The Wonders of Instinct Part 13

If the eyes are insufficient guides, even close at hand, how will it be when the prey has to be spied from afar? In that case, an intelligence apparatus for long-distance work becomes indispensable. We have no difficulty in detecting the apparatus.

Let us look attentively behind the web of any Epeira with a daytime hiding-place: we shall see a thread that starts from the centre of the network, ascends in a slanting line outside the plane of the web and ends at the ambush where the Spider lurks all day. Except at the central point, there is no connection between this thread and the rest of the work, no interweaving with the scaffolding-threads. Free of impediment, the line runs straight from the centre of the net to the ambush-tent. Its length averages twenty-two inches. The Angular Epeira, settled high up in the trees, has shown me some as long as eight or nine feet.

There is no doubt that this slanting line is a foot-bridge which allows the Spider to repair hurriedly to the web, when summoned by urgent business, and then, when her round is finished, to return to her hut.

In fact, it is the road which I see her follow, in going and coming.

But is that all? No; for, if the Epeira had no aim in view but a means of rapid transit between her tent and the net, the foot-bridge would be fastened to the upper edge of the web. The journey would be shorter and the slope less steep.

Why, moreover, does this line always start in the centre of the sticky network and nowhere else? Because that is the point where the spokes meet and, therefore, the common centre of vibration. Anything that moves upon the web sets it shaking. All then that is needed is a thread issuing from this central point to convey to a distance the news of a prey struggling in some part or other of the net. The slanting cord, extending outside the plane of the web, is more than a foot-bridge: it is, above all, a signalling-apparatus, a telegraph-wire.

Let us try experiment. I place a Locust on the network. Caught in the sticky toils, he plunges about. Forthwith, the Spider issues impetuously from her hut, comes down the foot-bridge, makes a rush for the Locust, wraps him up and operates on him according to rule. Soon after, she hoists him, fastened by a line to her spinneret, and drags him to her hiding-place, where a long banquet will be held. So far, nothing new: things happen as usual.

I leave the Spider to mind her own affairs for some days before I interfere with her. I again propose to give her a Locust; but this time I first cut the signalling-thread with a touch of the scissors, without shaking any part of the edifice. The game is then laid on the web.

Complete success: the entangled insect struggles, sets the net quivering; the Spider, on her side, does not stir, as though heedless of events.

The idea might occur to one that, in this business, the Epeira stays motionless in her cabin since she is prevented from hurrying down, because the foot-bridge is broken. Let us undeceive ourselves: for one road open to her there are a hundred, all ready to bring her to the place where her presence is now required. The network is fastened to the branches by a host of lines, all of them very easy to cross. Well, the Epeira embarks upon none of them, but remains moveless and self-absorbed.

Why? Because her telegraph, being out of order, no longer tells her of the shaking of the web. The captured prey is too far off for her to see it; she is all unwitting. A good hour pa.s.ses, with the Locust still kicking, the Spider impa.s.sive, myself watching. Nevertheless, in the end, the Epeira wakes up: no longer feeling the signalling-thread, broken by my scissors, as taut as usual under her legs, she comes to look into the state of things. The web is reached, without the least difficulty, by one of the lines of the framework, the first that offers. The Locust is then perceived and forthwith enswathed, after which the signalling-thread is remade, taking the place of the one which I have broken. Along this road the Spider goes home, dragging her prey behind her.

My neighbour, the mighty Angular Epeira, with her telegraph-wire nine feet long, has even better things in store for me. One morning I find her web, which is now deserted, almost intact, a proof that the night's hunting has not been good. The animal must be hungry. With a piece of game for a bait, I hope to bring her down from her lofty retreat.

I entangle in the web a rare morsel, a Dragon-fly, who struggles desperately and sets the whole net a-shaking. The other, up above, leaves her lurking-place amid the cypress-foliage, strides swiftly down along her telegraph-wire, comes to the Dragon-fly, trusses her and at once climbs home again by the same road, with her prize dangling at her heels by a thread. The final sacrifice will take place in the quiet of the leafy sanctuary.

A few days later I renew my experiment under the same conditions, but, this time, I first cut the signalling-thread. In vain I select a large Dragon-fly, a very restless prisoner; in vain I exert my patience: the Spider does not come down all day. Her telegraph being broken, she receives no notice of what is happening nine feet below. The entangled morsel remains where it lies, not despised, but unknown. At nightfall the Epeira leaves her cabin, pa.s.ses over the ruins of her web, finds the Dragon-fly and eats him on the spot, after which the net is renewed.

