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"To the north of Durham Place, fronting the street," says Pennant, "stood the _New Exchange_, which was built under the auspices of our monarch in 1608, out of the rubbish of the old stables of _Durham House_. The King, Queen, and Royal Family, honoured the opening with their presence, and named it Britaine's Burse. It was built somewhat on the model of the Royal Exchange, with cellars beneath, a walk above, and rows of shops over that, filled chiefly with milliners, sempstresses, and the like. This was a fashionable place of resort. In 1654, a fatal affair happened here. Mr. Gerard, a young gentleman, at that time engaged in a plot against Cromwell, was amusing himself in a walk beneath, when he was insulted by _Don Pantaleon de Saa_, brother to the Amba.s.sador of Portugal, who, disliking the return he met with, determined on revenge. He came there the next day with a set of bravoes, who, mistaking another gentleman for Mr. Gerard, instantly put him to death, as he was walking with his sister in one hand and his mistress in the other. _Don Pantaleon_ was tried, and with impartial justice condemned to the axe. Mr. Gerard, who about the same time was detected in the conspiracy, was likewise condemned to die. By singular chance, both the rivals suffered on the scaffold, within a few hours of each other: Mr. Gerard with intrepid dignity; the _Portuguese_ with all the pusillanimity of an a.s.sa.s.sin.

"Above stairs," continues Pennant, "sat, in the character of a milliner, the reduced d.u.c.h.ess of Tyrconnel, wife to Richard Talbot, Lord Deputy of Ireland, under James II.; a bigoted Papist, and fit instrument of the designs of the infatuated prince, who had created him Earl before his abdication, and after that, Duke of Tyrconnel. A female, suspected to have been his d.u.c.h.ess, after his death, supported herself for a few days (till she was known and otherwise provided for) by the little trade of this place; but had delicacy enough to wish not to be detected. She sat in a white mask, and a white dress, and was known by the name of the White Widow. This Exchange has long since given way to a row of good houses, with uniform front, engraved in Mr. Nichols's _Progresses of Queen Elizabeth_, which form a part of the street."[179]

The houses in the quarter behind these, built by the Earl of Pembroke, made way, sixty years back, for the present handsome set of buildings called the Adelphi, from the Messrs. Adam, brothers, who built it.[180] The princ.i.p.al front faces the Thames, and is almost the only public walk left for the inhabitants of London on the river side. The centre house was purchased when new, by Garrick in 1771, and was his town house for the rest of his life. He died there about nine years after; but Mrs. Garrick possessed it till a late period. Mrs. Garrick had been a dancer in her youth, with a name as vernal as need be--Mademoiselle Violette: she died a venerable old lady, at the age of ninety odd. Boswell has recorded a delightful day spent with Johnson and others at her house, the first time she re-opened it after Garrick's death. Sir Joshua Reynolds was there, Mrs. Carter, Mrs.

Boscawen, and others. "She looked well," says Boswell; "talked of her husband with complacency; and while she cast her eyes at his portrait, which was hung over the chimney-piece, said, that 'death was now the most agreeable object to her.'"[181] It is no dishonour to her, that her const.i.tution was too good for her melancholy. She spoke enthusiastically of her husband to the last, and used to decide on theatrical subjects, by right of being his representative.

On the same terrace had lived their common friend Beauclerc. On coming away after the party just mentioned, Boswell tells us that Johnson and he stopped a little while by the rails of the Adelphi, looking on the Thames; "and I said to him," says Boswell, "with some emotion, that I was now thinking of two friends we had lost, who once lived in the buildings behind us, Beauclerc and Garrick." "Ay, sir," said he tenderly, "and two such friends as cannot be supplied."[182]



When Beauclerc was labouring under the illness that carried him off, Johnson said to Boswell, in a faltering voice, that he "would walk to the extent of the diameter of the earth to save him." It does not appear what Beauclerc had in his nature to excite this tenderness; but it is observable, that Johnson had a kind of speculative regard for rakes and men of the town, if he thought them not essentially vicious.

