The Secret Glory Part 7

As we have no means of knowing exactly what or how much that letter told him, one is not in a position to say whether he recognised the singularity--one might almost say, the eccentricity--with which his punishment was stage-managed. _Nec deus intersit_ certainly; but a principle may be pushed too far, and a critic might point out that, putting avenging deities in their machines on one side, it was rather going to the other extreme to bring about the Great Catastrophe by means of bad sherry, a trying Headmaster, boiled mutton, a troublesome schoolboy and a servant-maid. Yet these were the agents employed; and it seems that we are forced to the conclusion that we do not altogether understand the management of the universe. The conclusion is a dangerous one, since we may be led by it, unless great care is exercised, into the worst errors of the Dark Ages.

There is the question, of course, of the truthfulness or falsity of the various slanders which had such a tremendous effect. The worst of them were lies--there can be little doubt of that--and for the rest, it may be hinted that the allusion of the young master to Xanthias Phoceus was not very far wide of the mark. Mrs. Horbury had been dead some years, and it is to be feared that there had been pa.s.sages between the High Usher and Nelly Foran which public opinion would have condemned. It would be difficult to tell the whole story, but the girl's fury of revenge makes one apt to believe that she was exacting payment not only for Ambrose's wrongs, but for some grievous injury done to herself.

But before all these things could be brought to their ending, Ambrose Meyrick had to live in wonders and delights, to be initiated in many mysteries, to discover the meaning of that voice which seemed to speak within him, denouncing him because he had pried unworthily into the Secret which is hidden from the Holy Angels.

III

I

One of Ambrose Meyrick's favourite books was a railway timetable. He spent many hours in studying these intricate pages of figures, noting times of arrival and departure on a piece of paper, and following the turnings and intersections of certain lines on the map. In this way he had at last arrived at the best and quickest route to his native country, which he had not seen for five years. His father had died when he was ten years old.

This result once obtained, the seven-thirty to Birmingham got him in at nine-thirty-five; the ten-twenty for the west was a capital train, and he would see the great dome of Mynydd Mawr before one o'clock. His fancy led him often to a bridge which crossed the railway about a mile out of Lupton. East and west the metals stretched in a straight line, defying, it seemed, the wisdom of Euclid. He turned from the east and gazed westward, and when a red train went by in the right direction he would lean over the bridge and watch till the last flying carriage had vanished into the distance. He imagined himself in that train and thought of the joy of it, if the time ever came--for it seemed long--the joy in every revolution of the wheels, in every whistle of the engine; in the rush and in the rhythm of this swift flight from that horrible school and that horrible place.

Year after year went by and he had not revisited the old land of his father. He was left alone in the great empty house in charge of the servants during the holidays--except one summer when Mr. Horbury despatched him to a cousin of his who lived at Yarmouth.

The second year after his father's death there was a summer of dreadful heat. Day after day the sky was a glare of fire, and in these abhorred Midlands, far from the breath of the sea and the mountain breeze, the ground baked and cracked and stank to heaven. A dun smoke rose from the earth with the faint, sickening stench of a brick-field, and the hedgerows swooned in the heat and in the dust. Ambrose's body and soul were athirst with the desire of the hills and the woods; his heart cried out within him for the waterpools in the shadow of the forest; and in his ears continually he heard the cold water pouring and trickling and dripping from the grey rocks on the great mountain side. And he saw that awful land which G.o.d has no doubt made for manufacturers to prepare them for their eternal habitation, its weary waves burning under the glaring sky: the factory chimneys of Lupton vomiting their foul smoke; the mean red streets, each little h.e.l.lway with its own stink; the dull road, choking in its dust. For streams there was the Wand, running like black oil between black banks, steaming here as boiling poisons were belched into it from the factory wall; there glittering with iridescent sc.u.m vomited from some other scoundrel's castle. And for the waterpools of the woods he was free to gaze at the dark green liquor in the tanks of the Sulphuric Acid factory, but a little way out of town. Lupton was a very rising place.

His body was faint with the burning heat and the foulness of all about him, and his soul was sick with loneliness and friendlessness and unutterable longing. He had already mastered his Bradshaw and had found out the bridge over the railway; and day after day he leaned over the parapet and watched the burning metals vanishing into the west, into the hot, thick haze that hung over all the land. And the trains sped away towards the haven of his desire, and he wondered if he should ever see again the dearly loved country or hear the song of the nightingale in the still white morning, in the circle of the green hills. The thought of his father, of the old days of happiness, of the grey home in the still valley, swelled in his heart and he wept bitterly, so utterly forsaken and wretched seemed his life.

