The Well Of Lost Plots Part 1

The Well of Lost Plots.

Jasper Fforde.

I.

The absence of breakfast.

' The Well of Lost Plots: The Well of Lost Plots: To understand the To understand the Well Well you have to have an idea of the layout of the you have to have an idea of the layout of the Great Library Great Library. The library is where all published fiction is stored so it can be read by the readers in the Outland; there are twenty-six floors, one for each letter of the alphabet. The library is constructed in the layout of a cross with the four corridors radiating from the centre point. On all the walls, end after end, shelf after shelf, are books books. Hundreds, thousands, millions of books. Hardbacks, paperbacks, leather-bound, everything. But beneath the Great Library are twenty-six floors of dingy yet industrious sub-bas.e.m.e.nts known as the Well of Lost Plots. This is where books are constructed, honed and polished in readiness for a place in the library above. But the similarity of all these books to the copies we read back home is no more than the similarity a photograph has to its subject; these books are alive alive.'

Making one's home in an unpublished novel wasn't without its compensations. All the boring day-to-day mundanities that we conduct in the real world get in the way of narrative flow and are thus generally avoided. The car didn't need refuelling, there were never any wrong numbers, there was always enough hot water, and vacuum-cleaner bags came in only two sizes upright and pull-along. There were other, more subtle differences, too. For instance, no one ever needed to repeat themselves in case you didn't hear, no one shared the same name, talked at the same time or had a word annoyingly 'on the tip of their tongue'. Best of all, the bad guy was always someone you knew of and Chaucer aside there wasn't much farting. But there were some downsides. The relative absence of breakfast was the first and most notable difference to my daily timetable. Inside books, dinners are often written about and therefore feature frequently, as do lunches and afternoon tea; probably because they offer more opportunities to further the story. Breakfast wasn't all that was missing. There was a peculiar lack of cinemas, wallpaper, toilets, colours, books, animals, underwear, smells, haircuts and, strangely enough, minor illnesses. If someone was ill in a book it was either terminal and dramatically unpleasant or a mild head cold there wasn't much in between.

I was able to take up residence inside fiction by virtue of a scheme ent.i.tled the Character Exchange Programme. Owing to a spate of bored and disgruntled bookpeople escaping from their novels and becoming what we called 'PageRunners', the authorities set up the scheme to allow characters a change of scenery. In any year there are close to ten thousand exchanges, few of which result in any major plot or dialogue infringements the reader rarely suspects anything at all. Since I was from the real world and not actually a character at all, the Bellman and Miss Havisham had agreed to let me live inside the BookWorld in exchange for helping out at Jurisfiction at least as long as my pregnancy would allow.

The choice of book for my self-enforced exile had not been arbitrary; when Miss Havisham asked me in which novel I would care to reside I had thought long and hard. Robinson Crusoe Robinson Crusoe would have been ideal considering the climate but there was no one female to exchange with. I could have gone to would have been ideal considering the climate but there was no one female to exchange with. I could have gone to Pride and Pride and Prejudice Prejudice but I wasn't wild about high collars, bonnets, corsets and delicate manners. No, to avoid any complications and reduce the possibility of having to move, I had decided to make my home in a book of such dubious and uneven quality that publication and my subsequent enforced ejection were unlikely in the extreme. I found just such a book deep within the Well of Lost Plots among failed attempts at prose and half-finished epics of such dazzling ineptness that they would never see the light of day. The book was a dreary crime thriller set in Reading ent.i.tled but I wasn't wild about high collars, bonnets, corsets and delicate manners. No, to avoid any complications and reduce the possibility of having to move, I had decided to make my home in a book of such dubious and uneven quality that publication and my subsequent enforced ejection were unlikely in the extreme. I found just such a book deep within the Well of Lost Plots among failed attempts at prose and half-finished epics of such dazzling ineptness that they would never see the light of day. The book was a dreary crime thriller set in Reading ent.i.tled Caversham Heights Caversham Heights. I had planned to stay there for only a year but it didn't work out that way. Plans with me are like De Floss novels try as you might, you never know quite quite how they are going to turn out. how they are going to turn out.

