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It may be doubted, however, by some of my readers whether this sense of social values called judgment is the outcome of suggestions operating throughout the term of one's social education. This is an essential point, and I must just a.s.sume it. It follows from what we said in an earlier chapter to be the way of the child's learning by imitation. It will appear true, I trust, to any one who may take the pains to observe the child's tentative endeavours to act up to social usages in the family and school. One may then actually see the growth of the sort of judgment which I am describing. Psychologists are coming to see that even the child's sense of his own personal self is a gradual attainment, achieved step by step through his imitative responses to his personal environment. His thought of himself is an interpretation of his thought of others, and his thought of another is doe to further accommodation of his active processes to changes in his thought of a possible self. Around this fundamental movement in his personal growth all the values of his life have their play. So I say that his sense of truth in the social relationships of his environment is the outcome of his very gradual learning of his personal place in these relationships.

We reach the conclusion, therefore, from this part of our study, that the socially unfit person is the person of poor judgment. He may have learned a great deal; he may in the main reproduce the activities required by his social tradition; but with it all he is to a degree out of joint with the general system of estimated values by which society is held together. This may be shown to be true even of the p.r.o.nounced types of unsocial individuals of whom we had occasion to speak at the outset. The criminal is, socially considered, a man of poor judgment. He may be more than this, it is true. He may have a bad strain of heredity, what the theologians call "original sin"; he then is an "habitual criminal" in the current distinction of criminal types; and his own sense of his failure to accept the teachings of society may be quite absent, since crime is so normal to him. But the fact remains that in his judgment he is mistaken; his normal is not society's normal. He has failed to be educated in the judgments of his fellows, however besides and however more deeply he may have failed.

Or, again, the criminal may commit crime simply because he is carried away in an eddy of good companionship, which represents a temporary current of social life; or his nervous energies may be overtaxed temporarily or drained of their strength, so that his education in social judgment is forgotten: he is then the "occasional" criminal. It is true of the man of this type also that while he remains a criminal he has lost his balance, has yielded to temptation, has gratified private impulse at the expense of social sanity; all this shows the lack of that sustaining force of moral consciousness which represents the level of social rightness in his time and place. Then, as to the idiot, the imbecile, the insane, they, too, have no good judgment, for the very adequate but pitiful reason that they have no judgment at all.

This, then, is the doctrine of Social Heredity; it ill.u.s.trates the side of conformity, of personal acquiescence on the part of the individual in the rules of social life. Another equally important side, that of the personal initiative and influence of the individual mind in society, remains to be spoken of in the next chapter. Social Heredity emphasizes _Imitation_; the Genius, to whom we now turn, ill.u.s.trates _Invention_.

CHAPTER X.

THE GENIUS AND HIS ENVIRONMENT.

The facts concerning the genius seem to indicate that he is a being somewhat exceptional and apart. Common mortals stand about him with expressions of awe. The literature of him is embodied in the alcoves of our libraries most accessible to the public, and even the wayfaring man, to whom life is a weary round, and his conquests over nature and his fellows only the division of honours on a field that usually witnesses drawn battles or b.l.o.o.d.y defeats, loves to stimulate his courage by hearing of the lives of those who put nature and society so utterly to rout. He hears of men who swayed the destinies of Europe, who taught society by outraging her conventions, whose morality even was reached sometimes by scorn of the peccadilloes which condemn the ordinary man. Every man has in him in some degree the hero worshipper, and gets inflamed somewhat by reading Carlyle's Frederick the Great.

Of course, this popular sense can not be wholly wrong. The genius does accomplish the world movements. Napoleon did set the destiny of Europe, and Frederick did reveal, in a sense, a new phase of moral conduct. The truth of these things is just what makes the enthusiasm of the common man so healthy and stimulating. It is not the least that the genius accomplishes that he thus elevates the traditions of man and inspires the literature that the people read. He sows the seeds of effort in the fertile soil of the newborn of his own kind, while he leads those who do not have the same gifts to rear and tend the growing plant in their own social gardens. This is true; and a philosophy of society should not overlook either of the facts--the actual deeds of the great man with his peculiar influence upon his own time, and his lasting place in the more inspiring social tradition which is embodied in literature and art.

