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The Story of a New York House Part 7

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He put his arm about her waist, and they walked into the breakfast-room, and looked out on the garden which to-morrow would be theirs no longer, and in a few months would not be a garden at all.

High walls hemmed it in--the walls of the houses which had grown up around them. A few stalks stood up out of the snow, the stalks of old-fashioned flowers--hollyhock and larkspur and Job's-tears and the like--and the lines of the beds were defined by the tiny hedges of box, with the white snow-powder sifted into their dark, shiny green. The bare rose-bushes were there, with their spikes of thorns, and little mounds of snow showed where the glories of the poppy-bed had bloomed.

Jacob Dolph, looking out, saw the clear summer sunlight lying where the snow lay now. He saw his mother moving about the paths, cutting a flower here and a bud there. He saw himself, a little boy in brave breeches, following her about, and looking for the harmless toads, and working each one into one of the wonderful legends which he had heard from the old German gardener across the way. He saw his father, too, pacing those paths of summer evenings, when the hollyhocks nodded their pink heads, and glancing up, from time to time, at his mother as she sat knitting at that very window. And, last of all in the line, yet first in his mind, he saw his wife tripping out in the fresh morning, to smile on the flowers she loved, to linger lovingly over the beds of verbena, and to pick the little nosegay that stood by the side of the tall coffee-urn at every summer-morning breakfast.

And the wife, looking out by his side, saw that splendid boy of theirs running over path and bed, glad of the flowers and the air and the freedom, full of young life and boyish sprightliness, his long hair floating behind him, the light of hope and youth in his bright face.

And to-morrow it would be Van Riper's; and very soon there would be houses there, to close up the friendly window which had seen so much, which had let so much innocent joy and gladness into the old breakfast-room; and there would be an end of flower-bordered paths and nodding hollyhocks. She put her face upon her husband's shoulder, and cried a little, though he pretended not to know it. When she lifted it, somehow she had got her eyes dry, though they were painfully bright and large.

"It isn't like selling our house," she said.

IV.

Jacob Dolph got out of the Broadway stage at Bowling Green, followed by Eustace Dolph. Eustace Dolph at twenty-two was no more like his father than his patrician name was like simple and scriptural Jacob. The elder Dolph was a personable man, certainly; a handsome man, even, who looked to be nearer forty than fifty-two; and he was well dressed--perhaps a trifle out of the mode--and carried himself with a certain genial dignity, and with the lightness of a man who has not forgotten that he has been a buck in his time. But Eustace was distinctly and unmistakably a dandy. There are superficial differences, of course, between the dandy of 1852 and the dandy of 1887; but the structural foundation of all types of dandy is the same through all ages. Back of the clothes--back of the ruffles, or the bright neckcloth, or the high pickardil--which may vary with the time or the individual, you will ever find clearly displayed to your eyes the obvious and unmistakable spiritual reason for and cause of the dandy--and it is always self-a.s.sertion pushed beyond the bounds of self-respect.

Now, as a matter of fact, young Eustace's garments were not really worse than many a man has worn from simple, honest bad taste. To be sure, the checked pattern of his trousers was for size like the design of a prison grating; he had a coat so blue that it shimmered in the sunlight; his necktie was of purple satin, and fearfully and wonderfully made and fringed, and decked with gems fastened by little gold chains to other inferior guardian gems; and his waistcoat was confected of satin and velvet and damask all at once; yet you might have put all these things on his father, and, although the effect would not have been pleasant, you would never have called the elder gentleman a dandy. In other words, it was why young Eustace wore his raiment that made it dandified, and not the inherent gorgeousness of the raiment itself.

The exchange of attire might readily have been made, so far as the size of the two men was concerned. But only in size were they alike. There was nothing of the Dolph in Eustace's face. He bore, indeed, a strong resemblance to his maternal great-grandmother, now many years put away where she could no longer trouble the wicked, and where she had to let the weary be at rest. (And how poor little Aline had wept and wailed over that death, and lamented that she had not been more dutiful as a child!) But his face was not strong, as the face of Madam Des Anges had been. Some strain of a weaker ancestry reappeared in it, and, so to speak, changed the key of the expression. What had been pride in the old lady bordered on superciliousness in the young man. What had been sternness became a mere haughtiness. Yet it was a handsome face, and pleasant, too, when the young smile came across it, and you saw the white small teeth and the bright, intelligent light in the dark eyes.

