The Red Door Part 5

"His doctors are still uncertain about the cause of his illness. Tell me, was he in pain, when you were helping Mrs. Teller work with him?"

"Pain?" she repeated. "No, I'd not call it that. He was more fearful. I heard him ask Mrs. Teller twice if she thought it was his heart."

"Were there any visitors to the house before he went to London? Any letters or telegrams?"

"No visitors since the party for Mr. Teller's birthday," Mollie told him. "And I don't remember any letters in particular. I'm not in the habit of looking at the post when it's brought. I just set it on the salver there." She turned slightly to point to a long, narrow silver tray on the polished table in the large hall behind her. And then she frowned, as if the act of pointing out the salver had reminded her. "I do know there was a letter from the missionary society the morning of the party. I heard him say, under his breath, that G.o.d had remembered him at last. It was an odd thing to say, wasn't it?"

"Did he receive letters from the society on a regular basis?"

"I don't make a habit of looking at the post," she repeated.

But Rutledge said, "You may not look at it, but you can't help but see what's there. This could be important."

"If I was to guess," she said after a moment's hesitation, "then I'd say it had been some time since he'd had a letter from them. It was my understanding, with the war and all, not to speak of his malaria, that he was on what Mrs. Teller called extended leave."

Had the letter been a recall to duty? It could explain Teller's distress. Rutledge said, "Has any of the family come to the house since Mr. Teller was taken to the hospital in London?"

"Mr. Edwin and Mrs. Amy came to look through his papers last week. I think they were hoping to find a reason for Mr. Teller's illness."

That would have been before his disappearance. "Did they find what they were after?"

"I can't say. I didn't see them leave. I was in the kitchen making tea, and when I came up with the tray, the study was empty and the motorcar was no longer in front of the door."

"Anyone else?"

"Mrs. Amy came back two days ago. She said she was collecting fresh clothes for Mrs. Teller. I helped her choose what she thought was suitable."

"Did she go anywhere else in the house, besides Mrs. Teller's bedroom? She didn't for instance return to the study?"

"No, sir. I'd have known if she had."

"And all she took from the house was clothing?"

"Yes, sir. I did ask her how Mr. Teller fared. She told me that Mrs. Teller would be staying on in London for the time being, while the doctors came to a conclusion about him. I could judge from her face that she was worried. Come to think of it, the clothing she took was mostly black. Now that's distressing."

And, Rutledge thought, two days ago Amy Teller had known that Walter Teller was missing.

Back in London, Rutledge went again to Marlborough Street and to Bolingbroke Street to call on Edwin Teller and his brother Peter. But neither of them had returned to the city.

He stopped by his own flat afterward for a change of clothing and found a telegram on his doorstep.

The early darkness of an approaching storm had settled over the streets, and a wind was picking up, lifting bits of papers from the gutter and tossing the flower heads in the garden next but one to his flat.

The war had taught so many people that telegrams brought bad news. Someone missing. A death. The end of hope. He reached down to pick it up and had the strongest premonition that he shouldn't open it.

Hamish said, "The war is o'er. There's no one left to kill." Bitterness deepened the familiar voice.

Rutledge lifted the telegram from the doorstep and shoved it in his pocket as the storm broke overhead, lightning flaring through the darkness like the flashes of sh.e.l.ls, followed by thunder so close it was like the guns of France pounding in his head.

He poured himself a drink, forcing the images that were crowding his mind back into the blackness whence they'd come, and this time succeeded in breaking the spell. Or was it only the storm's fury moving on downriver and fading safely into the distance that erased the memories of the fighting? He couldn't be sure. He found a clean shirt and put it on, then reached into his pocket for the telegram.

The skies were just clearing enough that he could read it without lighting the lamp. He recognized the name below the message and realized that his premonition had been right.

The telegram had been sent by David Trevor.

A surge of guilt swept through him. Too many letters from his G.o.dfather had gone unanswered. This was surely a summons to appear in Scotland and explain himself.

Trevor had written plaintively in his last letter, "The press of an inquiry? What, are you killing off the good citizens of London at such a rate that there's not a minute to spare for us? I find that hard to believe." And Rutledge could almost hear the amus.e.m.e.nt in his words, as well as the uncertainty and the sadness.

He scanned the brief message.

Arriving tomorrow. Stop. Meet us at station.

And the time of the train followed.

For an instant of panic, Rutledge considered that us. us.

Oh, G.o.d, surely not the entire household!

But no, Trevor must have meant himself and his grandson. And that was bad enough.

Rutledge swore with feeling, trapped and without any excuse or escape.

He found an umbrella and went back out to his motorcar, driving through the wet streets to his sister's house. For a mercy, she was at home, and he came through the door almost shouting for her.

"Ian. I'm neither deaf nor in the attics. What's the matter?" she demanded, coming down the stairs.

He held up the telegram. "Trevor's coming. Did you know? He'll have to stay with you, I'm afraid, there's no hope that the flat can be made habitable in time." The thought of Trevor being there, in the same flat, hearing Rutledge scream in the night, was unbearable. Explaining why why he screamed at night would be beyond him. And Trevor-Trevor would speak to Frances, and ask if she knew. he screamed at night would be beyond him. And Trevor-Trevor would speak to Frances, and ask if she knew.

