The Works of Charles and Mary Lamb Part 48

The soft blandishments of _Joan_, the gentle _Pope_--

Intriguing Hebe to the G.o.d of Game--

wrings from his austere Deity his slow permission for the interference of the Olympeans in the fight below, and accordingly they range on either side, as in the Iliad; and by their infusion of pa.s.sions, coprices, impulses, peculiar to the nature of their own warfare, confound and embroil the pure contest of skill through five Cantos very entertainingly. We confess we are more at home in Hoyle than in Phillidor; but by the help of the notes, we played the game through ourselves very tolerably. We subjoin an exquisite simile, with which the third Canto commences--a description of the Morning, redolent of Swift and Gay:--

Now Morning, yawning, rais'd her from her bed, Slipp'd on her wrapper blue and 'kerchief red, And took from Night the key of Sleep's abode-- For Night within that mansion had bestow'd The Hours of Day; now, turn and turn about, Morn takes the key, and lets the Day Hours out; Laughing they issue from the ebon gate, And Night walks in. As when, in drowsy state, Some _watchman_, wed to _one who chars all day_, Takes to his lodgings door his creeping way; His Rib, arising, lets him in to sleep, While she emerges to scrub, dust, and sweep.

DOG DAYS

"Now Sirius rages"

_To the Editor of the Every-Day Book_

(1825)

Sir,--I am one of those unfortunate creatures, who, at this season of the year, are exposed to the effects of an illiberal prejudice. Warrants are issued out in form, and whole scores of us are taken up and executed annually, under an obsolete statute, on what is called suspicion of lunacy. It is very hard that a sober sensible dog, cannot go quietly through a village about his business, without having his motions watched, or some impertinent fellow observing that there is an "odd look about his eyes." My pulse, for instance, at this present writing, is as temperate as yours, Mr. Editor, and my head as little rambling, but I hardly dare to show my face out of doors for fear of these scrutinizers.

If I look up in a stranger's face, he thinks I am going to bite him. If I go with my eyes fixed upon the ground, they say I have got the mopes, which is but a short stage from the disorder. If I wag my tail, I am too lively; if I do not wag it, I am sulky--either of which appearances pa.s.ses alike for a prognostic. If I pa.s.s a dirty puddle without drinking, sentence is infallibly p.r.o.nounced upon me. I am perfectly swilled with the quant.i.ty of ditch-water I am forced to swallow in a day, to clear me from imputations--a worse cruelty than the water ordeal of your old Saxon ancestors. If I snap at a bone, I am furious; if I refuse it, I have got the sullens, and that is a bad symptom. I dare not bark outright, for fear of being adjudged to rave. It was but yesterday, that I indulged in a little innocent _yelp_ only, on occasion of a cart-wheel going over my leg, and the populace was up in arms, as if I had betrayed some marks of flightiness in my conversation.

Really our case is one which calls for the interference of the chancellor. He should see, as in cases of other lunatics, that commissions are only issued out against proper objects; and not [let] a whole race be proscribed, because some dreaming Chaldean, two thousand years ago, fancied a canine resemblance in some star or other, that was supposed to predominate over addle brains, with as little justice as Mercury was held to be influential over rogues and swindlers; no compliment I am sure to either star or planet. Pray attend to my complaint, Mr. Editor, and speak a good word for us this hot weather.

Your faithful, though sad dog,

POMPEY.

THE PROGRESS OF CANT

(A REVIEW OF HOOD'S ETCHING)

(1826)

A wicked wag has produced a caricature under this t.i.tle, in which he marshalleth all the projected improvements of the age, and maketh them take their fantastic progress before the eyes of the scorner. It is a spirited etching, almost as abundant in meaning as in figures, and hath a reprobate eye to a corner--an Hogarthian vivification of post and placard. Priests, anti-priests, architects, politicians, reformers, flaming loyalty-men, high and low, rich and poor, one with another, all go on "progressing," as the Americans say. Life goes on, at any rate; and there is so much merriment on all sides, that for our parts, inclined to improvements as we are, we should be willing enough to join in the laugh throughout, if the world were as merry as the artist. The houses are as much to the purpose as the pedestrians. There is the office of the Peruvian Mining Company, in dismal, dilapidated condition; a barber's shop, with "n.o.body to be shaved during divine service," the _h_ worn out; two boarding-schools for young ladies and gentlemen, very neighbourly; and the public-house, called the Angel and Punch-Bowl, by T. Moore. Among the crowd is a jolly, but vehement, reverend person holding a flag, inscribed, "The Church in Anger," the _D_ for danger being hidden by another flag, inscribed, "Converted Jews." Then there is the Caledonian Chap (_el_ being obstructed in the same way), who holds a pennon, crying out, "No Theatre!" Purity of Election, with a bludgeon, very drunk; and, above all, a petty fellow called the Great Unknown, with his hat over his eyes, and a constable's staff peeping out of his pocket. Some of the faces and figures are very clever, particularly the Barber; the Saving-banks man; the Jew Boy picking the pocket; the Charity Boy and the Beadle. The Beadle is rich from head to foot.

