The Wits and Beaux of Society Part 2

The more effectually to support his character as a mountebank, Villiers sold mithridate and galbanum plasters: thousands of spectators and customers thronged every day to see and hear him. Possibly many guessed that beneath all the fantastic exterior some ulterior project was concealed; yet he remained untouched by the City Guards. Well did Dryden describe him:--

'Then all for women, painting, rhyming, drinking, Beside ten thousand freaks that died in thinking.

Blest madman, who could every hour employ With something new to wish or to enjoy.'

His elder sister, Lady Mary Villiers, had married the Duke of Richmond, one of the loyal adherents of Charles I. The duke was, therefore, in durance at Windsor, whilst the d.u.c.h.ess was to be placed under strict surveillance at Whitehall.

Villiers resolved to see her. Hearing that she was to pa.s.s into Whitehall on a certain day, he set up his stage where she could not fail to perceive him. He had something important to say to her. As she drew near, he cried out to the mob that he would give them a song on the d.u.c.h.ess of Richmond and the Duke of Buckingham: nothing could be more acceptable. 'The mob,' it is related, 'stopped the coach and the d.u.c.h.ess ... Nay, so outrageous were the mob, that they forced the d.u.c.h.ess, who was then the handsomest woman in England, to sit in the boot of the coach, and to hear him sing all his impertinent songs. Having left off singing, he told them it was no more than reason that he should present the d.u.c.h.ess with some of the songs. So he alighted from his stage, covered all over with papers and ridiculous little pictures. Having come to the coach, he took off a black piece of taffeta, which he always wore over one of his eyes, when his sister discovered immediately who he was, yet had so much presence of mind as not to give the least sign of mistrust; nay, she gave him some very opprobrious language, but was very eager at s.n.a.t.c.hing the papers he threw into her coach. Among them was a packet of letters, which she had no sooner got but she went forward, the duke, at the head of the mob, attending and hallooing her a good way out of the town.'

[Ill.u.s.tration: VILLIERS IN DISGUISE--THE MEETING WITH HIS SISTER.]

A still more daring adventure was contemplated also by this young, irresistible duke. Bridget Cromwell, the eldest daughter of Oliver, was, at that time, a bride of twenty-six years of age; having married, in 1647, the saintly Henry Ireton, Lord Deputy of Ireland. Bridget was the pattern heroine of the '_unco guid_,' the quintessence of all propriety; the impersonation of sanct.i.ty; an ultra republican, who scarcely accorded to her father the modest t.i.tle of Protector. She was esteemed by her party a 'personage of sublime growth:' 'humbled, not exalted,'

according to Mrs. Hutchinson, by her elevation: 'nevertheless,' says that excellent lady, 'as my Lady Ireton was walking in the St. James's Park, the Lady Lambert, as proud as her husband, came by where she was, and as the present princess always hath precedency of the relict of the dead, so she put by my Lady Ireton, who, notwithstanding her piety and humility, was a little grieved at the affront.'

After this anecdote one cannot give much credence to this lady's humility: Bridget was, however, a woman of powerful intellect, weakened by her extreme, and, to use a now common term, _crochety_ opinions.

Like most _esprits forts_, she was easily imposed upon. One day this paragon saw a mountebank dancing on a stage in the most exquisite style.

His fine shape, too, caught the attention of one who a.s.sumed to be above all folly. It is sometimes fatal to one's peace to look out of a window; no one knows what sights may rivet or displease. Mistress Ireton was sitting at her window unconscious that any one with the hated and malignant name of 'Villiers' was before her. After some unholy admiration, she sent to speak to the mummer. The duke scarcely knew whether to trust himself in the power of the bloodthirsty Ireton's bride or not--yet his courage--his love of sport--prevailed. He visited her that evening: no longer, however, in his jack-pudding coat, but in a rich suit, disguised with a cloak over it. He wore still a plaster over one eye, and was much disposed to take it off, but prudence forbade; and thus he stood in the presence of the prim and saintly Bridget Ireton.