It happened towards the end of that dreadful August that one night he had tossed all through the hours listening to the chiming bells, only falling into a fevered doze a little while before they called him. He woke from ugly and oppressive dreams to utter wretchedness; he crawled downstairs like an old man and left his breakfast untouched, for he could eat nothing. The flame of the sun seemed to burn in his brain; the hot smoke of the air choked him. All his limbs ached. From head to foot he was a body of suffering. He struggled out and tottered along the road to the bridge and gazed with dim, hopeless eyes along the path of desire, into the heavy, burning mist in the far distance. And then his heart beat quick, and he cried aloud in his amazed delight; for, in the shimmering glamour of the haze, he saw as in a mirror the vast green wall of the Great Mountain rise before him--not far, but as if close at hand. Nay, he stood upon its slope; his feet were in the sweet-smelling bracken; the hazel thicket was rustling beneath him in the brave wind, and the shining water poured cold from the stony rock. He heard the silver note of the lark, shrilling high and glad in the sunlight. He saw the yellow blossoms tossed by the breeze about the porch of the white house. He seemed to turn in this vision and before him the dear, long-remembered land appeared in its great peace and beauty: meadows and cornfield, hill and valley and deep wood between the mountains and the far sea. He drew a long breath of that quickening and glorious air, and knew that life had returned to him. And then he was gazing once more down the glittering railway into the mist; but strength and hope had replaced that deadly sickness of a moment before, and light and joy came back to his eyes.

The vision had doubtless been given to him in his sore and pressing need. It returned no more; not again did he see the fair height of Mynydd Mawr rise out of the mist. But from that day the station on the bridge was daily consecrated. It was his place of refreshment and hope in many seasons of evil and weariness. From this place he could look forward to the hour of release and return that must come at last. Here he could remind himself that the bonds of the flesh had been broken in a wonderful manner; that he had been set free from the jaws of h.e.l.l and death.

Fortunately, few people came that way. It was but a by-road serving a few farms in the neighbourhood, and on the Sunday afternoon, in November, the Head's sermon over and dinner eaten, he betook himself to his tower, free to be alone for a couple of hours, at least.

He stood there, leaning on the wall, his face turned, as ever, to the west, and, as it were, a great flood of rapture overwhelmed him. He sank down, deeper, still deeper, into the hidden and marvellous places of delight. In his country there were stories of the magic people who rose all gleaming from the pools in lonely woods; who gave more than mortal bliss to those who loved them; who could tell the secrets of that land where flame was the most material substance; whose inhabitants dwelt in palpitating and quivering colours or in the notes of a wonderful melody.

And in the dark of the night all legends had been fulfilled.

It was a strange thing, but Ambrose Meyrick, though he was a public schoolboy of fifteen, had lived all his days in a rapt innocence. It is possible that in school, as elsewhere, enlightenment, pleasant or unpleasant, only comes to those who seek for it--or one may say certainly that there are those who dwell under the protection of enchantments, who may go down into the black depths and yet appear resurgent and shining, without any stain or defilement of the pitch on their white robes. For these have ears so intent on certain immortal songs that they cannot hear discordant voices; their eyes are veiled with a light that shuts out the vision of evil. There are flames about these feet that extinguish the gross fires of the pit.

It is probable that all through those early years Ambrose's father had been charming his son's heart, drawing him forth from the gehenna-valley of this life into which he had fallen, as one draws forth a beast that has fallen into some deep and dreadful place. Various are the methods recommended. There is the way of what is called moral teaching, the way of physiology and the way of a masterly silence; but Mr. Meyrick's was the strange way of incantation. He had, in a certain manner, drawn the boy aside from that evil traffic of the valley, from the stench of the turmoil, from the blows and the black lechery, from the ugly fight in the poisonous smoke, from all the amazing and hideous folly that practical men call life, and had set him in that endless procession that for ever and for ever sings its litanies in the mountains, going from height to height on its great quest. Ambrose's soul had been caught in the sweet thickets of the woods; it had been bathed in the pure water of blessed fountains; it had knelt before the altars of the old saints, till all the earth was become a sanctuary, all life was a rite and ceremony, the end of which was the attainment of the mystic sanct.i.ty--the achieving of the Graal. For this--for what else?--were all things made. It was this that the little bird sang of in the bush, piping a few feeble, plaintive notes of dusky evenings, as if his tiny heart were sad that it could utter nothing better than such sorry praises. This also celebrated the awe of the white morning on the hills, the breath of the woods at dawn. This was figured in the red ceremony of sunset, when flames shone over the dome of the great mountain, and roses blossomed in the far plains of the sky. This was the secret of the dark places in the heart of the woods. This the mystery of the sunlight on the height; and every little flower, every delicate fern, and every reed and rush was entrusted with the hidden declaration of this sacrament.

