The Sand-Hills of Jutland Part 21

"Afterwards, when Emil and I were married, we often spoke of the journey to Copenhagen, and of undertaking it once more. But then came first your mother, then she had brothers and sisters, and there was a great deal to do; so the journey was put off. And when your grandfather got preferment, and was made dean, all was thankfulness and joy; but we never got to Copenhagen. No, never have I set foot in it again, as often as we thought of it and projected going. Now I am too old, and I could not stand travelling by a railroad; but I am very glad that there are railroads--they are a blessing to many. You can come more speedily to me; and Odense is now not farther from Copenhagen than in my young days it was from Nyborg. You could now go in almost the same s.p.a.ce of time to Italy as it took us to travel to Copenhagen. Yes, that is something!

"Nevertheless, I shall stay in one place, and let others travel and come to me if they please. But you should not laugh at me for keeping so quiet; I have a greater journey before me than any by the railroad.

When it shall please our Lord, I have to travel up to your grandfather; and when you have finished your appointed time on earth, and enjoyed the blessings bestowed here by the Almighty, then I trust that you will ascend to us; and if we then revert to our earthly days, believe me, children, I shall say then as now, 'From Copenhagen to Korsor is indeed A ROW OF PEARLS.'"

_The Pen and the Inkstand._

The following remark was made in a poet's room, as the speaker looked at the inkstand that stood upon his table:--

"It is astonishing all that can come out of that inkstand! What will it produce next? Yes, it is wonderful!"

"So it is!" exclaimed the inkstand. "It is incomprehensible! That is what I always say." It was thus the inkstand addressed itself to the pen, and to everything else that could hear it on the table. "It is really astonishing all that can come from me! It is almost incredible!

I positively do not know myself what the next production may be, when a person begins to dip into me. One drop of me serves for half a side of paper; and what may not then appear upon it? I am certainly something extraordinary. From me proceed all the works of the poets.

These animated beings, whom people think they recognise--these deep feelings, that gay humour, these charming descriptions of nature--I do not understand them myself, for I know nothing about nature; but still it is all in me. From me have gone forth, and still go forth, these warrior hosts, these lovely maidens, these bold knights on snorting steeds, those droll characters in humbler life. The fact is, however, that I do not know anything about them myself. I a.s.sure you they are not my ideas."

"You are right there," replied the pen. "You have few ideas, and do not trouble yourself much with thinking. If you _did_ exert yourself to think, you would perceive that you ought to give something that was not dry. You supply me with the means of committing to paper what I have in me; I write with that. It is the pen that writes. Mankind do not doubt that; and most men have about as much genius for poetry as an old inkstand."

"You have but little experience," said the inkstand. "You have scarcely been a week in use, and you are already half worn out. Do you fancy that you are a poet? You are only a servant; and I have had many of your kind before you came--many of the goose family, and of English manufacture. I know both quill pens and steel pens. I have had a great many in my service, and I shall have many more still, when he, the man who stirs me up, comes and puts down what he takes from me. I should like very much to know what will be the next thing he will take from me."

Late in the evening the poet returned home. He had been at a concert, had heard a celebrated violin player, and was quite enchanted with his wonderful performance. It had been a complete gush of melody that he had drawn from the instrument. Sometimes it seemed like the gentle murmur of a rippling stream, sometimes like the singing of birds, sometimes like the tempest sweeping through the mighty pine forests.

He fancied he heard his own heart weep, but in the sweet tones that can be heard in a woman's charming voice. It seemed as if not only the strings of the violin made music, but its bridge, its pegs, and its sounding-board. It was astonishing! The piece had been a most difficult one; but it seemed like play--as if the bow were but wandering capriciously over the strings. Such was the appearance of facility, that every one might have supposed he could do it. The violin seemed to sound of itself, the bow to play of itself. These two seemed to do it all. One forgot the master who guided them, who gave them life and soul. Yes, they forgot the master; but the poet thought of him. He named him, and wrote down his thoughts as follows:

"How foolish it would be of the violin and the bow, were they to be vain of their performance! And yet this is what so often we of the human species are. Poets, artists, those who make discoveries in science, military and naval commanders--we are all proud of ourselves; and yet we are all only the instruments in our Lord's hands. To Him alone be the glory! We have nothing to arrogate to ourselves."

This was what the poet wrote; and he headed it with, "The Master and the Instruments." When the inkstand and the pen were again alone, the latter said,--

"Well, madam, you heard him read aloud what I had written."

"Yes, what I gave you to write," said the inkstand. "It was a hit at you for your conceit. Strange that you cannot see that people make a fool of you! I gave you that hit pretty cleverly. I confess, though, it was rather malicious."

"Ink-holder!" cried the pen.

"Writing-stick!" cried the inkstand.

They both felt a.s.sured that they had answered well; and it is a pleasant reflection that one has made a smart reply--one sleeps comfortably after it. And they both went to sleep; but the poet could not sleep. His thoughts welled forth like the tones from the violin, murmuring like a pearly rivulet, rushing like a storm through the forest. He recognised the feelings of his own heart--he perceived the gleam from the everlasting Master.

To Him alone be the glory!

_The Child in the Grave._

There was sorrow in the house, there was sorrow in the heart; for the youngest child, a little boy of four years of age, the only son, his parents' present joy and future hope, was dead. Two daughters they had, indeed, older than their boy--the eldest was almost old enough to be confirmed--amiable, sweet girls they both were; but the lost child is always the dearest, and he was the youngest, and a son. It was a heavy trial. The sisters sorrowed as young hearts sorrow, and were much afflicted by their parents' grief; the father was weighed down by the affliction; but the mother was quite overwhelmed by the terrible blow. By night and by day had she devoted herself to her sick child, watched by him, lifted him, carried him about, done everything for him herself. She had felt as if he were a part of herself: she could not bring herself to believe that he was dead--that he should be laid in a coffin, and concealed in the grave. G.o.d would not take that child from her--O no! And when he was taken, and she could no longer refuse to believe the truth, she exclaimed in her wild grief,--

"G.o.d has not ordained this! He has heartless agents here on earth.

