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The Re-Creation of Brian Kent Part 17

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Brian, with his eyes fixed on the widening cut at the base of the tree, did not notice the girl, who stood watching him. She was smiling to herself at his ignorance of her presence and in antic.i.p.ation of the moment when he should discover her, and there was in her eyes a look of wholesome womanly admiration for the man who swung his ax with such easy strength. In truth, Brian Kent at his woodman's labor made a picture not at all unattractive.

Swiftly, the cut in the tree-trunk widened as the ax bit deeply at every skilful stroke, and the chips flew about the chopper's feet. The acrid odor of the freshly cut oak mingled with the woodland perfume. The sun warmly flooded the clearing with its golden light, and, splashing through the openings in the forest foliage, formed pools of yellow beauty amid the dark, rich green of the shadowy undergrowth. The air was filled with the sense of life, vital and real, and strong and beautiful.

And the young woman, as she stood smiling there, was keenly conscious of it all. Most of all, perhaps, Betty Jo was conscious of the man, who worked with such vigor at his manly task.

Slowly, accurately, the bright ax sank deeper and deeper into the heart of the tree. The chips increased in scattered profusion. And then, as Betty Jo watched, the swinging ax cut through the last fibre of the tree's strength, and the leafy top swayed gently toward its fall. Almost imperceptibly, at first, it moved while Betty Jo watched breathlessly.

Brian swung his ax with increasing vigor, now, while the wood, still remaining, cracked and snapped as the weight of the tree completed the work of the chopper. Faster and faster the towering ma.s.s of foliage swung in a wide graceful arc toward the ground. The man with the ax stepped back, his eyes fixed on the falling tree as, with swiftly increasing momentum, its great weight swept swiftly downward to its crashing end.

Betty Jo clapped her hands in triumph; and Brian, turning, saw her standing there. His face was flushed and glistening with perspiration; his broad chest heaved with the deep breathing gained by his exertion, and his eyes shone with the gladness of her presence.

"You are early, to-day!" he cried. "Have you finished? Is it actually completed?"

"All finished," she returned; and, going to the fallen tree, she put her hands curiously on the trunk, which lay a little higher than her waist.

"Help me up," she commanded.

Brian set his ax against the stump, and, laughingly, lifted her to the seat she desired. Then he stood watching her face as she surveyed the tangled ma.s.s of branches.

"It looks so strange from here, doesn't it?" she said.

"Yes; and I confess I don't like to see it that way;" he returned. "I wish they didn't have to be cut. I feel like a murderer,--every one I fall."

She looked down into his eyes, as she returned: "I know you must. YOU would, of course. But, after all, it has to be, and I don't suppose the tree minds so much, do you?"

"No; I don't suppose it feels it much." He laughed, and, throwing aside his hat, he ran his fingers through his tumbled hair for all the world like a schoolboy confused by being caught in some sentimental situation which he finds not only embarra.s.sing, but puzzling as well.

"I like you for feeling that way about it, though," Betty Jo confessed with characteristic frankness. "And I am sure it must be a very good thing for the world that every one is not so intensely practical that they can chop down trees without a pang. And that reminds me: Speaking of the practical, now that the book is finished, what are we going to do with it?"

"Send it to some publisher, I suppose," answered Brian, soberly; "and then, when they have returned it, send it to some other publisher."

"Have you any particular publisher to whom you will send it first?" she asked.

"They are all alike, so far as my experience goes," he returned.

"I suppose it would be best if you could take your book East, and interview the publishers personally, don't you think?"

Brian shook his head: "I am not sure that it would make any difference, and, in any case, I couldn't do it."

"I know," said Betty Jo, "and that is what I wanted to get at. Why don't you appoint me your agent, and let me take your book East, and make the publishing arrangements for you?"

Brian looked at her with such delighted surprise that Betty Jo smiled back at him well pleased.

"Would you really do it?" he demanded, as though he feared she was jesting.

"You are sure that you don't mean 'COULD I do it'?"--she returned,--"sure you could trust me?"

To which Brian answered enthusiastically: "You could do anything! If you undertake the job of landing a publisher for my stuff, it is as good as done."

"Thank you," she said, jumping down from the tree-trunk. "Now that we have settled it, let us go to the house and tell Auntie Sue, and I will start in the morning."

As they went down the hill, they discussed the matter further, and, later, at the house, Brian took a moment, when Auntie Sue was in her room, to hand an envelope to his a.s.sistant. "Your salary," he said, hurriedly, "and expense money for the trip."

"Oh!" Betty Jo's exclamation was one of surprise. Then she said, in her most matter-of-fact, businesslike tone: "Thank you. I will render a statement of my account, but--" For once, Betty Jo seemed at a loss for words. "You don't mind if I ask--is--is this money--?"