The two men strolled through the Battery, and then up South Street, and so around through Old Slip. They were on business; but this was also a pleasure trip to the elder. He walked doubly in spirit through those old streets--a boy by his father's side, a father with his son at his elbow. He had not been often in the region of late years. You remember, he was a man of pleasure. He was one of the first-fruits of metropolitan growth and social culture. His father had made an idler and _dilettante_ of him. It was only half a life at best, he thought, happy as he had been; blessed as he was in wife and child. He was going to make a business man of his own boy. After all, it was through the workers that great cities grew. Perhaps we were not ripe yet for that European inst.i.tution, the idler. He himself had certain accomplishments that other Americans had not. He could _flaner_, for instance. But to have to _flaner_ through fifty or sixty or seventy years palled on the spirit, he found. And one thing was certain, if any Dolph was ever to be an accomplished _flaneur_, and to devote his whole life to that occupation, the Dolph fortune must be vastly increased. Old Jacob Dolph had miscalculated. The sum he had left in 1829 might have done very well for the time, but it was no fortune to idle on among the fashionables of 1852.

Something of this Mr. Dolph told his son; but the young man, although he listened with respectful attention, appeared not to take a deep interest in his father's reminiscences. Jacob Dolph fancied even that Eustace did not care to be reminded of the city's day of small things. Perhaps he had something of the feeling of the successful struggler who tries to forget the shabbiness of the past. If this were the case, his pride must have been chafed, for his father was eloquent in displaying the powers of an uncommonly fine memory; and he had to hear all about the slips, and the Fly Market, and the gradual extension of the water-front, and the piles on which the old Tontine was built, and the cuc.u.mber-wood pipes of the old water-company, still lying under their feet. Once, at least, he showed a genuine enjoyment of his father's discourse, and that was when it ran on the great retinue of servants in which Jacob Dolph the elder had indulged himself. I think he was actually pleased when he heard that his grandfather had at one time kept slaves.

Wandering in this way, to the running accompaniment of Mr. Dolph's lecture, they came to Water Street, and here, as though he were reminded of the object of their trip, the father summed up his reminiscences in shape for a neat moral.

"The city grows, you see, my boy, and we've got to grow with it. I've stood still; but you sha'n't."

"Well, governor," said the younger man, "I'll be frank with you. I don't like the prospect."

"You will--you will, my boy. You'll live to thank me."

"Very likely you're right, sir; I don't deny it; but, as I say, I don't like the prospect. I don't see--with all due respect, sir--how any gentleman can _like_ trade. It may be necessary, and of course I don't think it's lowering, or any of that nonsense, you know; but it can't be _pleasant_. Of course, if _your_ governor had to do it, it was all right; but I don't believe he liked it any better than I should, or he wouldn't have been so anxious to keep you out of it."

"My poor father made a great mistake, Eustace. He would admit it now, I'm sure, if he were alive."

"Well, sir, I'm going to try it, of course. I'll give it a fair trial.

But when the two years are up, sir, as we agreed, I hope you won't say anything against my going into the law, or--well, yes--" he colored a little--"trying what I can do on the Street. I know what you think about it, sir," he went on, hastily; "but there are two sides to the question, and it's my opinion that, for an intelligent man, there's more money to be made up there in Wall Street in one year than can be got out of haggling over merchandise for a lifetime."

Jacob Dolph grew red in the face and shook his head vigorously.

"Don't speak of it, sir, don't speak of it!" he said, vehemently. "It's the curse of the country. If you have any such infernal opinions, don't vent them in my presence, sir. I know what I am talking about. Keep clear of Wall Street, sir. It is the straight road to perdition."

They entered one of a row of broad-fronted buildings of notable severity and simplicity of architecture. Four square stone columns upheld its brick front, and on one of these faded gilt letters, on a ground of dingy black, said simply:

ABRAM VAN RIPER'S SON.

There was no further announcement of Abram Van Riper's Son's character, or of the nature of his business. It was a.s.sumed that all people knew who Abram Van Riper's Son was, and that his (Abram Van Riper's) ship-chandlery trade had long before grown into a great "commission merchant's" business.

