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The Works of Charles and Mary Lamb Volume II Part 24

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Nor were wanting faces of female ministrants,--stricken in years, as it might seem,--so dexterous were those heavenly attendants to counterfeit kindly similitudes of earth, to greet, with terrestrial child-rites the young _present_, which earth had made to heaven.

Then were celestial harpings heard, not in full symphony as those by which the spheres are tutored; but, as loudest instruments on earth speak oftentimes, m.u.f.fled; so to accommodate their sound the better to the weak ears of the imperfect-born. And, with the noise of those subdued soundings, the Angelet sprang forth, fluttering its rudiments of pinions--but forthwith flagged and was recovered into the arms of those full-winged angels. And a wonder it was to see how, as years went round in heaven--a year in dreams is as a day--continually its white shoulders put forth buds of wings, but, wanting the perfect angelic nutriment, anon was shorn of its aspiring, and fell fluttering--still caught by angel hands--for ever to put forth shoots, and to fall fluttering, because its birth was not of the unmixed vigour of heaven.

And a name was given to the Babe Angel, and it was to be called _Ge-Urania_, because its production was of earth and heaven.

And it could not taste of death, by reason of its adoption into immortal palaces: but it was to know weakness, and reliance, and the shadow of human imbecility; and it went with a lame gait; but in its goings it exceeded all mortal children in grace and swiftness. Then pity first sprang up in angelic bosoms; and yearnings (like the human) touched them at the sight of the immortal lame one.

And with pain did then first those Intuitive Essences, with pain and strife to their natures (not grief), put back their bright intelligences, and reduce their ethereal minds, schooling them to degrees and slower processes, so to adapt their lessons to the gradual illumination (as must needs be) of the half-earth-born; and what intuitive notices they could not repel (by reason that their nature is, to know all things at once), the half-heavenly novice, by the better part of its nature, aspired to receive into its understanding; so that Humility and Aspiration went on even-paced in the instruction of the glorious Amphibium.

But, by reason that Mature Humanity is too gross to breathe the air of that super-subtile region, its portion was, and is, to be a child for ever.

And because the human part of it might not press into the heart and inwards of the palace of its adoption, those full-natured angels tended it by turns in the purlieus of the palace, where were shady groves and rivulets, like this green earth from which it came: so Love, with Voluntary Humility, waited upon the entertainment of the new-adopted.

And myriads of years rolled round (in dreams Time is nothing), and still it kept, and is to keep, perpetual childhood, and is the Tutelar Genius of Childhood upon earth, and still goes lame and lovely.

By the banks of the river Pison is seen, lone-sitting by the grave of the terrestrial Adah, whom the angel Nadir loved, a Child; but not the same which I saw in heaven. A mournful hue overcasts its lineaments; nevertheless, a correspondency is between the child by the grave, and that celestial orphan, whom I saw above; and the dimness of the grief upon the heavenly, is as a shadow or emblem of that which stains the beauty of the terrestrial. And this correspondency is not to be understood but by dreams.

And in the archives of heaven I had grace to read, how that once the angel Nadir, being exiled from his place for mortal pa.s.sion, upspringing on the wings of parental love (such power had parental love for a moment to suspend the else-irrevocable law) appeared for a brief instant in his station; and, depositing a wondrous Birth, straightway disappeared, and the palaces knew him no more. And this charge was the self-same Babe, who goeth lame and lovely--but Adah sleepeth by the river Pison.

A DEATH-BED

IN A LETTER TO R.H. ESQ. OF B----

I called upon you this morning, and found that you were gone to visit a dying friend. I had been upon a like errand. Poor N.R. has lain dying now for almost a week; such is the penalty we pay for having enjoyed through life a strong const.i.tution. Whether he knew me or not, I know not, or whether he saw me through his poor glazed eyes; but the group I saw about him I shall not forget. Upon the bed, or about it, were a.s.sembled his Wife, their two Daughters, and poor deaf Robert, looking doubly stupified. There they were, and seemed to have been sitting all the week. I could only reach out a hand to Mrs. R.