The particulars of the interview rest on his statement, and they must not, therefore, be accepted implicitly. Mistress Ireton is said to have made advances to the handsome incognito. What a triumph to a man like Villiers, to have intrigued with my Lord Protector's sanctified daughter! But she inspired him with disgust. He saw in her the presumption and hypocrisy of her father; he hated her as Cromwell's daughter and Ireton's wife. He told her, therefore, that he was a Jew, and could not by his laws become the paramour of a Christian woman. The saintly Bridget stood amazed; she had imprudently let him into some of the most important secrets of her party. A Jew! It was dreadful! But how could a person of that persuasion be so strict, so strait-laced? She probably entertained all the horror of Jews which the Puritanical party cherished as a virtue; forgetting the lessons of toleration and liberality inculcated by Holy Writ. She sent, however, for a certain Jewish Rabbi to converse with the stranger. What was the Duke of Buckingham's surprise, on visiting her one evening, to see the learned doctor armed at all points with the Talmud, and thirsting for dispute, by the side of the saintly Bridget. He could noways meet such a body of controversy; but thought it best forthwith to set off for the Downs.

Before he departed he wrote, however, to Mistress Ireton, on the plea that she might wish to know to what tribe of Jews he belonged. So he sent her a note written with all his native wit and point.[4]

Buckingham now experienced all the miseries that a man of expensive pleasures with a sequestrated estate is likely to endure. One friend remained to watch over his interests in England. This was John Traylman, a servant of his late father's, who was left to guard the collection of pictures made by the late duke, and deposited in York House. That collection was, in the opinion of competent judges, the third in point of value in England, being only inferior to those of Charles I. and the Earl of Arundel.

It had been bought, with immense expense, partly by the duke's agents in Italy, the Mantua Gallery supplying a great portion--partly in France--partly in Flanders; and to Flanders a great portion was destined now to return. Secretly and laboriously did old Traylman pack up and send off these treasures to Antwerp, where now the gay youth whom the aged domestic had known from a child was in want and exile. The pictures were eagerly bought by a foreign collector named Duart. The proceeds gave poor Villiers bread; but the n.o.ble works of t.i.tian and Leonardo da Vinci, and others, were lost for ever to England.

It must have been very irritating to Villiers to know that whilst he just existed abroad, the great estates enjoyed by his father were being subjected to pillage by Cromwell's soldiers, or sold for pitiful sums by the Commissioners appointed by the Parliament to break up and annihilate many of the old properties in England. Burleigh-on-the-Hill, the stately seat on which the first duke had lavished thousands, had been taken by the Roundheads. It was so large, and presented so long a line of buildings, that the Parliamentarians could not hold it without leaving in it a great garrison and stores of ammunition. It was therefore burnt, and the stables alone occupied; and those even were formed into a house of unusual size. York House was doubtless marked out for the next destructive decree. There was something in the very history of this house which might be supposed to excite the wrath of the Roundheads.

Queen Mary (whom we must not, after Miss Strickland's admirable life of her, call b.l.o.o.d.y Queen Mary, but who will always be best known by that unpleasant t.i.tle) had bestowed York House on the See of York, as a compensation for York House, at Whitehall, which Henry VIII. had taken from Wolsey. It had afterwards come into possession of the Keepers of the Great Seal. Lord Bacon was born in York House, his father having lived there; and the

'Greatest, wisest, meanest of mankind,'

built here an aviary which cost 300. When the Duke of Lennox wished to buy York House, Bacon thus wrote to him:--'For this you will pardon me: York House is the house where my father died, and where I first breathed; and there will I yield my last breath, if it so please G.o.d and the King.' It did not, however, please the King that he should; the house was borrowed only by the first Duke of Buckingham from the Archbishop of York, and then exchanged for another seat, on the plea that the duke would want it for the reception of foreign potentates, and for entertainments given to royalty.

The duke pulled it down: and the house, which was erected as a temporary structure, was so superb that even Pepys, twenty years after it had been left to bats and cobwebs, speaks of it in raptures, as of a place in which the great duke's soul was seen in every chamber. On the walls were shields on which the arms of Manners and of Villiers--peac.o.c.ks and lions--were quartered. York House was never, however, finished; but as the lover of old haunts enters Buckingham Street in the Strand, he will perceive an ancient water-gate, beautifully proportioned, built by Inigo Jones--smoky, isolated, impaired--but still speaking volumes of remembrance of the glories of the a.s.sa.s.sinated duke, who had purposed to build the whole house in that style.