"Habitable? Don't be silly. When has your flat been anything but scrupulously tidy? I sometimes wonder if you ever really live there. But yes, he's staying here." She laughed at the panic in his eyes. "Darling, this is your G.o.dfather. Not your Colonel in Chief. He's bringing the little boy. He told me that Morag was turning out the cupboards and beating the mattresses, and it was no place for sane men to linger." But the panic hadn't subsided in her brother's eyes, and she said, her laughter vanishing, "Ian. Surely you don't mind giving up a day or two to spend with David? I'll see to his comfort, of course I will. But he'll want to talk to you, dine with you, that sort of thing. He's been worried, if you must know. You haven't written in ages, and he needs to be rea.s.sured that all's well." She paused, still considering him. "All is well, isn't it, Ian? It's just been the press of work, hasn't it?"

He was well and truly caught.

The trouble was, David Trevor was an insightful man, and he would see too much. What if Hamish sent him into darkness in the middle of a dinner-a drink at Trevor's club-during a walk in St. James's Park? And there had been insufficient warning, not enough time to prepare himself. He'd be on parade, as surely as if he were in the Army again, and in the end he'd betray himself out of sheer witless nerves. Something would slip, a word, a hesitation, an instant's lapse in concentration. Trevor would know know.

Frances said gently, "It's David, my dear, and he's lost his son. He's still grieving."

"I can't replace Ross. No one can." Rutledge stood there helplessly, with nowhere to turn.

"He isn't asking you to replace him. I think he merely wants to hear your voice and see your face and laugh with you at some bit of foolishness, the way you and he did before the war. A little s.p.a.ce in time where there's neither past nor future, where he can pretend pretend. Do you understand what I'm trying to say?"

He did. All too well. The question was, could he provide the strength and the ease someone else required, and not find himself mourning too?

Rutledge took a deep breath. "He should have given me a little time to arrange matters at the Yard . . ." His voice trailed off. There was the inquiry into Teller's disappearance. It was taking up all his time- "And you'd have put him off. I suspect he knew that. Meanwhile, I'm the one with the preparations to see to. We've aired the spare bedroom and the nursery, and there's food for meals and an invitation for his old partner in the architectural firm to lunch with David at his club, and there's even a lady who wants him to come to tea."

That got his attention. He looked up. "A lady?"

"Melinda Crawford, of course." She smiled. "We're going to Kent the day after tomorrow. It's arranged."

He could see how much had been planned without his knowledge. But if there was a luncheon and a visit to Kent, as well as the zoo, or whatever else a small restless boy might wish to see, he might-just-make it through.

"Ian?"

"All right. But you must go to the station, I can't take-"

"But you can take a half an hour," she said gently. "And bring them here to me."

And so it was that he found himself at St. Pancreas the next morning, waiting for the train from Edinburgh, Hamish ringing in his ears and his mouth dry as bone.

Chapter 10

For nearly eight months, Rutledge had refused every invitation from his G.o.dfather, David Trevor, to come back to Scotland. What had happened there in September of the previous year had left him physically near death and emotionally shattered. He needed no reminder of that time-events were still etched in his memory, and Hamish had seen to it that every detail remained crystal clear. For he had entered Hamish's world without any warning to prepare either of them, and the price had nearly been too high.

He could not tell his G.o.dfather why the very thought of traveling north was still anathema. Because of Fiona, the woman Hamish should have lived to marry. Because too many young Scots like Hamish had died under his command. All the same, he sometimes felt that Trevor already understood much of the story, at least the part that had taken place in Scotland. Please G.o.d, no one would ever learn the whole truth about Hamish, and what had happened in France.

He was grateful now for the inquiry that was presently taking up so much of his time-it would give him the excuse to absent himself from his visitors when the strain of pretense was too much.

Rutledge met the travelers at the station, as promised, and as the train came into view, he felt tension invest his body, like steel rods.

Hamish said derisively, "It willna' help."

Rutledge said nothing in reply, swallowing the bitter taste that rose in his throat.

And then the carriages were pa.s.sing him, slowing as the train came to a halt, and it was too late to run. His G.o.dfather was at the window waving to him before the carriage door opened, and then Trevor was stepping out, holding the small boy named for Rutledge by the hand. He said something to the child, and reached back into the carriage for the leather valise he'd left on the seat. Rutledge had a few seconds in which to realize that his G.o.dfather looked better than when he had last seen him. Some of the strain was gone from his face, and his step was lighter. The boy's doing, at a guess.

The two crossed to where Rutledge was waiting, rooted to the spot.

"Hallo, Ian, it's good to see you!" Trevor said heartily, taking his outstretched hand. "Everyone sends their love. And here is the young chatterbox, as we call him. My lad, do you remember your honorary uncle? He knew your father very well once upon a time."

The boy shyly held out his hand and said, "How do you do, Uncle Ian?"

