The Real Charlotte Part 3

"Is that your opinion?" said Lambert, turning his dark eyes upon her; "I'm sorry I can't agree with you."

The fierce heat had gone out of the afternoon as they pa.s.sed along the lonely road, through the country of rocks and hazel bushes; the sun was sending low flashes into their eyes from the bright mirror of the lake; the goats that hopped uncomfortably about in the enforced and detested tete-a-tete caused by a wooden yoke across their necks, cast blue shadows of many-legged absurdity on the warm slabs of stone; a carrion crow, swaying on the thin topmost bough of a thorn-bush, a blot in the mellow afternoon sky, was looking about him if haply he could see a wandering kid whose eyes would serve him for his supper; and a couple of miles away, at Rosemount, Mrs. Lambert was sending down to be kept hot what she and Charlotte had left of the Sally Lunn.

Francie was not sorry when she found herself again under the trees of the Lismoyle highroad, and in spite of the injuries which the pommels of the saddle were inflicting upon her, and the growing stiffness of all her muscles, she held gallantly on at a sharp trot, till her hair-pins and her hat were loosed from their foundations, and her green habit rose in ungainly folds. They were nearing Rosemount when they heard wheels behind them; Lambert took the left side of the road, and the black mare followed his example with such suddenness, that Francie, when she had recovered her equilibrium, could only be thankful that nothing more than her hat had come off. With the first instinct of woman she s.n.a.t.c.hed at the coils of hair that fell down her back and hung enragingly over her eyes, and tried to wind them on to her head again; she became horribly aware that a waggonette with several people in it had pulled up beside her, and, finally, that a young man with a clean-shaved face and an eyegla.s.s was handing her her hat and taking off his own.

Holding in her teeth the few hair-pins that she had been able to save from the wreck, she stammered a grat.i.tude that she was far from feeling; and when she heard Lambert say, "Oh, thank you, Dysart, you just saved me getting off," she felt that her discomfiture was complete.

CHAPTER VIII.

Christopher Dysart was a person about whom Lismoyle and its neighbourhood had not been able to come to a satisfactory conclusion, unless indeed, that conclusion can be called satisfactory which admitted him to be a disappointment. From the time that, as a shy, plain, little boy he first went to a school, and, after the habit of boys, ceased to exist except in theory and holidays, a steady undercurrent of interest had always set about him. His mother was so charming, and his father so delicate, and he himself so conveniently contemporary with so many daughters, that although the occasional glimpses vouchsafed of him during his Winchester and Oxford career were as discouraging as they were brief, it was confidently expected that he would emerge from his boyish shyness when he came to take his proper place in the county and settle down at Bruff. Thus Lady Eyrefield, and Mrs. Waller, and their like, the careful mothers of those contemporaneous daughters, and thus also, after their kind, the lesser ladies of Lismoyle.

But though Christopher was now seven and twenty he seemed as far from "taking his place in the county" as he had ever been. His mother's friends had no particular fault to find with him; that was a prominent feature in their dissatisfaction. He was quite good-looking enough for an eldest son, and his politeness to their daughters left them nothing to complain of except the discouraging fact that it was exceeded by his politeness to themselves. His readiness to talk when occasion demanded was undisputed, but his real or pretended dulness in those matters of local interest, which no one except an outsider calls gossip, made conversation with him a hollow and heartless affair. One of his most exasperating points was that he could not be referred to any known type. He was "between the sizes," as shopmen say of gloves. He was not smart and aggressive enough for the soldiering type, nor sporting enough for the country gentleman, but neither had he the docility and attentiveness of the ideal curate; he could not even be lightly disposed of as an eccentricity, which would have been some sort of consolation.

"If I ever could have imagined that Isabel Dysart's son would have turned out like this," said the Dowager Lady Eyrefield in a moment of bitterness, "I should not have given myself the trouble of writing to Castlemore about taking him out as his secretary. I thought all those functions and dinner parties would have done something for him, but though they polished up his manners, and improved that most painful and unfortunate stutter, he's at heart just as much a stick as ever."

