The Road to Damascus, a Trilogy - novelonlinefull.com
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TEMPTER. Do you think woman's particularly false?
STRANGER. Yes and no. She seeks to hide her weakness but that only means that she's ambitious and has a sense of shame. Only wh.o.r.es are honest, and therefore cynical.
TEMPTER. Tell me some more about her that's good.
STRANGER. I once had a woman friend. She soon noticed that when I drank I looked uglier than usual; so she begged me not to. I remember one night we'd been talking in a cafe for many hours. When it was nearly ten o'clock, she begged me to go home and not to drink any more. We parted, after we'd said goodnight. A few days later I heard she'd left me only to go to a large party, where she drank till morning. Well, I said, as in those days I looked for all that was good in women, she meant well by me, but had to pollute herself for business reasons.
TEMPTER. That's well thought out; and, as a view, can be defended. She wanted to make you better than herself, higher and purer, so that she could look up to you! But you can find an equally good explanation for that. A wife's always angry and out of humour with her husband; and the husband's always kind and grateful to his wife. He does all he can to make things easy for her, and she does all she can to torture him.
STRANGER. That's not true. Of course it may sometimes appear to be so.
I once had a woman friend who shifted all the defects that she had on to me. For instance, she was very much in love with herself, and therefore called me the most egoistical of men. She drank, and called me a drunkard; she rarely changed her linen and said I was dirty; she was jealous, even of my men friends, and called me Oth.e.l.lo. She was masterful and called me Nero. n.i.g.g.ardly and called me Harpagon.
TEMPTER. Why didn't you answer her?
STRANGER. You know why very well! If I'd made clear to her what she really was, I'd have lost her favour that moment--and it was precisely her favour I wanted to keep.
TEMPTER. _A tout prix_! Yes, that's the source of degradation! You grow accustomed to holding your tongue, and at last find yourself caught in a tissue of falsehoods.
STRANGER. Wait! Don't you agree that married people so mix their personalities that they can no longer distinguish between meum and tuum, no longer remain separate from one another, or cannot tell their own weaknesses from those of the other. My jealous friend, who called me Oth.e.l.lo, took me for herself, identified me with herself.
TEMPTER. That sounds conceivable.
STRANGER. You see! You can often explain most if you don't ask who's to blame. For when married people begin to differ, it's like a realm divided against itself, and that's the worst kind of disharmony.
TEMPTER. There are moments when I think a woman cannot love a man.
STRANGER. Perhaps not. To love is an active verb and woman's a pa.s.sive noun. He loves and she is loved; he asks questions and she merely answers.
TEMPTER. Then what is woman's love?
STRANGER. The man's.
TEMPTER. Well said. And therefore when the man ceases to love her, she severs herself from him!
STRANGER. And then?
TEMPTER. 'Sh! Someone's coming. Perhaps to take the house!
STRANGER. A woman or a man?
TEMPTER. A woman! And a man. But he's waiting outside. Now he's turned and is going into the wood. Interesting!
STRANGER. Who is it?
TEMPTER. You can see for yourself.
STRANGER (looking out of the window). It's she! My first wife! My first love!
TEMPTER. It seems she's left her second husband recently... and arrived here with number three; who, if one can judge by certain movements of his back and calves, is escaping from a stormy scene. Oh, well! But she didn't notice his spiteful intentions. Very interesting! I'll go out and listen.
(He disappears. The WOMAN knocks.)
STRANGER. Come in!
(The WOMAN comes in. There is a silence.)
WOMAN (excitedly). I only came here because the house was to let.
STRANGER. Oh!
WOMAN (slowly). Had I known who wanted to let it, I shouldn't have come.
STRANGER. What does it matter?
WOMAN. May I sit down a moment? I'm tired.
STRANGER. Please do. (They sit down at the table opposite one another, in the seats occupied by the STRANGER and the LADY in the first scene.) It's a long time since we've sat facing one another like this.
WOMAN. With flowers and lights on the table. One night...
STRANGER. When I was dressed as a bridegroom and you as a bride...
WOMAN. And the candle flames were still as in prayer and the flowers pensive....
STRANGER. Is your husband outside?
WOMAN. No.
STRANGER. You're still seeking... what doesn't exist?
WOMAN. Doesn't it?
STRANGER. No. I always told you so, but you wouldn't believe me; you wanted to find out for yourself. Have you found out now?
WOMAN. Not yet.
STRANGER. Why did you leave your husband? (The WOMAN doesn't reply.) Did he beat you?
WOMAN. Yes.
STRANGER. How did he come to forget himself so far?
WOMAN. He was angry.
STRANGER. What about?
WOMAN. Nothing.
STRANGER. Why was he angry about nothing?