The Touchstone Part 2

"I don't understand you," she faltered.

"Trust me, instead!" he adjured her, with sudden energy; and turning on her abruptly, "If you go, you know, you go free," he concluded.

She drew back, paling a little. "Why do you make it harder for me?"

"To make it easier for myself," he retorted.

IV

Glennard, the next afternoon, leaving his office earlier than usual, turned, on his way home, into one of the public libraries.

He had the place to himself at that closing hour, and the librarian was able to give an undivided attention to his tentative request for letters--collections of letters. The librarian suggested Walpole.

"I meant women--women's letters."

The librarian proffered Hannah More and Miss Martineau.

Glennard cursed his own inarticulateness. "I mean letters to--to some one person--a man; their husband--or--"

"Ah," said the inspired librarian, "Eloise and Abailard."

"Well--something a little nearer, perhaps," said Glennard, with lightness. "Didn't Merimee--"

"The lady's letters, in that case, were not published."

"Of course not," said Glennard, vexed at his blunder.

"There are George Sand's letters to Flaubert."

"Ah!" Glennard hesitated. "Was she--were they--?" He chafed at his own ignorance of the sentimental by-paths of literature.

"If you want love-letters, perhaps some of the French eighteenth century correspondences might suit you better--Mlle. Aisse or Madame de Sabran--"

But Glennard insisted. "I want something modern--English or American. I want to look something up," he lamely concluded.

The librarian could only suggest George Eliot.

"Well, give me some of the French things, then--and I'll have Merimee's letters. It was the woman who published them, wasn't it?"

He caught up his armful, transferring it, on the doorstep, to a cab which carried him to his rooms. He dined alone, hurriedly, at a small restaurant near by, and returned at once to his books.

Late that night, as he undressed, he wondered what contemptible impulse had forced from him his last words to Alexa Trent. It was bad enough to interfere with the girl's chances by hanging about her to the obvious exclusion of other men, but it was worse to seem to justify his weakness by dressing up the future in delusive ambiguities. He saw himself sinking from depth to depth of sentimental cowardice in his reluctance to renounce his hold on her; and it filled him with self-disgust to think that the highest feeling of which he supposed himself capable was blent with such base elements.

His awakening was hardly cheered by the sight of her writing. He tore her note open and took in the few lines--she seldom exceeded the first page--with the lucidity of apprehension that is the forerunner of evil.

"My aunt sails on Sat.u.r.day and I must give her my answer the day after to-morrow. Please don't come till then--I want to think the question over by myself. I know I ought to go. Won't you help me to be reasonable?"

It was settled, then. Well, he would be reasonable; he wouldn't stand in her way; he would let her go. For two years he had been living some other, luckier man's life; the time had come when he must drop back into his own. He no longer tried to look ahead, to grope his way through the endless labyrinth of his material difficulties; a sense of dull resignation closed in on him like a fog.

"Hullo, Glennard!" a voice said, as an electric-car, late that afternoon, dropped him at an uptown corner.

He looked up and met the interrogative smile of Barton Flamel, who stood on the curbstone watching the retreating car with the eye of a man philosophic enough to remember that it will be followed by another.

Glennard felt his usual impulse of pleasure at meeting Flamel; but it was not in this case curtailed by the reaction of contempt that habitually succeeded it. Probably even the few men who had known Flamel since his youth could have given no good reason for the vague mistrust that he inspired. Some people are judged by their actions, others by their ideas; and perhaps the shortest way of defining Flamel is to say that his well-known leniency of view was vaguely divined to include himself. Simple minds may have resented the discovery that his opinions were based on his perceptions; but there was certainly no more definite charge against him than that implied in the doubt as to how he would behave in an emergency, and his company was looked upon as one of those mildly unwholesome dissipations to which the prudent may occasionally yield. It now offered itself to Glennard as an easy escape from the obsession of moral problems, which somehow could no more be worn in Flamel's presence than a surplice in the street.

"Where are you going? To the club?" Flamel asked; adding, as the younger man a.s.sented, "Why not come to my studio instead? You'll see one bore instead of twenty."

The apartment which Flamel described as his studio showed, as its one claim to the designation, a perennially empty easel; the rest of its s.p.a.ce being filled with the evidences of a comprehensive dilettanteism.

Against this background, which seemed the visible expression of its owner's intellectual tolerance, rows of fine books detached themselves with a prominence, showing them to be Flamel's chief care.

Glennard glanced with the eye of untrained curiosity at the lines of warm-toned morocco, while his host busied himself with the uncorking of Apollinaris.

"You've got a splendid lot of books," he said.

"They're fairly decent," the other a.s.sented, in the curt tone of the collector who will not talk of his pa.s.sion for fear of talking of nothing else; then, as Glennard, his hands in his pockets, began to stroll perfunctorily down the long line of bookcases--"Some men," Flamel irresistibly added, "think of books merely as tools, others as tooling.

I'm between the two; there are days when I use them as scenery, other days when I want them as society; so that, as you see, my library represents a makeshift compromise between looks and brains, and the collectors look down on me almost as much as the students."

Glennard, without answering, was mechanically taking one book after another from the shelves. His hands slipped curiously over the smooth covers and the noiseless subsidence of opening pages. Suddenly he came on a thin volume of faded ma.n.u.script.

"What's this?" he asked, with a listless sense of wonder.

"Ah, you're at my ma.n.u.script shelf. I've been going in for that sort of thing lately." Flamel came up and looked over his shoulders. "That's a bit of Stendhal--one of the Italian stories--and here are some letters of Balzac to Madame Commanville."

Glennard took the book with sudden eagerness. "Who was Madame Commanville?"

"His sister." He was conscious that Flamel was looking at him with the smile that was like an interrogation point. "I didn't know you cared for this kind of thing."

"I don't--at least I've never had the chance. Have you many collections of letters?"

"Lord, no--very few. I'm just beginning, and most of the interesting ones are out of my reach. Here's a queer little collection, though--the rarest thing I've got--half a dozen of Sh.e.l.ley's letters to Harriet Westbrook. I had a devil of a time getting them--a lot of collectors were after them."

Glennard, taking the volume from his hand, glanced with a kind of repugnance at the interleaving of yellow cris-crossed sheets. "She was the one who drowned herself, wasn't she?"

Flamel nodded. "I suppose that little episode adds about fifty per cent.

to their value," he said, meditatively.

Glennard laid the book down. He wondered why he had joined Flamel.

He was in no humor to be amused by the older man's talk, and a recrudescence of personal misery rose about him like an icy tide.

"I believe I must take myself off," he said. "I'd forgotten an engagement."

He turned to go; but almost at the same moment he was conscious of a duality of intention wherein his apparent wish to leave revealed itself as a last effort of the will against the overmastering desire to stay and unbosom himself to Flamel.

The older man, as though divining the conflict, laid a detaining pressure on his arm.