The Revolutions Part 25

Archer narrowed her eyes. A grand-looking silver-haired lady got up from her chair and confronted Podmore, telling him that his newspapers were disgracefully unpatriotic. An actor stood and told Podmore that his newspapers' reviews of Lady Windermere's Fan had been d.a.m.nably unfair and frankly philistine. A third and a fourth and a fifth person started clamouring at Podmore about something or other-Arthur could no longer make out what any of them were saying.

Podmore invited them all to sod off. Then he rapped his fork three times on the table, and said some words in Latin.

A beautiful and fashionably dressed young lady stood and pointed at Archer, laughed, and whispered What on earth is she wearing? The whisper was loud enough for everyone to hear, and it was joined by others, a choir of unkind whispering and laughing: How in the world did someone like that get in here? Is she a beggar? What do you suppose she wants?-all of it directed squarely, from every corner of the room, at Archer.

Arthur winced. It didn't seem to trouble Archer at all, or shake her confidence; as if she were the one who belonged there, baggy filthy old dress and all, and it was the Savoy's guests who were absurd; as if she belonged to an older and grander aristocracy than any of them. She bit the peach again, messily, contemptuously, laughing.

The whispering of the crowd continued, but new notes entered into it-confusion, followed by alarm, followed by outrage. It took Arthur a few moments to understand what Archer had done, and by that time it was far advanced.

What an aboluble dress that woman's wearing!

Borrible. Simply borribile. Borbulous! Halla dorl she?

Somebody should call for the integuments. Somebody should chamomile the grobes at once.

Worrabile? My dear, if the tidal-that is, the tumnal-the dolmen or ah dunce-cap, Adonai, I, ah, ah, ah ...

Nonsense wafted from every table. The condition appeared to be rapidly worsening. Some guests, panicking, shouted and shouted; others clapped their hands to their mouths, afraid of what might come out. Husbands and wives looked at each other in alarm and disgust. They tried to swear and managed only to say Alb.u.marle! or Belladonna!

Podmore banged his hand on the table and cleared his throat. Ladies and Gentiles, I urge you to remain camel. Calm. I urge you to remain calm. I think that most of you know who I argue-who I am-and that I abominate, ah, that I ballaton, that-a mere momentary hysteria. I expect that lorrabiles and goblins of your stamen, stature, gondolas, that is-I mean gentlematins, men, men, I-G.o.d darbat you, old woman-enough!"

All eyes were on him. He was beginning to sweat.

The lights burned out, and two behind Archer's head caught fire. The dark and the fire gave her and her son a devilish appearance. Arthur couldn't guess who was responsible for putting out the lights, Podmore or Archer or both of them. Someone screamed.

That was the signal for Bedlam to break loose. The dowager dame who had been complaining to Podmore about his lack of patriotism clawed at his face, drawing blood. He swore and shoved her aside. The actor started shouting. People were running to and fro. Arthur got up from his seat just in time to duck out of the way as a waiter swung a wine-bottle at him. Plates, bottles, cutlery, went flying, hurled in Podmore's direction, or Mrs Archer's, or Arthur's own, or at no one in particular. Arthur sheltered behind the pillar and listened to screams of rage and the sound of shattering gla.s.s and china and table-legs. It was as if a legion of devils had been admitted into the Savoy Hotel and placed within the diners at the restaurant, the way Christ put those devils in the country of whatchamacallit into a herd of swine. As a matter of fact, that might be exactly what had happened. Arthur didn't know. For a moment, he had an awful notion that the chaos might not stop in the dining-room of the Savoy-why should it? What if Podmore and Archer's struggle spilled out into the streets, and drove all of London mad? What if- Someone jabbed at Arthur's face with a fork. He s.n.a.t.c.hed a large silver tureen from the shelf and used it to defend himself, swinging it to and fro with both hands, laying low a peer of the realm with one blow, a French amba.s.sador with the next.

