The Spectator Volume Ii Part 136

Final Causes lye more bare and open to our Observation, as there are often a great Variety that belong to the same Effect; and these, tho'

they are not altogether so satisfactory, are generally more useful than the other, as they give us greater Occasion of admiring the Goodness and Wisdom of the first Contriver.

One of the Final Causes of our Delight, in any thing that is great, may be this. The Supreme Author of our Being has so formed the Soul of Man, that nothing but himself can be its last, adequate, and proper Happiness. Because, therefore, a great Part of our Happiness must arise from the Contemplation of his Being, that he might give our Souls a just Relish of such a Contemplation, he has made them naturally delight in the Apprehension of what is Great or Unlimited. Our Admiration, which is a very pleasing Motion of the Mind, immediately rises at the Consideration of any Object that takes up a great deal of Room in the Fancy, and by Consequence, will improve into the highest Pitch of Astonishment and Devotion when we contemplate his Nature, that is neither circ.u.mscribed by Time nor Place, nor to be comprehended by the largest Capacity of a Created Being.

He has annexed a secret Pleasure to the Idea of any thing that is new or uncommon, that he might encourage us in the Pursuit after Knowledge, and engage us to search into the Wonders of his Creation; for every new Idea brings such a Pleasure along with it, as rewards any Pains we have taken in its Acquisition, and consequently serves as a Motive to put us upon fresh Discoveries.

He has made every thing that is beautiful in our own Species pleasant, that all Creatures might be tempted to multiply their Kind, and fill the World with Inhabitants; for 'tis very remarkable that where-ever Nature is crost in the Production of a Monster (the Result of any unnatural Mixture) the Breed is incapable of propagating its Likeness, and of founding a new Order of Creatures; so that unless all Animals were allured by the Beauty of their own Species, Generation would be at an End, and the Earth unpeopled.

In the last Place, he has made every thing that is beautiful in all other Objects pleasant, or rather has made so many Objects appear beautiful, that he might render the whole Creation more gay and delightful. He has given almost every thing about us the Power of raising an agreeable Idea in the Imagination: So that it is impossible for us to behold his Works with Coldness or Indifference, and to survey so many Beauties without a secret Satisfaction and Complacency. Things would make but a poor Appearance to the Eye, if we saw them only in their proper Figures and Motions: And what Reason can we a.s.sign for their exciting in us many of those Ideas which are different from any thing that exists in the Objects themselves, (for such are Light and Colours) were it not to add Supernumerary Ornaments to the Universe, and make it more agreeable to the Imagination? We are every where entertained with pleasing Shows and Apparitions, we discover Imaginary Glories in the Heavens, and in the Earth, and see some of this Visionary Beauty poured out upon the whole Creation; but what a rough unsightly Sketch of Nature should we be entertained with, did all her Colouring disappear, and the several Distinctions of Light and Shade vanish? In short, our Souls are at present delightfully lost and bewildered in a pleasing Delusion, and we walk about like the enchanted Hero of a Romance, who sees beautiful Castles, Woods and Meadows; and at the same time hears the warbling of Birds, and the purling of Streams; but upon the finishing of some secret Spell, the fantastick Scene breaks up, and the disconsolate Knight finds himself on a barren Heath, or in a solitary Desart. It is not improbable that something like this may be the State of the Soul after its first Separation, in respect of the Images it will receive from Matter; tho indeed the Ideas of Colours are so pleasing and beautiful in the Imagination, that it is possible the Soul will not be deprived of them, but perhaps find them excited by some other Occasional Cause, as they are at present by the different Impressions of the subtle Matter on the Organ of Sight.

I have here supposed that my Reader is acquainted with that great Modern Discovery, which is at present universally acknowledged by all the Enquirers into Natural Philosophy: Namely, that Light and Colours, as apprehended by the Imagination, are only Ideas in the Mind, and not Qualities that have any Existence in Matter. As this is a Truth which has been proved incontestably by many Modern Philosophers, and is indeed one of the finest Speculations in that Science, if the English Reader would see the Notion explained at large, he may find it in the Eighth Chapter of the second Book of Mr. Lock's Essay on Human Understanding.

O.

[To Addison's short paper there was added in number 413 of the Spectator the following letter, which was not included in the reprint into volumes:

June 24, 1712.