I read my way into Caversham Heights Caversham Heights. The air felt warm after the wintry conditions back home and I found myself standing on a wooden jetty at the edge of a lake. In front of me there was a large and seemingly derelict flying boat of the sort that still plied the coastal routes back home. I had flown on one myself not six months before on the trail of someone claiming to have found some unpublished Burns poetry. But that was another lifetime ago, when I was with SpecOps in Swindon, the world I had temporarily left behind.

I donned a pair of dark gla.s.ses and stared at the ancient flying boat, which rocked gently in the breeze, tautening the mooring ropes and creaking gently. As I watched the old aircraft, wondering just how long something this decrepit could stay afloat, a well-dressed young woman stepped out of an oval-shaped door in the high-sided hull. She was carrying a suitcase. I had read Caversham Heights Caversham Heights so I knew Mary well, although she didn't know me. so I knew Mary well, although she didn't know me.

'h.e.l.lo!' she shouted, trotting up and offering me a hand. 'I'm Mary. You must be Thursday. My goodness!

What's that?'

'A dodo. Her name's Pickwick.'

Pickwick plocked and stared at Mary suspiciously.

'Really?' she replied, looking at the bird curiously. 'I'm no expert, of course, but ... I thought thought dodos were extinct.' dodos were extinct.'

'Where I come from they're a bit of a pest.'

'Oh?' mused Mary. 'I'm not sure I've heard of a book with live live dodos in it.' dodos in it.'

'I'm not a bookperson,' I told her, 'I'm real.'

'Oh!' exclaimed Mary, opening her eyes wide. 'An Outlander Outlander.'

She touched me inquisitively with a slender index finger, as though I might be made of gla.s.s.

'I've never seen someone from the other side before,' she announced, clearly relieved to find that I wasn't going to shatter into a thousand pieces. 'Tell me, is it true you have to cut your hair on a regular basis? I mean, your hair actually grows grows?'

'Yes.' I smiled. 'And my fingernails, too.'

'Really?' Mary reflected. 'I've heard rumours about that but I thought it was just one of those Outlandish legends. I suppose you have to eat, too? To stay alive, I mean, not just when the story calls for it?'

'One of the great pleasures of life,' I a.s.sured her.

I didn't think I'd tell her about the real-world downsides such as tooth decay, incontinence or old age.

Mary lived in a three-year window and neither aged, died, married, had children, got sick nor changed in any way. Although appearing resolute and strong minded she was only like this because she was written written that way. For all her qualities, Mary was simply a foil to Jack Spratt, the detective in that way. For all her qualities, Mary was simply a foil to Jack Spratt, the detective in Caversham Heights Caversham Heights, the loyal sergeant figure to whom Jack explained things so the readers knew what was going on. She was what writers called an expositional expositional, but I'd never be as impolite as to say so to her face.

'Is this where I'm going to live?'

I was pointing at the shabby flying boat.

'I know what you're thinking.' Mary smiled proudly. 'Isn't she just the most beautiful thing ever? She's a Sunderland; built in 1943 but last flew in '68. I'm midway through converting her to a houseboat, but don't feel shy if you want to help out. Just keep the bilges pumped out, and if you can run the number-three engine once a month I'd be very grateful the start-up checklist is on the flight deck.'

'Well okay,' I muttered.

'Good. I've left a precis of the story taped to the fridge and a rough idea of what you have to say, but don't worry about being word perfect; since we're not published you can say almost anything you want within reason, of course.'

'Of course.'

I thought for a moment.

'I'm new to the Character Exchange Programme,' I said. 'When will I be called to do something?'