He seemed willing to regard them as evidences of the natural virtue of all men, bad as well as good, and of the excuse furnished for irregularity by animal spirits. It is not impossible even that he might have thought them rather conventionally than abstractedly vicious. He had a similar regard for Hervey, a great rake, who was very kind to him. "Sir," said he, "if you call a dog 'Hervey,' I shall love him." At the same time it is not to be forgotten, that these rakes were fine gentlemen and men of birth; representatives, in some respect, of the license a.s.sumed by authority. Beauclerc, however, like Hervey, had a taste for better things than he practised, and could love scrupulous men. Boswell has given an interesting account of his first intimacy with Johnson. Langton and Beauclerc had become intimate at Oxford. "Their opinions and mode of life," we are told, "were so different, that it seemed utterly impossible they should at all agree;" but Beauclerc "had so ardent a love of literature, so acute an understanding, such elegance of manners, and so well discerned the excellent qualities of Mr. Langton, a gentleman eminent not only for worth and learning, but for an inexhaustible fund of entertaining conversation, that they became intimate friends."

"Johnson, soon after this acquaintance began, pa.s.sed a considerable time at Oxford. He at first thought it strange that Langton should a.s.sociate so much with one who had the character of being loose, both in his principles and practice, but by degrees, he himself was fascinated. Mr. Beauclerc's being of the St. Albans family, and having, in some particulars, a resemblance to Charles the Second, contributed, in Johnson's imagination, to throw a l.u.s.tre upon his other qualities; and, in a short time, the moral, pious Johnson, and the gay, dissipated Beauclerc were companions. 'What a coalition!' said Garrick, when he heard of this: 'I shall have my old friend to bail out of the round-house.' But I can bear testimony that it was a very agreeable a.s.sociation. Beauclerc was too polite, and valued learning and wit too much, to offend Johnson by sallies of infidelity or licentiousness; and Johnson delighted in the good qualities of Beauclerc, and hoped to correct the evil. Innumerable were the scenes in which Johnson was amused by these young men. Beauclerc could take more liberty with him than any body with whom I ever saw him; but, on the other hand, Beauclerc was not spared by his respectable companion, when reproof was proper. Beauclerc had such a propensity to satire, that at one time, Johnson said to him, 'You never open your mouth but with intention to give pain, and you have often given me pain, not from the power of what you said, but from seeing your intention.' At another time, applying to him, with a slight alteration, a line of Pope, he said--

'Thy love of folly, and thy scorn of fools'--

Every thing thou dost shows the one, and every thing thou say'st the other.' At another time he said to him, 'Thy body is all vice, and thy mind all virtue.' Beauclerc not seeming to relish the compliment, Johnson said, 'Nay, sir, Alexander the Great, marching in triumph into Babylon, could not have desired to have had more said to him.'"[183]

The streets in the Adelphi--John, Robert, Adam, &c.--are named from the builders. In this instance, the names are well bestowed; but the "fond attempt," on the part of bricklayers and builders in general to give a "deathless lot" to their names in the same way, is very idle.

Wherever we go now-a-days, among the new buildings, especially in the suburbs, we meet with names that n.o.body knows anything about, nor ever will know. Probably, as knowledge increases, this custom will go out.

With this exception, streets in the British metropolis have hitherto been named after royalty or n.o.bility, or from local circ.u.mstances, or from saints. Saints went out with popery. The reader of the _Spectator_ will recollect the dilemma which Sir Roger de Coverley underwent in his youth, from not knowing whether to ask for Marylebone or Saint Marylebone. In Paris they have streets named after men of letters. There is the _Quai de Voltaire_; and one of the most frequented thoroughfares in that metropolis, for it contains the Post-Office, is _Jean Jacques Rousseau Street_. It is not unlikely that a similar custom will take place in England before long. A n.o.bleman, eminent for his zeal in behalf of the advancement of society, has called a road in his neighbourhood, Addison Road.[184]

In John Street, Adelphi, are the rooms of the Society for the Encouragement of Arts, Manufactures, and Commerce. This society originated in 1753, at the suggestion of Mr. Shipley, an artist, and, as the t.i.tle implies, is very miscellaneous in its object; perhaps too much so to make sufficient impression. It gives rewards for discoveries of all sorts, and for performances of youth in the fine arts. It is, however, one of those combinations of zealous and intelligent men, which have marked the progress of latter times, and which will have an incalculable effect on posterity. Its great room is adorned with the celebrated pictures of Mr. Barry, which he painted in order to refute the opinion that Englishmen had no genius for the higher department of art, no love of music, &c., nor a proper relish of anything, "even life itself." The statement of these positions was not so discreet as the paintings were clever. Mr. Barry was one of those impatient, self-willed men who, with a portion of genuine power, think it greater than it is, and will not take the pains to make themselves masters of their own weapons. His pictures in the Adelphi, which are ill.u.s.trations of the progress of society, are striking, ingenious, with great elegance here and there, and now and then an evidence of the highest feeling; as in the awful pity of the retributive angel who presides over the downfall of the wicked and tyrannical. But the colouring is bad and "foxy;" his Elysium is deformed with the heterogeneous dresses of all ages, William Penn talking in a wig and hat with Lycurgus, &c. (which, however philosophically such things might be regarded in another world, are not fitly presented to the eye in this); and by way of disproving the bad taste of the English in music, he has put Dr. Burney in a coat and toupee, floating among the water nymphs! The consequence is, that although these pictures are, perhaps, the best ever exhibited together in England by one artist, they fall short of what he intended to establish by them, as far as England is concerned.