Mr. SPECTATOR,

I would not divert the Course of your Discourses, when you seem bent upon obliging the World with a train of Thinking, which, rightly attended to, may render the Life of every Man who reads it, more easy and happy for the future. The Pleasures of the Imagination are what bewilder Life, when Reason and Judgment do not interpose; It is therefore a worthy Action in you to look carefully into the Powers of Fancy, that other Men, from the Knowledge of them, may improve their Joys and allay their Griefs, by a just use of that Faculty: I say, Sir, I would not interrupt you in the progress of this Discourse; but if you will do me the Favour of inserting this Letter in your next Paper, you will do some Service to the Public, though not in so n.o.ble a way of Obliging, as that of improving their Minds. Allow me, Sir, to acquaint you with a Design (of which I am partly Author), though it tends to no greater a Good than that of getting Money. I should not hope for the Favour of a Philosopher in this Matter, if it were not attempted under all the Restrictions which you Sages put upon private Acquisitions.

The first Purpose which every good Man is to propose to himself, is the Service of his Prince and Country; after that is done, he cannot add to himself, but he must also be beneficial to them. This Scheme of Gain is not only consistent with that End, but has its very Being in Subordination to it; for no Man can be a Gainer here but at the same time he himself, or some other, must succeed in their Dealings with the Government. It is called the Multiplication Table, and is so far calculated for the immediate Service of Her Majesty, that the same Person who is fortunate in the Lottery of the State, may receive yet further Advantage in this Table. And I am sure nothing can be more pleasing to Her gracious Temper than to find out additional Methods of increasing their good Fortune who adventure anything in Her Service, or laying Occasions for others to become capable of serving their Country who are at present in too low Circ.u.mstances to exert themselves. The manner of executing the Design is, by giving out Receipts for half Guineas received, which shall ent.i.tle the fortunate Bearer to certain Sums in the Table, as is set forth at large in the Proposals Printed the 23rd instant. There is another Circ.u.mstance in this Design, which gives me hopes of your Favour to it, and that is what Tully advises, to wit, that the Benefit is made as diffusive as possible. Every one that has half a Guinea is put into a possibility, from that small Sum, to raise himself an easy Fortune; when these little parcels of Wealth are, as it were, thus thrown back again into the Redonation of Providence, we are to expect that some who live under Hardship or Obscurity, may be produced to the World in the Figure they deserve by this means. I doubt not but this last Argument will have Force with you, and I cannot add another to it, but what your Severity will, I fear, very little regard; which is, that I am, SIR, Your greatest Admirer, Richard Steele.

No. 414. Wednesday, June 25, 1712. Addison.

--Alterius sic Altera poscit opem res et conjurat amice.

Hor.

If we consider the Works of Nature and Art, as they are qualified to entertain the Imagination, we shall find the last very defective, in Comparison of the former; for though they may sometimes appear as Beautiful or Strange, they can have nothing in them of that Vastness and Immensity, which afford so great an Entertainment to the Mind of the Beholder. The one may be as Polite and Delicate as the other, but can never shew her self so August and Magnificent in the Design. There is something more bold and masterly in the rough careless Strokes of Nature, than in the nice Touches and Embellishments of Art. The Beauties of the most stately Garden or Palace lie in a narrow Compa.s.s, the Imagination immediately runs them over, and requires something else to gratifie her; but, in the wide Fields of Nature, the Sight wanders up and down without Confinement, and is fed with an infinite variety of Images, without any certain Stint or Number. For this Reason we always find the Poet in Love with a Country-Life, where Nature appears in the greatest Perfection, and furnishes out all those Scenes that are most apt to delight the Imagination.

'Scriptorum chorus omnis amat nemus et fugit Urbes.'

Hor.

'Hic Secura quies, et nescia fallere vita, Dives opum variarum; hic latis otia fundis, Speluncae, vivique lacus, hic frigida Tempe, Mugitusque boum, mollesque sub arbore somni.'

Virg.

But tho' there are several of these wild Scenes, that are more delightful than any artificial Shows; yet we find the Works of Nature still more pleasant, the more they resemble those of Art: For in this case our Pleasure rises from a double Principle; from the Agreeableness of the Objects to the Eye, and from their Similitude to other Objects: We are pleased as well with comparing their Beauties, as with surveying them, and can represent them to our Minds, either as Copies or Originals. Hence it is that we take Delight in a Prospect which is well laid out, and diversified with Fields and Meadows, Woods and Rivers; in those accidental Landskips of Trees, Clouds and Cities, that are sometimes found in the Veins of Marble; in the curious Fret-work of Rocks and Grottos; and, in a Word, in any thing that hath such a Variety or Regularity as may seem the Effect of Design, in what we call the Works of Chance.

If the Products of Nature rise in Value, according as they more or less resemble those of Art, we may be sure that artificial Works receive a greater Advantage from their Resemblance of such as are natural; because here the Similitude is not only pleasant, but the Pattern more perfect.