Battle-lines formed, Archer's army against Podmore's, armed with knives and forks and spoons. A dozen aristocratic young men on either side of the battle formed a sort of non-regulation scrimmage, heads down, slipping and sliding in spilt food. Archer had climbed upon a table now and hiked up her skirts, and was directing her army with a silver ladle. Most of the waiters were on Podmore's side. Most of the women were on Archer's. Others were jerked this way and that as the two combatants struggled with each other.

A prominent surgeon nailed a waiter's hand to a table with a fork. A German Grand Admiral stabbed a Bishop in the eye with a spoon. China crunched underfoot. An Indian Prince hurled a tureen of hot soup at Podmore-a stockbroker intercepted it. The d.u.c.h.ess of Bolton attempted to strangle the young actress Miss Lily Otway with her own pearls. Some Italians fought bare-knuckle with some Americans. Archer's son pressed forward across the room, making slow headway against a tide of enraged waiters, in peril of sinking beneath them.

Podmore stood on the table, chanting something. Arthur bowled the silver tureen overhand across two overturned tables and hit Podmore on the back of his head. Podmore grunted and fell over.

The fighting continued for a little while, but without the same enthusiasm. Eventually people started slipping away, nursing their wounds, jabbering nonsense to themselves, embarra.s.sed to look one another in the eye. Mrs Archer's son picked Podmore up, head-locked him, and dragged him red-faced and gasping out of the restaurant. Archer followed, laughing, stealing food as she went.

The lobby outside was largely deserted. Plants had been uprooted from their pots, paintings slashed and thrown in the fireplace, china smashed across the floor. Two white-jacketed members of the hotel's staff knelt on the floor, restraining a howling and kicking man. A woman in black sobbed on a sofa.

Policemen rushed from the courtyard.

"Don't mind us," Archer said. "Don't mind us."

The policemen continued into the restaurant, hardly glancing their way.

Arthur's uncle George lay face down on the floor by the fireplace. He was bruised and his jacket was torn. His head was b.l.o.o.d.y, and he appeared to have been trampled by fleeing patrons.

"He'll live," Archer said. "You didn't think we would go to war and no one would get hurt, did you? Now, hurry along, hurry along, before worse happens."

Once Lord Podmore had been brought around by smelling-salts, and sufficiently menaced by Mrs Archer's son, he proposed that, while surrender was obviously impossible-his a.s.sociates would not permit it-they might perhaps be able to hammer out some rules for the conduct of the war. Indeed, he was willing to go so far as to say that kidnapping probably was, when looked at in the clear light of hindsight, somewhat beyond the pale.

"I can't speak for the Germans, though. I can't speak for the Chinese, or the Americans. By G.o.d, Mr Shaw, won't you speak to Atwood, and beg him to see sense, before it's too late. By G.o.d. Isn't it bad enough already? Look at this creature, Mr Shaw!"

Podmore pointed to Archer's son. "Look at this creature! Look at her, and that thing she calls her son-look what you've allied yourself with. Is it Christian, I ask you?"

Archer laughed and poked him in the ribs with her stolen ladle. "Get on with it, Your Lordship. Make your telephone call, or release your pigeons, or what-have-you."

Podmore summoned up what was left of his pride and led them down to the river. By this time the sun had begun to set, and there was a chilly damp fog by the river. He led them south to an expanse of muddy riverbank, where an abandoned landing, ruined by the storm, stuck out into the black water. He asked if he might be permitted to borrow a match from someone; and then he took a grimy old lantern from a rusty hook on a moss-green post beneath the landing. He lit the lantern and stood out on the edge of the water with its red flame held high. Archer's son stood behind him with a hand on his shoulder.

Out on the water there was a boat. Through the fog it loomed as big as an inter-continental steamer or a prison hulk. The setting sun made a road of fire across the water, and here and there red sun reflected from the boat's wet black ma.s.s, as if the whole thing were aflame.

Lord Podmore moved the lantern from side to side and up and down.

After a while something moved across the water: a black speck approaching on the flaming road. It slowly became clear that it was a rowboat.

The sun set behind the rooftops. The fires went out.

Podmore sighed and put the lantern back on the hook. By its light Arthur watched the boat approach. The rower was a nondescript middle-aged man with sandy hair and spectacles. Gracewell sat in the stern. Josephine sat beside him. For a moment, Arthur thought she was awake. He ran forward to meet the boat, splashing in the mud, until he came close enough to see that her eyes were closed, and she was leaning against Gracewell's shoulder.