As Rutledge took the small hand in his, the boy added, "I rode the train. All the way from Scotland. And I was very good, wasn't I?" He turned to look up at his grandfather. "And I shall have the pick of the litter of pups in the barn, if I mind my manners while I'm in London."

His slight Scottish accent came as a surprise, though it shouldn't have done. Rutledge searched for words of welcome and found none.

"And so you shall," Trevor said, filling the awkward silence. As they turned to go, Trevor added, "Well, then. Are we to stay with you at the flat or with Frances at the house?"

The relief that this first encounter had gone off well enough was nearly intolerable. Yet after all his apprehension, the week's visit had turned out to be an unexpectedly happy one. Nothing was said about the more recent past-nothing was said about anyone who had stayed at home, though Morag had sent him the Dundee cake she had made for him at Christmas in the hope that he might have come north after all. "It's past its prime, she says," Trevor warned him, "but the fault is no one's but yours."

Rutledge had taken it with apologies and promised to send Trevor's housekeeper something in return.

He knew, none better, that Trevor refrained from saying that she would have preferred to see him, that she was getting no younger and still doted on him. The thought was there in Trevor's eyes.

When Rutledge arrived at the Yard after settling his G.o.dfather with Frances, a patient Sergeant Biggin was waiting for him in his office. He rose as Rutledge walked through the door and wished him a good morning.

"There's news?" he asked the sergeant. "Good-or bad?"

"It appears to be bad news," Biggin reported. "We'd like to have you come with us, sir, and have a look at what we've found. It appears Mr. Teller's clothing has come to light-on the back of a costermonger near Covent Garden. An alert constable spotted the man and is keeping him in sight."

Rutledge said only, "I'll drive," and he led the way to his motorcar. As they turned toward Covent Garden, Rutledge asked, "Do the clothes appear to be damaged in any way? Torn? Bloodstains washed out?"

"No, sir, according to the constable they only appeared to be a little soiled from pushing a barrow through wet streets. But that was at a distance."

They found a place to leave the motorcar and walked the rest of the way. Covent Garden was quiet, the frenetic life of the dawn fruit and produce market in the Piazza had finished for the day, only the sweepers busy cleaning up the last of the debris and gossiping among themselves, their voices loud in the silence after the morning bustle. The opera house looked like a great ship stranded on a foreign sh.o.r.e.

Sergeant Biggin found his constable on a street corner, his back to the doorway of a tobacco shop. He nodded to Biggin and then acknowledged Rutledge just behind the sergeant.

"Morning, sir. That tea shop down the street. The costermonger is in there. That's his barrow-the one with the red handles-just outside."

"Has he seen you?" Rutledge asked. The barrow wasn't evidence. The man's clothing was.

"I think not, sir. Wait-the shop door is opening-"

They watched as a heavyset man sauntered through the door, but instead of the light-colored suit of clothes that Jenny Teller had told the police her husband had worn to the clinic, and presumably out of it as well, he was wearing a pair of coveralls and Wellingtons, a flat cap on his head.

"d.a.m.n!" the constable said grimly. "Beg pardon, sir, but that's him. The costermonger. But where's his clothing?"

"He's just sold it to someone else. Come on!" Rutledge strode swiftly down the street toward the tea shop. The costermonger looked up, and then his gaze sharpened as he recognized that one of the men bearing down on him was a uniformed constable, the other a sergeant, moving fast in the wake of a man in street clothes.

They could see the changing expressions on his face-alarm, the debate over whether to flee or stay where he was. Outnumbered, he chose to stay, bracing himself as Biggin said, "Good morning."

Their quarry said nothing.

"I've been told that you were seen wearing different clothing earlier in the day," Biggin went on. "We'd like to have a look at it."

They could see the man weighing any profit he might have made against trouble with the police. He chose a middle course.

"What's wrong with an honest man making a living out of old clothes that have come into his possession?" he demanded grudgingly.

"Nothing," Biggin retorted. "Except they aren't old, and it's the gentleman who was once wearing those items that we're interested in hearing about."

"I know nothing about him him. I found the suit of clothes in a neat pile by the river, just below Tower Bridge. I hung about, to see if anyone was to come along and claim them, and when no one did, I thought I ought not to look a gift horse in the mouth, as the saying goes."

It was interesting, Rutledge observed, that the costermonger knew precisely which clothing the police were after. They would have been a windfall, worth as much as he might earn in a week's time selling old clothes and boots and men's hats. There had been no pretense of ignorance, no denials. It was possible he was telling the truth.

"And where would the items in question be now?" Biggin asked. The costermonger reluctantly answered, "I sold them to a gent in the tea shop. He fancied the cut of them, he said."

The constable was already reaching for the door latch and disappeared inside the shop. He came out shortly thereafter with a known pickpocket, one Sammy Underwood, a well-spoken man of forty-five, who could pa.s.s for a gentleman in Teller's suit of clothes. Rutledge had seen him at flat races, hobn.o.bbing with rich punters and readily accepted in his pressed castoffs. A better sort of purse to pick there than the casual encounter at a street crossing.

Underwood demanded his own apparel back before he would consent to give up Teller's clothing. The exchange made, he scuttled off before the police took an interest in his activities.