For this end, final and perfect rites had been given to men to execute; and these were all the arts, all the far-lifted splendour of the great cathedral; all rich carven work and all glowing colours; all magical utterance of word and tones: all these things were the witnesses that consented in the One Offering, in the high service of the Graal.

To this service also, together with songs and burning torches and dyed garments and the smoke of the bruised incense, were brought the incense of the bruised heart, the magic torches of virtue hidden from the world, the red dalmatics of those whose souls had been martyred, the songs of triumph and exultation chanted by them that the profane had crushed into the dust; holy wells and water-stoups were fountains of tears. So must the Ma.s.s be duly celebrated in Cor-arbennic when Cadwaladr returned, when Teilo Agyos lifted up again the Shining Cup.

Perhaps it was not strange that a boy who had listened to such spells as these should heed nothing of the foolish evils about him, the nastiness of silly children who, for want of wits, were "crushing the lilies into the dunghill." He listened to nothing of their ugly folly; he heard it not, understood it not, thought as little of it as of their everlasting chatter about "brooks" and "quarries" and "leg-hits" and "beaks from the off." And when an unseemly phrase did chance to fall on his ear it was of no more import or meaning than any or all of the stupid jargon that went on day after day, mixing itself with the other jargon about the optative and the past participle, the oratio obliqua and the verbs in [Greek: mi]. To him this was all one nothingness, and he would not have dreamed of connecting anything of it with the facts of life, as he understood life.

Hence it was that for him all that was beautiful and wonderful was a part of sanct.i.ty; all the glory of life was for the service of the sanctuary, and when one saw a lovely flower it was to be strewn before the altar, just as the bee was holy because by its wax the Gifts are illuminated. Where joy and delight and beauty were, there he knew by sure signs were the parts of the mystery, the glorious apparels of the heavenly vestments. If anyone had told him that the song of the nightingale was an unclean thing he would have stared in amazement, as though one had blasphemed the Sanctus. To him the red roses were as holy as the garments of the martyrs. The white lilies were pure and shining virtues; the imagery of the _Song of Songs_ was obvious and perfect and una.s.sailable, for in this world there was nothing common nor unclean.

And even to him the great gift had been freely given.

So he stood, wrapt in his meditations and in his ecstasy, by the bridge over the Midland line from Lupton to Birmingham. Behind him were the abominations of Lupton: the chimneys vomiting black smoke faintly in honour of the Sabbath; the red lines of the workmen's streets advancing into the ugly fields; the fuming pottery kilns, the hideous height of the boot factory. And before him stretched the unspeakable scenery of the eastern Midlands, which seems made for the habitation of English Nonconformists--dull, monotonous, squalid, the very hedgerows cropped and trimmed, the trees looking like rows of Roundheads, the farmhouses as uninteresting as suburban villas. On a field near at hand a scientific farmer had recently applied an agreeable mixture consisting of superphosphate of lime, nitrate of soda and bone meal. The stink was that of a chemical works or a Texel cheese. Another field was just being converted into an orchard. There were rows of grim young apple trees planted at strictly mathematical intervals from one another, and grisly little graves had been dug between the apple trees for the reception of gooseberry bushes. Between these rows the farmer hoped to grow potatoes, so the ground had been thoroughly trenched. It looked sodden and unpleasant. To the right Ambrose could see how the operations on a wandering brook were progressing. It had moved in and out in the most wasteful and absurd manner, and on each bank there had grown a twisted brake of trees and bushes and rank water plants. There were wonderful red roses there in summer time. Now all this was being rectified. In the first place the stream had been cut into a straight channel with raw, bare banks, and then the rose bushes, the alders, the willows and the rest were being grubbed up by the roots and so much valuable land was being redeemed. The old barn which used to be visible on the left of the line had been pulled down for more than a year. It had dated perhaps from the seventeenth century. Its roof-tree had dipped and waved in a pleasant fashion, and the red tiles had the glow of the sun in their colours, and the half-timbered walls were not lacking in ruinous brace.