The Epeirae, who occupy a distant retreat by day, cannot do without a private wire that keeps them in permanent communication with the deserted web. All of them have one, in point of fact, but only when age comes, age p.r.o.ne to rest and to long slumbers. In their youth, the Epeirae, who are then very wide awake, know nothing of the art of telegraphy. Besides, their web, a short-lived work whereof hardly a trace remains on the morrow, does not allow of this kind of industry.

It is no use going to the expense of a signalling-apparatus for a ruined snare wherein nothing can now be caught. Only the old Spiders, meditating or dozing in their green tent, are warned from afar, by telegraph, of what takes place on the web.

To save herself from keeping a close watch that would degenerate into drudgery and to remain alive to events even when resting, with her back turned on the net, the ambushed Spider always has her foot upon the telegraph-wire. Of my observations on this subject, let me relate the following, which will be sufficient for our purpose.

An Angular Epeira, with a remarkably fine belly, has spun her web between two laurustine-shrubs, covering a width of nearly a yard. The sun beats upon the snare, which is abandoned long before dawn. The Spider is in her day manor, a resort easily discovered by following the telegraph-wire. It is a vaulted chamber of dead leaves, joined together with a few bits of silk. The refuge is deep: the Spider disappears in it entirely, all but her rounded hind-quarters, which bar the entrance to her donjon.

With her front half plunged into the back of her hut, the Epeira certainly cannot see her web. Even if she had good sight, instead of being purblind, her position could not possibly allow her to keep the prey in view. Does she give up hunting during this period of bright sunlight? Not at all. Look again.

Wonderful! One of her hind-legs is stretched outside the leafy cabin; and the signalling-thread ends just at the tip of that leg. Whoso has not seen the Epeira in this att.i.tude, with her hand, so to speak, on the telegraph-receiver, knows nothing of one of the most curious instances of animal cleverness. Let any game appear upon the scene; and the slumberer, forthwith aroused by means of the leg receiving the vibrations, hastens up. A Locust whom I myself lay on the web procures her this agreeable shock and what follows. If she is satisfied with her bag, I am still more satisfied with what I have learnt.

One word more. The web is often shaken by the wind. The different parts of the framework, tossed and teased by the eddying air-currents, cannot fail to transmit their vibration to the signalling-thread.

Nevertheless, the Spider does not quit her hut and remains indifferent to the commotion prevailing in the net. Her line, therefore, is something better than a bell-rope that pulls and communicates the impulse given: it is a telephone capable, like our own, of transmitting infinitesimal waves of sound. Clutching her telephone-wire with a toe, the Spider listens with her leg; she perceives the innermost vibrations; she distinguishes between the vibration proceeding from a prisoner and the mere shaking caused by the wind.

CHAPTER 11. THE EUMENES.

A wasp-like garb of motley black and yellow; a slender and graceful figure; wings not spread out flat, when resting, but folded lengthwise in two; the abdomen a sort of chemist's retort, which swells into a gourd and is fastened to the thorax by a long neck, first distending into a pear, then shrinking to a thread; a leisurely and silent flight; lonely habits. There we have a summary sketch of the Eumenes. My part of the country possesses two species: the larger, Eumenes Amedei, Lep., measures nearly an inch in length; the other, Eumenes pomiformis, Fabr., is a reduction of the first to the scale of one-half. (I include three species promiscuously under this one name, that is to say, Eumenes pomiformis, Fabr., E. bipunctis, Sauss., and E. dubius, Sauss.

As I did not distinguish between them in my first investigations, which date a very long time back, it is not possible for me to ascribe to each of them its respective nest. But their habits are the same, for which reason this confusion does not injuriously affect the order of ideas in the present chapter.--Author's Note.)

Similar in form and colouring, both possess a like talent for architecture; and this talent is expressed in a work of the highest perfection which charms the most untutored eye. Their dwelling is a masterpiece. The Eumenes follow the profession of arms, which is unfavourable to artistic effort; they stab a prey with their sting; they pillage and plunder. They are predatory Hymenoptera, victualling their grubs with caterpillars. It will be interesting to compare their habits with those of the operator on the Grey Worm. (Ammophila hirsuta, who hunts the Grey Worm, the caterpillar of Noctua segetum, the Dart or Turnip Moth.--Translator's Note.) Though the quarry--caterpillars in either case--remain the same, perhaps instinct, which is liable to vary with the species, has fresh glimpses in store for us. Besides, the edifice built by the Eumenes in itself deserves inspection.

