The Tyranny of the Dark Part 34

Thereat Kate said: "Doctor, you betray astonishing familiarity with the ways of 'spooks.'"

"Oh, I know everything."

"I begin to believe it," she retorted. "I begin to suspect that you are a secret adherent. Morton, you would better tie Dr. Weissmann, otherwise he may speak from the cone himself."

As if to counteract this banter Clarke began a discourse on the leadings of the most recent discoveries:

"The X-ray is a mode of motion, as light is a mode of motion, but the waves of light move in such a way as to clash with and weaken those of the X-ray; so we argue that the mode of motion, through which disembodied souls manifest themselves, being far subtler than the X-ray, is neutralized--though by no means destroyed--by the motion called light. Furthermore, there seems to be a reluctance on the part of the invisible ones to have the actual processes scrutinized. I once laid a pencil on the table and asked for a visible action of writing, vainly, so long as it was completely exposed, but upon being covered with a silk handkerchief it plainly rose and wrote. It could be distinctly seen moving beneath the cloth. Sir William Crookes had a similar experience, except in his case he saw the pencil move, prop itself against a ruler, and try three times to write--all in the light. I have seen letters form on an exposed surface of a slate, I have had hands appear through a curtain and write in the light, but the power must always be generated in shadow."

Kate shuddered. "Woo! It gives me the shivers to think of such things.

Will anything as wonderful happen to-night?"

"I cannot tell--the conditions are severe, but I think we will have something. Viola?" he called, softly.

"Yes," she answered, faintly.

"Would you like us to sing?"

"No--I'd rather you'd all talk. Perhaps they will let me take part in the demonstration to-night. They promised to do so, you remember."

Weissman recounted some of the experiences Zollner had enjoyed in Germany shortly after the Fox sisters became so celebrated in America.

"Crookes and Wallace and several others went into the whole question at that time--the world rang with the controversy. But the clamor pa.s.sed, the phenomena pa.s.sed. It is like an epidemic, it comes and it goes, and in the end is humanity the wiser? No."

"Yes, it is," broke in Clarke. "We are just that much more certain of the indestructible life of the soul--every wave of this spirit-sea leaves a deposit of fact on the beach of time, makes death that much less dreadful. We make gains each decade. Sir William Crookes, Sir Oliver Lodge, Alfred Russel Wallace, Lombroso have all been convinced of the reality of these phenomena. Surely such men must influence the thought of their time. Experimental psychology is on the right road--"

Morton was suffering with the girl, whose hand was beginning to tremble beneath his palm. She no longer replied to his questions, but that she was still awake he knew, for he could hear her sighing deeply, so deeply that the sound troubled him almost as if she were weeping. His impulse was to rise and turn on the light and give over this trial, which could only end in humiliating her. "Her temerity is a part of her malady," he argued. "It has arisen through years of misconceived petting and nursing on the part of her mother. Up to this moment her performances have always been in the presence of friends and relatives, or for the consolation of those eager to believe, and therefore easily deluded. Every sitter has conspired to practically force her into an elaborate series of deceptions, each deceit being built upon and made necessary by the other. It is pitiful, but she now believes in herself--that is pathetically certain. Otherwise she would not have yielded herself so completely into the hands of an inexorable investigator like Weissmann. She must take the consequences," he ended, with grim closing of the lips. "We must be cruel in order to be kind. This night may be her salvation."

Weissmann was replying to Mrs. Lambert. "I do not care for a return of my dead, madam; what I wish your daughter to do is quite simple. I would like her to move a particle of matter from A to B, without a known push or a pull--that is to say, by a power not known to science--as Zollner claimed Slade was able to do for him."

"She can do it," cried Clarke. "She can move a chair from A to B without bringing to bear any of the known forces. She can suspend the law of gravity. She can make a closed piano play, and she can read sealed letters in an ebony box tightly closed and locked."

"You claim too much, my friend," replied Weissmann, ironically. "We shall be satisfied with much less. If she will change one one-hundredth part of a grain from one scale to another, under my conditions, I will be satisfied. The most wonderful phenomena taking place in the dark have no value to me."