It was a dilapidated old shed, and a neat-looking structure with a corrugated iron roof now stood in its place.

Beyond all was the grey prison wall of the horizon; but Ambrose no longer gazed at it with the dim, hopeless eyes of old. He had a Breviary among his books, and he thought of the words: _Anima mea erepta est sicut pa.s.ser de laqueo venantium_, and he knew that in a good season his body would escape also. The exile would end at last.

He remembered an old tale which his father was fond of telling him--the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Teg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor.

If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command--go, count the drops of water that are in the Uske River.

But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Ma.s.s; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do?

Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peac.o.c.k would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.

Ambrose had heard the song from the faery regions. He had heard it in swift whispers at his ear, in sighs upon his breast, in the breath of kisses on his lips. Never was he numbered amongst the despisers of Eos.

II

Mr. Horbury had suffered from one or two slight twinges of conscience for a few days after he had operated on his nephew. They were but very slight pangs, for, after all, it was a case of flagrant and repeated disobedience to rules, complicated by lying. The High Usher was quite sincere in scouting the notion of a boy's taking any interest in Norman architecture, and, as he said to himself, truly enough, if every boy at Lupton could come and go when and how he pleased, and choose which rules he would keep and which disobey--why, the school would soon be in a pretty state. Still, there was a very faint and indistinct murmur in his mind which suggested that Meyrick had received, in addition to his own proper thrashing, the thrashings due to the Head, his cook and his wine merchant. And Horbury was rather sorry, for he desired to be just according to his definition of justice--unless, indeed justice should be excessively inconvenient.

But these faint scruples were soon removed--turned, indeed, to satisfaction by the evident improvement which declared itself in Ambrose Meyrick's whole tone and demeanour. He no longer did his best to avoid rocker. He played, and played well and with relish. The boy was evidently all right at heart: he had only wanted a sharp lesson, and it was clear that, once a loafer, he was now on his way to be a credit to the school. And by some of those secret channels which are known to masters and to masters alone, rather more than a glimmering of the truth as to Rawson's black eyes and Pelly's disfigured nose was vouchsafed to Horbury's vision, and he was by no means displeased with his nephew. The two boys had evidently asked for punishment, and had got it. It served them right. Of course, if the swearing had been brought to his notice by official instead of by subterranean and mystic ways, he would have had to cane Meyrick a second time, since, by the Public School convention, an oath is a very serious offence--as bad as smoking, or worse; but, being far from a fool, under the circ.u.mstances he made nothing of it.

Then the lad's school work was so very satisfactory. It had always been good, but it had become wonderfully good. That last Greek prose had shown real grip of the language. The High Usher was pleased. His sharp lesson had brought forth excellent results, and he foresaw the day when he would be proud of having taught a remarkably fine scholar.

With the boys Ambrose was becoming a general favourite. He learned not only to play rocker, he showed Pelly how he thought that blow under the ear should be dealt with. They all said he was a good fellow; but they could not make out why, without apparent reason, he would sometimes burst out into loud laughter. But he said it was something wrong with his inside--the doctors couldn't make it out--and this seemed rather interesting.

In after life he often looked back upon this period when, to all appearance, Lupton was "making a man" of him, and wondered at its strangeness. To boys and masters alike he was an absolutely normal schoolboy, busy with the same interests as the rest of them. There was certainly something rather queer in his appearance; but, as they said, generously enough, a fellow couldn't help his looks; and, that curious glint in the eyes apart, he seemed as good a Luptonian as any in the whole six hundred. Everybody thought that he had absolutely fallen into line; that he was absorbing the _ethos_ of the place in the most admirable fashion, subduing his own individuality, his opinions, his habits, to the general tone of the community around him--putting off, as it were, the profane dust of his own spirit and putting on the mental frock of the brotherhood. This, of course, is one of the aims--rather, _the_ great aim--of the system: this fashioning of very diverse characters into one common form, so that each great Public School has its type, which is easily recognisable in the grown-up man years after his school days are over. Thus, in far lands, in India and Egypt, in Canada and New Zealand, one recognises the brisk alertness of the Etonian, the exquisite politeness of Harrow, the profound seriousness of Rugby; while the note of Lupton may, perhaps, be called finality. The Old Luptonian no more thinks of arguing a question than does the Holy Father, and his conversation is a series of irreformable dogmas, and the captious person who questions any one article is made to feel himself a cad and an outsider.

