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The Story of a New York House Part 2

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"If we can only keep her out of the Potter's Field--the Potter's Field!"

cried the father; "I'll thank G.o.d--I'll ask no more--I'll ask no more!"

And then he broke down and cried a little, feebly, and got his son's hand in the darkness and put on his own shoulder.

It was nearly two when they came to St. Paul's and turned the corner to the gate. It was dark below, but some frenzied fools were burning tar-barrels far down Ann Street, and the light flickered on the top of the church spire. They crossed the churchyard to where a shallow grave had been dug, half way down the hill. The men lowered the body into it; the old negro gave them a little _rouleau_ of coin, and they went hurriedly away into the night.

[Ill.u.s.tration]

The clergyman came out by and by, with the s.e.xton behind him. He stood high up above the grave, and drew his long cloak about him and lifted an old pomander-box to his face. He was not more foolish than his fellows; in that evil hour men took to charms and to saying of spells. Below the grave and apart, for the curse rested upon them, too, stood Jacob Dolph and his son, the old man leaning on the arm of the younger. Then the clergyman began to read the service for the burial of the dead, over the departed sister--and wife and mother. He spoke low; but his voice seemed to echo in the stillness. He came forward with a certain shrinking, and cast the handful of dust and ashes into the grave. When it was done, the s.e.xton stepped forward and rapidly threw in the earth until he had filled the little hollow even with the ground. Then, with fearful precaution, he laid down the carefully cut sods, and smoothed them until there was no sign of what had been done. The clergyman turned to the two mourners, without moving nearer to them, and lifted up his hands. The old man tried to kneel; but his son held him up, for he was too feeble, and they bent their heads for a moment of silence. The clergyman went away as he had come; and Jacob Dolph and his son went back to the carriage. When his father was seated, young Jacob Dolph said to the coachman: "To the new house."

The heavy coach swung into Broadway, and climbed up the hill out into the open country. There were lights still burning in the farmhouses, bright gleams to east and west, but the silence of the damp summer night hung over the spa.r.s.e suburbs, and the darkness seemed to grow more intense as they drove away from the city. The trees by the roadside were almost black in the gray mist; the raw, moist smell of the night, the damp air, chilly upon the high land, came in through the carriage windows. Young Jacob looked out and noted their progress by familiar landmarks on the road; but the old man sat with his head bent on his new black stock.

It was almost three, and the east was beginning to look dark, as though a storm were settling there in the grayness, when they turned down the straggling street and drew up before the great dark ma.s.s that was the new house. The carriage-wheels gritted against the loose stones at the edge of the roadway, and the great door of the house swung open. The light of one wavering candle-flame, held high above her head, fell on the black face of old Chloe, the coachman's wife. There were no candles burning on the high-pitched stairway; all was dark behind her in the empty house.

Young Jacob Dolph helped his father to the ground, and between the young man and the negro old Jacob Dolph wearily climbed the steps. Chloe lifted her ap.r.o.n to her face, and turned to lead them up the stair. Her husband went out to his horses, shutting the door softly after him, between Jacob Dolph's old life and the new life that was to begin in the new house.

II.

When young Jacob Dolph came down to breakfast the next morning he found his father waiting for him in the breakfast-room. The meal was upon the table. Old Chloe stood with her black hands folded upon her white ap.r.o.n, and her pathetic negro eyes following the old gentleman as he moved wistfully about the room.

Father and son shook hands in silence, and turned to the table. There were three chairs in their accustomed places. They hesitated a half-second, looking at the third great arm-chair, as though they waited for the mistress of the house to take her place. Then they sat down. It was six years before any one took that third chair, but every morning Jacob Dolph the elder made that little pause before he put himself at the foot of the table.

On this first morning there was very little said and very little eaten.

But when they had made an end of sitting at the table old Jacob Dolph said, with something almost like testiness in his husky voice:

"Jacob, I want to sell the house."

"Father!"

[Ill.u.s.tration]

"The old house, I mean; I shall never go back there."

His son looked at him with a further inquiry. He felt a sudden new apprehension. The father sat back in his easy-chair, drumming on the arms with nervous fingers.

"I shall never go back there," he said again.

"Of course you know best, sir," said young Jacob, gently; "but would it be well to be precipitate? It is possible that you may feel differently some time----"

"There is no 'some time' for me!" broke in the old man, gripping the chair-arms, fiercely; "my time's done--done, sir!"

Then his voice broke and became plaintively kind.

"There, there! Forgive me, Jacob, boy. But it's true, my boy, true. The world's done, for me; but there's a world ahead for you, my son, thank G.o.d! I'll be patient--I'll be patient. G.o.d has been good to me, and I haven't many years to wait, in the course of nature."

He looked vacantly out of the window, trying to see the unforeseen with his mental sight.

"While I'm here, Jacob, let the old man have his way. It's a whimsey; I doubt 'tis hardly rational. But I have no heart to go home. Let me learn to live my life here. 'Twill be easier."

"But do you think it necessary to sell, sir? Could you not hold the house? Are you certain that you would like to have a stranger living there?"

"I care not a pin who lives within those four walls now, sir!" cried the elder, with a momentary return of his vehemence. "It's no house to me now. Sell it, sir, sell it!--if there's any one will give money for it at a time like this. Bring every stick of furniture and every st.i.tch of carpet up here; and let me have my way, Jacob--it won't be for long."