The prettiest Landskip I ever saw, was one drawn on the Walls of a dark Room, which stood opposite on one side to a navigable River, and on the other to a Park. The Experiment is very common in Opticks. Here you might discover the Waves and Fluctuations of the Water in strong and proper Colours, with the Picture of a Ship entering at one end, and sailing by Degrees through the whole Piece. On another there appeared the Green Shadows of Trees, waving to and fro with the Wind, and Herds of Deer among them in Miniature, leaping about upon the Wall. I must confess, the Novelty of such a Sight may be one occasion of its Pleasantness to the Imagination, but certainly the chief Reason is its near Resemblance to Nature, as it does not only, like other Pictures, give the Colour and Figure, but the Motion of the Things it represents.

We have before observed, that there is generally in Nature something more Grand and August, than what we meet with in the Curiosities of Art.

When therefore, we see this imitated in any measure, it gives us a n.o.bler and more exalted kind of Pleasure than what we receive from the nicer and more accurate Productions of Art. On this Account our English Gardens are not so entertaining to the Fancy as those in France and Italy, where we see a large Extent of Ground covered over with an agreeable mixture of Garden and Forest, which represent every where an artificial Rudeness, much more charming than that Neatness and Elegancy which we meet with in those of our own Country. It might, indeed, be of ill Consequence to the Publick, as well as unprofitable to private Persons, to alienate so much Ground from Pasturage, and the Plow, in many Parts of a Country that is so well peopled, and cultivated to a far greater Advantage. But why may not a whole Estate be thrown into a kind of Garden by frequent Plantations, that may turn as much to the Profit, as the Pleasure of the Owner? A Marsh overgrown with Willows, or a Mountain shaded with Oaks, are not only more beautiful, but more beneficial, than when they lie bare and unadorned. Fields of Corn make a pleasant Prospect, and if the Walks were a little taken care of that lie between them, if the natural Embroidery of the Meadows were helpt and improved by some small Additions of Art, and the several Rows of Hedges set off by Trees and Flowers, that the Soil was capable of receiving, a Man might make a pretty Landskip of his own Possessions.

Writers who have given us an Account of China, tell us the Inhabitants of that Country laugh at the Plantations of our Europeans, which are laid out by the Rule and Line; because, they say, any one may place Trees in equal Rows and uniform Figures. They chuse rather to shew a Genius in Works of this Nature, and therefore always conceal the Art by which they direct themselves. They have a Word, it seems, in their Language, by which they express the particular Beauty of a Plantation that thus strikes the Imagination at first Sight, without discovering what it is that has so agreeable an Effect. Our British Gardeners, on the contrary, instead of humouring Nature, love to deviate from it as much as possible. Our Trees rise in Cones, Globes, and Pyramids. We see the Marks of the Scissars upon every Plant and Bush. I do not know whether I am singular in my Opinion, but, for my own part, I would rather look upon a Tree in all its Luxuriancy and Diffusion of Boughs and Branches, than when it is thus cut and trimmed into a Mathematical Figure; and cannot but fancy that an Orchard in Flower looks infinitely more delightful, than all the little Labyrinths of the [more [1]]

finished Parterre. But as our great Modellers of Gardens have their Magazines of Plants to dispose of, it is very natural for them to tear up all the beautiful Plantations of Fruit Trees, and contrive a Plan that may most turn to their own Profit, in taking off their Evergreens, and the like Moveable Plants, with which their Shops are plentifully stocked.

O.

[Footnote 1: [most]]

No. 415. Thursday, June 26, 1712. Addison.

'Adde tot egregias urbes, operumque laborem.'

Virg.

Having already shewn how the Fancy is affected by the Works of Nature, and afterwards considered in general both the Works of Nature and of Art, how they mutually a.s.sist and compleat each other, in forming such Scenes and Prospects as are most apt to delight the Mind of the Beholder, I shall in this Paper throw together some Reflections on that Particular Art, which has a more immediate Tendency, than any other, to produce those Primary Pleasures of the Imagination, which have hitherto been the Subject of this Discourse. The Art I mean is that of Architecture, which I shall consider only with regard to the Light in which the foregoing Speculations have placed it, without entring into those Rules and Maxims which the great Masters of Architecture have laid down, and explained at large in numberless Treatises upon that Subject.

Greatness, in the Works of Architecture, may be considered as relating to the Bulk and Body of the Structure, or to the Manner in which it is built. As for the first, we find the Ancients, especially among the Eastern Nations of the World, infinitely superior to the Moderns.