Lismoyle was, according to its lights, equally nonplussed. Mrs. Baker had indeed suggested that it was sending him to these grand English universities, instead of to Trinity College, Dublin, that had taken the fun out of him in the first going off, and what finished him was going out to those Barbadoes, with all the blacks bowing down to him, and his liver growing the size of I don't know what with the heat. Mrs. Corkran, the widow of the late rector of Lismoyle, had, however, rejoined that she had always found Mr. Dysart a most humble-minded young man on the occasions when she had met him at his cousin Mrs. Gascogne's, and by no means puffed up with his rank or learning. This proposition Mrs. Baker had not attempted to dispute, but none the less she had felt it to be beside the point. She had not found that Christopher's learning had disposed him to come to her tennis parties, and she did not feel humility to be a virtue that graced a young man of property. Certainly, in spite of his humility, she could not venture to take him to task for his neglect of her entertainments as she could Mr. Hawkins; but then it is still more certain that Christopher would not, as Mr. Hawkins had often done, sit down before her, as before a walled town, and so skilfully entreat her that in five minutes all would have been forgiven and forgotten.

It was perhaps an additional point of aggravation that, dull and unprofitable though he was considered to be, Christopher had amus.e.m.e.nts of his own in which the neighbourhood had no part. Since he had returned from the West Indies, his three-ton cutter with the big Una sail had become one of the features of the lake, but though a red parasol was often picturesquely visible above the gunwale, the knowledge that it sheltered his sister deprived it of the almost painful interest that it might otherwise have had, and at the same time gave point to a snub that was unintentionally effective and comprehensive. There were many sunny mornings on which Mr. Dysart's camera occupied commanding positions in the town, or its outskirts, while its owner photographed groups of old women and donkeys, regardless of the fact that Miss Kathleen Baker, in her most becoming hat, had taken her younger sister from the schoolroom to play a showy game of lawn-tennis in the garden in front of her father's villa, or was, with Arcadian industry, cutting buds off the roses that dropped their pink petals over the low wall on to the road. It was quite inexplicable that the photographer should pack up his camera and walk home without taking advantage of this artistic opportunity beyond a civil lift of his cap; and at such times Miss Baker would re-enter the villa with a feeling of contempt for Mr. Dysart that was almost too deep for words.

She might have been partially consoled had she known that on a June morning not long after the latest of these repulses, her feelings were fully shared by the person whom, for the last two Sundays, she had looked at in the Dysart pew with a respectful dislike that implied the highest compliment in her power. Miss Evelyn Hope-Drummond stood at the bow-window of the Bruff drawing-room and looked out over the gravelled terrace, across the flower-garden and the sunk fence, to the clump of horse chestnuts by the lake-side. Beyond these the cattle were standing knee-deep in the water, and on the flat margin a pair of legs in white flannel trousers was all that the guest, whom his mother delighted to honour, could see of Christopher Dysart. The remainder of im wrestled beneath a black velvet pall with the helplessly wilful legs of his camera, and all his mind, as Miss Hope-Drummond well knew, was concentrated upon cows. Her first visit to Ireland was proving less amusing than she had expected, she thought, and as she watched Christopher she wished fervently that she had not offered to carry any of his horrid things across the park for him. In the flower-garden below the terrace she could see Lady Dysart and Pamela in deep consultation over an infirm rose-tree; a wheelbarrow full of pans of seedlings sufficiently indicated what their occupation would be for the rest of the morning, and she felt it was of a piece with the absurdities of Irish life that the ladies of the house should enjoy doing the gardener's work for him. The strong scent of heated Gloire de Dijon roses came through the window, and suggested to her how well one of them would suit with her fawn-coloured Redfern gown, and she leaned out to pick a beautiful bud that was swaying in the sun just within reach.

"Ha-a-ah! I see ye, missy! Stop picking my flowers! Push, James Canavan, you devil, you! Push!"