Mrs. Lambert interposed. "Please don't argue--it prevents the coming of the spirits."

Both men felt rebuked and the group again settled into silence.

Suddenly, Kate began to laugh, "Isn't it childish? Really, Morton, if our friends could see us sitting around here in the dark, as we are now, they would roar. Why should it all be so silly, Mr. Clarke?"

"It is _not_ silly if we take the right view. We must sit together in order to get into harmony. We further these conditions by sitting in subdued light with fingers touching. Song adds still more to this concert of thought. Nothing is really silly or prosaic--all depends upon the minds of those--"

He was in the midst of an elaborate defence of spirit methods when Viola's hand began to leap as if struggling to be free. She moaned and sighed and writhed so powerfully that her chair creaked. "Oh, dear!

Oh, dear!" she cried, gaspingly.

"Is she trying to free her hands?" Morton asked himself, with roused suspicion. "Is this a ruse to cover some trick?"

Mrs. Lambert spoke quietly. "She is going! Sing something, Anthony."

Clarke began to hum a monotonous tune, while Morton, bending towards the girl, listened to her gurgling moans with growing heartache. "She seems in great pain, Mrs. Lambert. Don't you think we'd better release her? I do not care to purchase sensation so clearly at her expense."

"Don't be alarmed, she always seems to suffer that way when some great manifestation is about to take place."

The poor girl's outcries so nearly resembled those of a death struggle that Kate at last rose. "Turn up that light! She is being strangled!"

"Please be silent!" said Clarke, almost angrily. "Take your hands from her, gentlemen! You are too 'strong'--and do not startle her! Be quiet everybody!"

Morton took his hand away in anger and disgust. "All this is a ruse to weaken our grasp upon her," he thought. "Even the mother, so serene, so candid, is aiding the deception."

"Things will happen now," remarked Mrs. Lambert, confidently; "she is giving herself up at last."

The girl drew a long, deep, peaceful sigh, and became silent, so silent that Morton, leaning far over, with suspended breath, his ear almost to her lips, could detect no sound, no slightest movement, and listening thus he had for an instant a singular vision of her. He seemed to see her laughing silently at him from a distant upper corner of the room, and for the moment secured a glimpse into a new and amazing world--the world of darkness and silence wherein matter was fluid, imponderable, an insubstantial world peopled, nevertheless, with rustling, busy souls.

A sharp rapping began on the cone, a measured beat, which ended in a clang, which startled Kate into a shriek. "Who is doing that?" she asked, nervously.

"They are here," Clarke solemnly announced.

"Is that you, Waltie?" asked Mrs. Lambert, sweetly.

Three raps, loud and clear, answered "yes." A drumming on the cone followed, and Mrs. Lambert, her voice full of maternal pride, remarked: "Waltie is the life of our sittings--he's _such_ a rogue!

You must be a nice boy to-night--on account of these very distinguished men."

"Rap, rap!" went the cone.

"Does that mean 'all right'?"

"Rap, rap, rap!" Yes.

"Is grandfather there?"

"Yes."

"Does he wish to speak to the gentlemen?"

"Yes."

"Are we sitting right?"

A decided thump--"No."

Guided by the rapping Mrs. Lambert and Kate moved down to the foot of the table, sitting close beside Clarke, thus leaving Morton and Weissmann alone with the sleeping girl. No sooner were they rearranged than the table began to move, precisely as though pushed by the girl's feet. Still guided by the rapping, Weissmann and Morton moved with the table, but retained their threads of silk. Morton's pity had given place to a feeling of resentment at this device to get them farther away, and he drew his tell-tale thread tight across his finger. "If she moves she is betrayed," he thought with hardening heart.

No sooner were they settled than a fumbling sound began in the middle of the table, and the pencil was twice lifted and dropped. Following this the leaves of the writing-pad rustled as though being thumbed by boyish hands.

Kate shivered and cried out: "This is uncanny! Morton, are you doing this?"

"Certainly not," he replied, curtly.

"Do you feel any motion in your thread?" asked Weissmann, in a quiet voice.

"None whatever," Morton replied.