They do what they list--they hearken not to a mother's prayers!"

She dared in her woe to arraign the Most High; and then came dark thoughts, the thoughts of death--everlasting death--that human beings returned as earth to earth, and then all was over. Amidst thoughts morbid and impious as these were there could be nothing to console her, and she sank into the darkest depth of despair.

In these hours of deepest distress she could not weep. She thought not of the young daughters who were left to her; her husband's tears fell on her brow, but she did not look up at him; her thoughts were with her dead child; her whole heart and soul were wrapped up in recalling every reminiscence of the lost one--every syllable of his infantine prattle.

The day of the funeral came. She had not slept the night before, but towards morning she was overcome by fatigue, and sank for a short time into repose. During that time the coffin was removed into another apartment, and the cover was screwed down with as little noise as possible.

When she awoke she rose, and wished to see her child; then her husband, with tears in his eyes, told her, "We have closed the coffin--it had to be done!"

"When the Almighty is so hard on me," she exclaimed, "why should human beings be kinder?" and she burst into tears.

The coffin was carried to the grave. The inconsolable mother sat with her young daughters; she looked at them, but she did not see them; her thoughts had nothing more to do with home; she gave herself up to wretchedness, and it tossed her about as the sea tosses the ship which has lost its helmsman and its rudder. Thus pa.s.sed the day of the funeral, and several days followed amidst the same uniform, heavy grief. With tearful eyes and melancholy looks her afflicted family gazed at her. She did not care for what comforted them. What could they say to change the current of her mournful thoughts?

It seemed as if sleep had fled from her for ever; it alone would be her best friend, strengthen her frame, and recall peace to her mind.

Her family persuaded her to keep her bed, and she lay there as still as if buried in sleep. One night her husband had listened to her breathing, and believing from it that she had at length found repose and relief, he clasped his hands, prayed for her and for them all, then sank himself into peaceful slumber. While sleeping soundly he did not perceive that she rose, dressed herself, and softly left the room and the house, to go--whither her thoughts wandered by day and by night--to the grave that hid her child. She pa.s.sed quietly through the garden, out to the fields, beyond which the road led outside of the town to the churchyard. No one saw her, and she saw no one.

It was a fine night; the stars were shining brightly, and the air was mild, although it was the 1st of September. She entered the churchyard, and went to the little grave; it looked like one great bouquet of sweet-scented flowers. She threw herself down, and bowed her head over the grave, as if she could through the solid earth behold her little boy, whose smile she remembered so vividly. The affectionate expression of his eyes, even upon his sick bed, was never, never to be forgotten. How speaking had not his glance been when she had bent over him, and taken the little hand he was himself too weak to raise! As she had sat by his couch, so now she sat by his grave; but here her tears might flow freely over the sod that covered him.

"Wouldst thou descend to thy child?" said a voice close by. It sounded so clear, so deep--its tones went to her heart. She looked up, and near her stood a man wrapped in a large mourning cloak, with a hood drawn over the head; but she could see the countenance under this. It was severe, and yet encouraging, his eyes were bright as those of youth.

"Descend to my child!" she repeated; and there was the agony of despair in her voice.

"Darest thou follow me?" asked the figure. "I am Death!"

She bowed her a.s.sent. Then it seemed all at once as if every star in the heavens above shone with the light of the moon. She saw the many-coloured flowers on the surface of the grave move like a fluttering garment. She sank, and the figure threw his dark cloak round her. It became night--the night of death. She sank deeper than the s.e.xton's spade could reach. The churchyard lay like a roof above her head.

The cloak that had enveloped her glided to one side. She stood in an immense hall, whose extremities were lost in the distance. It was dusk around her; but before her stood, and in one moment was clasped to her heart, her child, who smiled on her in beauty far surpa.s.sing what he had possessed before. She uttered a cry, though it was scarcely audible, for close by, and then far away, and afterwards near again, came delightful music. Never before had such glorious, such blessed sounds reached her ear. They rang from the other side of the thick curtain--black as night--that separated the hall from the boundless s.p.a.ce of eternity.

"My sweet mother! my own mother!" she heard her child exclaim. It was his well-known, most beloved voice. And kiss followed kiss in rapturous joy. At length the child pointed to the sable curtain.

"There is nothing so charming up yonder on earth, mother. Look, mother!--look at them all! That is felicity!"

The mother saw nothing--nothing in the direction to which the child pointed, except darkness like that of night. _She_ saw with earthly eyes. She did not see as did the child whom G.o.d had called to himself.

She heard, indeed, sounds--music; but she did not understand the words that were conveyed in these exquisite tones.

"I can fly now, mother," said the child. "I can fly with all the other happy children, away, even into the presence of G.o.d. I wish so much to go; but if you cry on as you are crying now I cannot leave you, and yet I should be so glad to go. May I not? You will come back soon, will you not, dear mother?"

"Oh, stay! Oh, stay!" she cried, "only one moment more. Let me gaze on you one moment longer; let me kiss you, and hold you a moment longer in my arms."

And she kissed him, and held him fast. Then her name was called from above--the tones were those of piercing grief. What could they be?

"Hark!" said the child; "it is my father calling on you."

And again, in a few seconds, deep sobs were heard, as of children weeping.

"These are my sisters' voices," said the child. "Mother, you have surely not forgotten them?"