The Upward Path Part 25

In the evening we started our song service and I delivered to them our King's message. The crowd was great. The order was good. I went to rest with the burden of these people upon my heart, and thanking G.o.d that He had led, protected and brought us through close places safely to the "Forbidden Land."

Early in the morning we heard the blast of ivory horns calling the attention of the people to put on their best robes and be in readiness for the big parade. I saw there was great activity in the town, men and women hurrying to and fro. Soon two stalwart Bakuba, with their red kilts on and feathers in their hats appeared before my house and announced their readiness to accompany me before King Lukenga.

They noticed an old bra.s.s b.u.t.ton tied by a string around the neck of one of my men. Very politely they removed it, saying, "Only the king can wear bra.s.s or copper."

I was dressed in what had once been white linen. Coat, trousers, white canvas shoes and pith helmet. The officials on either side took me by the arm; we walked a block up the broad street, turned to the right and walked three blocks till we came to the big town square. Thousands of the villagers had already taken their position and were seated on the green gra.s.s. King Lukenga, his high officials and about 300 of his wives occupied the eastern section of the square. The players of stringed instruments and drummers were in the center, and as we appeared a great shout went up from the people. The king's servants ran and spread leopard skins along the ground leading to his majesty. I approached with some timidity. The king arose from his throne of ivory, stretched forth his hand and greeted me with these words, "Wyni" (You have come). I bowed low, clapped my hands in front of me, and answered, "Ndini, Nyimi"

(I have come, king).

As the drums beat and the harps played the king's sons entered the square and danced one after the other single handed, brandishing their big knives in the air. The king's great chair, or throne, was made of carved tusks of ivory, and his feet rested upon lion skins. I judged him to have been a little more than six feet high and with his crown, which was made of eagle feathers, he towered over all. The king's dress consisted of a red loin cloth, draped neatly about his waist in many folds. He wore a broad belt decorated with cowrie sh.e.l.ls and beads. His armlets and anklets were made of polished cowrie sh.e.l.ls reaching quite above the wrists and ankles. These decorations were beautifully white.

His feet were painted with powdered canwood, resembling morocco boots.

The king weighed about 200 pounds. He wore a pleasant smile. He looked to be eighty years old, but he was as active as a middle-aged man.

As the sun was setting in the west the king stood up, made a slight bow to his people and to me. His slaves were ready with his cowrie-studded hammock to take him to his place, for his feet must never touch the ground. His hammock was like the body of a buggy carried on two long poles upon the shoulders of many men. Through the shouts of the people I was accompanied back to my resting place. It was the most brilliant affair I had seen in Africa, but my! I was so glad when it was all over.

The town was laid off east and west. The broad streets ran at right angles, and there were blocks just as in any town. Those in a block were always related in some way. Around each house is a court and a high fence made of heavy matting of palm leaves, and around each block there is also a high fence, so you enter these homes by the many gates. Each block has a chief called Mbambi, and he is responsible to King Lukenga for his block. When the king will deliver a message to the whole village or part of it, these chiefs are sent for and during the early evenings they ring their iron hand bells and call out in a loud voice the message in five minutes. The king desired of his own heart to give me peanuts for my people. I heard the messengers delivering the word and the next morning we had more peanuts than we could manage.

There was not a visible light anywhere in the whole town. "A chunk or two" is always kept smouldering in the center of the house on the clay floor. The housewife is always careful to have a handful of split dry bamboo near, and when anyone is stung by a scorpion or snake (which often happens) they start up a blaze and hunt for the intruder and medicine.

When there is neither moon nor stars it is truly a land of awful darkness, and is made more dismal by the yelping of the jackal on the plain. The moon shines more brightly and beautifully than on Lukenga's plain. And the beauty is enhanced by the thousands of majestic palms, and the singing of birds with voices like the mocking bird and the nightingale. I have sat in front of my house moonlight nights until 12 and 1 o'clock.

Every morning the "courts" and streets were swept. Men who had committed some offense were compelled to pull weeds and sweep the streets clean.

There is a rule in all Bakuba villages that every man every day sweep before his own door. The only littered places I observed were at the four public entrances of the town where markets were held daily at 6 A.M., 12 noon and 5 P.M.--sugar cane, pulp, banana and plantain peelings, and peanut sh.e.l.ls.

When the king's drum taps the signal about 9 P.M. at the conclusion of the sleep song there is not a sound again in the whole village.

All the natives we have met in the Kasal are, on the whole, honest. Our private dwellings have never been locked day or night. Your pocketbook is a sack of cowries or salt tied at the mouth with a string. But now and then something happens. N'susa, one of the boys of my caravan, misappropriated some cowries. I called him (in the presence of two witnesses) in question about the matter. He acknowledged removing the sh.e.l.ls and innocently remarked, "You are the same as my father, and what is his is mine."

From the great Lukenga plateau as far as the eye can look you see villages dotted everywhere. You never find a family living alone isolated from the village. The people live together for mutual protection from enemies and animals. And usually everybody in a village is related in some near or distant way; but it does not keep them from fighting occasionally.

The Bakuba are monogamists. A young man sees a girl whom he likes; he has met her in his own town or at some other, or perhaps at a market place or a dance. He sends her tokens of love, bananas, plantains, peanuts, dried fish or gra.s.shoppers. She in turn sends him similar presents.

They often meet, sit down on the green, laugh and talk together. I have seen the girls often blush and really put on airs. He asks her to have him, if she has no one else on her heart, and tells her that he wants no one to eat the crop that is in the field but her. The girl and the parents both agree.

On a set day when the market is in full blast, with hundreds of people from everywhere, the young man and girl, with their young friends, all dressed in their best robes, meet and march Indian file through the open market and receive congratulations from everybody.

