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The Tale of Chloe.

by George Meredith.

'Fair Chloe, we toasted of old, As the Queen of our festival meeting; Now Chloe is lifeless and cold; You must go to the grave for her greeting.

Her beauty and talents were framed To enkindle the proudest to win her; Then let not the mem'ry be blamed Of the purest that e'er was a sinner!'

Captain Chanter's Collection.



CHAPTER I

A proper tenderness for the Peerage will continue to pa.s.s current the ill.u.s.trious gentleman who was inflamed by Cupid's darts to espouse the milkmaid, or dairymaid, under his ballad t.i.tle of Duke of Dewlap: nor was it the smallest of the services rendered him by Beau Beamish, that he clapped the name upon her rustic Grace, the young d.u.c.h.ess, the very first day of her arrival at the Wells. This happy inspiration of a wit never failing at a pinch has rescued one of our princeliest houses from the a.s.saults of the vulgar, who are ever too rejoiced to bespatter and disfigure a brilliant coat-of-arms; insomuch that the ballad, to which we are indebted for the narrative of the meeting and marriage of the ducal pair, speaks of Dewlap in good faith

O the ninth Duke of Dewlap I am, Susie dear!

without a hint of a domino t.i.tle. So likewise the pictorial historian is merry over 'Dewlap alliances' in his description of the society of that period. He has read the ballad, but disregarded the memoirs of the beau.

Writers of pretension would seem to have an animus against individuals of the character of Mr. Beamish. They will treat of the habits and manners of highwaymen, and quote obscure broadsheets and songs of the people to colour their story, yet decline to bestow more than a pa.s.sing remark upon our domestic kings: because they are not hereditary, we may suppose.

The ballad of 'The Duke and the Dairymaid,' ascribed with questionable authority to the pen of Mr. Beamish himself in a freak of his gaiety, was once popular enough to provoke the moralist to animadversions upon an order of composition that 'tempted every bouncing country la.s.s to sidle an eye in a blowsy cheek' in expectation of a coronet for her pains--and a wet ditch as the result! We may doubt it to have been such an occasion of mischief. But that mischief may have been done by it to a n.o.bility- loving people, even to the love of our n.o.bility among the people, must be granted; and for the particular reason, that the hero of the ballad behaved so handsomely. We perceive a susceptibility to adulteration in their worship at the sight of one of their number, a young maid, suddenly s.n.a.t.c.hed up to the gaping heights of Luxury and Fashion through sheer good looks. Remembering that they are accustomed to a totally reverse effect from that possession, it is very perceptible how a breach in their reverence may come of the change.

Otherwise the ballad is innocent; certainly it is innocent in design.

A fresher national song of a beautiful incident of our country life has never been written. The sentiments are natural, the imagery is apt and redolent of the soil, the music of the verse appeals to the dullest ear.

It has no smell of the lamp, nothing foreign and far-fetched about it, but is just what it pretends to be, the carol of the native bird. A sample will show, for the ballad is much too long to be given entire:

Sweet Susie she tripped on a shiny May morn, As blithe as the lark from the green-springing corn, When, hard by a stile, 'twas her luck to behold A wonderful gentleman covered with gold!

There was gold on his breeches and gold on his coat, His shirt-frill was grand as a fifty-pound note; The diamonds glittered all up him so bright, She thought him the Milky Way clothing a Sprite!

'Fear not, pretty maiden,' he said with a smile; 'And, pray, let me help you in crossing the stile.

She bobbed him a curtsey so lovely and smart, It shot like an arrow and fixed in his heart.

As light as a robin she hopped to the stone, But fast was her hand in the gentleman's own; And guess how she stared, nor her senses could trust, When this creamy gentleman knelt in the dust!

With a rhapsody upon her beauty, he informs her of his rank, for a flourish to the proposal of honourable and immediate marriage.

He cannot wait. This is the fatal condition of his love: apparently a characteristic of amorous dukes. We read them in the signs extended to us. The minds of these august and solitary men have not yet been sounded; they are too distant. Standing upon their lofty pinnacles, they are as legible to the rabble below as a line of cuneiform writing in a page of old copybook roundhand. By their deeds we know them, as heathendom knows of its G.o.ds; and it is repeatedly on record that the moment they have taken fire they must wed, though the lady's finger be circled with nothing closer fitting than a ring of the bed-curtain.

Vainly, as becomes a candid country la.s.s, blue-eyed Susan tells him that she is but a poor dairymaid. He has been a student of women at Courts, in which furnace the s.e.x becomes a transparency, so he recounts to her the catalogue of material advantages he has to offer. Finally, after his a.s.surances that she is to be married by the parson, really by the parson, and a real parson--

Sweet Susie is off for her parents' consent, And long must the old folk debate what it meant.

She left them the eve of that happy May morn, To shine like the blossom that hangs from the thorn!

Apart from its historical value, the ballad is an example to poets of our day, who fly to mythological Greece, or a fanciful and morbid mediaevalism, or--save the mark!--abstract ideas, for themes of song, of what may be done to make our English life poetically interesting, if they would but pluck the treasures presented them by the wayside; and Nature being now as then the pa.s.sport to popularity, they have themselves to thank for their little hold on the heart of the people. A living native duke is worth fifty Phoebus Apollos to Englishmen, and a buxom young la.s.s of the fields mounting from a pair of pails to the estate of d.u.c.h.ess, a more romantic object than troops of your visionary Yseults and Guineveres.

CHAPTER II

A certain time after the marriage, his Grace alighted at the Wells, and did himself the honour to call on Mr. Beamish. Addressing that gentleman, to whom he was no stranger, he communicated the purport of his visit.

