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Purcell inquired, "Did you know the deceased?"
"I want to see Father Armano's church."
Purcell and Mercado exchanged glances, then Mercado said, "All right." He went inside to say arrivederci to the proprietor, then came out and informed his companions, "You never leave without saying good-bye."
Purcell said, "I'm impressed with your rustic etiquette."
Vivian said, "I think I could live in Sicily."
Purcell informed her, "Half the Italians in America are Sicilian. They couldn't live here."
"Maybe summers."
They walked across the piazza to the church and Vivian draped her scarf over her head as they climbed the steps.
The church of San Anselmo was big, built, Purcell thought, when more people lived here. The peaked roof showed exposed beams and rafters, and the thick stone walls were plastered and whitewashed. The altar, though, was of polished stone and gilded wood, and looked out of place in the simple setting, as did the intricate stained gla.s.s windows.
A white-draped coffin sat at the Communion rail and Father Rulli stood beside it, blessed it, then went up to the altar.
There were no pews, but a collection of wooden chairs were lined up in rows, and most of them were filled with the people of Berini and the surrounding farms. The three visitors took empty seats in the rear.
Father Rulli stood in the center of the altar, raised his arms, and greeted his flock in Italian. Everyone stood and the Ma.s.s of Christian burial began.
Purcell looked at Father Rulli, and he saw Father Armano, forty years ago; a young priest from this village who'd gone to the seminary and returned to his village, his family, his friends, and his church where he'd been baptized. In a perfect world, where there was no war, Father Giuseppe Armano might have stayed here until the burial Ma.s.s was for him. But the new Caesar in Rome had much grander plans for the Italian people, and the winds of war swept into Berini and carried off its sons.
Father Rulli was now at the lectern, speaking, Purcell imagined, of the mystery of death and of the promise of eternal life. Or maybe he was speaking well of the departed, because people were crying. Even Vivian, who had no clue who was in the coffin, was dabbing her eyes with a handkerchief.
Purcell returned to Father Armano, and wondered if the priest saw his life as wasted or as blessed for having seen and experienced a miracle. Probably, Purcell thought, the priest had had moments of doubt in his prison cell, but his faith and his experience in the black monastery had sustained him. And in the end, as he was dying, he had probably thought he was again blessed to be ending his life a free man, in the company of at least one, maybe two believers who would tell his family and the world of his fate and of what he had seen and experienced. He seemed at peace, Purcell recalled, ready for his journey home.
It occurred to Purcell that they didn't have to come to Berini, but it was the right thing to do; it was the right place to begin their own journey back to where this all began.
PART III.
Ethiopia.
The longest journey.
Is the journey inwards.
Of him who has chosen his destiny, Who has started upon his quest.
For the source of his being...
-Dag Hammarskjld, Markings.
Chapter 31.
Frank Purcell stood with his back to the bar, a drink in one hand and a cigarette in the other.
The Addis Ababa Hilton c.o.c.ktail lounge was filled with the usual clientele that one finds in times of war, pestilence, and famine, though it seemed to Purcell that there were far fewer news people here than in September-though more UN relief people and emba.s.sy reinforcements. And, as always, there were some shady-looking characters whose purpose here was unknown, but it had to do with either money or spying.
Another difference from the last time was that the rich Ethiopians seemed to have disappeared. The ones that weren't dead or in prison were at Etiopia in Rome. The Italian expats and businesspeople had also disappeared.
Purcell was happy to see that the newly arrived Soviet and Cuban advisors were not drinking in the Addis Hilton. The hotel demanded hard currency, which kept out the riffraff and the Reds.
He'd sent his telex to Vivian at the Forum Hotel, and to Mercado at the newspaper two days before, informing them he was alive and well at the Hilton. Now he was waiting for Vivian to arrive.
A few of his former colleagues had approached him in the two days since he'd been here, but they'd observed the unspoken rule of not asking any questions of a fellow reporter. He had, however, volunteered a few details about his trip to the front in September, his arrest and imprisonment, and his expulsion from the country. He was back, he said, on a.s.signment for L'Osservatore Romano. This was old news and didn't rate getting bought a drink, but they wished him good luck.
One reporter, a nice lady named Fran from AP, had informed him, "The crazy fun phase of the revolution is over. Almost everyone they wanted dead is dead or in jail, or on the run. Now they have to govern and they can't deal with the famine or the Eritrean separatists."
Purcell had asked her about the Gallas, but she didn't know or care much. The Gallas were not on the radar screens of anyone in the capital; they were like marauding lions, somewhere out there, with no political agenda. Plus, they were not available for comment.
He also asked, "How about the Royalist partisans?"