Yet the psychologist has to present just the opposite aspect of these apparent exceptions to the Canons of our ordinary social life. He has to oppose the extreme claim made by the writers who attempt to lift the genius quite out of the normal social movement. For it only needs a moment's consideration to see that if the genius has no reasonable place in the movement of social progress in the world, then there can be no possible doctrine or philosophy of such progress. To the hero worshipper his hero comes in simply to "knock out," so to speak, all the regular movement of the society which is so fortunate, or so unfortunate, as to have given him birth; and by his initiative the aspirations, beliefs, struggles of the community or state get a push in a new direction--a tangent to the former movement or a reversal of it. If this be true, and it be farther true that no genius who is likely to appear can be discounted by any human device before his abrupt appearance upon the stage of action, then the history of facts must take the place of the science or philosophy of them, and the chronicler become the only historian with a right to be.

For of what value can we hold the contribution which the genius makes to thought if this contribution runs so across the acquisitions of the earlier time and the contributions of earlier genius that no line of common truth can be discovered between him and them? Then each society would have its own explanation of itself, and that only so long as it produced no new genius. It may be, of course, that society is so const.i.tuted--or, rather, so lacking in const.i.tution--that simple variations in brain physiology are the sufficient reason for its cataclysms; but a great many efforts will be made to prove the contrary before this highest of all spheres of human activity is declared to have no meaning--no thread which runs from age to age and links mankind, the genius and the man who plods, in a common and significant development.

In undertaking this task we must try to judge the genius with reference to the sane social man, the normal Socius. What he is we have seen. He is a person _who learns to judge by the judgments of society_. What, then, shall we say of the genius from this point of view? Can the hero worshipper be right in saying that the genius teaches society to judge; or shall we say that the genius, like other men, must learn to judge by the judgments of society?

The most fruitful point of view is, no doubt, that which considers the genius a variation. And unless we do this it is evidently impossible to get any theory which will bring him into a general scheme. But how great a variation? And in what direction?--these are the questions.

The great variations found in the criminal by heredity, the insane, the idiotic, etc., we have found excluded from society; so we may well ask why the genius is not excluded also. If our determination of the limits within which society decides who is to be excluded is correct, then the genius must come within these limits. He can not escape them and live socially.

_The Intelligence of the Genius._--The directions in which the genius actually varies from the average man are evident as a matter of fact.

He is, first of all, a man of great power of thought, of great "constructive imagination," as the psychologists say. So let us believe, first, that a genius is a man who has occasionally greater thoughts than other men have. Is this a reason for excluding him from society? Certainly not; for by great thoughts we mean true thoughts, thoughts which will work, thoughts which will bring in a new area in the discovery of principles, or of their application. This is just what all development depends upon, this attainment of novelty, which is consistent with older knowledge and supplementary to it. But suppose a man have thoughts which are not true, which do not fit the topic of their application, which contradict established knowledges, or which result in bizarre and fanciful combinations of them; to that man we deny the name genius; he is a crank, an agitator, an anarchist, or what not. The test, then, which we bring to bear upon the intellectual variations which men show is that of truth, practical workability--in short, to sum it up, "fitness." Any thought, to live and germinate, must be a fit thought. And the community's sense of the fitness of the thought is their rule of judgment.

Now, the way the community got this sense--that is the great result we have reached above. Their sense of fitness is just what I called above their judgment. So far, at least, as it relates to matters of social import, it is of social origin. It reflects the outcome of all social heredity, tradition, education. The sense of social truth is their criterion of social thoughts, and unless the social reformer's thought be in some way fit to go into the setting thus made by earlier social development, he is not a genius but a crank.

