The Spectator Volume Ii Part 92

Virg.

I take it to be the highest Instance of a n.o.ble Mind, to bear great Qualities without discovering in a Man's Behaviour any Consciousness that he is superior to the rest of the World. Or, to say it otherwise, it is the Duty of a great Person so to demean himself, as that whatever Endowments he may have, he may appear to value himself upon no Qualities but such as any Man may arrive at: He ought to think no Man valuable but for his publick Spirit, Justice and Integrity; and all other Endowments to be esteemed only as they contribute to the exerting those Virtues.

Such a Man, if he is Wise or Valiant, knows it is of no Consideration to other Men that he is so, but as he employs those high Talents for their Use and Service. He who affects the Applauses and Addresses of a Mult.i.tude, or a.s.sumes to himself a Pre-eminence upon any other Consideration, must soon turn Admiration into Contempt. It is certain, that there can be no Merit in any Man who is not conscious of it; but the Sense that it is valuable only according to the Application of it, makes that Superiority amiable, which would otherwise be invidious. In this Light it is considered as a Thing in which every Man bears a Share: It annexes the Ideas of Dignity, Power, and Fame, in an agreeable and familiar manner, to him who is Possessor of it; and all Men who are Strangers to him are naturally incited to indulge a Curiosity in beholding the Person, Behaviour, Feature, and Shape of him, in whose Character, perhaps, each Man had formed something in common with himself. Whether such, or any other, are the Causes, all Men have [a yearning [1]] Curiosity to behold a Man of heroick Worth; and I have had many Letters from all Parts of this Kingdom, that request I would give them an exact Account of the Stature, the Mein, the Aspect of the Prince [2] who lately visited England, and has done such Wonders for the Liberty of Europe. It would puzzle the most Curious to form to himself the sort of Man my several Correspondents expect to hear of, by the Action mentioned when they desire a Description of him: There is always something that concerns themselves, and growing out of their own Circ.u.mstances, in all their Enquiries. A Friend of mine in Wales beseeches me to be very exact in my Account of that wonderful Man, who had marched an Army and all its Baggage over the Alps; and, if possible, to learn whether the Peasant who shew'd him the Way, and is drawn in the Map, be yet living. A Gentleman from the University, who is deeply intent on the Study of Humanity, desires me to be as particular, if I had Opportunity, in observing the whole Interview between his Highness and our late General. Thus do Mens Fancies work according to their several Educations and Circ.u.mstances; but all pay a Respect, mixed with Admiration, to this ill.u.s.trious Character. I have waited for his Arrival in Holland, before I would let my Correspondents know, that I have not been so uncurious a Spectator, as not to have seen Prince Eugene. It would be very difficult, as I said just now, to answer every Expectation of those who have writ to me on that Head; nor is it possible for me to find Words to let one know what an artful Glance there is in his Countenance who surprized Cremona; how daring he appears who forced the Trenches of Turin; But in general I can say, that he who beholds him, will easily expect from him any thing that is to be imagined or executed by the Wit or Force of Man. The Prince is of that Stature which makes a Man most easily become all Parts of Exercise, has Height to be graceful on Occasions of State and Ceremony, and no less adapted for Agility and Dispatch: his Aspect is erect and compos'd; his Eye lively and thoughtful, yet rather vigilant than sparkling; his Action and Address the most easy imaginable, and his Behaviour in an a.s.sembly peculiarly graceful in a certain Art of mixing insensibly with the rest, and becoming one of the Company, instead of receiving the Courtship of it.

