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The Romance of the Coast Part 8

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The queer smile with which the speaker delivered his paradox made me curious, and I determined to draw him further into conversation.

I continued, "May I ask what book you are using just now to batten down your own thoughts?"

He showed me the "Purgatory," and I saw that he was reading the Italian.

Here was a discovery! In the village I had been regarded as a remarkable being because I could read the Bible at six years old. The only persons who were reputed to possess learning of any sort were the Squire, the Rector, two local preachers, and myself. And now, suddenly, there had descended among us a scholar who positively read Dante for pleasure!

I continued the talk. "You will not think me rude if I ask why you should choose that book."

"I am afraid I must be more confidential than is seemly if I answer your question. Promise not to think me a babbler, and I will tell you. Dante is the poet for failures. I happen to be a failure, and as my life is broken I go to him for consolation."

This was a new vision of life to me, for generally our village talk was of crops, and the Squire's latest eccentricities.

When we had gossiped for a while about poetry and books in general, and when I had found that my acquaintance was far my superior in every possible respect, I prepared to move. He stopped me by saying "May I ask you, in turn, what book you are carrying?"

"I read Keats. He is my Sunday luxury. I do not read him on the week-days for fear I should get him by heart, and every Sunday I start as though I were dipping into a new book."

"Ah! then you still care for beauty. I used to feel positive physical luxury years agone while I read Keats, but now it seems as if the thought of beauty came between me and the grave. I am, like all the failures, a student of deformity. Strong men love beauty, futile men care only for ugliness. I am one of the futile sort, and so I care most for terror and darkness. Come inside, and perhaps I shall not talk quite so madly then."

The mastiff civilly let us pa.s.s, and I went into the low room of the cottage. One side was entirely taken up with books, and amongst the books were five editions of Dante. The fire blazed on the clean hearth, and everything looked neat and well-kept. A narrow trestle bed stood in the corner, and a table and chair completed the furniture of the room.

I said, "You will find it horrible here when the winter comes on. The wind comes down from Chibburn Hollow, and when I was a boy I used to like to sit on the leeward side of the hills only to hear it scream."

"The wind will serve me for company."

I began to doubt my companion's sanity a little, and I said, "I am afraid talking has disturbed you. I must say good-bye."

I did not read that day, and the strange face with its bitter mouth and keen eyes was in my memory for a week after. I set myself to inquire how this man, who could talk with such evident intelligence, came to have chosen the moor for an abiding-place, and it happened that by chance I learned his whole history.

I was walking across the moor with my friend the district local preacher, when a sudden whim prompted me to ask him to meet the strange creature whom I had seen. We went to the cottage, and were received by the deep baying of the dog. The stooping figure came out into the sunlight, and my friend the preacher said, "Bless my soul! Henry Desborough! What in the name of mercy has brought you here?"

Not a sign of emotion crossed the face of the Failure.

He said, "You ought to know, Musgrave. I was always a creature of whims."

"That is exactly what I do not know," said Musgrave.

"You are thinking of the times before I was twenty-five. Several centuries have pa.s.sed over me since then."

Musgrave seemed unable to carry on the talk. He only said, "I take it very unkindly that you did not let me know you were here. I will come back and see you alone the next time. You have given me a sad heart for this day."

I knew now that there was a history in the case, and I learned it all from the man most concerned.

A long time ago a concert had been given in a small town somewhere down the coast. An imposing musician had been brought from London especially to train the choir, and the rustic mind was awed by preparations. On the night of the concert Desborough, who was the son of a man of independent means, strolled in and took a seat on one of the front benches. Chairs had been pressed into the service from all over the town, and the platform, with its decorations, was a fine imaginative effort. The Squire was there, and Sir John, the county member, brought his wife and her diamonds. After the imposing musician had conducted one or two glees, there was a little rustle of preparation, and a girl stepped forth to sing. To the tradesmen of the town she was simply Polly Blanchflower, but to the thinking of one young man, who sat within a few yards of her, she ought to have been throned among stars. He had mixed little in company, and from the first time that the girl's eyes fell upon him he was a changed man.