I may best show the meaning of the claim that society makes upon the genius by asking in how far in actual life he manages to escape this account of himself to society. The facts are very plain, and this is the cla.s.s of facts which some writers urge, as supplying an adequate rule for the application of the principles of their social philosophy.

The simple fact is, say they, that without the consent of society the thoughts of your hero, whether he be genius or fool, are practically valueless. The fulness of time must come; and the genius before his time, if judged by his works, can not be a genius at all. His thought may be great, so great that, centuries after, society may attain to it as its richest outcome and its profoundest intuition; but before, that time, it is as bizarre as a madman's fancies and as useless. What would be thought, we might be asked by writers of this school, of a rat which developed upon its side the hand of a man, with all its mechanism of bone, muscle, tactile sensibility, and power of delicate manipulation, if the remainder of the creature were true to the pattern of a rat? Would not the rest of the rat tribe be justified in leaving this anomaly behind to starve in the hole where his singular appendage held him fast? Is such a rat any the less a monster because man finds use for his hands.

To a certain extent this argument is forcible and true. If social utility be our rule of definition, then certainly the premature genius is no genius. And this rule of definition may be put in another way which renders it still more plausible. The variations which occur in intellectual endowment, in a community, vary about a mean; there is, theoretically, an average man. The differences among men which can be taken account of in any philosophy of life must be in some way referable to this mean. The variation which does not find its niche at all in the social environment, but which strikes all the social fellows with disapproval, getting no sympathy whatever, is thereby exposed to the charge of being the "sport" of Nature and the fruit of chance. The lack of hearing which awaits such a man sets him in a form of isolation, and stamps him not only as a social crank, but also as a cosmic tramp.

Put in its positive and usual form, this view simply claims that man is always the outcome of the social movement. The reception he gets is a measure of the degree in which he adequately represents this movement. Certain variations are possible--men who are forward in the legitimate progress of society--and these men are the true and only geniuses. Other variations, which seem to discount the future too much, are "sports"; for the only permanent discounting of the future is that which is projected from the elevation of the past.

The great defect of this view is found in its definitions. We exclaim at once: who made the past the measure of the future? and who made social approval the measure of truth? What is there to eclipse the vision of the poet, the inventor, the seer, that he should not see over the heads of his generation, and raise his voice for that which, to all men else, lies behind the veil? The social philosophy of this school can not answer these questions, I think; nor can it meet the appeal we all make to history when we cite the names of Aristotle, Pascal, and Newton, or of any of the men who single-handed and alone have set guide-posts to history, and given to the world large portions of its heritage of truth. What can set limit to the possible variations of fruitful intellectual power? Rare such variations--that is their law: the greater the variation, the more rare! But so is genius; the greater, the more rare. As to the rat with the human hand, he would not be left to starve and decay in his hole; he would be put in alcohol when he died, and kept in a museum! And the lesson which he would teach to the wise biologist would be that here in this rat Nature had shown her genius by discounting in advance the slow processes of evolution!

It is, indeed, the force of such considerations as these which have led to many justifications of the positions that the genius is quite out of connection with the social movement of his time. The genius brings his variations to society whether society will or no; and as to harmony between them, that is a matter of outcome rather than of expectation or theory. We are told the genius comes as a brain-variation; and between the physical heredity which produces him and the social heredity which sets the tradition of his time there is no connection.

But this is not tenable, as we have reason to think, from the interaction which actually takes place between physical and social heredity. To be sure, the heredity of the individual is a physiological matter, in the sense that the son must inherit from his parents and their ancestors alone. But granted that two certain parents are his parents, we may ask how these two certain parents came to be his parents. How did his father come to marry his mother, and the reverse? This is distinctly a social question; and to its solution all the currents of social influence and suggestion contribute. Who is free from social considerations in selecting his wife? Does the coachman have an equal chance to get the heiress, or the blacksmith the clergyman's daughter? Do we find inroads made in Newport society by the ranchman and the dry-goods clerk? And are not the inroads which we do find, the inroads made by the counts and the marquises, due to influences which are quite social and psychological? Again, on the other hand, what leads the count and the marquis, to lay their t.i.tles at Newport doors, while the ranchman and the dry-goods clerk keep away, but the ability of both these types of suitors to estimate their chances just on social and psychological grounds? Novelists have rung the changes on this intrusion of social influences into the course of physical heredity. Bourget's Cosmopolis is a picture of the influence of social race characteristics on natural heredity, with the reaction of natural heredity again upon the new social conditions.