Between Adam Street and George Street, on the other side of the Strand, is Bedford Street, the site of an old mansion of the Earls and Dukes of Bedford.

With George Street commence the precincts of an ancient "Inn," or palace, originally belonging to the Bishops of Norwich; then to Charles Brandon, Duke of Suffolk; then to the Archbishops of York, from whom it was called York House; then to the Crown, who let it to Lord Chancellor Egerton and to Bacon; then to the Duke of Buckingham, the favourite, who rebuilt it with great magnificence, and at whose death it was let to the Earl of Northumberland; and finally to the second Duke of Buckingham, who pulled it down and converted it into the present streets and alleys, the names of which contain his designation at full length, even to the sign of the genitive case, for there is an "_Of_ Alley:" so that we have George, Villiers, Duke, Of, Buckingham.

Brandon, Duke of Suffolk, was the man who, on his marriage with Henry VIII.'s sister, appeared at a tournament on a horse that had a cloth half frieze and half gold, with that touching motto--

Cloth of gold, do not thou despise, Though thou be matched with cloth of frize: Cloth of frize, be not thou too bold, Though thou be matched with cloth of gold.

Bacon belongs to Gray's Inn, and the second Duke of Buckingham to Wallingford House, where he chiefly resided (on the site of the present Admiralty): but the reader, who should go down Buckingham Street, and contemplate the spot which Inigo Jones and the trees have beautified, will not fail to be struck with the many different spirits that have pa.s.sed through this spot--the romantic Suffolk; the correct Egerton; the earth-moving Bacon; the first Buckingham with a spirit equal to his fortunes; the second, witty but selfish, who lavished them away; and all the visitors, of so many different qualities, which these men must have had, crowding or calmly moving to the gate across the water, in quiet or in jollity, clients, philosophers, poets, courtiers, mistresses, gallant masques, the romance of Charles the First's reign, and the gaudy revelry of Charles II. A little spot remains, with a few trees, and a graceful piece of art, and the river flowing as calmly as meditation.

[Ill.u.s.tration: WATER-GATE OF YORK HOUSE.]

The only vestige now remaining of the splendid mansion of the Buckinghams is the Water-Gate at the end of Buckingham Street, called York Stairs,[185] and built by Inigo Jones. It has been much admired, and must have admitted, in its time, the entrance of many extraordinary persons.

York Buildings affords us another name, not unworthy to be added to the most useful and delightful of these, Richard Steele, who lived here just before he retired into Wales. The place in his time was celebrated for a concert-room. We must not omit the termination of a curious dispute at the gate of York House, to which Pepys was a witness.

"30th (September 1661). This morning up _by moonshine_, at five o'clock," (here was one of the great secrets of the animal spirits of those times), "to Whitehall, to meet Mr. More at the Privy Seale, and there I heard of a fray between the two emba.s.sadors of Spaine and France, and that this day being the day of the entrance of an emba.s.sador from Sweeden, they intended to fight for the precedence. Our King, I heard, ordered that no Englishman should meddle in the business, but let them do what they would. And to that end, all the soldiers in town were in arms all the day long, and some of the train bands in the city, and a great bustle through the city all the day. Then we took coach (which was the business I came for) to Chelsey, to my Lord Privy Seale, and there got him to seal the business. Here I saw by daylight two very fine pictures in the gallery, that a little while ago I saw by night; and did also go all over the house, and found it to be the prettiest contrived house that ever I saw in my life. So back again; and at Whitehall light, and saw the soldiers and people running up and down the streets. So I went to the Spanish emba.s.sador's and the French, and there saw great preparations on both sides; but the French made the most noise and ranted most, but the other made no stir almost at all; so that I was afraid the other would have too great a conquest over them. Then to the wardrobe and dined there; and then abroad, and in Cheapside hear, that the Spanish hath got the best of it, and killed three of the French coach-horses and several men, and is gone through the city next to our King's coach; at which, it is strange to see how all the city did rejoice. And, indeed, we do naturally all love the Spanish and hate the French. But I, as I am in all things curious, presently got to the water side, and there took oars to Westminster Palace, and ran after them through all the dirt, and the streets full of people; till at last, in the Mews, I saw the Spanish coach go with fifty drawn swords at least to guard it, and our soldiers shouting for joy. And so I followed the coach, and then met it at York House, where the emba.s.sador lies; and there it went in with great state. So then I went to the French house, where I observe still, that there is no men in the world of a more insolent spirit where they do well, nor before they begin a matter, and more abject if they do miscarry, than these people are; for they all look like dead men, and not a word among them, but shake their heads. The truth is, the Spaniards were not only observed to fight more desperately, but also they did outwitt them; first in lining their own harnesse with chains of iron that they could not be cut, then in setting their coach in the most advantageous place, and to appoint men to guard every one of their horses, and others for to guard the coach, and others the coachman.