Speaking was impossible in that mute chamber. By this time it must be all over with him. In him I have a loss the world cannot make up. He was my friend, and my father's friend, for all the life that I can remember. I seem to have made foolish friendships since. Those are the friendships, which outlast a second generation. Old as I am getting, in his eyes I was still the child he knew me. To the last he called me Jemmy. I have none to call me Jemmy now. He was the last link that bound me to B----. You are but of yesterday. In him I seem to have lost the old plainness of manners and singleness of heart. Lettered he was not; his reading scarcely exceeded the Obituary of the old Gentleman's Magazine, to which he has never failed of having recourse for these last fifty years. Yet there was the pride of literature about him from that slender perusal; and moreover from his office of archive-keeper to your ancient city, in which he must needs pick up some equivocal Latin; which, among his less literary friends, a.s.sumed the air of a very pleasant pedantry. Can I forget the erudite look with which, having tried to puzzle out the text of a Black lettered Chaucer in your Corporation Library, to which he was a sort of Librarian, he gave it up with this consolatory reflection--"Jemmy,"

said he, "I do not know what you find in these very old books, but I observe, there is a deal of very indifferent spelling in them." His jokes (for he had some) are ended; but they were old Perennials, staple, and always as good as new. He had one Song, that spake of the "flat bottoms of our foes coming over in darkness," and alluded to a threatened Invasion, many years since blown over; this he reserved to be sung on Christmas Night, which we always pa.s.sed with him, and he sung it with the freshness of an impending event. How his eyes would sparkle when he came to the pa.s.sage:

We'll still make 'em run, and we'll still make 'em sweat, In spite of the devil and Brussels' Gazette!

What is the Brussels' Gazette now? I cry, while I endite these trifles. His poor girls who are, I believe, compact of solid goodness, will have to receive their afflicted mother at an unsuccessful home in a petty village in ----shire, where for years they have been struggling to raise a Girls' School with no effect. Poor deaf Robert (and the less hopeful for being so) is thrown upon a deaf world, without the comfort to his father on his death-bed of knowing him provided for. They are left almost provisionless. Some life a.s.surance there is; but, I fear, not exceeding ----. Their hopes must be from your Corporation, which their father has served for fifty years. Who or what are your Leading Members now, I know not. Is there any, to whom without impertinence, you can represent the true circ.u.mstances of the family? You cannot say good enough of poor R., and his poor wife.

Oblige me and the dead, if you can.

OLD CHINA

I have an almost feminine partiality for old china. When I go to see any great house, I inquire for the china-closet, and next for the picture gallery. I cannot defend the order of preference, but by saying, that we have all some taste or other, of too ancient a date to admit of our remembering distinctly that it was an acquired one. I can call to mind the first play, and the first exhibition, that I was taken to; but I am not conscious of a time when china jars and saucers were introduced into my imagination.

I had no repugnance then--why should I now have?--to those little, lawless, azure-tinctured grotesques, that under the notion of men and women, float about, uncirc.u.mscribed by any element, in that world before perspective--a china tea-cup.

I like to see my old friends--whom distance cannot diminish--figuring up in the air (so they appear to our optics), yet on _terra firma_ still--for so we must in courtesy interpret that speck of deeper blue, which the decorous artist, to prevent absurdity, has made to spring up beneath their sandals.

I love the men with women's faces, and the women, if possible, with still more womanish expressions.

Here is a young and courtly Mandarin, handing tea to a lady from a salver--two miles off. See how distance seems to set off respect!

And here the same lady, or another--for likeness is ident.i.ty on tea-cups--is stepping into a little fairy boat, moored on the hither side of this calm garden river, with a dainty mincing foot, which in a right angle of incidence (as angles go in our world) must infallibly land her in the midst of a flowery mead--a furlong off on the other side of the same strange stream!