A bath-chair, occupied by an old man in a tall hat, and pushed by a man also in a tall hat, had suddenly turned the corner of the house, and Miss Hope-Drummond drew back precipitately to avoid the uplifted walking-stick of Sir Benjamin Dysart.

"Oh, fie, for shame, Sir Benjamin!" exclaimed the man who had been addressed as James Canavan.

"Pray, cull the rose, miss," he continued, with a flourish of his hand; "sweets to the sweet!"

Sir Benjamin aimed a backward stroke with his oak stick at his attendant, a stroke in which long practice had failed to make him perfect, and in the exchange of further amenities the party pa.s.sed out of sight. This was not Miss Hope-Drummond's first meeting with her host. His bath-chair had daily, as it seemed to her, lain in wait in the shrubberies, to cause terror to the solitary, and discomfiture to tete-a-tetes; and on one morning he had stealthily protruded the crook of his stick from the door of his room as she went by, and all but hooked her round the ankle with it.

"Really, it is disgraceful that he is not locked up," she said to herself crossly, as she gathered the contested bud, and sat down to write letters; "but in Ireland no one seems to think anything of anything!"

It was very hot down in the garden where Lady Dysart and Pamela were at work; Lady Dysart kneeling in the inadequate shade of a parasol, whose handle she had propped among the pans in the wheelbarrow, and Pamela weeding a flower-bed a few yards away. It was altogether a scene worthy in its domestic simplicity of the Fairchild Family only that instead of Mr. Fairchild, "stretched on the gra.s.s at a little distance with his book," a bronze-coloured dachshund lay roasting his long side in the sun; and also that Lady Dysart, having mistaken the young chickweed in a seedling pan for the asters that should have been there, was filling her bed symmetrically with the former, an imbecility that Mrs. Sherwood would never have permitted in a parent. The mother and daughter lifted their heads at the sound of the conflict on the terrace.

"Papa will frighten Evelyn into a fit," observed Pamela, rubbing a midge off her nose with an earthy gardening glove; "I wish James Canavan could be induced to keep him away from the house."

"It's all right, dear," said Lady Dysart, panting a little as she straightened her back and surveyed her rows of chickweed; "Christopher is with her, and you know he never notices anyone else when Christopher is there."

Lady Dysart had in her youth married, with a little judicious coercion, a man thirty years older than herself, and after a long and, on the whole, extremely unpleasant period of matrimony, she was now enjoying a species of Indian summer, dating from six years back, when Christopher's coming of age and the tenants' rejoicings thereat, had caused such a paroxysm of apoplectic jealousy on the part of Christopher's father as, combining with the heat of the day, had brought on "a stroke." Since then the bath-chair and James Canavan had mercifully intervened between him and the rest of the world, and his offspring were now able to fly before him with a frankness and success impossible in the old days.

Pamela did not answer her mother at once.

"Do you know I'm afraid Christopher isn't with her," she said, looking both guilty and perturbed.

Lady Dysart groaned aloud.

"Why, where is he?" she demanded "I left Evelyn helping him to paste in photographs after breakfast; I thought that would have been nice occupation for them for at least two hours; but as for Christopher-" she continued, her voice deepening to declamation, "it is quite hopeless to expect anything from him. I should rather trust Garry to entertain anyone. The day he took her out in the boat they weren't in till six o'clock!"

"That was because Garry ran the punt on the shallow, and they had to wade ash.o.r.e and walk all the way round."

"That has nothing to say to it; at all events they had something to talk about when they came back, which is more than Christopher has when he has been out sailing. It is most disheartening; I ask nice girls to the house, but I might just as well ask nice boys-Oh, of course, yes-" in answer to a protest from her daughter; "he talks to them; but you know quite well what I mean."