And, above all, in setting upon the French horses and killing them, for by that means the French were not able to stir. There were several men slaine of the French, and one or two of the Spaniards, and one Englishman by a bullet. Which is very observable, the French were at least four to one in number, and had near one hundred cases of pistols among them, and the Spaniards had not one gun among them, which is for their honour for ever, and the others' disgrace. So having been very much daubed with dirt, I got a coach and home; where I vexed my wife in telling her of this story, and pleading for the Spaniards against the French."[186]

In James the Second's time, the French emba.s.sy had the house of their rival, and drew the town to see Popish devices in wax-work.

"The fourth of April," says Evelyn (1672), "I went to see the fopperies of the Papists at Somerset House and York House, where now the French amba.s.sador had caused to be represented our Blessed Saviour at the Pascal Supper with his disciples, in figures and puppets made as big as the life, of wax-work, curiously clad and sitting round a large table, the room n.o.bly hung, and shining with innumerable lamps and candles; this was exposed to all the world; all the city came to see it: such liberty had the Roman Catholicks at this time obtained."[187]

They have obtained more liberty since, and can dispense with these "fopperies." At least they would do well to think so.

Hungerford Market takes its name from an old Wiltshire family, who had a mansion here in the time of Charles II., which they parted with, like others, to the encroachments of trade. It used to be an inconvenient and disagreeable place, little frequented, but has lately been converted into a handsome market, and put an end to the monopoly of Billingsgate.

No. 7 in Craven Street is celebrated as having been, at one time, the residence of Franklin. What a change along the sh.o.r.e of the Thames in a few years (for two centuries are less than a few in the lapse of time), from the residence of a set of haughty n.o.bles, who never dreamt that a tradesman could be anything but a tradesman, to that of a yeoman's son, and a printer, who was one of the founders of a great state!

[Ill.u.s.tration: OLD NORTHUMBERLAND HOUSE.]

Northumberland House is the only one remaining of all the great mansions which lorded it on the river side. It was built by Henry Howard, Earl of Northampton, son of the famous Henry Howard, Earl of Surrey, the poet; but a very unworthy son, except in point of capacity. He was one of those men, who, wanting a sense of moral beauty, are in every other respect wise in vain, and succeed only to become despised and unhappy. He was the grossest of flatterers; paid court to the most opposite rivals, in the worst manner; and seems to have stuck at nothing to obtain his ends. His perception of what was great, extrinsically, led him to build this princely abode; and his worship of success and court favour degraded him into an accomplice of Carr, Earl of Somerset. It is thought by the historians, that he died just in time to save him from the disgraceful consequences of the murder of Sir Thomas Overbury.[188]

Northumberland House was built upon the site of the old hospital of St. Mary Roncesvaux--Osborne says, with Spanish gold. "Part of the present mansion," says the _Londinium Redivivum_, "is from the designs of Bernard Jansen, and the frontispiece or gateway from those of Gerard Christmas. This gateway cannot possibly be described correctly, as the ornaments are scattered in the utmost profusion, from the base to the attic, which supports a copy of Michael Angelo's celebrated lion. Double ranges of grotesque pilasters inclose eight niches on the sides, and there are a bow window and an open arch above the gate. The bas.e.m.e.nt of the whole front contains fourteen niches, with ancient weapons crossed within them; and the upper stories have twenty-four windows, in two ranges, with pierce battlements. Each wing terminates in a cupola, and the angles have rustic quoins. The quadrangle within the gate is in a better style of building, but rather distinguished by simplicity than grandeur; and the garden next the Thames, with many trees, serves to screen the mansion from those disagreeable objects which generally bound the sh.o.r.es of the river in this vast trading city."