Farther on--if far or near can be predicated of their world--see horses, trees, paG.o.das, dancing the hays.

Here--a cow and rabbit couchant, and co-extensive--so objects show, seen through the lucid atmosphere of fine Cathay.

I was pointing out to my cousin last evening, over our Hyson (which we are old fashioned enough to drink unmixed still of an afternoon) some of these _speciosa miracula_ upon a set of extraordinary old blue china (a recent purchase) which we were now for the first time using; and could not help remarking, how favourable circ.u.mstances had been to us of late years, that we could afford to please the eye sometimes with trifles of this sort--when a pa.s.sing sentiment seemed to over-shade the brows of my companion. I am quick at detecting these summer clouds in Bridget.

"I wish the good old times would come again," she said, "when we were not quite so rich. I do not mean, that I want to be poor; but there was a middle state;"--so she was pleased to ramble on,--"in which I am sure we were a great deal happier. A purchase is but a purchase, now that you have money enough and to spare. Formerly it used to be a triumph. When we coveted a cheap luxury (and, O! how much ado I had to get you to consent in those times!) we were used to have a debate two or three days before, and to weigh the _for_ and _against_, and think what we might spare it out of, and what saving we could hit upon, that should be an equivalent. A thing was worth buying then, when we felt the money that we paid for it.

"Do you remember the brown suit, which you made to hang upon you, till all your friends cried shame upon you, it grew so thread-bare--and all because of that folio Beaumont and Fletcher, which you dragged home late at night from Barker's in Covent-garden? Do you remember how we eyed it for weeks before we could make up our minds to the purchase, and had not come to a determination till it was near ten o'clock of the Sat.u.r.day night, when you set off from Islington, fearing you should be too late--and when the old bookseller with some grumbling opened his shop, and by the twinkling taper (for he was setting bedwards) lighted out the relic from his dusty treasures--and when you lugged it home, wishing it were twice as c.u.mbersome--and when you presented it to me--and when we were exploring the perfectness of it (_collating_ you called it)--and while I was repairing some of the loose leaves with paste, which your impatience would not suffer to be left till day-break--was there no pleasure in being a poor man? or can those neat black clothes which you wear now, and are so careful to keep brushed, since we have become rich and finical, give you half the honest vanity, with which you flaunted it about in that over-worn suit--your old corbeau--for four or five weeks longer than you should have done, to pacify your conscience for the mighty sum of fifteen--or sixteen shillings was it?--a great affair we thought it then--which you had lavished on the old folio. Now you can afford to buy any book that pleases you, but I do not see that you ever bring me home any nice old purchases now.

"When you come home with twenty apologies for laying out a less number of shillings upon that print after Lionardo, which we christened the 'Lady Blanch;' when you looked at the purchase, and thought of the money--and thought of the money, and looked again at the picture--was there no pleasure in being a poor man? Now, you have nothing to do but to walk into Colnaghi's, and buy a wilderness of Lionardos. Yet do you?

"Then, do you remember our pleasant walks to Enfield, and Potter's Bar, and Waltham, when we had a holyday--holydays, and all other fun, are gone, now we are rich--and the little hand-basket, in which I used to deposit our day's fare of savory cold lamb and salad--and how you would pry about at noon-tide for some decent house, where we might go in, and produce our store--only paying for the ale that you must call for--and speculate upon the looks of the landlady, and whether she was likely to allow us a table-cloth--and wish for such another honest hostess, as Izaak Walton has described many a one on the pleasant banks of the Lea, when he went a fishing--and sometimes they would prove obliging enough, and sometimes they would look grudgingly upon us--but we had cheerful looks still for one another, and would eat our plain food savorily, scarcely grudging Piscator his Trout Hall?

Now, when we go out a day's pleasuring, which is seldom moreover, we _ride_ part of the way--and go into a fine inn, and order the best of dinners, never debating the expense--which, after all, never has half the relish of those chance country snaps, when we were at the mercy of uncertain usage, and a precarious welcome.