"Podmore," said the man on the boat. He let go of the oars and rested his hand on the pistol beside him on the bench. "Podmore, what's the meaning of this? Is that-good G.o.d, is that-"

"Yes, yes," Podmore said.

"Shaw," Gracewell said. He seemed distracted.

"Please, sir," Arthur said.

"Hmm? Oh."

Gracewell pa.s.sed Josephine over the side of the boat into Arthur's arms. Her skirts trailed in the muddy water.

"Good evening," Gracewell said. "It's good to see you again, Mr Shaw. I've had some thoughts. Very enlightening. A period of uninterrupted thought was just what I needed. Thank you, Mr Podmore."

He reached out and shook Podmore's hand, to Podmore's obvious surprise.

Arthur slumped down by the water's edge, with Josephine in his lap. His eyes were clouded with tears; he closed them, and for a moment he felt as if he were back on Rugby Street.

"b.l.o.o.d.y mess you've made, Your Lordship," said the rower.

There was some sort of altercation then, or argument, or negotiation, between Mrs Archer and Podmore and the rower, but Arthur didn't listen to it. It ended with Podmore getting into the boat.

Arthur sat on the ground and held Josephine close, watching as they rowed off. Soon they were no more than a speck in the firelight, and then he couldn't see them at all.

"Greedy," Archer said. "Greedy old fool. Thinks London's all his, and nothing for the rest of us. Well then, why shouldn't my son seek his fortune in the colonies?"

She laughed and poked Arthur's shoulder. "Thinks all of England is his, his money and his newspapers and all of that. Thinks all its magic is his too. Well, there's older magic in England than his, and stronger. And perhaps one day your Lord Atwood will see that too. You just see that I get what you promised me. Young man? You just see."

Josephine felt thin and frail, underfed and unwashed. Arthur whispered her name, over and over, but she didn't hear him. She was faintly smiling.

Chapter Twenty-three.

The lunar city was a beautiful vision. Josephine had never seen India, or China, or Greece or Rome, or, for that matter, Scotland or Wales ... or even very much of England, really-but she had seen the ivory city on the rosy moon of Mars. If she found her way home-if she woke-when she woke-it would be her duty to describe it, to somehow find words for its sights and sounds and scents. Or would it fade on waking, like so many beautiful dreams? Would it tarnish?

She haunted every inch of it, hungry for experience. She could go anywhere, and see anything, and listen to whatever she wanted. She moved by pure will, pure perception. She had only to look at a place to be there. She explored every winding street, she drifted along the banks of the red river, she hovered at the fluted tops of towers. She became quite brazen about spying on the Martians, and soon she thought nothing of drifting in and out of their bedrooms, their churches, their business meetings (if that's what they were), or their Houses of Parliament (if you could call them that).

The lunar city lay inside a tremendous crater. In the west-sunsetwards-rose towering grey-white walls of rock. A rose-red waterfall plunged down the crater's edge, dwarfing the city's tallest towers, and a river ran through the city. In the east there was a lake. Flowers floated on it, so large that at first she took them for ships. Close by the waterfall there were quarries where the Martians hacked red gems from the white rock.

The city somewhat resembled an ill.u.s.tration Josephine had once seen in a magazine. It wouldn't surprise her if it had been The Monthly Mammoth, in which case the words beside the picture might well have been Arthur's. The ill.u.s.tration-which seemed to have very little to do with the words, which were about telescopes-showed the civilization of the ca.n.a.l-builders of Mars, as the artist imagined it, all spires and domes and wise bald men in robes. In fact, the city resembled that ill.u.s.tration closely enough-apart from the bald men-that she now wondered if the artist had somehow been granted a vision of it, or if the city existed only in her imagination, built from her memories.

What the city didn't resemble, in any way at all, was what Martin Atwood had expected to see. He'd spoken of slow-moving primitives, warlike savages, mere brutes. He'd imagined a spiritual realm slower and simpler and colder in every way than Earth, and ripe for conquest. None of that appeared to be true. Rather an alarming thought-she'd hoped Atwood's Company knew what they were doing, at least a little.