The Hunting Wasps whose story we have described in former volumes are wonderfully well versed in the art of wielding the lancet; they astound us with their surgical methods, which they seem to have learnt from some physiologist who allows nothing to escape him; but those skilful slayers have no merit as builders of dwelling-houses. What is their home, in point of fact? An underground pa.s.sage, with a cell at the end of it; a gallery, an excavation, a shapeless cave. It is miner's work, navvy's work: vigorous sometimes, artistic never. They use the pick-axe for loosening, the crowbar for shifting, the rake for extracting the materials, but never the trowel for laying. Now in the Eumenes we see real masons, who build their houses bit by bit with stone and mortar and run them up in the open, either on the firm rock or on the shaky support of a bough. Hunting alternates with architecture; the insect is a Nimrod or a Vitruvius by turns. (Marcus Vitruvius Pollio, the Roman architect and engineer.--Translator's Note.)

And, first of all, what sites do these builders select for their homes?

Should you pa.s.s some little garden-wall, facing south, in a sun-scorched corner, look at the stones that are not covered with plaster, look at them one by one, especially the largest; examine the ma.s.ses of boulders, at no great height from the ground, where the fierce rays have heated them to the temperature of a Turkish bath; and, perhaps, if you seek long enough, you will light upon the structure of Eumenes Amedei. The insect is scarce and lives apart; a meeting is an event upon which we must not count with too great confidence. It is an African species and loves the heat that ripens the carob and the date.

It haunts the sunniest spots and selects rocks or firm stones as a foundation for its nest. Sometimes also, but seldom, it copies the Chalicodoma of the Walls and builds upon an ordinary pebble. (Or Mason-bee.--Translator's Note.)

Eumenes pomiformis is much more common and is comparatively indifferent to the nature of the foundation whereon she erects her cells. She builds on walls, on isolated stones, on the wood of the inner surface of half-closed shutters; or else she adopts an aerial base, the slender twig of a shrub, the withered sprig of a plant of some sort. Any form of support serves her purpose. Nor does she trouble about shelter. Less chilly than her African cousin, she does not shun the unprotected s.p.a.ces exposed to every wind that blows.

When erected on a horizontal surface, where nothing interferes with it, the structure of Eumenes Amedei is a symmetrical cupola, a spherical skull-cap, with, at the top, a narrow pa.s.sage just wide enough for the insect, and surmounted by a neatly funnelled neck. It suggests the round hut of the Eskimo or of the ancient Gael, with its central chimney. Two centimetres and a half (.97 inch.--Translator's Note.), more or less, represent the diameter, and two centimetres the height.

(.78 inch.--Translator's Note.) When the support is a perpendicular plane, the building still retains the domed shape, but the entrance- and exit-funnel opens at the side, upwards. The floor of this apartment calls for no labour: it is supplied direct by the bare stone.

Having chosen the site, the builder erects a circular fence about three millimetres thick. (.118 inch.--Translator's Note.) The materials consist of mortar and small stones. The insect selects its stone-quarry in some well-trodden path, on some neighbouring road, at the driest, hardest spots. With its mandibles, it sc.r.a.pes together a small quant.i.ty of dust and saturates it with saliva until the whole becomes a regular hydraulic mortar which soon sets and is no longer susceptible to water.

The Mason-bees have shown us a similar exploitation of the beaten paths and of the road-mender's macadam. All these open-air builders, all these erectors of monuments exposed to wind and weather require an exceedingly dry stone-dust; otherwise the material, already moistened with water, would not properly absorb the liquid that is to give it cohesion; and the edifice would soon be wrecked by the rains. They possess the sense of discrimination of the plasterer, who rejects plaster injured by damp. We shall see presently how the insects that build under shelter avoid this laborious macadam-sc.r.a.ping and give the preference to fresh earth already reduced to a paste by its own dampness. When common lime answers our purpose, we do not trouble about Roman cement. Now Eumenes Amedei requires a first-cla.s.s cement, even better than that of the Chalicodoma of the Walls, for the work, when finished, does not receive the thick covering wherewith the Mason-bee protects her cl.u.s.ter of cells. And therefore the cupola-builder, as often as she can, uses the highway as her stone-pit.

With the mortar, flints are needed. These are bits of gravel of an almost unvarying size--that of a peppercorn--but of a shape and kind differing greatly, according to the places worked. Some are sharp-cornered, with facets determined by chance fractures; some are round, polished by friction under water. Some are of limestone, others of silicic matter. The favourite stones, when the neighbourhood of the nest permits, are little nodules of quartz, smooth and semitransparent.

These are selected with minute care. The insect weighs them, so to say, measures them with the compa.s.s of its mandibles and does not accept them until after recognizing in them the requisite qualities of size and hardness.