This complaint was not the first indication of Lady Dysart's sentiments about this curious son whom she had produced. She was a clever woman, a renowned solver of the acrostics in her society paper, and a holder of strong opinions as to the prophetic meaning of the Pyramids; but Christopher was an acrostic in a strange language, an enigma beyond her sphere. She had a vague but rooted feeling that young men were normally in love with somebody, or at least pretending to be so; it was, of course, an excellent thing that Christopher did not lose his heart to the wrong people, but she would probably have preferred the agitation of watching his progress through the most alarming flirtations to the security that deprived conversation with other mothers of much of its legitimate charm.

"Well, there was Miss Fetherstone," began Pamela after a moment of obvious consideration.

"Miss Fetherstone!" echoed Lady Dysart in her richest contralto, fixing eyes of solemn reproach upon her daughter; "do you suppose that for one instant I thought there was anything in that? No baby, no idiot baby, could have believed in it!"

"Well, I don't know," said Pamela; "I think you and Mrs. Waller believed in it, at least I remember your both settling what your wedding presents were to be!"

"I never said a word about wedding presents, it was Mrs. Waller! Of course she was anxious about her own niece, just as anybody would have been under the circ.u.mstances." Lady Dysart here became aware of something in Pamela's expression that made her add hurriedly, "Not that I ever had the faintest shadow of belief in it. Too well do I know Christopher's platonic philanderings; and you see the affair turned out just as I said it would.

Pamela refrained from pursuing her advantage.

"If you like I'll make him come with Evelyn and me to the choir practice this afternoon," she said after a pause. "Of course he'll hate it, poor boy, especially as Miss Mullen wrote to me the other day and asked us to come to tea after it was over."

"Oh, yes!" said Lady Dysart with sudden interest and forgetfulness of her recent contention, "and you will see the new importation whom we met with Mr. Lambert the other day. What a charming young creature she looked! 'The fair one with the golden locks' was the only description for her! And yet that miserable Christopher will only say that she is 'chocolate-boxey!' Oh! I have no patience with Christopher's affectation!" she ended, rising from her knees and brushing the earth from her extensive lap with a gesture of annoyance. She began to realise that the sun was hot and luncheon late, and it was at this unpropitious moment that Pamela, having finished the flower-bed she had been weeding, approached the scene of her mother's labours.

"Mamma," she said faintly, "you have planted the whole bed with chickweed!"

CHAPTER IX.

It had been hard work pulling the punt across from Bruff to Lismoyle with two well-grown young women sitting in the stern; it had been a hot walk up from the landing-place to the church, but worse than these, transcendentally worse, in that it involved the suffering of the mind as well as the body, was the choir practice. Christopher's long nose drooped despondingly over his Irish church hymnal, and his long back had a disconsolate hoop in it as he leaned it against the wall in his place in the backmost row of the choir benches. The chants had been long and wearisome, and the hymns were proving themselves equally enduring. Christopher was not eminently musical or conspicuously religious, and he regarded with a kind of dismal respect and surprise the fervour in Pamela's pure profile as she turned to Mrs. Gascogne and suggested that the hymn they had just gone through twice should be sung over again. He supposed it was because she had High Church tendencies that she was able to stand this sort of thing, and his mind drifted into abstract speculations as to how people could be as good as Pamela was and live.

In the interval before the last hymn he derived a temporary solace from finding his own name inscribed in dull red characters in the leaf of his hymn-book, with, underneath in the same colour, the fateful inscription, "Written in blood by Garrett Dysart." The thought of his younger brother utilising pleasantly a cut finger and the long minutes of the archdeacon's sermon, had for the moment inspired Christopher with a sympathetic amus.e.m.e.nt, but he had relapsed into his pristine gloom. He knew the hymn perfectly well by this time, and his inoffensive tenor joined mechanically with the other voices, while his eyes roamed idly over the two rows of people in front of him. There was nothing suggestive of ethereal devotion about Pamela's neighbours. Miss Mullen's heaving shoulders and extended jaw spoke of nothing but her determination to out-scream everyone else; Miss Hope-Drummond and the curate, on the bench in front of him, were singing primly out of the same hymn-book, the curate obviously frightened, Miss Hope-Drummond as obviously disgusted. The Misses Beattie were furtively eyeing Miss Hope-Drummond's costume; Miss Kathleen Baker was openly eyeing the curate, whose hymn-book she had been wont to share at happier choir practices, and Miss Fitzpatrick, seated at the end of the row, was watching from the gallery window with unaffected interest the progress of the usual weekly hostilities between Pamela's dachshund and the s.e.xton's cat, and was not even pretending to occupy herself with the business in hand. Christopher's eyes rested on her appraisingly, with the minute observation of short sight, fortified by an eyegla.s.s, and was aware of a small head with a fluffy halo of conventionally golden hair, a straight and slender neck, and an apple-blossom curve of cheek; he found himself wishing that she would turn a little further round.