It was full summer, and there were no doors between the pillars to bar entrance to the gloomy cavern behind them, which stretched in semi-darkness the whole length and width of the building, save for a narrow strip at the rear, where, behind a windowed part.i.tion, clerks were writing at high desks, and where there was an inner and more secluded pen for Abram Van Riper's son.

In the front of the cave, to one side, was a hoistway, where bales and boxes were drawn up from the cellar or swung twisting and twirling to the lofts above. Amidships the place was strewn with small tubs, matting-covered bales and boxes, coils of bright new rope, and odd-looking packages of a hundred sorts, all of them with gaping wounds in their envelopes, or otherwise having their pristine integrity wounded. From this it was not difficult to guess that these were samples of merchandise. Most of them gave forth odors upon the air, odors ranging from the purely aromatic, suggestive of Oriental fancies or tropic dreams of spice, to the positively offensive--the latter varieties predominating.

[Ill.u.s.tration]

But certain objects upon a long table were so peculiar in appearance that the visitors could not pa.s.s them by with a mere glance of wonder.

They looked like small leather pies, badly warped in the baking. A clerk in his shirt sleeves, with his straw hat on one side of his head, whistled as he cut into these, revealing a livid interior, the color of half-cooked veal, which he inspected with care. Eustace was moved to positive curiosity.

"What are they?" he inquired of the clerk, pride mingling with disgust in his tone, as he caught a smell like unto the smell which might arise from raw smoked salmon that had lain three days in the sun.

"Central American," responded the clerk, with brevity, and resumed his whistling of

"My name is Jake Keyser, I was born in Spring Garden; To make me a preacher my father did try."

"Central American _what_?" pursued the inquirer.

"_Rubber!_" said the clerk, with a scorn so deep and far beyond expression that the combined pride of the Dolphs and the Des Anges wilted into silence for the moment. As they went on toward the rear office, while the clerk gayly whistled the notes of

"It's no use a-blowing, for I am a hard 'un-- I'm bound to be a butcher, by heavens, or die!"

Eustace recovered sufficiently to demand of his father:

"I say, sir, shall I have to handle that d.a.m.ned stuff?"

"Hush!" said his senior; "here's Mr. Van Riper."

Mr. Van Riper came to the office door to welcome them, with his thin face set in the form of a smile.

"Ah!" he said, "here's the young man, is he? Fine big fellow, Dolph.

Well, sir, so you are going to embrace a mercantile career, are you?

That's what they call it in these fine days, Dolph."

"I am going to try to, sir," replied the young man.

"He will, Van Riper," put in his father, hastily; "he'll like it as soon as he gets used to it--I know he will."

"Well," returned Mr. Van Riper, with an attempt at facetious geniality, "we'll try to get his nose down to the grindstone, we will. Come into my office with me, Dolph, and I'll hand this young gentleman over to old Mr. Daw. Mr. Daw will feel his teeth--eh, Mr. Daw?--see what he _doesn't_ know--how's that, Mr. Daw? You remember Mr. Daw, Dolph--used to be with your father before he went out of business--been with us ever since. Let's see, how long is that, Daw? Most fifty years, ain't it?"

[Ill.u.s.tration: "Looks like his father," was Mr. Daw's comment.]

Mr. Daw, who looked as though he might have been one hundred years at the business, wheeled around and descended with stiff deliberation from his high stool, holding his pen in his mouth as he solemnly shook hands with Jacob Dolph, and peered into his face. Then he took the pen out of his mouth.

"Looks like his father," was Mr. Daw's comment. "Forty-five years the twenty-ninth of this month, sir. You was a little shaver then. I remember you comin' into the store and whittlin' timber with your little jack-knife. I was only eleven years with your father, sir--eleven years and six months--went to him when I was fourteen years old. That's fifty-six years and six months in the service of two of the best houses that ever was in New York--an' I can do my work with any two young shavers in the town--ain't missed a day in nineteen years now. Your father hadn't never ought to have gone out of business, Mr. Dolph. He did a great business for those days, and he had the makin' of a big house. Goin' to bring your boy up like a good New York merchant, hey?

Come along here with me, young man, and I'll see if you're half the man your grandfather was. He hadn't never ought to have given up business, Mr. Dolph. But he was all for pleasuring an' the play-houses, an' havin'

fine times. Come along, young man. What's your name?"

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The Story of a New York House Part 7 summary

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