"Northumberland House was discovered to be on fire, March 18, 1780, at five o'clock in the morning, which raged from that hour till eight, when the whole front next the Strand was completely destroyed. Dr. Percy's apartments were consumed; but great part of his library escaped the general ruin."[189]

We have been the more particular in laying this extract before our readers, because, though the house still exists, the public see little of it. All they behold, indeed, is the screen or advanced guard, which is no very fine sight, and only serves to narrow the way. Of the quadrangle inside the public know nothing; and thousands pa.s.s every day without suspecting that there is such a thing as a tree on the premises.

The Percys had this house in consequence of a marriage with the daughter of the Earl of Suffolk, who was Northampton's nephew. During the Earl's possession it was called Suffolk House, and furnished an escape to a person of the name of Emerson from one of the mad pranks of Lord Herbert of Cherbury, who was for fighting everybody. His lordship had had sundry fits of ague, which brought him at last to be "so lean and yellow, that scarce any man," he says, "did know him."

"It happened," he continues, "during this sickness, that I walked abroad one day towards Whitehall, where, meeting with one Emerson, who spoke very disgraceful words of Sir Robert Harley, being then my dear friend, my weakness could not hinder me to be sensible of my friend's dishonour; shaking him, therefore, by a long beard he wore, I stept a little aside, and drew my sword in the street; Captain Thomas Scrivan, a friend of mine, not being far off on one side, and divers friends of his on the other side. All that saw me wondered how I could go, being so weak and consumed as I was, but much more that I would offer to fight; howsoever, Emerson, instead of drawing his sword, ran away into Suffolk House, and afterwards informed the Lords of the Council of what I had done; who, not long after sending for me, did not so much reprehend my taking part with my friend, as that I would adventure to fight, being in such a bad condition of health."[190]

The disgraceful words spoken by Emerson were very likely nothing at all, except to his lordship's ultra-chivalrous fancy; but this is a curious scene to imagine at the entrance of the present quiet Northumberland House--Emerson slipping into the gate with horror in his looks, and the lean and yellow ghost of the knight-errant behind him, sword in hand.

Mr. Malcolm has spoken of the apartments of Dr. Percy. This was Dr.

Percy, Bishop of Dromore, who gave an impulse to the spirit of the modern muse by his _Reliques of Ancient English Poetry_. He was a kinsman of the Northumberland family. We believe it was in Northumberland House that his friend Goldsmith, stammering out a fine speech of thanks to a personage in a splendid dress whom he took for the Duke, was informed, when he had done, that it was his Grace's "gentleman."

A little way up Catherine Street is Exeter Street, where Johnson first lodged when he came to town. His lodgings were at the house of Mr.

Morris, a stay-maker. He dined at the Pine-apple in New Street, "for eightpence, with very good company." Several of them, he told Boswell, had travelled. "They expected to meet every day; but did not know one another's names." The rest of his information is a curious and interesting specimen of his disposition. "It used," said he, "to cost the rest a shilling, for they drank wine: but I had a cut of meat for sixpence, and bread for a penny, and gave the waiter a penny; so that I was quite as well served, nay, better than the rest, for they gave the waiter nothing." Johnson drank at this time no fermented liquors.

Boswell supposes that he had gained a knowledge of the art of living in London from an Irish painter, whom he knew at Birmingham, and of whom he gave this account.

"Thirty pounds a year," according to this economical philosopher, "was enough to enable a man to live there without being contemptible. He allowed ten pounds for clothes and linen. He said a man might live in a garret at eighteen pence a week; few people would inquire where he lodged: and if they did, it was easy to say, 'Sir, I am to be found at such a place.' By spending three pence at a coffee-house, he might be for some hours every day in very good company; he might dine for sixpence, breakfast on bread and milk for a penny, and do without supper. _On clean shirt day_ he went abroad and paid visits."[191]

The Strand end of Catherine Street is mentioned in Gay's "Trivia" for a notoriety which it now unfortunately shares with too many places to render it remarkable. His picture of one of the women he speaks of possesses a literal truth, the characteristic of the whole of this curious poem.