The hymn had seven verses, and Pamela and Mrs. Gascogne were going inexorably through them all; the schoolmaster and schoolmistress, an estimable couple, sole prop of the choir on wet Sundays, were braying brazenly beside him, and this was only the second hymn. Christopher's D sharp melted into a yawn, and before he could screen it with his hymn-book, Miss Fitzpatrick looked round and caught him in the act. A suppressed giggle and a quick lift of the eyebrows instantly conveyed to him that his sentiments were comprehended and sympathised with, and he as instantly was conscious that Miss Mullen was following the direction of her niece's eye. Lady Dysart's children did not share her taste for Miss Mullen; Christopher vaguely felt some offensive flavour in the sharp smiling glance in which she included him and Francie, and an unexplainable sequence of thought made him suddenly decide that her niece was as second rate as might have been expected.

Never had the choir dragged so hopelessly; never had Mrs. Gascogne and Pamela compelled their victims to deal with so many and difficult tunes, and never at any previous choir practice had Christopher registered so serious a vow that under no pretext whatever should Pamela entice him there again. They were all sitting down now, while the leaders consulted together about the Kyrie, and the gallery cushions slowly turned to stone in their well-remembered manner. Christopher's ideas of church-going were inseparably bound up with those old gallery cushions. He had sat upon them ever since, as a small boy, he had chirped a treble beside his governess, and he knew every k.n.o.b in their anatomy. There is something blighting to the devotional tendencies in the atmosphere of a gallery. He had often formulated this theory for his own exculpation, lying flat on his back in a punt in some shady backwater, with the Oxford church bells reminding him reproachfully of Lismoyle Sundays, and of Pamela, the faithful, conscientious Pamela, whipping up the pony to get to church before the bell stopped. Now, after a couple of months' renewed acquaintance with the choir, the theory had hardened into a tedious truism, and when at last Christopher's long legs were free to carry him down the steep stairs, the malign influence of the gallery had brought their owner to the verge of free thought.

He did not know how it had happened or by whose disposition of the forces it had been brought about, but when Miss Mullen's tea-party detached itself from the other members of the choir at the churchyard gate, Pamela and Miss Hope-Drummond were walking on either side of their hostess, and he was behind with Miss Fitzpatrick.

"You don't appear very fond of hymns, Mr. Dysart," began Francie at once, in the pert Dublin accent that, rightly or wrongly, gives the idea of familiarity.

"People aren't supposed to look about them in church," replied Christopher with the peculiar suavity which, combined with his disconcerting infirmity of pausing before he spoke, had often baffled the young ladies of Barbadoes, and had acquired for him the reputation, perhaps not wholly undeserved, of being a prig.

"Oh, I daresay!" said Francie; "I suppose that's why you sit in the back seat, that no one'll see you doing it!"

There was a directness about this that Lismoyle would not have ventured on, and Christopher looked down at his companion with an increase of interest.

"No; I sit there because I can go to sleep."

"Well, and do you? and who do you get to wake you?"-her quick voice treading sharply on the heels of his quiet one-"I used always to have to sit beside Uncle Robert in church to pinch him at the end of the sermon."