'_Yorschaux_,' as he called it--York House--the French amba.s.sador had written word to his friends at home, 'is the most richly fitted up of any that I saw.' The galleries and state rooms were graced by the display of the Roman marbles, both busts and statues, which the first duke had bought from Rubens; whilst in the gardens the Cain and Abel of John of Bologna, given by Philip IV. of Spain to King Charles, and by him bestowed on the elder George Villiers, made that fair _pleasaunce_ famous. It was doomed--as were what were called the 'superst.i.tious'

pictures in the house--to destruction: henceforth all was in decay and neglect. 'I went to see York House and gardens,' Evelyn writes in 1655, 'belonging to the former greate Buckingham, but now much ruined through neglect.'

Traylman, doubtless, kept George Villiers the younger in full possession of all that was to happen to that deserted tenement in which the old man mourned for the departed, and thought of the absent.

The intelligence which he had soon to communicate was all-important.

York House was to be occupied again; and Cromwell and his coadjutors had bestowed it on Fairfax. The blow was perhaps softened by the reflection that Fairfax was a man of generous temper; and that he had an only daughter, Mary Fairfax, young, and an heiress. Though the daughter of a Puritan, a sort of interest was attached, even by Cavaliers, to Mary Fairfax, from her having, at five years of age, followed her father through the civil wars on horseback, seated before a maid-servant; and having, on her journey, frequently fainted, she was so ill as to have been left in a house by the roadside, her father never expecting to see her again.

In reference to this young girl, then about eighteen years of age, Buckingham now formed a plan. He resolved to return to England disguised, to offer his hand to Mary Fairfax, and so recover his property through the influence of Fairfax. He was confident of his own attractions; and, indeed, from every account, he appears to have been one of those reckless, handsome, speculative characters that often take the fancy of better men than themselves. 'He had,' says Burnet, 'no sort of literature, only he was drawn into chymistry; and for some years he thought he was very near the finding of the philosopher's stone, which had the effect that attends on all such men as he was, when they are drawn in, to lay out for it. He had no principles of religion, virtue, or friendship; pleasure, frolic, or extravagant diversion, was all he laid to heart. He was true to nothing; for he was not true to himself.

He had no steadiness nor conduct; he could keep no secret, nor execute any design without spoiling it; he could never fix his thoughts, nor govern his estate, though then the greatest in England. He was bred about the king, and for many years he had a great ascendant over him; but he spoke of him to all persons with that contempt, that at last he drew a lasting disgrace upon himself. And he at length ruined both body and mind, fortune and reputation, equally.'

This was a sad prospect for poor Mary Fairfax, but certainly if in their choice

----'Weak women go astray, Their stars are more in fault than they,'

and she was less to blame in her choice than her father, who ought to have advised her against the marriage. Where and how they met is not known. Mary was not attractive in person: she was in her youth little, brown, and thin, but became a 'short fat body,' as De Grammont tells us, in her early married life; in the later period of her existence she was described by the Vicomtesse de Longueville as a 'little round crumpled woman, very fond of finery;' and she adds that, on visiting the d.u.c.h.ess one day, she found her, though in mourning, in a kind of loose robe over her, all edged and laced with gold. So much for a Puritan's daughter!

To this insipid personage the duke presented himself. She soon liked him, and in spite of his outrageous infidelities, continued to like him after their marriage.

He carried his point: Mary Fairfax became his wife on the 6th of September, 1675, and, by the influence of Fairfax, his estate, or, at all events, a portion of the revenues, about 4,000 a year, it is said, were restored to him. Nevertheless, it is mortifying to find that in 1682, he sold York House, in which his father had taken such pride, for 30,000. The house was pulled down; streets were erected on the gardens: George Street, Villiers Street, Duke Street, Buckingham Street, Off Alley recall the name of the ill-starred George, first duke, and of his needy, profligate son; but the only trace of the real greatness of the family importance thus swept away is in the motto inscribed on the point of old Inigo's water-gate, towards the street: '_Fidei coticula crux_.' It is sad for all good royalists to reflect that it was not the rabid Roundhead, but a degenerate Cavalier, who sold and thus destroyed York House.