"They're finished."
He thought about Colonel Gann, who was returning to fight a lost cause. Colonel Gann would wind up dead this time.
Fran also informed him that the Falasha Jews were beginning an exodus, to Israel, and that was a good story.
Purcell looked up at the huge stained gla.s.s window that diffused the dying afternoon sunlight throughout the modern bar, and which would do credit to a European cathedral. The window was the work of a contemporary Ethiopian artist, done in a neoprimitive style, and told the story of the founding of the Ethiopian royal line. The first panel showed the black queen, Sheba, visiting Jerusalem with her attendants. The next panel showed them being received by King Solomon. The queen then returns to her homeland, and there she gives birth to a son, Menelik, the ancestor of the present emperor, who would also be the last emperor of Ethiopia, unless Colonel Gann could perform a miracle. Purcell wondered if the new government would allow that window to stay there. The hotel guests liked it.
He looked at his watch: 4:36. Vivian's plane had landed. Lovers meet at the airport. Reporters and their photographers do not if they are also lovers and don't want to advertise that relationship to the security apparatus, who might make use of the information. So for that reason, and also because L'Osservatore Romano was a Catholic enterprise, Vivian had her own room.
Purcell had, however, sent a hotel car and driver to meet her, and to report by telephone that the hotel guest had arrived and was safely through pa.s.sport control.
Purcell informed the bartender that he was waiting for this call.
He ordered another Jack Daniel's and perused an English-language newspaper on the bar. A small item tucked away inside the paper reported that the former monarch, Mr. Haile Sela.s.sie, remained under the protective custody of the Provisional Revolutionary government.
If Mr. Sela.s.sie was a younger man, Purcell knew, they'd have already executed him. But one of the advantages of advanced age-if there were any-was that people who wanted you dead only had to wait patiently. Also, the now Mr. Sela.s.sie was still popular in the West and killing him would further strain relations with Europe and America. Even the Soviet and Cuban advisors would argue against regicide in this case. The murdered Romanovs had become martyrs, and the modern Marxists wanted to avoid that this time.
Purcell thought back to Berini. Coffee and cannoli at the rectory of San Anselmo had not been as awful as he'd expected. The sister of Father Armano, Anna, was a sweet woman and she had taken to Vivian, despite Vivian's exotic appearance.
Vivian had told Anna that her brother had mentioned her by name, which made Anna weep. Anna told them that she had seen her brother in a dream, last year when there was much news of Ethiopia, and her brother was smiling, which according to Sicilian belief meant he was in heaven. Unfortunately, Anna couldn't recall the exact date of the dream, though with Vivian's prompting she agreed it could have been in September.
Coincidence? Not according to Vivian or Mercado, who took this as a further sign of divine design. Even he, Frank Purcell, found himself wanting to believe that Father Armano had traveled home for a last visit.
Father Rulli's small rectory had become filled with the near and distant relatives of the late Giuseppe Armano, and as Father Rulli explained, unnecessarily, "Sicilian families are large."
There were some language difficulties, but mostly everyone understood each other, and Mercado and Vivian repeated the story of how they and Signore Purcell, who spoke no Italian, had found Father Armano, mortally wounded, and how the priest had asked them to tell his family that he was thinking of them in his last moments. Everyone was very moved by the story, and no one asked why it had taken so long for the three giornalisti to come to Berini, though Mercado mentioned he'd been in an Ethiopian prison. An older man, who'd fought in Ethiopia, and was a cousin of Father Armano, said, "Ethiopia is a place of death. You should not return."
Vivian informed him and everyone that they were going to find the grave of Father Armano and bring back a mortal relic of the saint-to-be. Purcell thought this custom was ghoulish, but no one else there did.
The women disappeared at about 6 P.M., and cordials were served. At seven, the men excused themselves and Father Rulli invited his three guests to stay for dinner. Vivian wanted to stay, but it was obvious that Father Rulli wanted his guests to clear up some inconsistencies between their story and that of the Vatican beatification delegation, so Mercado reminded Vivian of their flight to Rome-which was actually the next day.
They thanked Father Rulli for his hospitality and a.s.sistance and promised to return to Berini after their a.s.signment in Ethiopia. The priest blessed them and their work and wished them a safe journey.
Outside, on the way to the car, Vivian said, "That was a very moving and wonderful experience."
Mercado agreed, and so did Purcell, though he'd had to rely on translations for the experience.
In the car, Vivian announced, "I got Father Armano's military address from Anna. She knew it by heart."
They drove to Corleone and spent the night in a small hotel, then caught a noon flight from Palermo back to Rome.