"I find it very hard to wake at the end of the sermon too," remarked Christopher, with an experimental curiosity to see what Miss Mullen's unexpected cousin would say next.

"Do y' indeed?" said Francie, flashing a look at him of instant comprehension and complete sang froid. "I'll lend the schoolmistress a hat-pin if you like! What on earth makes men so sleepy in church I don't know," she continued; "at our church in Dublin I used to be looking at them. All the gentlemen sit in the corner seat next the aisle, because they're the most comfortable, y' know, and from the minute the clergyman gives out the text-" she made a little gesture with her hand, showing thereby that half the b.u.t.tons were off her glove- "they're snoring!"

How young she was, and how pretty, and how inexpressibly vulgar. Christopher thought all these things in turn, while he did what in him lay to continue the conversation in the manner expected of him. The effort was perhaps not very successful, as, after a few minutes, it was evident that Francie was losing her first freedom of discourse, and was casting about for topics more appropriate to what she had heard of Mr. Dysart's mental and literary standard.

"I hear you're a great photographer, Mr. Dysart," she began. "Miss Mullen says you promised to take a picture of her and her cats, and she was telling me to remind you of it. Isn't it awfully clever of you to be able to do it?"

To this form of question reply is difficult, especially when it is put with all the good faith of complete ignorance. Christopher evaded the imbecilities of direct response.

"I shall think myself awfully clever if I photograph the cats," he said.

"Clever!" she caught him up with a little shriek of laughter. "I can tell you you'll want to be clever! Are you able to photograph up the chimney or under Norry's bed? for that's where they always run when a man comes into the house, and if you try to stop them they'd claw the face off you! Oh, they're terrors!"

"It's very good of you to tell me all this in time," Christopher said, with a rather absent laugh. He was listening to Miss Mullen's voice, and realising, for the first time, what it would be to live under the same roof with her and her cats; and yet this girl seemed quite light-hearted and happy. "Perhaps, on the whole, I'd better stay away?" he said, looking at her, and feeling in the sudden causeless way in which often the soundest conclusions are arrived at, how vast was the chasm between her ideal of life and his own, and linking with the feeling a pity that would have been self-sufficient if it had not also been perfectly simple.

"Ah! don't say you won't come and take the cats!" Francie exclaimed.

They reached the Tally Ho gate as she spoke, and the others were only a step or two in front of them. Charlotte looked over her shoulder with a benign smile.

"What's this I hear about taking my cats?" she said jovially. "You're welcome to everything in my house, Mr. Dysart, but I'll set the police on you if you take my poor cats!"

"Oh, but I a.s.sure you-"

"He's only going to photo them," said Christopher and Francie together.

"Do you hear them, Miss Dysart?" continued Charlotte, fumbling for her latch key, "conspiring together to rob a poor lone woman of her only live stock!"

She opened the door, and as her visitors entered the hall they caught a glance of Susan's large, stern countenance regarding them with concentrated suspicion through the rails of the staircase.

"My beauty-boy!" shouted his mistress, as he vanished upstairs. "Steal him if you can, Mr. Dysart."

Miss Hope-Drummond looked rather more uninterested than is usual in polite society. When she had left the hammock, slung in the shade beside the tennis-ground at Bruff, it had not been to share Mr. Corkran's hymn-book; still less had it been to walk from the church to Tally Ho between Pamela and a woman whom, from having regarded as merely outree and incomprehensible, she had now come to look upon as rather impertinent. Irish society was intolerably mixed, she decided, as she sniffed the various odours of the Tally Ho hall, and, with some sub-connection of ideas, made up her mind that photography was a detestable and silly pursuit for men. While these thoughts were pa.s.sing beneath her accurately curled fringe, Miss Mullen opened the drawing-room door, and, as they walked in, a short young man in light grey clothes arose from the most comfortable chair to greet them.

There was surprise and disfavour in Miss Mullen's eye as she extended her hand to him.

"This is an unexpected pleasure, Mr. Hawkins," she said.