Brian's face was a study. "Yes," he said, "it is really Auntie Sue's money; but it is all I have, and I can't return it to her--without her knowing--so I--"

Betty Jo interrupted: "I understand. It is all we can do,--forgive me?"

Brian Kent did not know that Betty Jo, a few minutes later, buried the envelope he had given her deep in the bottom of her trunk without even opening it.

The next day, Brian drove to Thompsonville with Betty Jo, who took the noon train for the East.

The two were rather quiet as "Old Prince" jogged soberly along the beautiful river road. Only now and then did they exchange a few words of the most commonplace observation.

They were within sight of the little Ozark settlement when Brian said, earnestly: "I wish I could tell you, Miss Williams, just what your coming to help me with this work has meant to me."

"It has meant a great deal to me, too, Mr. Burns," she returned.

Then she added quickly: "I suppose the first real work one does after finishing school always means more than any position following could possibly mean, don't you think? Just like your book. No matter how many you may write in the future, this will always mean more to you than any one of them."

"Yes," he said slowly. "This book will always mean more to me than all the others I may write."

For a moment their eyes met with unwavering frankness. Then Betty Jo turned her face away, and Brian stiffened his shoulders, and sat a little straighter in the seat beside her. That was all.

Very brave they were at the depot purchasing Betty Jo's ticket and checking her trunk. With brave commonplaces they said good-bye when the train pulled in. Bravely she waved at him from the open window of the coach. And bravely Brian stood there watching until the train rounded the curve and disappeared from sight between the hills.

The world through which Brian Kent drove that afternoon on his way back to Auntie Sue and Judy in the little log house by the river was a very dull and uninteresting world indeed. All its brightness and its beauty seemed suddenly to have vanished. And as "Old Prince" jogged patiently on his way, sleepily content with thoughts of his evening meal of hay and grain, the man's mind was disturbed with thoughts which he dared not own even to his innermost self.

"Circ.u.mstances to a man," Auntie Sue had said, "always meant a woman."

And Brian Kent, while he never under any pressure would have admitted it, knew within his deepest self that it was a woman who had set him adrift on the dark river that dreadful night when he had cursed the world which he thought he was leaving forever.

"Circ.u.mstances" in the person of Auntie Sue had saved him from destruction, and, in the little log house by the river, had brought about his Re-Creation.

And then, when that revelation of his crime toward Auntie Sue had come, and the labor of months, with all that it implied of the enduring salvation of himself and the happiness of Auntie Sue, hung wavering in the balance, it was the "Circ.u.mstances" of Betty Jo's coming that had set him in the right current of action again.

What waited for him around the next bend in the river, Brian wondered,--calm and peaceful waters, with gently flowing currents, or the wild tumult of dangerous rapids wherein he would be forced to fight for his very existence? Would Betty Jo succeed as his agent to the publishers? If she did succeed in finding a publisher to accept his book, would the reading public receive his message? And if that followed, what then? When Betty Jo's mission in the East was accomplished, she was to return to Auntie Sue for the summer. Then--?

"Old Prince," of his own accord, was turning in at the gate, and Brian awoke from his abstraction to see Auntie Sue and Judy waiting for him.

All during the evening meal and while he sat with Auntie Sue on the porch overlooking the river, as their custom was, Brian was preoccupied and silent; while his companion, with the wisdom of her seventy years, did not force the conversation.

It was the time of the full moon, and when Auntie Sue at last bade him good-night, Brian, saying that the evening was too lovely to waste in sleep, remained on the porch. For an hour, perhaps, he sat there alone; but his thoughts were not on the beauties of the scene that lay before him in all its dreamy charm of shadowy hills and moonlit river. He had no ear for the soft voices of the night. The gentle breeze carried to him the low, deep-toned roar of the crashing waters at Elbow Rock; but he did not hear. Moved at last by a feeling of restless longing, and the certainty that only a sleepless bed awaited him in the house, he left the porch to stroll along the bank of the river.

CHAPTER XVI.

THE SECRET OF AUNTIE SUE'S LIFE.

Brian Kent, strolling along the bank of the river in the moonlight, and preoccupied with thoughts that were, at the last, more dreams than thoughts, was not far from the house when a sound from behind some near-by bushes broke in upon his reveries. A moment, he listened. Then telling himself that it was some prowling animal, or perhaps, a bird that his presence had disturbed, he went on. But he had gone only a few feet farther when he was conscious of something stealthily following him. Stepping behind the trunk of a tree, he waited, watching. Then he saw a form moving toward him through the shadows of the bushes. Another moment, and the form left the concealing shadow, and, in the bright moonlight, he recognized Judy.

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The Re-Creation of Brian Kent Part 17 summary

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