Mercado wrote to the Ministry of War on L'Osservatore Romano letterhead, saying he was doing an article on the Ethiopian war and requesting information such as unit logs on the battalion or regiment whose military designation he specified in his letter.
The response, unusually fast, informed him that all records of this regiment had been lost in Ethiopia.
And that was that.
As for Italian Army maps, which would be critical for their mission, Colonel Gann had informed them that he had a source in London for captured Italian maps. He also advised them not to visit the Italian Library in Addis Ababa, which he'd discovered was under some sort of state surveillance. So now they needed Colonel Gann and his maps before they could begin their journey, and Gann was scheduled to arrive on the twenty-fourth. He said he'd contact them at the Hilton, but if they didn't hear from him by the twenty-eighth, they were on their own.
Purcell looked at the telephone on the bar. He'd checked for telexes twice already, to see if Vivian-or Mercado-had tried to contact him. He picked up the phone, called the front desk, and asked again. The clerk informed him, "We will deliver any telex to you in the lounge, Mr. Purcell."
"And forward my phone calls here."
"Yes, sir."
He knew he should have gone to the airport to meet her, but they'd all agreed in Rome not to do that. Sounded good in Rome.
He ordered another drink and lit another cigarette. It was now 5:24, long past the time when she'd be through airport security. But probably the Alitalia flight from Rome was late.
He turned and looked at the patrons at the c.o.c.ktail tables. People gravitated toward the hotel bars in times of stress. They came to get news, or hear rumors, or because there actually is safety in numbers. Some of the patrons were quiet and withdrawn, and some were hyper. A feeling of unreality always permeated these softly lit islands of comfort, and sometimes a feeling of guilt; there was death and famine out there.
He looked up at the stained gla.s.s window again. The mid-January sun was almost gone, and when the light struck the huge window at this angle, Purcell could make out in the modern scene of the panorama, as well as in the ancient scene, a church or monastery. The artist chose to use black gla.s.s for the depiction of the church, and around it were dark green palms. Purcell wondered if the church was black by design or by the random choice of the artist. The dark green gla.s.s of the palms made the black church almost impossible to see except in a certain light, yet the remainder of the panorama was a contrast in light and dark. He stared at the gla.s.s as the sun sank lower and both the modern and ancient depictions of the same church-or monastery-disappeared, and the soft glow of the lounge lighting gave the stained gla.s.s an altogether different appearance.
The phone rang and the bartender answered it, then gave it to him.
"Purcell."
A woman with an Italian accent said, "This an Alitalia customer servizio."
"Yes?"
"I hava deliver to your room a young a lady."
He smiled and asked, "Is she naked?"
"Due minuto."
"I'll be right there."
Chapter 32.
Purcell and Vivian spent the next two days re-familiarizing themselves with the city, and reestablishing some press contacts and local contacts.
L'Osservatore Romano had no office in Addis, but the paper shared s.p.a.ce in the old Imperial Hotel with other transient reporters and freelancers who paid a small fee for a place to hang their hats and use the typewriters and telexes.
They also visited the American emba.s.sy to register their presence, and to see Anne, the consulate officer who'd come for Purcell in prison, and also for Vivian. Vivian gave Anne a pot of black African violets she'd picked up from a street vendor, and Anne gave them some advice: "You should not have returned."
Purcell a.s.sured her, "We'll try not to get arrested this time."
Purcell also wrote and filed a story about Ethiopian Catholic refugees from the fighting on the Eritrean border. He knew nothing about this, so in Mercado style, he made up most of it. But to give it a little twist, he mentioned his visit to the Ethiopian College in the Vatican, and praised the Catholic brothers there for their hospitality and their blessing of his journey to Ethiopia.
Vivian read his piece and asked, "How much of this is true?"
He reminded her, "The first casualty of war is the truth." He added, "We need to earn our keep. Take a picture of a beggar and caption it 'Catholic Refugee.' "
They checked for telexes twice a day to see if Henry Mercado had decided that Rome was a better place to be. But Mercado's only telex, that morning, said: ARRIVING ALITALIA, 4:23. CONFIRM.
Purcell sent him a telex confirming they were still alive and well, and looking forward to his arrival.
Purcell left a note for Mercado at the front desk saying he'd be in the bar at six, and now he and Vivian sat at a c.o.c.ktail table waiting to see if Henry had made it past the security people at the airport. It was 6:35.
Vivian looked up at the stained gla.s.s window and asked him, "Where are they keeping the emperor these days?"
"They're not saying."
"Do you think he's still alive?"
"If he was dead, they'd announce he died of natural causes." He reminded her, "He's the reason the ra.s.ses are still fighting."
"Who is the successor to the throne?"