That interminable Council must be at an end by now," said she to herself. "Jacob is back from the Louvre, where they are greatly disturbed by reason of the number of councillors convened, and by the duration of the sitting. What can have happened, some disaster? Dear Heaven! does _he_ know how the spirit is worn by waiting in vain? He is gone hunting, perhaps. If he is amused, all is well. If I see him happy, I shall forget my sorrows----"

She pulled down her bodice round her waist, that there might not be a wrinkle in it, and turned to see how her dress fitted in profile; but then she saw the King reclining on a couch. The carpeted floors deadened the sound of footsteps so effectually, that he had come in without being heard.

"You startled me," she said, with a cry of surprise, which she instantly checked.

"You were thinking of me, then?" said the King.

"When am I not thinking of you?" she asked him, sitting down by his side.

She took off his cap and cloak, and pa.s.sed her hands through his hair as if to comb it with her fingers. Charles submitted without speaking. Marie knelt down to study her royal Master's pale face, and discerned in it the lines of terrible fatigue and of a more devouring melancholy than any she had ever been able to scare away. She checked a tear, and kept silence, not to irritate a grief she as yet knew nothing of by some ill-chosen word. She did what tender wives do in such cases; she kissed the brow seamed with precocious wrinkles and the hollow cheeks, trying to breathe the freshness of her own spirit into that careworn soul through its infusion into gentle caresses, which, however, had no effect. She raised her head to the level of the King's, embracing him fondly with her slender arms, and then laid her face on his laboring breast, waiting for the opportune moment to question the stricken man.

"My Charlot, will you not tell your poor, anxious friend what are the thoughts that darken your brow and take the color from your dear, red lips?"

"With the exception of Charlemagne," said he, in a dull, hollow voice, "every King of France of the name of Charles has come to a miserable end."

"Pooh!" said she. "What of Charles VIII.?"

"In the prime of life," replied the King, "the poor man knocked his head against a low doorway in the chateau d'Amboise, which he was decorating splendidly, and he died in dreadful pain. His death gave the Crown to our branch."

"Charles VII. reconquered his kingdom."

"Child, he died"--and the King lowered his voice--"of starvation, in the dread of being poisoned by the Dauphin, who had already caused the death of his fair Agnes. The father dreaded his son. Now, the son dreads his mother!"

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The Works of Honore de Balzac Part 36 summary

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