She sang the "Flowers of the Forest." Where she had learnt her art I do not know, and the imposing musician from London could not guess. As she sang, Desborough fancied he could hear the cry of bereaved women. When the last verse came, the singer seemed to harden her voice to a martial tone, and the young man felt as though he must rise to his feet. As the last sound died, the great musician himself stepped forward and escorted the girl to the improvised seat at the rear of the platform. The audience had heard nothing of the kind before.

They did not think Mrs. Blanchflower's girl could work musical miracles.

They clamoured until the singer came forward and sang them, "What's a the steer, Kimmer?" and she finished the song with triumphant archness.

In the interval between the first and the second part of the concert, Sir John imperatively demanded that the young lady should be brought to him, and he grumbled out words of approval which he considered very valuable.

Desborough went home and sat thinking hour after hour. His table was covered with papers. He looked at one sheet of ma.n.u.script and said, "What a fool I must have been to think that I could write! I have never begun to live until now. I will burn this last chapter and open a new one."

Tho other young men who had heard the songs were pleased, but they soon forgot, and thought only of Miss Blanchflower as a pretty girl who had a nice voice. Desborough was weak. His pa.s.sion took complete command of him, and he was ready for any of those things that mad lovers do, and that staid people find so incredible. Within a month he had managed to meet the girl. Within two months she had learned that he was her slave.

With the intuition that the most commonplace girls possess, she saw that he was never the man to be master, and she amused herself with him. The acquaintance ripened as the summer came on, and before the autumn the young fellow was ready to fetch and carry for his idol, and had surrendered his soul to her with tragic completeness.

There is something a little gross in this descent into slavery, but poor Desborough did not see it, for he was not given to self-introspection.

He only knew that he was happy. A word exalted him, and he never felt a rebuff.

Miss Blanchflower's mother was a commonplace woman, who looked with a business eye upon the odd courtship that was pa.s.sing in her household day after day. One evening she said to her daughter, "Marion, had not you better settle matters one way or the other?" The girl needed no explanation of particulars. She very well knew what were the matters referred to. She tossed her head and quietly replied, "Not with him, mother. When I marry a man, I marry my master. I like that poor fellow well enough. He looks nice and he talks prettily, but I always a.s.sociate him with a poodle."

"But don't you think a man had better use his knees to kneel to you than use them to walk away from you?"

The girl said no more. Her mother had told her Desborough's income, and she knew that to break off the connection would bring about an ugly family quarrel.

On the very next night after this conversation Desborough called as usual, and began the ordinary pleasant and trifling gossip with which the simple people pa.s.sed the evenings. Towards nine o'clock the mother rose.

"I shall have to leave you for about half an hour," she said, and the girl at once knew that that half hour was meant for decision. A few awkward minutes pa.s.sed, and then Desborough made up his mind to speak, "I won't hint, and I won't spend time in words with you, Marion. You know all that I could say, and I should only vulgarize love if I talked."

The girl replied very quietly, "Well, we will take that as understood,"

and gave him her hand.

She liked him at that moment.

Everybody in the town had known what was coming, and the engagement was taken as a matter of course.

When things had gone too far to allow of drawing back, Miss Blanchflower set herself to act a part. She did not really care for the man to whom she was engaged. In her heart she despised him a little, yet her artistic instinct allowed her to play at being in love, and she carried the comedy through with dexterity. The unequal companionship grew closer and closer, and Desborough was drawn deeper and deeper into forgetting himself, and forgetting all finer ambitions. He only sought to please the creature to whom he was slave, and the recognition which the girl now gave him made his happiness too deep for words.

But all the time Miss Blanchflower was weary. She cared for gaiety, and Desborough's mind was of a sombre cast; her artistic temperament made her sensuous, and Desborough's reserve was almost forbidding. He never spoke out, and the girl, who was always longing for violence of sentiment and sudden changes of emotion, found herself condemned to a dull, level life. Desborough would talk to her about poetry, but their tastes did not agree. He would even tease her with futile metaphysical talk until she scarcely knew whether to laugh or to flout him.