A speech of a character of Balzac's is to the point, as ill.u.s.trating a certain appreciation of these social considerations which we all to a degree entertain. The d.u.c.h.esse de Carigliano says to Madame de Sommervieux: "I know the world too well, my dear, to abandon myself to the discretion of a too superior man. You should know that one may allow them to court one, but marry them--that is a mistake! Never--no, no. It is like wanting to find pleasure in inspecting the machinery of the opera instead of sitting in a box to enjoy its brilliant illusions." To be sure, we do not generally deliberate in this wise when we fall in love; but that is not necessary, since our social environment sets the style by the kind of intangible deliberation which I have called judgment and fitness. Suppose a large number of Northern advocates of social equality should migrate to the Southern United States, and, true to their theory, intermarry with the blacks.

Would it not then be true that a social theory had run athwart the course of physiological descent, leading to the production of a legitimate mulatto society? A new race might spring from such a purely psychological or social initiation.

While not agreeing, therefore, with the theory which makes the genius independent of the social movement--least of all with the doctrine that physical heredity is uninfluenced by social conditions--the hero worshipper is right, nevertheless, in saying that we can not set the limitations of the genius on the side of variations toward high intellectual endowment. So if the general position be true that he is a variation of some kind, we must look elsewhere for the direction of those peculiar traits whose excess would be his condemnation. This we can find only in connection with the other demand that we make of the ordinary man--the demand that he be a man of good judgment. And to this we may now turn.

_The Judgment of the Genius._--We should bear in mind in approaching this topic the result which follows from the reciprocal character of social relationships. No genius ever escapes the requirements laid down for his learning, his social heredity. Mentally he is a social outcome, as well as are the fellows who sit in judgment on him. He must judge his own thoughts therefore as they do. And his own proper estimate of things and thoughts, his relative sense of fitness, gets application, by a direct law of his own mental processes, to himself and to his own creations. The limitations which, in the judgment of society, his variations must not overstep, are set by his own judgment also. If the man in question have thoughts which are socially true, _he must himself know that they are true_. So we reach a conclusion regarding the selection of the particular thoughts which the genius may have: _he and society must agree in regard to the fitness of them_, although in particular cases this agreement ceases to be the emphatic thing. The essential thing comes to be the reflection of the social standard in the thinker's own judgment; _the thoughts thought must always be critically judged by the thinker himself; and for the most part his judgment is at once also the social judgment_. This may be ill.u.s.trated further.

Suppose we take the man of striking thoughts and withal no sense of fitness--none of the judgment about them which society has. He will go through a mighty host of discoveries every hour. The very eccentricity of his imaginations will only appeal to him for the greater admiration. He will bring his most chimerical schemes out and air them with the same a.s.surance with which the real inventor exhibits his. But such a man is not p.r.o.nounced a genius. If his ravings about this and that are harmless, we smile and let him talk; but if his lack of judgment extend to things of grave import, or be accompanied by equal illusions regarding himself and society in other relationships, then we cla.s.sify his case and put him into the proper ward for the insane.

Two of the commonest forms of such impairment of judgment are seen in the victims of "fixed ideas" on the one hand, and the _exaltes_ on the other. These men have no true sense of values, no way of selecting the fit combinations of imagination from the unfit; and even though some transcendently true and original thought were to flit through the diseased mind of such a one, it would go as it came, and the world would wait for a man with a sense of fitness to arise and rediscover it. The other cla.s.s, the _exaltes_, are somewhat the reverse; the illusion of personal greatness is so strong that their thoughts seem to them infallible and their persons divine.