"You are too proud to see a play anywhere now but in the pit. Do you remember where it was we used to sit, when we saw the battle of Hexham, and the surrender of Calais, and Bannister and Mrs. Bland in the Children in the Wood--when we squeezed out our shillings a-piece to sit three or four times in a season in the one-shilling gallery--where you felt all the time that you ought not to have brought me--and more strongly I felt obligation to you for having brought me--and the pleasure was the better for a little shame--and when the curtain drew up, what cared we for our place in the house, or what mattered it where we were sitting, when our thoughts were with Rosalind in Arden, or with Viola at the Court of Illyria? You used to say, that the gallery was the best place of all for enjoying a play socially--that the relish of such exhibitions must be in proportion to the infrequency of going--that the company we met there, not being in general readers of plays, were obliged to attend the more, and did attend, to what was going on, on the stage--because a word lost would have been a chasm, which it was impossible for them to fill up. With such reflections we consoled our pride then--and I appeal to you, whether, as a woman, I met generally with less attention and accommodation, than I have done since in more expensive situations in the house? The getting in indeed, and the crowding up those inconvenient staircases, was bad enough,--but there was still a law of civility to women recognised to quite as great an extent as we ever found in the other pa.s.sages--and how a little difficulty overcome heightened the snug seat, and the play, afterwards! Now we can only pay our money, and walk in. You cannot see, you say, in the galleries now. I am sure we saw, and heard too, well enough then--but sight, and all, I think, is gone with our poverty.

"There was pleasure in eating strawberries, before they became quite common--in the first dish of peas, while they were yet dear--to have them for a nice supper, a treat. What treat can we have now? If we were to treat ourselves now--that is, to have dainties a little above our means, it would be selfish and wicked. It is the very little more that we allow ourselves beyond what the actual poor can get at, that makes what I call a treat--when two people living together, as we have done, now and then indulge themselves in a cheap luxury, which both like; while each apologises, and is willing to take both halves of the blame to his single share. I see no harm in people making much of themselves in that sense of the word. It may give them a hint how to make much of others. But now--what I mean by the word--we never do make much of ourselves. None but the poor can do it. I do not mean the veriest poor of all, but persons as we were, just above poverty.

"I know what you were going to say, that it is mighty pleasant at the end of the year to make all meet--and much ado we used to have every Thirty-first Night of December to account for our exceedings--many a long face did you make over your puzzled accounts, and in contriving to make it out how we had spent so much--or that we had not spent so much--or that it was impossible we should spend so much next year--and still we found our slender capital decreasing--but then, betwixt ways, and projects, and compromises of one sort or another, and talk of curtailing this charge, and doing without that for the future--and the hope that youth brings, and laughing spirits (in which you were never poor till now,) we pocketed up our loss, and in conclusion, with 'l.u.s.ty brimmers' (as you used to quote it out of _hearty cheerful Mr.

Cotton_, as you called him), we used to welcome in the 'coming guest.'

Now we have no reckoning at all at the end of the old year--no flattering promises about the new year doing better for us."