The Shape of his Person, and Composure of his Limbs, are remarkably exact and beautiful. There is in his Look something sublime, which does not seem to arise from his Quality or Character, but the innate Disposition of his Mind. It is apparent that he suffers the Presence of much Company, instead of taking Delight in it; and he appeared in Publick while with us, rather to return Good-will, or satisfy Curiosity, than to gratify any Taste he himself had of being popular. As his Thoughts are never tumultuous in Danger, they are as little discomposed on Occasions of Pomp and Magnificence: A great Soul is affected in either Case, no further than in considering the properest Methods to extricate it self from them. If this Hero has the strong Incentives to uncommon Enterprizes that were remarkable in Alexander, he prosecutes and enjoys the Fame of them with the Justness, Propriety, and good Sense of Caesar. It is easy to observe in him a Mind as capable of being entertained with Contemplation as Enterprize; a Mind ready for great Exploits, but not impatient for Occasions to exert itself. The Prince has Wisdom and Valour in as high Perfection as Man can enjoy it; which n.o.ble Faculties in conjunction, banish all Vain-Glory, Ostentation, Ambition, and all other Vices which might intrude upon his Mind to make it unequal. These Habits and Qualities of Soul and Body render this Personage so extraordinary, that he appears to have nothing in him but what every Man should have in him, the Exertion of his very self, abstracted from the Circ.u.mstances in which Fortune has placed him. Thus were you to see Prince Eugene, and were told he was a private Gentleman, you would say he is a Man of Modesty and Merit: Should you be told That was Prince Eugene, he would be diminished no otherwise, than that part of your distant Admiration would turn into familiar Good-will. This I thought fit to entertain my Reader with, concerning an Hero who never was equalled but by one Man; [3] over whom also he has this Advantage, that he has had an Opportunity to manifest an Esteem for him in his Adversity.

T.

[Footnote 1: [an earning]]

[Footnote 2: Prince Eugene of Savoy, grandson of a duke of Savoy, and son of Eugene Maurice, general of the Swiss, and Olympia Mancini, a niece of Mazarin, was born at Paris in 1663, and intended for the church, but had so strong a bent towards a military life, that when refused a regiment in the French army he served the Emperor as volunteer against the Turks. He stopped the march of the French into Italy when Louis XIV. declared war with Austria, and refused afterwards from Louis a Marshals staff, a pension, and the Government of Champagne.

Afterwards in Italy, by the surprise of Cremona he made Marshal Villeroi his prisoner, and he was Marlborough's companion in arms at Blenheim and in other victories. It was he who saved Turin, and expelled the French from Italy. He was 49 years old in 1712, and had come in that year to England to induce the court to continue the war, but found Marlborough in disgrace and the war very unpopular. He had been feasted by the city, and received from Queen Anne a sword worth 5000, which he wore at her birthday reception. He had also stood as G.o.dfather to Steele's third son, who was named after him.]

[Footnote 3: Marlborough.]

No. 341. Tuesday, April 1, 1712. Budgell. [1]

--Revocate animos moestumque timorem Mitt.i.te--

Virg.

Having, to oblige my Correspondent Physibulus, printed his Letter last Friday, in relation to the new Epilogue, he cannot take it amiss, if I now publish another, which I have just received from a Gentleman who does not agree with him in his Sentiments upon that Matter.

SIR,

I am amazed to find an Epilogue attacked in your last Fridays Paper, which has been so generally applauded by the Town, and receiv'd such Honours as were never before given to any in an English Theatre.

The Audience would not permit Mrs. Oldfield to go off the Stage the first Night, till she had repeated it twice; the second Night the Noise of Ancoras was as loud as before, and she was again obliged to speak it twice: the third Night it was still called for a second time; and, in short, contrary to all other Epilogues, which are dropt after the third Representation of the Play, this has already been repeated nine times.

I must own I am the more surprized to find this Censure in Opposition to the whole Town, in a Paper which has. .h.i.therto been famous for the Candour of its Criticisms.

I can by no means allow your melancholy Correspondent, that the new Epilogue is unnatural because it is gay. If I had a mind to be learned, I could tell him that the Prologue and Epilogue were real Parts of the ancient Tragedy; but every one knows that on the British Stage they are distinct Performances by themselves, Pieces entirely detached from the Play, and no way essential to it.

The moment the Play ends, Mrs. Oldfield is no more Andromache, but Mrs. Oldfield; and tho the Poet had left Andromache stone-dead upon the Stage, as your ingenious Correspondent phrases it, Mrs. Oldfield might still have spoke a merry Epilogue. We have an Instance of this in a Tragedy [2] where there is not only a Death but a Martyrdom. St.

Catherine was there personated by Nell Gwin; she lies stone dead upon the Stage, but upon those Gentlemen's offering to remove her Body, whose Business it is to carry off the Slain in our English Tragedies, she breaks out into that abrupt Beginning of what was a very ludicrous, but at the same time thought a very good Epilogue.

Hold, are you mad? you d.a.m.n'd confounded Dog, I am to rise and speak the Epilogue.

