The Third Violet Part 11

CHAPTER XIV.

At the lake, Hollanden went pickerel fishing, lost his hook in a gaunt, gray stump, and earned much distinction by his skill in discovering words to express his emotion without resorting to the list ordinarily used in such cases. The younger Miss Worcester ruined a new pair of boots, and Stanley sat on the bank and howled the song of the forsaken.

At the conclusion of the festivities Hollanden said, "Billie, you ought to take the boat back."

"Why had I? You borrowed it."

"Well, I borrowed it and it was a lot of trouble, and now you ought to take it back."

Ultimately Hawker said, "Oh, let's both go!"

On this journey Hawker made a long speech to his friend, and at the end of it he exclaimed: "And now do you think she cares so much for Oglethorpe? Why, she as good as told me that he was only a very great friend."

Hollanden wagged his head dubiously. "What a woman says doesn't amount to shucks. It's the way she says it--that's what counts. Besides," he cried in a brilliant afterthought, "she wouldn't tell you, anyhow, you fool!"

"You're an encouraging brute," said Hawker, with a rueful grin.

Later the Worcester girls seized upon Hollanden and piled him high with ferns and mosses. They dragged the long gray lichens from the chins of venerable pines, and ran with them to Hollanden, and dashed them into his arms. "Oh, hurry up, Hollie!" they cried, because with his great load he frequently fell behind them in the march. He once positively refused to carry these things another step. Some distance farther on the road he positively refused to carry this old truck another step. When almost to the inn he positively refused to carry this senseless rubbish another step. The Worcester girls had such vivid contempt for his expressed unwillingness that they neglected to tell him of any appreciation they might have had for his n.o.ble struggle.

As Hawker and Miss Fanhall proceeded slowly they heard a voice ringing through the foliage: "Whoa! Haw! Git-ap, blast you! Haw! Haw, drat your hides! Will you haw? Git-ap! Gee! Whoa!"

Hawker said, "The others are a good ways ahead. Hadn't we better hurry a little?"

The girl obediently mended her pace.

"Whoa! haw! git-ap!" shouted the voice in the distance. "Git over there, Red, git over! Gee! Git-ap!" And these cries pursued the man and the maid.

At last Hawker said, "That's my father."

"Where?" she asked, looking bewildered.

"Back there, driving those oxen."

The voice shouted: "Whoa! Git-ap! Gee! Red, git over there now, will you? I'll trim the shin off'n you in a minute. Whoa! Haw! Haw! Whoa!

Git-ap!"

Hawker repeated, "Yes, that's my father."

"Oh, is it?" she said. "Let's wait for him."

"All right," said Hawker sullenly.

Presently a team of oxen waddled into view around the curve of the road.

They swung their heads slowly from side to side, bent under the yoke, and looked out at the world with their great eyes, in which was a mystic note of their humble, submissive, toilsome lives. An old wagon creaked after them, and erect upon it was the tall and tattered figure of the farmer swinging his whip and yelling: "Whoa! Haw there! Git-ap!" The lash flicked and flew over the broad backs of the animals.

"h.e.l.lo, father!" said Hawker.

"Whoa! Back! Whoa! Why, h.e.l.lo, William, what you doing here?"

"Oh, just taking a walk. Miss Fanhall, this is my father. Father----"

"How d' you do?" The old man balanced himself with care and then raised his straw hat from his head with a quick gesture and with what was perhaps a slightly apologetic air, as if he feared that he was rather over-doing the ceremonial part.

The girl later became very intent upon the oxen. "Aren't they nice old things?" she said, as she stood looking into the faces of the team.

"But what makes their eyes so very sad?"

"I dunno," said the old man.

She was apparently unable to resist a desire to pat the nose of the nearest ox, and for that purpose she stretched forth a cautious hand.

But the ox moved restlessly at the moment and the girl put her hand apprehensively behind herself and backed away. The old man on the wagon grinned. "They won't hurt you," he told her.

"They won't bite, will they?" she asked, casting a glance of inquiry at the old man and then turning her eyes again upon the fascinating animals.

"No," said the old man, still grinning, "just as gentle as kittens."

She approached them circuitously. "Sure?" she said.

"Sure," replied the old man. He climbed from the wagon and came to the heads of the oxen. With him as an ally, she finally succeeded in patting the nose of the nearest ox. "Aren't they solemn, kind old fellows? Don't you get to think a great deal of them?"

"Well, they're kind of aggravating beasts sometimes," he said. "But they're a good yoke--a good yoke. They can haul with anything in this region."

"It doesn't make them so terribly tired, does it?" she said hopefully.

"They are such strong animals."

"No-o-o," he said. "I dunno. I never thought much about it."

With their heads close together they became so absorbed in their conversation that they seemed to forget the painter. He sat on a log and watched them.

Ultimately the girl said, "Won't you give us a ride?"

"Sure," said the old man. "Come on, and I'll help you up." He a.s.sisted her very painstakingly to the old board that usually served him as a seat, and he clambered to a place beside her. "Come on, William," he called. The painter climbed into the wagon and stood behind his father, putting his hand on the old man's shoulder to preserve his balance.

"Which is the near ox?" asked the girl with a serious frown.

"Git-ap! Haw! That one there," said the old man.

"And this one is the off ox?"

"Yep."

"Well, suppose you sat here where I do; would this one be the near ox and that one the off ox, then?"

"Nope. Be just same."

"Then the near ox isn't always the nearest one to a person, at all? That ox there is always the near ox?"