Men of such perversions of judgment are common among us. We all know the man who seems to be full of rich and varied thought, who holds us sometimes by the power of his conceptions or the beauty of his creations, but in whose thought we yet find some incongruity, some eminently unfit element, some grotesque application, some elevation or depression from the level of commonplace truth, some ugly strain in the aesthetic impression. The man himself does not know it, and that is the reason he includes it. His sense of fitness is dwarfed or paralyzed. We in the community come to regret that he is so "visionary," with all his talent; so we accommodate ourselves to his unfruitfulness, and at the best only expect an occasional hour's entertainment under the spell of his presence. This certainly is not the man to produce a world movement.

Most of the men we call "cranks" are of this type. They are essentially lacking in judgment, and the popular estimate of them is exactly right.

It is evident, therefore, from this last explanation, that there is a second direction of variation among men: _variation in their sense of the truth and value of their own thoughts_, and with them of the thoughts of others. This is the great limitation which the man of genius shares with men generally--a limitation in the amount of variation which he may show in his social judgments, especially as these variations affect the claim which he makes upon society for recognition. It is evident that this must be an important factor in our estimate of the claims of the hero to our worship, especially since it is the more obscure side of his temperament, and the side generally overlooked altogether. This let us call, in our further ill.u.s.trations, the "social sanity" of the man of genius.

The first indication of the kind of social variation which oversteps even the degree of indulgence society is willing to accord to the great thinker is to be found in the effect which education has upon character. The discipline of social development is, as we have seen, mainly conducive to the reduction of eccentricities, the levelling off of personal peculiarities. All who come into the social heritage learn the same great series of lessons derived from the past, and all get the sort of judgment required in social life from the common exercises of the home and school in the formative years of their education. So we should expect that the greater singularities of disposition which represent insuperable difficulty in the process of social a.s.similation would show themselves early. Here it is that the actual conflict comes--the struggle between impulse and social restraint. Many a genius owes the redemption of his intellectual gifts to legitimate social uses to the victory gained by a teacher and the discipline learned through obedience. And thus it is also that many who give promise of great distinction in early life fail to achieve it. They run off after a phantom, and society p.r.o.nounces them mad. In their case the personal factor has overcome the social factor; they have failed in the lessons they should have learned, their own self-criticism is undisciplined, and they miss the mark.

These two extremes of variation, however, do not exhaust the case. One of them tends in a measure to the blurring of the light of genius, and the other to the rejection of social restraint to a degree which makes the potential genius over into a crank. The average man is the mean.

Put the greatest reach of human attainment, and with it the greatest influence ever exercised by man, is yet more than either of these. It is not enough, the hero worshipper may still say, that the genius should have sane and healthy judgment, as society reckons sanity. The fact still remains that even in his social judgments he may instruct society. He may stand alone and, by sheer might, left his fellow-men up to his point of vantage, to their eternal gain and to his eternal praise. Even let it be that he must have self-criticism, the sense of fitness you speak of, that very sense may transcend the vulgar judgment of his fellows. His judgment may be saner than theirs; and as his intellectual creations are great and unique, so may his sense of their truth be full and unique. Wagner led the musical world by his single-minded devotion to the ideas of Wagner; and Darwin had to be true to his sense of truth and to the formulations of his thought, though no man accorded him the right to instruct his generation either in the one or in the other. To be sure, this divine a.s.surance of the man of genius may be counterfeited; the vulgar dreamer often has it.

But, nevertheless, when a genius has it, he is not a vulgar dreamer.