He got up and went blindly out of the room, and his son heard him muttering, "Not for long--not for long, now," as he wandered about the house and went aimlessly into room after room.

Old Jacob Dolph had always been an indulgent parent, and none kinder ever lived. But we should hardly call him indulgent to-day. Good as he was to his boy, it had always been with the goodness of a superior. It was the way of his time. A half-century ago the child's position was equivocal. He lived by the grace of G.o.d and his parents, and their duty to him was rather a duty to society, born of an abstract morality. Love was given him, not as a right, but as an indulgence. And young Jacob Dolph, in all his grief and anxiety, was guiltily conscious of a secret thrill of pleasure--natural enough, poor boy!--in his sudden elevation to the full dignity of manhood, and his father's abdication of the headship of the house.

A little later in the day, urged again by the old gentleman, he put on his hat and went to see Abram Van Riper. Mr. Van Riper was now, despite his objections to the pernicious inst.i.tution of country-houses, a near neighbor of the Dolphs. He had yielded, not to fashion, but to yellow fever, and at the very first of the outbreak had bought a house on the outskirts of Greenwich Village, and had moved there in unseemly haste.

He had also registered an unnecessarily profane oath that he would never again live within the city limits.

When young Jacob Dolph came in front of the low, hip-roofed house, whose lower story of undressed stone shone with fresh whitewash, Mr. Van Riper stood on his stoop and checked his guest at the front gate, a dozen yards away. From this distance he jabbed his big gold-headed cane toward the young man, as though to keep him off.

[Ill.u.s.tration]

"Stay there, sir--you, sir, you Jacob Dolph!" he roared, brandishing the big stick. "Stand back, I tell you! Don't come in, sir! Good-day, sir--good-day, good-day, good-day!" (This hurried excursus was in deference to a sense of social duty.) "Keep away, confound you, keep away--consume your body, sir, stay where you are!"

"I'm not coming any nearer, Mr. Van Riper," said Jacob Dolph, with a smile which he could not help.

"I can't have you in here, sir," went on Mr. Van Riper, with no abatement of his agitation. "I don't want to be inhospitable; but I've got a wife and a son, sir, and you're infectious--d.a.m.n it, sir, you're infectious!"

"I'll stay where I am, Mr. Van Riper," said young Jacob, smiling again.

"I only came with a message from my father."

"With a what?" screamed Mr. Van Riper. "I can't have--oh, ay, a message!

Well, say it then and be off, like a sensible youngster. Consume it, man, can't you talk farther out in the street?"

When Mr. Van Riper learned his visitor's message, he flung his stick on the white pebbles of the clam-sh.e.l.l-bordered path, and swore that he, Van Riper, was the only sane man in a city of lunatics, and that if Jacob Dolph tried to carry out his plan he should be shipped straightway to Bloomingdale.

But young Jacob had something of his father's patience, and, despite the publicity of the interview, he contrived to make Mr. Van Riper understand how matters stood. To tell the truth, Van Riper grew quite sober and manageable when he realized that his extravagant imputation of insanity was not so wide of the mark as it might have seemed, and that there was a possibility that his old friend's mind might be growing weak. He even ventured a little way down the path and permitted Jacob to come to the gate while they discussed the situation.

"Poor old Dolph--poor old Jacob!" he groaned. "We must keep him out of the hands of the sharks, that we must!" He did not see young Jacob's irrepressible smile at this singular extension of metaphor. "He mustn't be allowed to sell that house in open market--never, sir! Confound it, I'll buy it myself before I'll see him fleeced!"

In the end he agreed, on certain strict conditions of precaution, to see young Jacob the next day and discuss ways and means to save the property.

"Come here, sir, at ten, and I'll see you in the sitting-room, and we'll find out what we can do for your father--curse it, it makes me feel bad; by gad, it does! Ten to-morrow, then--and come fumigated, young man, don't you forget that--come fumigated, sir!"

It was Van Riper who bought the property at last. He paid eighteen thousand dollars for it. This was much less than its value; but it was more than any one else would have given just at that time, and it was all that Van Riper could afford. The transaction weighed on the purchaser's mind, however. He had bought the house solely out of kindness, at some momentary inconvenience to himself; and yet it looked as though he were taking advantage of his friend's weakness. Abram Van Riper was a man who cultivated a clear conscience, of a plain, old-fashioned sort, and the necessity for self-examination was novel and disagreeable to him.

Life lived itself out at Jacob Dolph's new house whether he liked it or not. The furniture came up-town, and was somewhat awkwardly disposed about its new quarters; and in this unhomelike combination of two homes old Mr. Dolph sat himself down to finish his stint of life. He awoke each morning and found that twenty-four hours of sleep and waking lay before him, to be got through in their regular order, just as they were lived through by men who had an interest in living. He went to bed every night, and crossed off one from a tale of days of which he could not know the length.

Of course his son, in some measure, saved his existence from emptiness.

He was proud of young Jacob--fond and proud. He looked upon him as a prince of men, which he was, indeed. He trusted absolutely in the young man, and his trust was well placed. And he knew that his boy loved him.

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The Story of a New York House Part 2 summary

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