'Sir, and my very good friend,' he said, 'first let me beg you to abate the severity of your countenance, for if I am here in breach of your prohibition, I shall presently depart in compliance with it. I could indeed deplore the loss of the pa.s.sion for play of which you effectually cured me. I was then armed against a crueller, that allows of no interval for a man to make his vow to recover!'

'The disease which is all crisis, I apprehend,' Mr. Beamish remarked.

'Which, sir, when it takes hold of dry wood, burns to the last splinter.

It is now'--the duke fetched a tender groan--'three years ago that I had a caprice to marry a grandchild!'

'Of Adam's,' Mr. Beamish said cheerfully. 'There was no legitimate bar to the union.'

'Unhappily none. Yet you are not to suppose I regret it. A most admirable creature, Mr. Beamish, a real divinity! And the better known, the more adored. There is the misfortune. At my season of life, when the greater and the minor organs are in a conspiracy to tell me I am mortal, the pa.s.sion of love must be welcomed as a calamity, though one would not be free of it for the renewal of youth. You are to understand, that with a little awakening taste for dissipation, she is the most innocent of angels. Hitherto we have lived . . . To her it has been a new world. But she is beginning to find it a narrow one. No, no, she is not tired of my society. Very far from that. But in her present station an inclination for such gatherings as you have here, for example, is like a desire to take the air: and the healthy habits of my d.u.c.h.ess have not accustomed her to be immured. And in fine, devote ourselves as we will, a term approaches when the enthusiasm for serving as your wife's playfellow all day, running round tables and flying along corridors before a knotted handkerchief, is mightily relaxed. Yet the dread of a separation from her has kept me at these pastimes for a considerable period beyond my relish of them. Not that I acknowledge fatigue. I have, it seems, a taste for reflection; I am now much disposed to read and meditate, which cannot be done without repose. I settle myself, and I receive a worsted ball in my face, and I am expected to return it. I comply; and then you would say a nursery in arms. It would else be the deplorable spectacle of a beautiful young woman yawning.'

'Earthquake and saltpetre threaten us less terribly,' said Mr. Beamish.

'In fine, she has extracted a promise that 'this summer she shall visit the Wells for a month, and I fear I cannot break my pledge of my word; I fear I cannot.'

'Very certainly I would not,' said Mr. Beamish.

The duke heaved a sigh. 'There are reasons, family reasons, why my company and protection must be denied to her here. I have no wish . . .

indeed my name, for the present, until such time as she shall have found her feet . . . and there is ever a penalty to pay for that. Ah, Mr.

Beamish, pictures are ours, when we have bought them and hung them up; but who insures us possession of a beautiful work of Nature? I have latterly betaken me to reflect much and seriously. I am tempted to side with the Divines in the sermons I have read; the flesh is the habitation of a rebellious devil.'

'To whom we object in proportion as we ourselves become quit of him,' Mr.

Beamish acquiesced.

'But this mania of young people for pleasure, eternal pleasure, is one of the wonders. It does not pall on them; they are insatiate.'

'There is the cataract, and there is the cliff. Potentate to potentate, duke--so long as you are on my territory, be it understood. Upon my way to a place of worship once, I pa.s.sed a Puritan, who was complaining of a b.u.t.terfly that fluttered prettily abroad in desecration of the Day of Rest. "Friend," said I to him, "conclusively you prove to me that you are not a b.u.t.terfly." Surly did no more than favour me with the anathema of his countenance.'

'Cousin Beamish, my complaint of these young people is, that they miss their pleasure in pursuing it. I have lectured my d.u.c.h.ess--'

'Ha!'

'Foolish, I own,' said the duke. 'But suppose, now, you had caught your b.u.t.terfly, and you could neither let it go nor consent to follow its vagaries. That poses you.'

'Young people,' said Mr. Beamish, 'come under my observation in this poor realm of mine--young and old. I find them prodigiously alike in their love of pleasure, differing mainly in their capacity to satisfy it.

That is no uncommon observation. The young, have an edge which they are desirous of blunting; the old contrariwise. The cry of the young for pleasure is actually--I have studied their language--a cry for burdens.

Curious! And the old ones cry for having too many on their shoulders: which is not astonishing. Between them they make an agreeable concert both to charm the ears and guide the steps of the philosopher, whose wisdom it is to avoid their tracks.'

'Good. But I have asked you for practical advice, and you give me an essay.'

'For the reason, duke, that you propose a case that suggests hanging.

You mention two things impossible to be done. The alternative is, a garter and the bedpost. When we have come upon crossways, and we can decide neither to take the right hand nor the left, neither forward nor back, the index of the board which would direct us points to itself, and emphatically says, Gallows.'

'Beamish, I am distracted. If I refuse her the visit, I foresee dissensions, tears, games at ball, romps, not one day of rest remaining to me. I could be of a mind with your Puritan, positively. If I allow it, so innocent a creature in the atmosphere of a place like this must suffer some corruption. You should know that the station I took her from was . . . it was modest. She was absolutely a b.u.t.tercup of the fields. She has had various masters. She dances . . . she dances prettily, I could say bewitchingly. And so she is now for airing her accomplishments: such are women!'

'Have you heard of Chloe?' said Mr. Beamish. 'There you have an example of a young lady uncorrupted by this place--of which I would only remark that it is best unvisited, but better tasted than longed for.'

'Chloe? A lady who squandered her fortune to redeem some ill-requiting rascal: I remember to have heard of her. She is here still? And ruined, of course?'

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The Tale of Chloe Part 1 summary

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