This is true, I think, and the explanation of it leads us to the last fruitful application of the doctrine of variations. Just as the intellectual endowment of men may vary within very wide limits, so may the social qualifications of men. There are men who find it their meat to do society service. There are men so naturally born to take the lead in social reform, in executive matters, in organization, in planning our social campaigns for us, that we turn to them as by instinct. They have a kind of insight to which we can only bow. They gain the confidence of men, win the support of women, and excite the acclamations of children. These people are the social geniuses. They seem to antic.i.p.ate the discipline of social education. They do not need to learn the lessons of the social environment.

Now, such persons undoubtedly represent a variation toward suggestibility of the most delicate and singular kind. They surpa.s.s the teachers from whom they learn. It is hard to say that they "learn to judge by the judgments of society." They so judge without seeming to learn, yet they differ from the man whose eccentricities forbid him to learn through the discipline of society. The two are opposite extremes of variation; that seems to me the only possible construction of them. It is the difference between the ice boat which travels faster than the wind and the skater who braves the wind and battles up-current in it. The latter is soon beaten by the opposition; the former outruns its ally. The crank, the eccentric, the enthusiast--all these run counter to sane social judgment; but the genius leads society to his own point of view, and interprets the social movement so accurately, sympathetically, and with such profound insight that his very singularity gives greater relief to his inspiration.

Now let a man combine with this insight--this extraordinary sanity of social judgment--the power of great inventive and constructive thought, and then, at last, we have our genius, our hero, and one that we well may worship! To great thought he adds balance; to originality, judgment. This is the man to start the world movements if we want a single man to start them. For as he thinks profoundly, so he discriminates his thoughts justly, and a.s.signs them values. His fellows judge with him, or learn to judge after him, and they lend to him the motive forces of success--enthusiasm, reward. He may wait for recognition, he may suffer imprisonment, he may be muzzled for thinking his thoughts, he may die and with him the truth to which he gave but silent birth. But the world comes, by its slower progress, to traverse the path in which he wished to lead it; and if so be that his thought was recorded, posterity revives it in regretful sentences on his tomb.

The two things to be emphasized, therefore, on the rational side of the phenomenally great man--I mean on the side of our means of accounting for him in reasonable terms--are these: first, his intellectual originality; and, second, the sanity of his judgment. And it is the variations in this second sort of endowment which give the ground which various writers have for the one-sided views now current in popular literature.

We are told, on the one hand, that the genius is a "degenerate"; on another hand, that he is to be cla.s.sed with those of "insane" temper; and yet again, that his main characteristic is his readiness to outrage society by performing criminal acts. All these so-called theories rely upon facts--so far as they have any facts to rest upon--which, if s.p.a.ce permitted, we might readily estimate from our present point of view. In so far as a really great man busies himself mainly with things that are objective, which are socially and morally neutral--such as electricity, natural history, mechanical theory, with the applications of these--of course, the mental capacity which he possesses is the main thing, and his absorption in these things may lead to a warped sense of the more ideal and refined relationships which are had in view by the writer in quest for degeneracy. It will still be admitted, however, by those who are conversant with the history of science, that the greatest scientific geniuses have been men of profound quietness of life and normal social development. It is to the literary and artistic genius that the seeker after abnormality has to turn; and in this field, again, the facts serve to show their own meaning.

As a general rule, these artistic prodigies do not represent the union of variations which we find in the greatest genius. Such men are often distinctly lacking in power of sustained constructive thought. Their insight is largely what is called intuitive. They have flashes of emotional experience which crystallize into single creations of art.

They depend upon "inspiration"--a word which is responsible for much of the overrating of such men, and for a good many of their illusions.