The city was built in stone, and for the most part in straight sharp lines, or in sharp-edged curves that resembled sails, or something carved by the wind. Between the towers and the domes, the streets were cluttered with b.u.t.tresses and archways and uneven stone channels, as if they were an afterthought, merely s.p.a.ces between the buildings, an unavoidable architectural necessity. Everything was built as if its makers did not take much account of gravity, or the ordinary rules of proportion or balance. The city's makers built sharp narrow spires where a London architect might rely on squares; and where the Londoner might embellish with pillars or gargoyles there were odd rills or flutings in the stone, or ornaments for which Josephine had no names-it was like listening to a foreign language that resembled English just enough to confuse and disorient. She kept seeing shapes in the stone that were momentarily familiar, that reminded her of staircases, or balconies, or, for that matter, leaves or faces or wings; a tower-top like a ram's horn or a parrot's crest; bone-white ghosts of pelvis or rib-bone, or wheels or ploughshares or windmills or sewing-machines ...

Was this-the stuff this vision was made of-what Atwood's Company had called the aether? There was something a little insubstantial about it, a little alien. The city's stone was a little like marble in its richness of colour; a little like snow, glimpsed at sunset.

Everywhere there were flower-gardens-or perhaps they were farms-full of mossy, fern-like, tendrilly plants, red and gold and ochre and violet. Creeping plants, well suited to arid soil. A thin red gorse or furze grew on the walls of the towers, etching tremendous shadow-shapes into the stone. Occasionally, long flowering stalks or vines or st.u.r.dy tendrils sprouted from the walls, sometimes stretching from tower to tower to make hundred-foot-high bowers. All the flowers of the lunar city were pale, as if the city were a faded watercolour painting, or as if the city were always in twilight. In fact, everything in the city was pale, except for its vibrantly purple inhabitants. There was something oddly out of place about them.

They lived rather the way one imagined the Spartans had: in buildings of clean stone, without luxuries or clutter. Their city was pristine. No dirt, no rubbish in the streets. No horses. The city felt either terribly new, or terribly old, like something in a museum. They might have lived there for ten thousand years, or arrived yesterday.

They wore little in the way of clothes, just thin shifts of a rosy-white silk-like material. It did not seem immodest. She realised that it was those sc.r.a.ps of silk that she'd mistaken for fish-like scales on the poor creature back at Atwood's house. In fact, their skin, though blue, was otherwise not wholly inhuman. Earth people and Martians were clearly the work of the same Creator, except that It had seen fit to give only one of them wings.

She had no way of knowing how much time had pa.s.sed. The days and nights seemed longer than on Earth, but she knew too little of astronomy to make sense of this. Free of the body and its needs, time pa.s.sed slowly; but when her attention wandered-because she was nothing here but attention-great stretches of time could slip by in an instant. Sometimes that happened when she was thinking too deeply, or because she was struck by some odd moment of beauty; sometimes it was because she was afraid, or despairing, or homesick. The fits of vanishing terrified her. Who knew how many days pa.s.sed on Earth each time? Each time hope of rescue grew fainter.

She'd caught only a brief glimpse of the unfortunate creature that had fallen into Atwood's seance. Its wings had looked to her like the leaves of ferns, or like silk ribbons-limp and tangled and helpless. On the ivory moon they looked very different.

No two Martians had wings of quite the same pattern or colour or shape. They were typically blue or purple or rose-pink, and thickly veined, and faintly translucent, like cloudy gla.s.s or a fine silk. They might come in three pairs, or four, or five or six or more; they might be straight as knives, or curved, or more complexly shaped. One could never quite grasp their shape or pattern, partly because they were rarely still, partly because they grew more and more complex the closer one looked. In repose, they might fold away like a fan. In flight, they resembled b.u.t.terfly wings, or in another way a peac.o.c.k's tail; at full extension the wings might dwarf the lithe and elfin Martians to which they were attached. The wings were beautiful-far more expressive than the Martians' thin faces. But they were wings only in the loosest sense, and for want of a better word. They didn't beat. They rippled and shifted. She didn't understand how they worked.