A circular fence, we were saying, is begun on the bare rock. Before the mortar sets, which does not take long, the mason sticks a few stones into the soft ma.s.s, as the work advances. She dabs them half-way into the cement, so as to leave them jutting out to a large extent, without penetrating to the inside, where the wall must remain smooth for the sake of the larva's comfort. If necessary, a little plaster is added, to tone down the inner protuberances. The solidly embedded stonework alternates with the pure mortarwork, of which each fresh course receives its facing of tiny encrusted pebbles. As the edifice is raised, the builder slopes the construction a little towards the centre and fashions the curve which will give the spherical shape. We employ arched centrings to support the masonry of a dome while building: the Eumenes, more daring than we, erects her cupola without any scaffolding.

A round orifice is contrived at the summit; and, on this orifice, rises a funnelled mouthpiece built of pure cement. It might be the graceful neck of some Etruscan vase. When the cell is victualled and the egg laid, this mouthpiece is closed with a cement plug; and in this plug is set a little pebble, one alone, no more: the ritual never varies. This work of rustic architecture has naught to fear from the inclemency of the weather; it does not yield to the pressure of the fingers; it resists the knife that attempts to remove it without breaking it. Its nipple shape and the bits of gravel wherewith it bristles all over the outside remind one of certain cromlechs of olden time, of certain tumuli whose domes are strewn with Cyclopean stones.

Such is the appearance of the edifice when the cell stands alone; but the Hymenopteron nearly always fixes other domes against her first, to the number of five, six, or more. This shortens the labour by allowing her to use the same part.i.tion for two adjoining rooms. The original elegant symmetry is lost and the whole now forms a cl.u.s.ter which, at first sight, appears to be merely a clod of dry mud, sprinkled with tiny pebbles. But let us examine the shapeless ma.s.s more closely and we shall perceive the number of chambers composing the habitation with the funnelled mouths, each quite distinct and each furnished with its gravel stopper set in the cement.

The Chalicodoma of the Walls employs the same building methods as Eumenes Amedei: in the courses of cement she fixes, on the outside, small stones of minor bulk. Her work begins by being a turret of rustic art, not without a certain prettiness; then, when the cells are placed side by side, the whole construction degenerates into a lump governed apparently by no architectural rule. Moreover, the Mason-bee covers her ma.s.s of cells with a thick layer of cement, which conceals the original rockwork edifice. The Eumenes does not resort to this general coating: her building is too strong to need it; she leaves the pebbly facings uncovered, as well as the entrances to the cells. The two sorts of nests, although constructed of similar materials, are therefore easily distinguished.

The Eumenes' cupola is the work of an artist; and the artist would be sorry to cover his masterpiece with whitewash. I crave forgiveness for a suggestion which I advance with all the reserve befitting so delicate a subject. Would it not be possible for the cromlech-builder to take a pride in her work, to look upon it with some affection and to feel gratified by this evidence of her cleverness? Might there not be an insect science of aesthetics? I seem at least to catch a glimpse, in the Eumenes, of a propensity to beautify her work. The nest must be, before all, a solid habitation, an inviolable stronghold; but, should ornament intervene without jeopardizing the power of resistance, will the worker remain indifferent to it? Who would say?

Let us set forth the facts. The orifice at the top, if left as a mere hole, would suit the purpose quite as well as an elaborate door: the insect would lose nothing in regard to facilities for coming and going and would gain by shortening the labour. Yet we find, on the contrary, the mouth of an amphora, gracefully curved, worthy of a potter's wheel.

A choice cement and careful work are necessary for the confection of its slender, funnelled shaft. Why this nice finish, if the builder be wholly absorbed in the solidity of her work?

Here is another detail: among the bits of gravel employed for the outer covering of the cupola, grains of quartz predominate. They are polished and translucent; they glitter slightly and please the eye. Why are these little pebbles preferred to chips of lime-stone, when both materials are found in equal abundance around the nest?

A yet more remarkable feature: we find pretty often, encrusted on the dome, a few tiny, empty snail-sh.e.l.ls, bleached by the sun. The species usually selected by the Eumenes is one of the smaller Helices--Helix strigata--frequent on our parched slopes. I have seen nests where this Helix took the place of pebbles almost entirely. They were like boxes made of sh.e.l.ls, the work of a patient hand.