Another winter wore on, and the time for the wedding drew near. It happened that in the Spring a ball was given on the eve of a general election. A quarter of a mile of carriages stood in front of the Town Hall, and the county gentry mingled on terms of affability with the tradespeople and farmers of the neighbourhood. Desborough and Miss Blanchflower were there, and the girl was strangely attractive, in spite of her somewhat faulty taste in dress. She gave Desborough one dance, and spent the rest of the evening in distributing favours. A quiet conversation pa.s.sed in one corner of the room which would have interested Miss Blanchflower very much could she have heard. Two men were standing together. One was a young fellow of about twenty-five. He was unspeakably slim, yet he carried himself with an air of lithe strength. His face looked as though it were carven out of steel, so smooth and clean cut were his features. His hair was of unfashionable length, and his dress was negligent, and yet no one could have mistaken him for anything but a man of high breeding. His eyes were brown, and had that velvety texture of the iris which one sometimes sees among the women of the New Forest, and sometimes among the girls of the district round Bordeaux. His whole appearance was feminine, and the unstable glance that he flashed from side to side spoke of vanity. He said to his companion, "Who is the prim virgin with the fair hair?"

"She is the daughter of a widow in the town. Blanchflower, I think the name is."

"Do you think you could contrive an introduction? There is a sort of savage innocence about that dress which rather attracts me."

Within half an hour Miss Blanchflower was conversing easily with the slim young gentleman who had criticized her so pleasantly.

The girl was pleased to find this young fellow, who was a sort of literary celebrity in his way, talking to her on equal terms. When he proposed a stroll in the improvised conservatory after the next dance, she was glad, although she felt that Desborough must be ill pleased.

When the last of the carriages had rolled away, and when the Town Hall was darkened, Marion Blanchflower was still sitting and thinking about the slim young man. Desborough was forgotten, and the girl only had thoughts of this new acquaintance who suggested to her mind nothing but vivacity, and colour, and brilliant life. In four days from that time Miss Blanchflower was strolling down a deep hollow which was known as the Dene.

The whole place was ablaze with hyacinths. Far as one could see along the deep cliff, where the murmuring stream had carved itself a bed, the flowers spread like sheets of blue fire. In the more distant hollows the delicate ma.s.ses of colour lay like clouds of gorgeous mist. Shooting straight up from the beds of hyacinths, tall elms met overhead, and the rooks kept up a clamour that dulled the senses without causing anything like irritation. The girl stepped down the path, and the light from the green leaves floated around her and touched her face and figure with delicate shadows and flickering brightness. She looked a joyous and beautiful creature, and the slim young man who met her by accident thought that he had never seen any picture so full of youth and delight.

The meeting was a pure coincidence.

The days pa.s.sed on, and again and again Miss Blanchflower walked in the Dene amid the flame of the hyacinths. Her mother trusted her greatly, and Desborough was too simple to have any afterthought when he found that his morning visits were discouraged. He was grateful for every moment of her company, and he placidly looked forward to the time when his quiet life should be crowned. Sometimes he chatted quite contentedly with Mrs. Blanchflower until Marion returned. Several people in the town could have told him things that would have surprised him, but he held so much aloof from all company that n.o.body ventured on familiar talk with him. The one man who had his confidence was the Wesleyan local preacher; but Musgrave lived a long way from the town, and Desborough saw him seldom.

One morning Desborough went down by the end of the stream. The water was low, and underneath the roots of a great tree there was a deep hollow that had been scooped out by the torrents of winter. An odd fancy made Desborough climb down and creep into this cavity under the network of roots. From the place where he was seated he could not only see the clear water running away seaward, but he could look right up the path that ran among the tall elms.

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The Romance of the Coast Part 8 summary

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