The Riverman Part 24

"And--tell me--are there real hair trunks with bra.s.s k.n.o.bs on 'em?"

"Yes, mother has two or three."

"O-o-h!" she breathed softly. "Don't tell me what's in them. I want to believe in brocades and sashes. Do you know," she looked at him soberly, "I never had any dark places behind the tank, nor mysterious trunks, when I was a child."

"You might begin now," suggested Orde.

"Do you mean to insinuate I haven't grown up?" she mocked. "Thank you!

Look OUT!" she cried suddenly, "the Boojum will catch us," and picking up her skirts she fairly flew down the narrow stairs. Orde could hear the light swish of her draperies down the hall, and then the pat of her feet on the stair carpet of the lower flight.

He followed rather dreamily. A glance into the sitting-room showed the group gathered close around the fire listening to Lem Collin's attempt at a ghost story. She was not there. He found her, then, in the parlour.

She was kneeling on the floor before the gla.s.s cabinet of curiosities, and she had quite flattened her little nose against the pane. At his exclamation she looked up with a laugh.

"This is the proper alt.i.tude from which to view a cabinet of curiosities," said she, "and something tells me you ought to flatten your nose, too." She held out both hands to be helped up. "Oh, WHAT a house for a child!" she cried.

After the company had gone, Orde stood long by the front gate looking up into the infinite s.p.a.ces. Somehow, and vaguely, he felt the night to be akin to her elusive spirit. Farther and farther his soul penetrated into its depths; and yet other depths lay beyond, other mysteries, other unguessed realms. And yet its beauty was the simplicity of s.p.a.ce and dark and the stars.

The next time he saw her was at her own house--or rather the house of the friend she visited. Orde went to call on Friday evening and was lucky enough to find the girls home and alone. After a decent interval Jane made an excuse and went out. They talked on a great variety of subjects, and with a considerable approach toward intimacy. Not until nearly time to go did Orde stumble upon the vital point of the evening.

He had said something about a plan for the week following.

"But you forget that by that time I shall be gone," said she.

"Gone!" he echoed blankly. "Where?"

"Home," said she. "Don't you remember I am to go Sunday morning?"

"I thought you were going to stay a month."

"I was, but I--certain things came up that made it necessary for me to leave sooner."

"I--I'm sorry you're going," stammered Orde.

"So am I," said she. "I've had a very nice time here."

"Then I won't see you again," said Orde, still groping for realisation.

"I must go to Monrovia to-morrow. But I'll be down to see you off."

"Do come," said she.

"It's not to be for good?" he expostulated. "You'll be coming back."

She threw her hands palm out, with a pretty gesture of ignorance.

"That is in the lap of the G.o.ds," said she.

"Will you write me occasionally?" he begged.

"As to that--" she began--"I'm a very poor correspondent."

"But won't you write?" he insisted.

"I do not make it a custom to write to young men."

"Oh!" he cried, believing himself enlightened. "Will you answer if I write you?"

"That depends."

"On what?"

"On whether there is a reply to make."

"But may I write you?"

"I suppose I couldn't very well prevent you, if you were sure to put on a three-cent stamp."

"Do you want me to?" persisted Orde.

She began gently to laugh, quite to herself, as though enjoying a joke entirely within her own personal privilege.

"You are so direct and persistent and boy-like," said she presently.

"Now if you'll be very good, and not whisper to the other little pupils, I'll tell you how they do such things usually." She sat up straight from the depths of her chair, her white, delicately tapering forearms resting lightly on her knees. "Young men desiring to communicate with young ladies do not ask them bluntly. They make some excuse, like sending a book, a magazine, a marked newspaper, or even a bit of desired information. At the same time, they send notes informing the girl of the fact. The girl is naturally expected to acknowledge the politeness. If she wishes the correspondence to continue, she asks a question, or in some other way leaves an opening. Do you see?"

"Yes, I see," said Orde, slightly crestfallen. "But that's a long time to wait. I like to feel settled about a thing. I wanted to know."

She dropped back against the cushioned slant of her easy chair, and laughed again.

"And so you just up and asked!" she teased.

"I beg your pardon if I was rude," he said humbly.

The laughter died slowly from her eyes.

"Don't," she said. "It would be asking pardon for being yourself. You wanted to know: so you asked. And I'm going to answer. I shall be very glad to correspond with you and tell you about my sort of things, if you happen to be interested in them. I warn you: they are not very exciting."

"They are yours," said he.

She half rose to bow in mock graciousness, caught herself, and sank back.

"No, I won't," she said, more than half to herself. She sat brooding for a moment; then suddenly her mood changed. She sprang up, shook her skirts free, and seated herself at the piano. To Orde, who had also arisen, she made a quaint grimace over her shoulder.

"Admire your handiwork!" she told him. "You are rapidly bringing me to 'tell the truth and shame the devil.' Oh, he must be dying of mortification this evening!" She struck a great crashing chord, holding the keys while the strings reverberated and echoed down slowly into silence again. "It isn't fair," she went on, "for you big simple men to disarm us. I don't care! I have my private opinion of such brute strength. JE ME MOQUE!"

She wrinkled her nose and narrowed her eyes. Then ruthlessly she drowned his reply in a torrent of music. Like mad she played, rocking her slender body back and forth along the key-board; holding rigid her fingers, her hands, and the muscles of her arms. The ba.s.s notes roared like the rumbling of thunder; the treble flashed like the dart of lightnings. Abruptly she muted the instrument. Silence fell as something that had been pent and suddenly released. She arose from the piano stool quite naturally, both hands at her hair.

"Aren't Mr. and Mrs. Hubbard dear old people?" said she.

"What is your address in New York?" demanded Orde. She sank into a chair nearby with a pretty uplifted gesture of despair.

"I surrender!" she cried, and then she laughed until the tears started from her eyes and she had to brush them away with what seemed to Orde an absurd affair to call a handkerchief. "Oh, you are delicious!" she said at last. "Well, listen. I live at 12 West Ninth Street. Can you remember that?" Orde nodded. "And now any other questions the prisoner can reply to without incriminating herself, she is willing to answer." She folded her hands demurely in her lap.