"Yes," answered Mr. Hawkins cheerfully, taking the hand and doing his best to shake it at the height prescribed by existing fashion, "I thought it would be; Miss. Fitzpatrick asked me to come in this afternoon; didn't you?" addressing himself to Francie. "I got rather a nasty jar when I heard you were all out, but I thought I'd wait for a bit. I knew Miss Dysart always gives 'em fits at the choir practice. All the same, you know, I should have begun to eat the cake if you hadn't come in."

The round table in the middle of the room was spread, in Louisa's accustomed fashion, as if for breakfast, and in the centre was placed a cake, coldly decked in the silver paper trappings that it had long worn in the grocer's window.

"'Twas well for you you didn't!" said Francie, with, as it seemed to Christopher, a most familiar and challenging laugh.

"Why?" inquired Hawkins, looking at her with a responsive eye. "What would you have done?"

"Plenty," returned Francie unhesitatingly; "enough to make you sorry anyway!"

Mr. Hawkins looked delighted, and was opening his mouth for a suitable rejoinder, when Miss Mullen struck in sharply: "Francie, go tell Louisa that I suppose she expects us to stir our tea with our fingers, for there's not a spoon on the table."

"Oh, let me go," said Hawkins, springing to open the door; "I know Louisa; she was very kind to me just now. She hunted all the cats out of the room." Francie was already in the hall, and he followed her.

The search for Louisa was lengthy, involving much calling for her by Francie, with falsetto imitations by Mr. Hawkins, and finally a pause, during which it might be presumed that the pantry was being explored. Pamela brought her chair nearer to Miss Mullen, who had begun wrathfully to stir her tea with the sugar-tongs, and entered upon a soothing line of questions as to the health and numbers of the cats; and Christopher, having cut the grocer's cake, and found that it was the usual conglomerate of tallow, saw-dust, bad eggs, and gravel, devoted himself to thick bread and b.u.t.ter, and to conversation with Miss Hope-Drummond. The period of second cups was approaching, when laughter, and a jingle of falling silver in the hall told that the search for Louisa was concluded, and Francie and Mr. Hawkins re-entered the drawing-room, the latter endeavouring, not unsuccessfully, to play the bones with four of Charlotte's best electro-plated teaspoons, while his brown boots moved in the furtive rhythm of an imaginary breakdown. Miss Mullen did not even raise her eyes, and Christopher and Miss Hope-Drummond continued their conversation unmoved; only Pamela acknowledged the histrionic intention with a sympathetic but nervous smile. Pamela's finger was always instinctively on the pulse of the person to whom she was talking, and she knew better than either Francie or Hawkins that they were in disgrace.

"I'd be obliged to you for those teaspoons, Mr. Hawkins, when you've quite done with them," said Charlotte, with an ugly look at the chief offender's self-satisfied countenance; "it's a good thing no one except myself takes sugar in their tea."

"We couldn't help it," replied Mr. Hawkins unabashed; "Louisa was out for a walk with her young man, and Miss Fitzpatrick and I had to polish up the teaspoons ourselves."

Charlotte received this explanation and the teaspoons in silence as she poured out the delinquents' tea; there were moments when she permitted herself the satisfaction of showing disapproval if she felt it. Francie accepted her cousin's displeasure philosophically, only betraying her sense of the situation by the expressive eye which she turned towards her companion in disgrace over the rim of her tea-cup. But Mr. Hawkins rose to the occasion. He gulped his tepid and bitter cup of tea with every appearance of enjoyment, and having arranged his small moustache with a silk handkerchief, addressed himself undauntedly to Miss Mullen.

"Do you know I don't believe you have ever been out in our tea-kettle, Miss Mullen. Captain Cursiter and I are feeling very hurt about it."

"If you mean by 'tea-kettle' that steamboat thing that I've seen going about the lake," replied Charlotte, making an effort to resume her first att.i.tude of suave and unruffled hospitality, and at the same time to administer needed correction to Mr. Hawkins, "I certainly have not. I have always been taught that it was manners to wait till you're asked."