Thus it has been related that two men who had met for the first time at a certain country house-party were getting on together capitally in the evening over their whisky and soda and cigars. Each held identical views of equal violence on some important topic--Home Rule or the Transvaal or Free Trade--and, as the more masterful of the two a.s.serted that hanging was too good for Blank (naming a well-known statesman), the other would reply: "I quite agree with you: hanging is too good for Blank."

"He ought to be burned alive," said the one.

"That's about it: he ought to be burned at the stake," answered the other.

"Look at the way he treated Dash! He's a coward and a d.a.m.ned scoundrel!"

"Perfectly right. He's a d.a.m.ned cursed scoundrel!"

This was splendid, and each thought the other a charming companion.

Unfortunately, however, the conversation, by some caprice, veered from the iniquities of Blank and glanced aside to cookery--possibly by the track of Irish stew, used metaphorically to express the disastrous and iniquitous policy of the great statesman with regard to Ireland. But, as it happened, there was not the same coincidence on the question of cookery as there had been on the question of Blank. The masterful man said:

"No cookery like English. No other race in the world can cook as we do.

Look at French cookery--a lot of filthy, greasy messes."

Now, instead of a.s.senting briskly and firmly as before the other man said: "Been much in France? Lived there?"

"Never set foot in the beastly country! Don't like their ways, and don't care to dine off snails and frogs swimming in oil."

The other man began then to talk of the simple but excellent meals he had relished in France--the savoury _croute-au-pot_, the _bouilli_--good eating when flavoured by a gherkin or two; velvety _epinards au jus_, a roast partridge, a salad, a bit of Roquefort and a bunch of grapes. But he had barely mentioned the soup when the masterful one wheeled round his chair and offered a fine view of his strong, well-knit figure--as seen from the back. He did not say anything--he simply took up the paper and went on smoking. The other men stared in amazement: the amateur of French cookery looked annoyed. But the host--a keen-eyed old fellow with a white moustache, turned to the enemy of frogs and snails and grease and said quite simply: "I say, Mulock, I never knew you'd been at Lupton."

Mulock gazed. The other men held their breath for a moment as the full force of the situation dawned on them, and then a wild scream of laughter shrilled from their throats. Yells and roars of mirth resounded in the room. Their delight was insatiable. It died for a moment for lack of breath, and then burst out anew in still louder, more uproarious clamour, till old Sir Henry Rawnsley, who was fat and short, could do nothing but choke and gasp and crow out a sound something between a wheeze and a chuckle. Mulock left the room immediately, and the house the next morning. He made some excuse to his host, but he told enquiring friends that, personally, he disliked bounders.

The story, true or false, ill.u.s.trates the common view of the Lupton stamp.

"We try to teach the boys to know their own minds," said the Headmaster, and the endeavour seems to have succeeded in most cases. And, as Horbury noted in an article he once wrote on the Public School system, every boy was expected to submit himself to the process, to form and reform himself in accordance with the tone of the school.

"I sometimes compare our work with that of the metal founder," he says in the article in question. "Just as the metal comes to the foundry _rudis indigestaque moles_, a rough and formless ma.s.s, without the slightest suggestion of the shape which it must finally a.s.sume, so a boy comes to a great Public School with little or nothing about him to suggest the young man who, in eight or nine years' time, will say good-bye to the dear old school, setting his teeth tight, restraining himself from giving up to the anguish of this last farewell. Nay, I think that ours is the harder task, for the metal that is sent to the foundry has, I presume, been freed of its impurities; we have to deal rather with the ore--a ma.s.s which is not only shapeless, but contains much that is not metal at all, which must be burnt out and cast aside as useless rubbish. So the boy comes from his home, which may or may not have possessed valuable formative influences; which we often find has tended to create a spirit of individualism and a.s.sertiveness; which, in numerous cases, has left the boy under the delusion that he has come into the world to live his own life and think his own thoughts. This is the ore that we cast into our furnace. We burn out the dross and rubbish; we liquefy the stubborn and resisting metal till it can be run into the mould--the mould being the whole tone and feeling of a great community. We discourage all excessive individuality; we make it quite plain to the boy that he has come to Lupton, not to live his life, not to think his thoughts, but to live _our_ life, to think _our_ thoughts.

Very often, as I think I need scarcely say, the process is a somewhat unpleasant one, but, sooner or later, the stubbornest metal yields to the cleansing, renewing, restoring fires of discipline and public opinion, and the shapeless ma.s.s takes on the shape of the Great School.