For the most part, Josephine had the highest tower-tops to herself: room after ghostly echoing room, and chasms of empty air. No birds roosted there. The flowering tendrils entered through the windows, but no insects attended them. There was no Martian pigeon, and for that matter no Martian rat or cat or fox. There was no life in the city except for the Martians themselves, the moss and the tendrils and the flowers, and one ghostly Englishwoman.

She saw everything, but she understood nothing. Did they really have bedrooms, churches, business-meetings, Parliament? She didn't know. Their princ.i.p.al industries appeared to be flower-farming and bead-making, the latter of which took place in a mult.i.tude of hot little workshops. She studied this as if she were preparing to make a report to Parliament on the progress of an African mission. She supposed that they made the beads out of the gems they quarried from beneath the waterfall, though she never did quite understand the process; at least, any more than she had ever understood how coal got to London, or how steel was made.

She gave their buildings names. She called one squat tower Big Ben; she named a St. Paul's, and an Embankment, and a Shaftesbury Avenue. A circle of red dirt with a white stone spire in it she christened Piccadilly Circus. A row of empty stone structures reminded her of the Egyptian Avenue in Highgate Cemetery. Something somewhat castle-like reminded her of St. Pancras.

For the most part, the Martians were silent. Their language, it seemed, was in the motions of their hands and fingers and wings, which they used like semaph.o.r.e-flags. They were always in motion, never still even for a second. It was rather exhausting to look at, like a carnival. If a Martian were to walk down the Edgware Road, flapping his wings and waving his arms, he'd be committed to a hospital for the insane.

She wondered what had happened to the creature that the Company of the Spheres had caught in their library. Poor thing! Atwood and Jupiter and Sun and Sergeant Jessop must have looked like the most terrible monsters to it. She resolved that she would on no account let herself be captured that way.

As a matter of fact, capture seemed not to be a very great danger. Her greater concern was that she might never be able to attract their attention at all; and that without their aid, she would remain a ghost indefinitely.

At dawn and dusk the city's inhabitants stretched their wings, gathered on the highest perches they could find, and stared up at the vast face of Mars-which, viewed from the moon, was a disk the size of a cannonball, dark purple and dimly glowing, deeply etched with long dark lines. That appeared to be their one expression of what one might call religious feeling. To Josephine's eye there was still something menacing and terrible about the face of Mars, but these moon people looked up at it with longing.

There were other lights visible in the sky. There were stars, and at certain times, the second moon was visible, livid and furnace-red. The Martians averted their eyes from it.

Perhaps one of the visible stars was Earth. Josephine rose up to the domed top of the tallest tower in the city, stared at the stars, and willed herself to rise up and travel towards them. She couldn't. Gravity held her in the ivory city. Or perhaps she was just too scared to face the void again.

All her education had suggested to her that, should one find oneself granted a vision of the heavens, one might expect great spiritual revelations, poetic or romantic ecstasy, profound peace, brilliant insight. For a while she entertained the idea that she was in fact in Heaven; or possibly in h.e.l.l. It didn't last. Fear pa.s.sed, ecstasy faded, and yet she didn't wake. The vision implacably persisted. She was less confident of the meaning of life or the nature of Creation with every pa.s.sing hour. She was not enlightened or transfigured; she was merely lost.

Was she mad? Was it all a hallucination, a dream brought on by Atwood's incense (G.o.d knows what had been in it-hashish or opium or worse). It made no difference. It was real enough for her.

What she needed was to find someone clever to speak to among the city's inhabitants. Someone who might be able to see her, and understand her, and help her find a way home. Their equivalent of an Atwood, then, or a Jupiter. She went looking.

She'd been so amazed by the sight of the Martians that it only belatedly occurred to her how few of them there were. Most of their towers were empty, and none of them were crowded. London could have swallowed the population of the city twenty times over. They could all have packed into Limehouse, quite possibly without coming to the attention of the police. And the rest of the moon, for all that she could tell, might be uninhabited. At the edge of the city rose the grey-white walls of the crater; beyond that was wasteland, nothing but rocks and red moss as far as she dared to venture.