"'Tis she who nightly strolls with sauntering pace; No stubborn stays her yielding shape embrace; Beneath the lamp her tawdry ribands glare, The new scower'd manteau, and the slattern air; High draggled petticoats her travels show, And hollow cheeks with artful blushes glow.

In riding-hood, near tavern door she plies, Or m.u.f.fled pinners hide her livid eyes.

With empty band-box she delights to range, And feigns a distant errand from the 'Change."

Gay contents himself with a picture, and a warning. In our times, we have learnt to pity the human beings, and to think what can be done to remedy the first causes of the evil.

The houses between Catherine Street and Burleigh Street stand upon ground formerly occupied by Wimbledon House, a mansion built by Sir Edward Cecil, whom Charles I. created Viscount Wimbledon. It was burnt down; and Stow says, that the day before, his lordship's country house at Wimbledon was blown up.

The late Lyceum was built about the year 1765, as an academy and exhibition-room, in antic.i.p.ation of the royal one then contemplated.

It did not succeed; and part of it was converted into a theatre for musical performances. It then became a place of exhibition for large panoramic pictures, among which we remember with pleasure the battle pieces of Robert Ker Porter (Seringapatam, Acre, &c.) A species of entertainment then took place in it, which has justly been called "useful and liberal," presenting, on a regular stage, pictures or scenes of famous places, while a person read accounts of them from a desk. We remember the aegyptiana, or description of aegypt, and, if we mistake not, an attempt, not quite so well founded, to ill.u.s.trate the scenes of Milton's Allegro and Penseroso. Neither of the attempts met with success; but the former, perhaps, might be tried again with advantage, now that information and the thirst for it have so wonderfully increased. The panorama, however, may have realised all that can be done in this way. Visitors to those admirable contrivances may be almost said to become travellers; and a reader at hand might disturb them, like an impertinence. We recollect being so early one morning at a panorama, that we had the place to ourselves. The room was without a sound, and the scene Florence; and when we came out, the noise and crowd of the streets had an effect on us, as if we had been suddenly transported out of an Italian solitude. The Lyceum has since been handsomely rebuilt as a new English Opera House, under the management of Mr. Arnold, who has done much to cultivate a love of music in this country. Over the former theatre, we believe, was a room built by him for the members of the famous Beef-Steak Club, equally celebrated for loving their steaks and roasting one another.[192]

The little crowded nest of shop-counters and wild beasts, called Exeter Change, which has lately been pulled down, took its name from a mansion belonging to the Bishop of Exeter, whether on the south or north side of the street does not appear. It is not necessary that the spot should have been the same. Any connection with a large mansion, or its neighbourhood, is sufficient to give name to a new house.

Pennant thinks, we know not on what authority, that the great Lord Burleigh had a mansion on the spot; and he adds, that he died here.

Exeter Change was supposed to have been built in the reign of William and Mary, as a speculation. The lower story, at the beginning of the last century, was appropriated to the shops of milliners; and upholsterers had the upper. In the year 1721, the town were invited to this place to look at a _bed_.

"Mr. Normond Cony," saith the historian, "exhibited a singular bed for two shillings and sixpence each person, the product of his own ingenuity; the curtains of which were woven in the most ingenious manner, with feathers of the greatest variety and beauty he could procure; the ground represented white damask, mixed with silver and ornaments of various descriptions, supporting vases of flowers and fruits. Each curtain had a purple border a foot in breadth, branched with flowers shaded with scarlet, the valence and bases the same. The bed was eighteen feet in height; and from the description must have been a superior effort of genius, equally original with the works of the South Sea Islanders, whose cloaks, mantles, and caps, grace the collection formed by Captain Cook, now preserved in the British Museum."[193]

This was a gentle exhibition enough. Sixty years ago, instead of the bed, was presented the right honourable body of Lord Baltimore, a personage who ran away with young ladies against their will. The body lay "in state," previously to its interment at Epsom. Lord Baltimore was succeeded by the wild beasts, who kept possession in their narrow unhealthy cages till the death of the poor elephant in 1826, which conspiring with the new spirit of improvement to call final attention to this excresence in the Strand, it was adjudged to be rooted out.

The death of this unfortunate animal, who seems to have had just reason enough to grow mad, had its proper effect, in exciting the public to guard against similar evils; nor is it likely that these intelligent and n.o.ble creatures, nor indeed any others, will undergo such a monstrous state of existence again.

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The Town Part 17 summary

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