The Works of Guy de Maupassant Volume VIII Part 59

Now, last year, according to his custom, he went to hear "Henry VIII."

He then took the express which arrives in Paris at 4:30 p.m., intending to return by the 12:35 a.m. train so as not to have to sleep at a hotel. He had put on evening dress, a black coat and white tie, which he concealed under his overcoat with the collar turned up.

As soon as he had planted his foot on the Rue d' Amsterdam, he felt himself in quite a jovial mood. He said to himself:

"Decidedly the air of Paris does not resemble any other air. It has in it something indescribably stimulating, exciting, intoxicating, which fills you with a strange longing to gambol and to do many other things. As soon as I arrive here, it seems to me, all of a sudden, that I have taken a bottle of champagne. What a life one can lead in this city in the midst of artists! Happy are the elect, the great men who enjoy renown in such a city! What an existence is theirs!"

And he made plans; he would have liked to know some of those celebrated men, to talk about them in Vernon, and to spend an evening with them from time to time in Paris.

But suddenly an idea struck him. He had heard allusions to little _cafes_ in the outer boulevards at which well-known painters, men of letters, and even musicians gathered, and he proceeded to go up to Montmartre at a slow pace.

He had two hours before him. He wanted to have a look-round. He pa.s.sed in front of taverns frequented by belated Bohemians gazing at the different faces, seeking to discover the artists. Finally, he came to the sign of "The Dead Rat," and allured by the name, he entered.

Five or six women, with their elbows resting on the marble tables, were talking in low tones about their love affairs, the quarrels of Lucie and Hortense, and the scoundrelism of Octave. They were no longer young, too fat or too thin, tired out, used up. You could see that they were almost bald; and they drank bocks like men.

M. Saval sat down at some distance from them, and waited, for the hour for taking absinthe was at hand.

A tall young man soon came in and took a seat beside him. The landlady called him M. "Romantin." The notary quivered. Was this the Romantin who had taken a medal at the last Salon?

The young man made a sign to the waiter:

"You will bring up my dinner at once, and then carry to my new studio, 15, Boulevard de Clinchy, thirty bottles of beer and the ham I ordered this morning. We are going to have housewarming."

M. Saval immediately ordered dinner. Then, he took off his overcoat, so that his dress coat and his white tie could be seen. His neighbor did not seem to notice him. He had taken up a newspaper, and was reading it. M. Saval glanced sideways at him, burning with the desire to speak to him.

Two young men entered, in red vests, and peaked beards in the fashion of Henry III. They sat down opposite Romantin.

The first of the pair said:

"It is for this evening?"

Romantin pressed his hand.

"T believe you, old chap, and everyone will be there, I have Bonnat, Guillemet, Gervex, Beraud, Hebert, Duez, Clairin, and Jean-Paul Laurens. It will be a glorious blow out! And women too! Wait till you see! Every actress without exception--of course I mean, you know, all those who have nothing to do this evening."

The landlord of the establishment came across.

"Do you often have this housewarming?"

The painter replied:

"I believe you, every three months, each quarter."

M. Saval could not restrain himself any longer, and in a hesitating voice said:

"I beg your pardon for intruding on you, monsieur, but I heard your name p.r.o.nounced, and I would be very glad to know if you really are M.

Romantin, whose work in the last Salon I have so much admired?"

The painter answered:

"I am the very person, monsieur."

The notary then paid the artist a very well-turned compliment, showing that he was a man of culture.

The painter, gratified, thanked him politely in reply.

Then they chatted. Romantin returned to the subject of his housewarming, going into details as to the magnificence of the forthcoming entertainment.

M. Saval questioned him as to all the men he was going to receive, adding:

"It would be an extraordinary piece of good fortune for a stranger to meet at one time so many celebrities a.s.sembled in the studio of an artist of your rank."

Romantin, overcome, answered:

"If it would be agreeable to you, come."

M. Saval accepted the invitation with enthusiasm, reflecting:

"I'll always have time enough to see 'Henri VIII.'"

Both of them had finished their meal. The notary insisted on paying the two bills, wishing to repay his neighbor's civilities. He also paid for the drinks of the young fellows in red velvet; then he left the establishment with the painter.

They stopped in front of a very long house, by no means high, of which all the first story had the appearance of an interminable conservatory. Six studios stood in a row with their fronts facing the boulevards.

Romantin was the first to enter, and, ascending the stairs, he opened a door, and lighted a match and then a candle.

They found themselves in an immense apartment, the furniture of which consisted of three chairs, two easels, and a few sketches lying on the ground along the walls. M. Saval remained standing at the door in a stupefied state of mind.

The painter remarked:

"Here you are! we've got to the spot; but everything has yet to be done."

Then, examining the high, bare apartment, whose ceiling was veiled in shadows, he said:

"We might make a great deal out of this studio."

He walked round it, surveying it with the utmost attention, then went on:

"I have a mistress who might easily give a helping hand. Women are incomparable for hanging drapery. But I sent her to the country for to-day in order to get her off my hands this evening. It is not that she bores me, but she is too much lacking in the ways of good society.

It would be embarra.s.sing to my guests."

He reflected for a few seconds, and then added:

"She is a good girl, but not easy to deal with. If she knew that I was holding a reception, she would tear out my eyes."

M. Saval had not even moved; he did not understand.

The artist came over to him.