The marriage with Mary Fairfax, though one of interest solely, was not a _mesalliance_: her father was connected by the female side with the Earls of Rutland; he was also a man of a generous spirit, as he had shown, in handing over to the Countess of Derby the rents of the Isle of Man, which had been granted to him by the Parliament. In a similar spirit he was not sorry to restore York House to the Duke of Buckingham.

Cromwell, however, was highly exasperated by the nuptials between Mary Fairfax and Villiers, which took place at Nun-Appleton, near York, one of Fairfax's estates. The Protector had, it is said, intended Villiers for one of his own daughters. Upon what plea he acted it is not stated: he committed Villiers to the Tower, where he remained until the death of Oliver, and the accession of Richard Cromwell.

In vain did Fairfax solicit his release: Cromwell refused it, and Villiers remained in durance until the abdication of Richard Cromwell, when he was set at liberty, but not without the following conditions, dated February 21st, 1658-9:--

'The humble pet.i.tion of George Duke of Buckingham was this day read.

Resolved that George Duke of Buckingham, now prisoner at Windsor Castle, upon his engagement upon his honour at the bar of this House, and upon the engagement of Lord Fairfax in 20,000 that the said duke shall peaceably demain himself for the future, and shall not join with, or abet, or have any correspondence with, any of the enemies of the Lord Protector, and of this Commonwealth, in any of the parts beyond the sea, or within this Commonwealth, shall be discharged of his imprisonment and restraint; and that the Governor of Windsor Castle be required to bring the Duke of Buckingham to the bar of this House on Wednesday next, to engage his honour accordingly. Ordered, that the security of 20,000 to be given by the Lord Fairfax, on the behalf of the Duke of Buckingham, be taken in the name of His Highness the Lord Protector.'

During his incarceration at Windsor, Buckingham had a companion, of whom many a better man might have been envious: this was Abraham Cowley, an old college friend of the duke's. Cowley was the son of a grocer, and owed his entrance into academic life to having been a King's Scholar at Westminster. One day he happened to take up from his mother's parlour window a copy of Spenser's 'Faerie Queene.' He eagerly perused the delightful volume, though he was then only twelve years old: and this impulse being given to his mind, became at fifteen a reciter of verses.

His 'Poetical Blossoms,' published whilst he was still at school, gave, however, no foretaste of his future eminence. He proceeded to Trinity College, Cambridge, where his friendship with Villiers was formed; and where, perhaps, from that circ.u.mstance, Cowley's predilections for the cause of the Stuarts was ripened into loyalty.

No two characters could be more dissimilar than those of Abraham Cowley and George Villiers. Cowley was quiet, modest, sober, of a thoughtful, philosophical turn, and of an affectionate nature; neither boasting of his own merits nor depreciating others. He was the friend of Lucius Cary, Lord Falkland; and yet he loved, though he must have condemned, George Villiers. It is not unlikely that, whilst Cowley imparted his love of poetry to Villiers, Villiers may have inspired the pensive and blameless poet with a love of that display of wit then in vogue, and heightened that sense of humour which speaks forth in some of Cowley's productions. Few authors suggest so many new thoughts, really his own, as Cowley. 'His works,' it has been said, 'are a flower-garden run to weeds, but the flowers are numerous and brilliant, and a search after them will repay the pains of a collector who is not too indolent or fastidious.'

As Cowley and his friend pa.s.sed the weary hours in durance, many an old tale could the poet tell the peer of stirring times; for Cowley had accompanied Charles I. in many a perilous journey, and had protected Queen Henrietta Maria in her escape to France: through Cowley had the correspondence of the royal pair, when separated, been carried on. The poet had before suffered imprisonment for his loyalty; and, to disguise his actual occupation, had obtained the degree of Doctor of Medicine, and a.s.sumed the character of a physician, on the strength of knowing the virtues of a few plants.