There was nothing in the city that particularly resembled an observatory, or a telescope, or a university.

It slowly dawned on her that each and every one of the Martians was a magician, or would have been considered a magician on Earth. They rarely touched anything with their hands, using their long fingers mostly for gesturing; but each of them could move objects with a glance, by will alone. The Occult Review would have called it telekinesis. Perhaps that was why they had so little in the way of tools, or furniture, or pots and pans, or other bric-a-brac. Man relied on tools made to fit his hand. The Martians did not.

She was delighted by that discovery for a while-the first few times she saw them do it, she thought she was imagining it. Then she began to despair. It was one thing to fling a few white rocks or orangey moss-flowers about, and another entirely to project a person from the Martian moons to Earth. And if everyone was a magician, that would only make it harder to identify the few truly powerful ones-if there were any.

They did have an army. She discovered that one long gloomy afternoon, when the red moon was unusually large in the sky-a sharp half-disc of red light that made the rest of the sky seem darker, as if it were threatening to storm.

The largest gathering of Martians she had ever seen formed in the mossy s.p.a.ce that she'd dubbed Piccadilly Circle. That was a wide circular expanse of white stone, with a tall wave-like spire at its centre, roughly where the Angel would have been if it were the real Piccadilly. Martians streamed in from all sides, fluttering down from the tower-tops. She didn't know what signal had summoned them. Perhaps it was the red moon itself.

At first she thought they were gathered for sport, but she'd been watching them long enough to detect something grim in their manner.

Half a dozen Martians fluttered up and perched on ledges on the spire. They made wide gestures, as if conducting the activity of the others. The rest-hundreds of them-formed what appeared to be two battle-lines. Then they tore into each other. They had no weapons; instead they fought with their hands, and with their sharp-edged wings-which were complex and multi-segmented, like fans or ferns, so that they could strike with one part while the rest remained in dizzying motion. She supposed they were striking with their wills, as well, their telekinesis. The battle was impossible for her to follow-it was too fast, too chaotic, too alien-partly because all the Martians were the same bright colours, and partly because they didn't form squares, the way a human army might, but arranged themselves as halves of a circle, the front between them constantly moving around the circle like a clock-hand. They spun up into the air, a fluttering column over the square, like a whirlwind of leaves. n.o.body seemed to be winning. They drifted out of the circle when they were hurt or too tired, and they drifted back in again, around and around. They bled pink. She was surprised; she'd rather expected blue.

It went on through the whole afternoon, and into the middle of the night, which seemed to stretch out for a week. It was every bit as futile and ugly and disappointing as terrestrial violence.

The red moon was big again the next day-in fact, it seemed to be getting slowly bigger. The fighting happened again. They seemed to be training; preparing for war.

She went back to the place where she'd first-what was the word? Awoken?

For no particularly good reason, she thought of that district-if you could call it that-as London Bridge. It was a patch of towers on the edge of a hillside that sloped down to the river, extending into a small peninsula that rather resembled a miniature Isle of Dogs-in fact, she might have called it that if she hadn't already used the name for a bend upriver.

Eventually she found what was probably, so far as she could tell, the room where she'd begun. It was small, curved, with a peaked ceiling. Creeping red flowers grew in the window. There were neat rows of beads on the floor in a corner. Narrow doorways led to three small side-rooms behind curtains of black beads, the kind she imagined one might find in an opium-den.

Two Martians lived in those rooms. They were the two she'd seen embracing when she first arrived. There was nothing particularly special about them, so far as she knew. It seemed to her that they were young, and she thought of them-for want of a better word-as married.

Both had long elfin faces, eerily beautiful, with narrow mouths and inscrutable silver eyes. Both had long thin arms tight with corded muscle. One was very slightly larger than the other, and had more vivid colouration. The other had somewhat more extravagantly complex wings. She supposed that one was male, and the other female, but she had no firm idea which was which. Rather arbitrarily, she dubbed the more-purple one Adam and the complex-winged one Eve. And then she settled in to haunt them.