A comparison offers here. Certain Australian birds, notably the Bower-birds, build themselves covered walks, or playhouses, with interwoven twigs, and decorate the two entrances to the portico by strewing the threshold with anything that they can find in the shape of glittering, polished, or bright-coloured objects. Every door-sill is a cabinet of curiosities where the collector gathers smooth pebbles, variegated sh.e.l.ls, empty snail-sh.e.l.ls, parrot's feathers, bones that have come to look like sticks of ivory. The odds and ends mislaid by man find a home in the bird's museum, where we see pipe-stems, metal b.u.t.tons, strips of cotton stuff and stone axe-heads.

The collection at either entrance to the bower is large enough to fill half a bushel. As these objects are of no use to the bird, its only motive for acc.u.mulating them must be an art-lover's hobby. Our common Magpie has similar tastes: any shiny thing that he comes upon he picks up, hides and h.o.a.rds.

Well, the Eumenes, who shares this pa.s.sion for bright pebbles and empty snail-sh.e.l.ls, is the Bower-bird of the insect world; but she is a more practical collector, knows how to combine the useful and the ornamental and employs her finds in the construction of her nest, which is both a fortress and a museum. When she finds nodules of translucent quartz, she rejects everything else: the building will be all the prettier for them. When she comes across a little white sh.e.l.l, she hastens to beautify her dome with it; should fortune smile and empty snail-sh.e.l.ls abound, she encrusts the whole fabric with them, until it becomes the supreme expression of her artistic taste. Is this so? Or is it not so?

Who shall decide?

The nest of Eumenes pomiformis is the size of an average cherry and constructed of pure mortar, without the least outward pebblework. Its shape is exactly similar to that which we have just described. When built upon a horizontal base of sufficient extent, it is a dome with a central neck, funnelled like the mouth of an urn. But when the foundation is reduced to a mere point, as on the twig of a shrub, the nest becomes a spherical capsule, always, of course, surmounted by a neck. It is then a miniature specimen of exotic pottery, a paunchy alcarraza. Its thickens is very slight, less than that of a sheet of paper; it crushes under the least effort of the fingers. The outside is not quite even. It displays wrinkles and seams, due to the different courses of mortar, or else knotty protuberances distributed almost concentrically.

Both Hymenoptera acc.u.mulate caterpillars in their coffers, whether domes or jars. Let us give an abstract of the bill of fare. These doc.u.ments, for all their dryness, possess a value; they will enable whoso cares to interest himself in the Eumenes to perceive to what extent instinct varies the diet, according to the place and season. The food is plentiful, but lacks variety. It consists of tiny caterpillars, by which I mean the grubs of small b.u.t.terflies. We learn this from the structure, for we observe in the prey selected by either Hymenopteran the usual caterpillar organism. The body is composed of twelve segments, not including the head. The first three have true legs, the next two are legless, then come two segments with prolegs, two legless segments and, lastly, a terminal segment with prolegs. It is exactly the same structure which we saw in the Ammophila's Grey Worm.

My old notes give the following description of the caterpillars found in the nest of Eumenes Amedei: "a pale green or, less often, a yellowish body, covered with short white hairs; head wider than the front segment, dead-black and also bristling with hairs. Length: 16 to 18 millimetres (.63 to .7 inch.--Translator's Note.); width: about 3 millimetres." (.12 inch.--Translator's Note.) A quarter of a century and more has elapsed since I jotted down this descriptive sketch; and to-day, at Serignan, I find in the Eumenes' larder the same game which I noticed long ago at Carpentras. Time and distance have not altered the nature of the provisions.

The number of morsels served for the meal of each larva interests us more than the quality. In the cells of Eumenes Amedei, I find sometimes five caterpillars and sometimes ten, which means a difference of a hundred per cent in the quant.i.ty of the food, for the morsels are of exactly the same size in both cases. Why this unequal supply, which gives a double portion to one larva and a single portion to another?

The diners have the same appet.i.te: what one nurseling demands a second must demand, unless we have here a different menu, according to the s.e.xes. In the perfect stage the males are smaller than the females, are hardly half as much in weight or volume. The amount of victuals, therefore, required to bring them to their final development may be reduced by one-half. In that case, the well-stocked cells belong to females; the others, more meagrely supplied, belong to males.

But the egg is laid when the provisions are stored; and this egg has a determined s.e.x, though the most minute examination is not able to discover the differences which will decide the hatching of a female or a male. We are therefore needs driven to this strange conclusion: the mother knows beforehand the s.e.x of the egg which she is about to lay; and this knowledge allows her to fill the larder according to the appet.i.te of the future grub. What a strange world, so wholly different from ours! We fall back upon a special sense to explain the Ammophila's hunting; what can we fall back upon to account for this intuition of the future? Can the theory of chances play a part in the hazy problem?