'Wyatt is the inbook exchange liaison officer; he'll let you know. Jack might seem gruff to begin with,'

continued Mary, 'but he has a heart of gold. If he asks you to drive his Allegro, make sure you depress the clutch fully before changing gear. He takes his coffee black and the love interest between myself and DC Baker is strictly strictly unrequited, is that clear?' unrequited, is that clear?'

'Very clear,' I returned, thankful I would not have to do any love scenes.

'Good. Did they supply you with all the necessary paperwork, IDs, that sort of thing?'

I patted my pocket and she handed me a sc.r.a.p of paper and a bunch of keys.

'Good. This is my footnoterphone number in case of emergencies, these are the keys to the flying boat and my BMW. If a loser named Arnold calls, tell him I hope he rots in h.e.l.l. Any questions?'

'I don't think so.'

She smiled.

'Then we're done. You'll like it here. I'll see you in about a year. So long!'

She gave a cheery wave and walked off up the dusty track. I watched until she was out of sight then sat upon a rickety wooden seat next to a long-dead tub of flowers. I let Pickwick out of her bag. She ruffled her feathers indignantly and blinked in the sunlight. I looked across the lake at the sailing dinghies, which were little more than brightly coloured triangles that tacked backwards and forwards in the distance.

Nearer to sh.o.r.e a pair of swans beat their wings furiously and pedalled the water in an attempt to take off, landing almost as soon as they were airborne, and throwing up a long streak of spray on the calm waters.

It seemed a lot of effort to go a few hundred yards.

I turned my attention to the flying boat. The layers of paint that covered and protected the riveted hull had partly peeled off, to reveal the colourful livery of long-forgotten airlines. The perspex windows had clouded with age, and high in the ma.s.sive wing untidy cables hung lazily from the oil-stained cowlings of the three empty engine bays, their safe inaccessibility now a haven for nesting birds. Goliath, Aornis and SpecOps seemed a million miles away but then, so did Landen. Landen Landen. Memories of my husband were never far away. I thought of all the times we had spent together that hadn't actually happened. All the places we hadn't visited, all the things we hadn't done. He may have been eradicated at the age of two, but I still had our memories just no one to share them with.

I was interrupted in my thoughts by the sound of a motorcycle approaching. The rider didn't have much control of the vehicle; I was glad that he stopped short of the jetty his erratic riding may well have led him straight into the lake.

'h.e.l.lo!' he said cheerfully, removing his helmet to reveal a youngish man with a dark Mediterranean complexion and deep sunken eyes. 'My name's Arnold. I haven't seen you around here before, have I?'

I got up and shook his hand.

'The name's Next. Thursday Next. Character Exchange Programme.'

'Oh, blast!' he muttered. 'Blast and double blast! I suppose that means I've missed her?'

I nodded and he stared up the road, shaking his head sadly.

'Did she leave a message for me?'

'Y-es,' I said uncertainly, 'she said she would um see you when she gets back.'

'She did?' replied Arnold, brightening up. 'That's a good sign. Normally she calls me a loser and tells me to go rot in h.e.l.l.'

'She probably won't be back for a while,' I added, trying to make up for not pa.s.sing on Mary's message properly, 'maybe a year maybe more.'

'I see,' he murmured, sighing deeply and staring off across the lake. He caught sight of Pickwick, who was attempting to out-stare a strange aquatic bird with a rounded bill.

'What's that?' he asked suddenly.

'I think it's a duck although I can't be sure we don't have any where I come from.'

'No, the other thing.'

'A dodo.' 1 'What's the matter?' asked Arnold.

I was getting a footnoterphone signal; in the BookWorld people generally communicated like this.

'A footnoterphone call,' I replied, 'but it's not a message it's like the wireless back home.' 2 Arnold stared at me.

'You're not from around here, are you?'

'I'm from what you call the Outland.' 3 He opened his eyes wide.

'You mean ... you're real real?'

'I'm afraid so,' I replied, slightly bemused.

'Goodness! Is it true that Outlanders can't say "Red-Buick-Blue-Buick" many times quickly?'

'It's true. We call it a tongue-twister.'