This diverting Manner was always practised by Mr. Dryden, who if he was not the best Writer of Tragedies in his time, was allowed by every one to have the happiest Turn for a Prologue or an Epilogue. The Epilogues to Cleomenes, Don Sebastian, The Duke of Guise, Aurengzebe, and Love Triumphant, are all Precedents of this Nature.

I might further justify this Practice by that excellent Epilogue which was spoken a few Years since, after the Tragedy of Phaedra and Hippolitus; with a great many others, in which the Authors have endeavour'd to make the Audience merry. If they have not all succeeded so well as the Writer of this, they have however shewn that it was not for want of Good-will.

I must further observe, that the Gaiety of it may be still the more proper, as it is at the end of a French Play; since every one knows that Nation, who are generally esteem'd to have as polite a Taste as any in Europe, always close their Tragick Entertainments with what they call a Pet.i.te Piece, which is purposely design'd to raise Mirth, and send away the Audience well pleased. The same Person who has supported the chief Character in the Tragedy, very often plays the princ.i.p.al Part in the Pet.i.te Piece; so that I have my self seen at Paris, Orestes and Lubin acted the same Night by the same Man.

Tragi-Comedy, indeed, you have your self in a former Speculation found fault with very justly, because it breaks the Tide of the Pa.s.sions while they are yet flowing; but this is nothing at all to the present Case, where they have already had their full Course.

As the new Epilogue is written conformable to the Practice of our best Poets, so it is not such an one which, as the Duke of Buckingham says in his Rehearsal, might serve for any other Play; but wholly rises out of the Occurrences of the Piece it was composed for.

The only Reason your mournful Correspondent gives against this Facetious Epilogue, as he calls it, is, that he has mind to go home melancholy. I wish the Gentleman may not be more Grave than Wise. For my own part, I must confess I think it very sufficient to have the Anguish of a fict.i.tious Piece remain upon me while it is representing, but I love to be sent home to bed in a good humour. If Physibulus is however resolv'd to be inconsolable, and not to have his Tears dried up, he need only continue his old Custom, and when he has had his half Crowns worth of Sorrow, slink out before the Epilogue begins.

It is pleasant enough to hear this Tragical Genius complaining of the great Mischief Andromache had done him: What was that? Why, she made him laugh. The poor Gentleman's Sufferings put me in mind of Harlequins Case, who was tickled to Death. He tells us soon after, thro a small Mistake of Sorrow for Rage, that during the whole Action he was so very sorry, that he thinks he could have attack'd half a score of the fiercest Mohocks in the Excess of his Grief. I cannot but look upon it as an happy Accident, that a Man who is so b.l.o.o.d.y-minded in his Affliction, was diverted from this Fit of outragious Melancholy. The Valour of this Gentleman in his Distress, brings to ones memory the Knight of the sorrowful Countenance, who lays about him at such an unmerciful rate in an old Romance. I shall readily grant him that his Soul, as he himself says, would have made a very ridiculous Figure, had it quitted the Body, and descended to the Poetical Shades, in such an Encounter.

As to his Conceit of tacking a Tragic Head with a Comic Tail, in order to refresh the Audience, it is such a piece of Jargon, that I don't know what to make of it.

The elegant Writer makes a very sudden Transition from the Play-house to the Church, and from thence, to the Gallows.

As for what relates to the Church, he is of Opinion, that these Epilogues have given occasion to those merry Jiggs from the Organ-Loft which have dissipated those good Thoughts, and Dispositions he has found in himself, and the rest of the Pew, upon the singing of two Staves cull'd out by the judicious and diligent Clark.

He fetches his next Thought from Tyburn; and seems very apprehensive lest there should happen any Innovations in the Tragedies of his Friend Paul Lorrain.

In the mean time, Sir, this gloomy Writer, who is so mightily scandaliz'd at a gay Epilogue after a serious Play, speaking of the Fate of those unhappy Wretches who are condemned to suffer an ignominious Death by the Justice of our Laws, endeavours to make the Reader merry on so improper an occasion, by those poor Burlesque Expressions of Tragical Dramas, and Monthly Performances.

I am, Sir, with great Respect, Your most obedient, most humble Servant,

Philomeides.

X.

[Footnote 1: Budgell here defends with bad temper the Epilogue which Addison ascribed to him. Probably it was of his writing, but transformed by Addison's corrections.]

[Footnote 2: Dryden's Maximin.]