Nathless, we like not to see Mrs. Fry so roasted: we are at a loss to know why the Blacks deserve to be made Black Devils; and are not aware that the proposal of an University in London has occasioned, or is likely to occasion, any sort of cant. However, there is no harm done where a cause can afford a joke; and where it cannot, the more it is joked at, the better.

MR. EPHRAIM WAGSTAFF, HIS WIFE, AND PIPE

About the middle of Shoemaker-row, near to Broadway, Blackfriars, there resided for many years a substantial hardware-man, named Ephraim Wagstaff. He was short in stature, tolerably well favoured in countenance, and singularly neat and clean in his attire. Everybody in the neighbourhood looked upon him as a "warm" old man; and when he died, the property he left behind him did not bely the preconceived opinion.

It was all personal, amounted to about nineteen thousand pounds; and, as he was childless, it went to distant relations, with the exception of a few hundred pounds bequeathed to public charities.

The family of Ephraim Wagstaff, both on the male and female sides, was respectable, though not opulent. His maternal grandfather, he used to say, formed part of the executive government in the reign of George I., whom he served as petty constable in one of the manufacturing districts during a long period. The love of office seems not to have been hereditary in the family; or perhaps the opportunities of gratifying it did not continue; for, with that single exception, none of his ancestors could boast of official honours. The origin of the name is doubtful. On a first view, it seems evidently the conjunction of two names brought together by marriage or fortune. In the "Tatler" we read about the _staff_ in a variety of combinations, under one of which the popular author of that work chose to designate himself, and thereby conferred immortality on the name of Bickerstaff. Our friend Ephraim was no great wit, but he loved a joke, particularly if he made it himself; and he used to say, whenever he heard any one endeavouring to account for his name, that he believed it originated in the marriage of a Miss Staff to some Wag who lived near her; and who, willing to show his gallantry, and at the same time his knowledge of French customs, adopted the fashion of that sprightly people, by adding her family name to his own. The conjecture is at least probable, and so we must leave it.

At the age of fifty-two it pleased heaven to deprive Mr. Wagstaff of his beloved spouse Barbara. The bereavement formed an era in his history.

Mrs. Wagstaff was an active, strong woman, about ten years older than himself, and one sure to be missed in any circle wherein she had once moved. She was indeed no cipher. Her person was tall and bony, her face, in hue, something between brown and red, had the appearance of having been scorched. Altogether her qualities were truly commanding. She loved her own way exceedingly; was continually on the alert to have it; and, in truth, generally succeeded. Yet such was her love of justice, that she has been heard to aver repeatedly, that she never (she spoke the word _never_ emphatically) opposed her husband, but when he was decidedly in the wrong. Of these occasions, it must also be mentioned, she generously took upon herself the trouble and responsibility of being the sole judge. There was one point, however, on which it would seem that Mr. Wagstaff had contrived to please himself exclusively; although, how he had managed to resist so effectually the remonstrances and opposition which, from the structure of his wife's mind he must necessarily have been doomed to encounter, must ever remain a secret.

The fact was this: Ephraim had a peculiarly strong attachment to a pipe; his affection for his amiable partner scarcely exceeding that which he entertained for that lively emblem of so many sage contrivances and florid speeches, ending like it--in smoke. In the times of his former wives (for twice before had he been yoked in matrimony) he had indulged himself with it unmolested. Not so with Mrs. Wagstaff the third. Pipes and smoking she held in unmitigated abhorrence: but having, by whatever means, been obliged to submit to their introduction, she wisely avoided all direct attempts to abate what she called among her friends "the nuisance;" and, like a skilful general, who has failed of securing victory, she had recourse to such stratagems as might render it as little productive as possible to the enemy. Ephraim, aware how matters stood, neglected no precaution to guard against his wife's manuvres--meeting, of course, with various success. Many a time did her ingenuity contrive an accident, by which his pipe and peace of mind were at once demolished; and, although there never could be any difficulty in replacing the former by simply sending out for that purpose, yet he has confessed, that when he contemplated the possibility of offering too strong an excitement to the shrill tones of his beloved's voice, (the only pipe she willingly tolerated,) he waved that proceeding, and submitted to the sacrifice as much the lesser evil. At length Mrs.