"I quite agree with you, Miss Mullen," struck in Pamela; "we also thought that for a long time, but we had to give it up in the end and ask ourselves! You are much more honoured than we were."

"Oh, I say, Miss Dysart, you know it was only our grovelling humility," expostulated Hawkins, "and you always said it dirtied your frock and spoiled the poetry of the lake. You quite put us off taking anybody out. But we've pulled ourselves together now, Miss Mullen, and if you and Miss Fitzpatrick will fix an afternoon to go down the lake, perhaps if Miss Dysart says she's sorry we'll let her come too, and even, if she's very good, bring whoever she likes with her."

Mr. Hawkins' manner towards ladies had precisely that tone of self-complacent gallantry that Lady Dysart felt to be so signally lacking in her own son, and it was not without its effect even upon Charlotte. It is possible had she been aware that this special compliment to her had been arranged during the polishing of the teaspoons, it might have lost some of its value; but the thought of steaming forth with the Bruff party and "th' officers," under the very noses of the Lismoyle matrons, was the only point of view that presented itself to her.

"Well, I'll give you no answer till I get Mr. Dysart's opinion. He's the only one of you that knows the lake," she said more graciously. "If you say the steamboat is safe, Mr. Dysart, and you'll come and see we're not drowned by these harum-scarum soldiers, I've no objection to going."

Further discussion was interrupted by a rush and a scurry on the gravel of the garden path, and a flying ball of fur dashed up the outside of the window, the upper half of which was open, and suddenly realising its safety, poised itself on the sash, and crooned and spat with a collected fury at Mr. Hawkins' bull terrier, who leaped unavailingly below.

"Oh! me poor darling Bruffy!" screamed Miss Mullen, springing up and upsetting her cup of tea; "she'll be killed! Call off your dog, Mr. Hawkins!"

As if in answer to her call, a tall figure darkened the window, and Mr. Lambert pushed Mrs. Bruff into the room with the handle of his walking-stick.

"Hullo, Charlotte! Isn't that Hawkins' dog?" he began, putting his head in at the window, then, with a sudden change of manner as he caught sight of Miss Mullen's guests, "oh-I had no idea you had anyone here," he said, taking off his hat to as much of Pamela and Miss Hope-Drummond as was not hidden by Charlotte's bulky person, "I only thought I'd call round and see if Francie would like to come out for a row before dinner."

CHAPTER X.

Washerwomen do not, as a rule, a.s.similate the principles of their trade. In Lismoyle, the row of cottages most affected by ladies of that profession was, indeed, planted by the side of the lake, but except in winter, when the floods sent a muddy wash in at the kitchen doors of Ferry Row, the customers' linen alone had any experience of its waters. The clouds of steam from the cauldrons of boiling clothes ascended from morning till night, and hung in beads upon the sooty cobwebs that draped the rafters; the food and wearing apparel of the laundresses and their vast families mingled horribly with their professional apparatus, and, outside in the road, the filthy children played among puddles that stagnated under an iridescent sc.u.m of soap-suds. A narrow strip of goose-nibbled gra.s.s divided the road from the lake sh.o.r.e, and at almost any hour of the day there might be seen a slatternly woman or two kneeling by the water's edge, pounding the wet linen on a rock with a flat wooden weapon, according to the immemorial custom of their savage cla.s.s.

The Row ended at the ferry pier, and perhaps one reason for the absence of self-respect in the appearance of its inhabitants lay in the fact that the only pa.s.sers-by were the country people on their way to the ferry, which here, where the lake narrowed to something less than a mile, was the route to the Lismoyle market generally used by the dwellers on the opposite side. The coming of a donkey-cart down the Row was an event to be celebrated with hooting and stone-throwing by the children, and, therefore, it can be understood that when, on a certain still, sleepy afternoon Miss Mullen drove slowly in her phaeton along the line of houses, she created nearly as great a sensation as she would have made in Piccadilly.