Many a laugh, doubtless, had Buckingham at the expense of _Dr._ Cowley: however, in later days, the duke proved a true friend to the poet, in helping to procure for him the lease of a farm at Chertsey from the queen, and here Cowley, rich upon 300 a year, ended his days.

For some time after Buckingham's release, he lived quietly and respectably at Nun-Appleton, with General Fairfax and the vapid Mary.

But the Restoration--the first dawnings of which have been referred to in the commencement of this biography--ruined him, body and mind.

He was made a Lord of the Bedchamber, a Member of the Privy Council, and afterwards Master of the Horse,[5] and Lord Lieutenant of Yorkshire. He lived in great magnificence at Wallingford House; a tenement next to York House, intended to be the habitable and useful appendage to that palace.

He was henceforth, until he proved treacherous to his sovereign, the brightest ornament of Whitehall. Beauty of person was hereditary: his father was styled the 'handsomest-bodied man in England,' and George Villiers the younger equalled George Villiers the elder in all personal accomplishments. When he entered the Presence-Chamber all eyes followed him; every movement was graceful and stately. Sir John Reresby p.r.o.nounced him 'to be the finest gentleman he ever saw.' 'He was born,'

Madame Dunois declared, 'for gallantry and magnificence.' His wit was faultless, but his manners engaging; yet his sallies often descended into buffoonery, and he spared no one in his merry moods. One evening a play of Dryden's was represented. An actress had to spout forth this line--

'My wound is great because it is so small!'

She gave it out with pathos, paused, and was theatrically distressed.

Buckingham was seated in one of the boxes. He rose, all eyes were fixed upon a face well known in all gay a.s.semblies, in a tone of burlesque he answered--

'Then 'twould be greater were it none at all.'

Instantly the audience laughed at the Duke's tone of ridicule, and the poor woman was hissed off the stage.

The king himself did not escape Buckingham's shafts; whilst Lord Chancellor Clarendon fell a victim to his ridicule: nothing could withstand it. There, not in that iniquitous gallery at Whitehall, but in the king's privy chambers, Villiers might be seen, in all the radiance of his matured beauty. His face was long and oval, with sleepy, yet glistening eyes, over which large arched eyebrows seemed to contract a brow on which the curls of a ma.s.sive wig (which fell almost to his shoulders) hung low. His nose was long, well formed, and flexible; his lips thin and compressed, and defined, as the custom was, by two very short, fine, black patches of hair, looking more like strips of sticking-plaster than a moustache. As he made his reverence, his rich robes fell over a faultless form. He was a beau to the very fold of the cambric band round his throat; with long ends of the richest, closest point that was ever rummaged out from a foreign nunnery to be placed on the person of this sacrilegious sinner.

Behold, now, how he changes. Villiers is Villiers no longer. He is Clarendon, walking solemnly to the Court of the Star Chamber: a pair of bellows is hanging before him for the purse; Colonel t.i.tus is walking with a fire shovel on his shoulder, to represent a mace; the king, himself a capital mimic, is splitting his sides with laughter; the courtiers are fairly in a roar. Then how he was wont to divert the king with his descriptions! 'Ipswich, for instance,' he said, 'was a town without inhabitants--a river it had without water--streets without names; and it was a place where a.s.ses wore boots:' alluding to the a.s.ses, when employed in rolling Lord Hereford's bowling-green, having boots on their feet to prevent their injuring the turf.

Flecknoe, the poet, describes the duke at this period, in 'Euterpe Revived'--

The gallant'st person, and the n.o.blest minde, In all the world his prince could ever finde, Or to partic.i.p.ate his private cares, Or bear the public weight of his affairs, Like well-built arches, stronger with their weight, And well-built minds, the steadier with their height; Such was the composition and frame O' the n.o.ble and the gallant Buckingham.'

The praise, however, even in the duke's best days, was overcharged.

Villiers was no 'well-built arch,' nor could Charles trust to the fidelity of one so versatile for an hour. Besides, the moral character of Villiers must have prevented him, even in those days, from bearing 'the public weight of affairs.'