Not that they do not perform great feats in the several spheres in which their several "inspirations" come; but with it all they often present the sort of unbalance and fragmentary intellectual endowment which allies them, in particular instances, to the cla.s.ses of persons whom the theories we are noticing have in view. It is only to be expected that the sharp jutting variation in the emotional and aesthetic realm which the great artist often shows should carry with it irregularities in heredity in other respects. Moreover, the very habit of living by inspiration brings prominently into view any half-hidden peculiarities which he may have in the remark of his a.s.sociates, and in the conduct of his own social duties. But mark you, I do not discredit the superb art of many examples of the artistic "degenerate," so-called; that would be to brand some of the highest ministrations of genius, to us men, as random and illegitimate, and to consider impure some of our most exalting and intoxicating sources of inspiration. But I do still say that wherein such men move us and instruct us they are _in these spheres_ above all things sane with our own sanity, and wherein they are insane they do discredit to that highest of all offices to which their better gifts make legitimate claim--the instruction of mankind.

Again one of Balzac's characters. .h.i.ts the nail on the head. "My dear mother," says Augustine, in the Sign of the Cat and Racket, "you judge superior people too severely. If their ideas were the same as other folks they would not be men of genius."

"Very well," replies Madame Guillaume, "then let men of genius stop at home and not get married. What! A man of genius is to make his wife miserable? And because he is a genius it is all right! Genius! genius!

It is not so very clever to say black one minute and white the next, as he does, to interrupt other people, to dance such rigs at home, never to let you know which foot you are to stand on, to compel his wife never to be amused unless my lord is in gay spirits, and to be dull when he is dull."

"But his imaginations...."

"What are such imaginations?" Madame Guillaume went on, interrupting her daughter again. "Fine ones are his, my word! What possesses a man, that all on a sudden, without consulting a doctor, he takes it into his head to eat nothing but vegetables? There, get along! if he were not so grossly immoral, he would be fit to shut up in a lunatic asylum."

"O mother, can you believe?"

"Yes, I do believe. I met him in the Champs elysees. He was on horseback. Well, at one minute he was galloping as hard as he could tear, and then pulled up to a walk. I said to myself at that moment, 'There is a man devoid of judgment!'"

The main consideration which this chapter aims to present, that of the responsibility of all men, be they great or be they small, to the same standards of social judgment, and to the same philosophical treatment, is ill.u.s.trated in the very man to whose genius we owe the principle upon which my remarks are based--Charles Darwin; and it is singularly appropriate that we should also find the history of this very principle, that of variations with the correlative principle of natural selection, furnishing a capital ill.u.s.tration of our inferences. Darwin was, with the single exception of Aristotle, possibly the man with the sanest judgment that the human mind has ever brought to the investigation of nature. He represented, in an exceedingly adequate way, the progress of scientific method up to his day. He was disciplined in all the natural science of his predecessors. His judgment was an epitome of the scientific insight of the ages which culminated then. The time was ripe for just such a great constructive thought as his--ripe, that is, so far as the acc.u.mulation of scientific data was concerned. His judgment differed then from the judgment of his scientific contemporaries mainly in that it was sounder and safer than theirs. And with it Darwin was a great constructive thinker. He had the intellectual strength which put the judgment of his time to the strain--everybody's but his own. This is seen in the fact that Darwin was not the first to speculate in the line of his great discovery, nor to reach formulas; but with the others guessing took the place of induction. The formula was an uncriticised thought. The unwillingness of society to embrace the hypothesis was justified by the same lack of evidence which prevented the thinkers themselves from giving it proof. And if no Darwin had appeared, the problem of evolution would have been left about where it had been left by the speculations of the Greek mind. Darwin reached his conclusion by what that other great scientific genius in England, Newton, described as the essential of discovery, "patient thought"; and having reached it, he had no alternative but to judge it true and p.r.o.nounce it to the world.

But the principle of variations with natural selection had the reception which shows that good judgment may rise higher than the level of its own social origin. Even yet the principle of Darwin is but a spreading ferment in many spheres of human thought in which it is destined to bring the same revolution that it has worked in the sciences of organic life. And it was not until other men, who had both authority with the public and sufficient information to follow Darwin's thought, seconded his judgment, that his formula began to have currency in scientific circles.

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You're reading The Story of the Mind. This manga has been translated by Updating. Author(s): James Mark Baldwin. Already has 493 views.

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