Bridget is so sparing of her speech on most occasions, that when she gets into a rhetorical vein, I am careful how I interrupt it. I could not help, however, smiling at the phantom of wealth which her dear imagination had conjured up out of a clear income of poor--hundred pounds a year. "It is true we were happier when we were poorer, but we were also younger, my cousin. I am afraid we must put up with the excess, for if we were to shake the superflux into the sea, we should not much mend ourselves. That we had much to struggle with, as we grew up together, we have reason to be most thankful. It strengthened, and knit our compact closer. We could never have been what we have been to each other, if we had always had the sufficiency which you now complain of. The resisting power--those natural dilations of the youthful spirit, which circ.u.mstances cannot straiten--with us are long since pa.s.sed away. Competence to age is supplementary youth; a sorry supplement indeed, but I fear the best that is to be had. We must ride, where we formerly walked: live better, and lie softer--and shall be wise to do so--than we had means to do in those good old days you speak of. Yet could those days return--could you and I once more walk our thirty miles a-day--could Bannister and Mrs. Bland again be young, and you and I be young to see them--could the good old one shilling gallery days return--they are dreams, my cousin, now--but could you and I at this moment, instead of this quiet argument, by our well-carpeted fireside, sitting on this luxurious sofa--be once more struggling up those inconvenient stair-cases, pushed about, and squeezed, and elbowed by the poorest rabble of poor gallery scramblers--could I once more hear those anxious shrieks of yours--and the delicious _Thank G.o.d, we are safe_, which always followed when the topmost stair, conquered, let in the first light of the whole cheerful theatre down beneath us--I know not the fathom line that ever touched a descent so deep as I would be willing to bury more wealth in than Croesus had, or the great Jew R---- is supposed to have, to purchase it. And now do just look at that merry little Chinese waiter holding an umbrella, big enough for a bed-tester, over the head of that pretty insipid half-Madona-ish chit of a lady in that very blue summer-house."

POPULAR FALLACIES

I.--THAT A BULLY IS ALWAYS A COWARD

This axiom contains a principle of compensation, which disposes us to admit the truth of it. But there is no safe trusting to dictionaries and definitions. We should more willingly fall in with this popular language, if we did not find _brutality_ sometimes awkwardly coupled with _valour_ in the same vocabulary. The comic writers, with their poetical justice, have contributed not a little to mislead us upon this point. To see a hectoring fellow exposed and beaten upon the stage, has something in it wonderfully diverting. Some people's share of animal spirits is notoriously low and defective. It has not strength to raise a vapour, or furnish out the wind of a tolerable bl.u.s.ter. These love to be told that huffing is no part of valour.

The truest courage with them is that which is the least noisy and obtrusive. But confront one of these silent heroes with the swaggerer of real life, and his confidence in the theory quickly vanishes.

Pretensions do not uniformly bespeak non-performance. A modest inoffensive deportment does not necessarily imply valour; neither does the absence of it justify us in denying that quality. Hickman wanted modesty--we do not mean _him_ of Clarissa--but who ever doubted his courage? Even the poets--upon whom this equitable distribution of qualities should be most binding--have thought it agreeable to nature to depart from the rule upon occasion. Harapha, in the "Agonistes," is indeed a bully upon the received notions. Milton has made him at once a bl.u.s.terer, a giant, and a dastard. But Almanzor, in Dryden, talks of driving armies singly before him--and does it. Tom Brown had a shrewder insight into this kind of character than either of his predecessors. He divides the palm more equably, and allows his hero a sort of dimidiate pre-eminence:--"Bully Dawson kicked by half the town, and half the town kicked by Bully Dawson." This was true distributive justice.

II.--THAT ILL-GOTTEN GAIN NEVER PROSPERS

The weakest part of mankind have this saying commonest in their mouth.

It is the trite consolation administered to the easy dupe, when he has been tricked out of his money or estate, that the acquisition of it will do the owner _no good_. But the rogues of this world--the prudenter part of them, at least--know better; and, if the observation had been as true as it is old, would not have failed by this time to have discovered it. They have pretty sharp distinctions of the fluctuating and the permanent. "Lightly come, lightly go," is a proverb, which they can very well afford to leave, when they leave little else, to the losers. They do not always find manors, got by rapine or chicanery, insensibly to melt away, as the poets will have it; or that all gold glides, like thawing snow, from the thief's hand that grasps it. Church land, alienated to lay uses, was formerly denounced to have this slippery quality. But some portions of it somehow always stuck so fast, that the denunciators have been vain to postpone the prophecy of refundment to a late posterity.

III.--THAT A MAN MUST NOT LAUGH AT HIS OWN JEST

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The Works of Charles and Mary Lamb Volume II Part 24 summary

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