The new bride and groom continue their march to the already prepared house of the young man. A feast of goat, sheep, monkey, chicken or fish, with plenty of palm wine is served and all is ended with a big dance.

The women of the king's household select their own husbands, and no man dare decline; and no man would ever be so rude or presumptuous as to ask for the hand and heart of royalty.

The husband knows that he must cut down the forest and a.s.sist in planting corn, millet, beans, pease, sweet potatoes and tobacco, hunt for game, bring the palm wine, palm nuts, make his wife's garments and repair the house. He is never to be out after 8 o'clock at night unless sitting up at a wake or taking part in a public town dance.

The young man before marriage sends a certain number of well-woven mats and so many thousands of cowries to the parents of the girl as a dowry.

If they cease to love and must part, even twenty rainy seasons from marriage, the dowry or its equivalent is returned to the man.

The wife is expected to shave and anoint the husband's body with palm oil, keep his toenails and fingernails manicured, bring water and wood, help in the field, cook his food, and take care of the children.

I have had many a man come and ask to buy love medicine. They think charms and medicine can do anything. I always told them, of course, that it was a matter of the girl's heart, and charms or medicine could not help out in their "love affairs."

The Bakuba are morally a splendid people. I have asked a number of Bakuba what was their real ideal of life, and they invariably answered to have a big corn field, marry a good wife, and have many children.

We were astounded when we saw the first new-born baby. It was so very light. But in a few weeks the youngster rallied to his colors and we were a.s.sured that he would never change again.

No baby is born in the regularly occupied house. A small house is built in the back yard and is surrounded by a fence of palm fronds. No one is admitted into the enclosure but a few women. The new youngster receives a bath of palm oil, then the notice is given and all the friends of the family with jugs of cold water vie with each other in giving mother and baby a shower bath. The drums beat and the dance in water and mud continues for hours.

Until you get accustomed to it you would be horrified to see the mothers stuff their young babies. The mother nurses the baby just as any mother, but she doesn't think that sufficient. So she has by her side a small pot of soft corn pone and a pot of water or palm oil. She makes a large pill from the pone, dips it in the water or oil, and while the baby is lying on his back in her lap these pills are dropped in its mouth. Then the mother uses the forefinger to force the collection of pills down its throat. As the baby resists and kicks, water is poured down its throat to facilitate the process. If the baby strangles, the mother will shake him up and down a few times. When the feeding is over, he certainly looks "stuffed."

The Bakuba children have many games and but few toys. The girls have wooden dolls made by their fathers, and the boys make from bamboo bows and arrows. They shoot mice, lizards, gra.s.shoppers, crickets, caterpillars, b.u.t.terflies, lightning bugs, etc.

They make mud pies and play market, and tie the legs of May and June bugs to see them fly around and buzz. They love to play housekeeping.

They are also trained to do some work, as bringing wood, sweeping or looking after the younger ones. There are no knives, forks or dishes to wash.

"Baby talk" is not used and the parents speak to the babies just as though they were speaking to grown-ups.

I have seen the children in the streets drawing with a pointed stick or their finger on the smooth sand, men, leopards, monkeys, crocodiles, birds, snakes and other animals.

The boys make a heap of clay and sod it, and with great speed run upon it and turn a somersault, lighting on their feet. A string of them together will play "leap frog," and hide-and-seek is great sport with them. In all these amus.e.m.e.nts they keep up a song.

There is one thing you will certainly see them doing, both boys and girls, and that is beating their clenched fists into the hard clay just as hard as they can drive. A year later you will see them driving their knuckles against a log or a tree. In this way they become hardened and are used as a weapon in fights when they are grown. And, too, they can b.u.t.t like a goat, so in their family fights they not only use their fists but their heads.

I spent hours at King Lukenga's and other villages playing with the little folks and trying to find out what they were thinking about. They had a name for the sun and moon, names for very brilliant and prominent stars and ordinary ones. The sun was the father of the heavens, the moon was his wife, and the stars were their children. The sun after going down was paddled around in a very large canoe on the great water by men who were more than human and started in the skies again. They knew that a year was divided into two general seasons, the rainy (eight moons), the dry (four moons); though even in the rainy season it doesn't rain every day and very seldom all day at any time; and in the dry season there is an occasional refreshing shower.

They knew the names of all the lakes, rivers and small streams. Roots that were good for medicine or to eat they knew. Flowers and ferns were called by name. The names of all the many varieties of trees, birds and animals they knew.

I was surprised to know from Maxamalinge, the king's son, that every month the king had all the little children of the town before him and he in turn would talk to them, as a great and good father to his own children.

The king would have his servants give to each boy and girl a handful of peanuts. When they were out of the king's quarters there was many a sc.r.a.p over these peanuts.

I grew very fond of Bakuba and it was reciprocated. They were the finest looking race I had seen in Africa, dignified, graceful, courageous, honest, with an open, smiling countenance and really hospitable. Their knowledge of weaving, embroidering, wood carving and smelting was the highest in equatorial Africa.

PILLARS OF THE STATE

WILLIAM C. JASON

Young people are the life-blood of the nation, the pillars of the state.

The future of the world is wrapped up in the lives of its youth. As these unfold, the pages of history will tell the story of deeds n.o.ble and base. Characters resplendent with jewels and ornaments of virtue will be held up for the admiration of the world and the emulation of generations not yet born. Others, thoughtlessly or wilfully ignoring the plain path of duty, dwarfed, blighted, rejected of G.o.d and man, will be the sign-posts marking the road to ruin.

OATH OF AFRO-AMERICAN YOUTH