Wagstaff was taken ill, an inflammation on her lungs was found to be her malady, and that crisis appeared to be fast approaching, when

The doctor leaves the house with sorrow, Despairing of his fee to-morrow.

The foreboding soon proved correct; and, every thing considered, perhaps it ought not to excite much surprise, that when Ephraim heard from the physician that there was little or no chance of her recovery, he betrayed no symptoms of excessive emotion, but mumbling something unintelligibly, in which the doctor thought he caught the sound of the words "Christian duty of resignation," he quietly filled an additional pipe that evening. The next day Mrs. Wagstaff expired, and in due time her interment took place in the churchyard of St. Ann, Blackfriars, every thing connected therewith being conducted with the decorum becoming so melancholy an event, and which might be expected from a man of Mr. Wagstaff's gravity and experience. The funeral was a walking one from the near vicinity to the ground; and but for an untimely slanting shower of rain, no particular inconvenience would have been felt by those who were a.s.sembled on that occasion; that casualty, however, caused them to be thoroughly drenched; and, in reference to their appearance, it was feelingly observed by some of the by-standers, that they had seldom seen so many tears on the faces of mourners.--

_To be continued_--(perhaps).

NEMO.

REVIEW OF MOXON'S SONNETS

[SONNETS. BY EDWARD MOXON. (Printed for private circulation only.)]

(1833)

A copy of this una.s.suming work has fallen in our way. We are critics on _publications_ only. It is like criticising a domestic conversation, or a friendly letter, to notice a little book, professedly not meant for the public eye. But we are pleased, and pleasure will speak out when discretion whispers it to be still. The author has professional reasons to be private. With them we have nothing to do, but to say, that if unabating industry, integrity above his avocation, unparalleled success for the short time he has entered upon it, are any auguries of success, this notice of ours will not hinder his calling. We have no parallel for this mixed character--qualities united seemingly at farthest variance--except in fine old Humphrey Mosely, the _stationer_ (so were booksellers termed in the good old times), who, for love only, not for lucre, ushered into the world the first poems of Waller, the Juvenilia of Milton, besides a lesser galaxy of the poets of his day, with _Prefaces_, of his own honest composing, worthy of the strains they preluded to. Turn, reader, to his introduction to the Minor Poems of Milton, and say, if that soul, which inspirits it, worked for gain. H.

M. (bibliomanists will gladlier recognise him by his initials) was, in his day, what we hope E. M. will prove in his, the fosterer of poetry, not merely the sordid trader in it. We must steal a sonnet or two from this sealed book, to justify our expectations. The first shall be 'To the Nightingale:' the originality of the concluding thought, and general sweetness of the versification, make us, reluctantly almost, give it the preference.

Lone midnight-soothing melancholy bird, That send'st such music to my sleepless soul, Chaining her faculties in fast controul, Few listen to thy song; yet I have heard, When Man and Nature slept, nor aspen stirr'd, Thy mournful voice, sweet vigil of the sleeping-- And liken'd thee to some angelic mind, That sits and mourns for erring mortals weeping.

The genius, not of groves, but of mankind, Watch at this solemn hour o'er millions keeping.

In Eden's bowers, as mighty poets tell, Did'st thou repeat, as now, that wailing call-- Those sorrowing notes might seem, sad Philomel, Prophetic to have mourn'd of _man_ the _fall_.

One more, and we have done. We mistake, if a Petrarch-like delicacy is not to be found in the following:--

Methought my Love was dead. O, 'twas a night Of dreary weeping, and of bitter woe!

Methought I saw her lovely spirit go With lingering looks into yon star so bright, Which then a.s.sumed such a beauteous light, That all the fires in heaven compared with this Were scarce perceptible to my weak sight.

There seem'd henceforth the haven of my bliss; To that I turn'd with fervency of soul, And pray'd that morn might never break again, But o'er me that pure planet still remain.

Alas! o'er it my vows had no controul.

The lone star set: I woke full glad, I deem, To find my sorrow but a lover's dream!

NOTES

The prose of Lamb's _Works_, 1818, was dedicated to Martin Burney in the following sonnet:--

TO MARTIN CHARLES BURNEY, ESQ.