'Fascinating!' he replied. 'There's nothing like that here here, you know. I can say: "The sixth sheikh's sixth sheep's sick" over and over as many times as I want!'

And he did, three times.

'Now you try.'

I took a deep breath.

'The sixth spleeps sics sleeks sick.'

Arnold laughed like a drain. I don't think he'd come across anything quite so funny in his life. I smiled.

'Do it again!' he urged.

'No thanks. 4 How do I stop this footnoterphone blabbering inside my skull?'

'Just think " off off" very strongly.'

I did, and the footnoterphone stopped.

'Better?'

I nodded.

'You'll get the hang of it.'

He thought for a minute, looked up and down the lake in an overtly innocent manner, and then said: 'Do you want to buy some verbs? Not any of your rubbish, either. Good, strong, healthy regulars straight from the Text Sea I have a friend on a scrawltrawler.'

I smiled.

'I don't think so, Arnold and I don't think you should ask me I'm Jurisfiction.'

'Oh,' said Arnold, looking pale all of a sudden. He bit his lip and gave such an imploring look that I almost laughed.

'Don't sweat,' I told him, 'I won't report it.'

He sighed a deep sigh of relief, muttered his thanks, remounted his motorbike and drove off in a jerky fashion, narrowly missing the mail boxes at the top of the track.

The interior of the flying boat was lighter and more airy than I had imagined but it smelt a bit musty.

Mary was mistaken; she had not been halfway through the craft's conversion it was more like one tenth.

The walls were half panelled with pine tongue-and-groove, and rock wool insulation stuck out untidily along with unused electrical cables. There was room for two floors within the boat's cavernous hull, the downstairs a large open-plan living room with a couple of old sofas pointing towards a television set. I tried to switch it on but it was dead there was no TV in the BookWorld unless called for in the narrative. Much of what I could see around me was merely props, necessary for the chapter in which Jack Spratt visits the Sunderland to discuss the case. On the mantelpiece above a small wood-burning stove were pictures of Mary from her days at the police training college, and another from when she was promoted to detective sergeant.

I opened a door that led into a small kitchenette. Attached to the fridge was the precis of Caversham Caversham Heights Heights. I flicked through it. The sequence of events was pretty much as I remembered from my first reading in the Well, although it seemed that Mary had overstated her role in some of the puzzle-solving areas. I put the precis down, found a bowl and filled it with water for Pickwick, took her egg from my bag and laid it on the sofa, where she quickly set about turning it over and tapping it gently with her beak. I went forward and discovered a bedroom where the nose turret would have been, and climbed a narrow aluminium ladder to the flight deck directly above. This was the best view in the house, the large greenhouse-like perspex windows affording a good view of the lake. The ma.s.sive control wheels were set in front of two comfortable chairs, and facing them and ahead of a tangled ma.s.s of engine control levers was a complex panel of broken and faded instruments. To my right I could see the one remaining engine looking forlorn, the propeller blades streaked with bird droppings.

Behind the pilots' seats, where the flight engineer would have sat, there was a desk with reading lamp, footnoterphone and typewriter. On the bookshelf were mainly magazines of a police nature and lots of forensic textbooks. I walked through a narrow doorway and found a pleasant bedroom. The headroom was not over-generous but it was cosy and dry and was panelled in pine with a porthole above the double bed. Behind the bedroom was a storeroom, a hot-water boiler, stacks of wood and a spiral staircase. I was just about to go downstairs when I heard someone speak from the living room below.

'What do you think that is?'

The voice had an empty ring to it and was neuter in its inflection I couldn't tell whether it was male or female.

I stopped and instinctively pulled my automatic from my shoulder holster. Mary lived alone or so it had said in the book. As I moved slowly downstairs I heard another voice answer the first: 'I think it's a bird of some sort.'

The second voice was no more distinctive than the first; indeed, if the second voice had not been answering answering the first, I might have thought they belonged to the same person. the first, I might have thought they belonged to the same person.