The Purse Part 3

Hippolyte sat down in his studio, gazed at his picture without doing anything to it, seeing the figures through tears that swelled in his eyes, holding his brush in his hand, going up to the canvas as if to soften down an effect, but not touching it. Night fell, and he was still in this att.i.tude. Roused from his moodiness by the darkness, he went downstairs, met the old admiral on the way, looked darkly at him as he bowed, and fled.

He had intended going in to see the ladies, but the sight of Adelaide's protector froze his heart and dispelled his purpose. For the hundredth time he wondered what interest could bring this old prodigal, with his eighty thousand francs a year, to this fourth story, where he lost about forty francs every evening; and he thought he could guess what it was.

The next and following days Hippolyte threw himself into his work, and to try to conquer his pa.s.sion by the swift rush of ideas and the ardor of composition. He half succeeded. Study consoled him, though it could not smother the memories of so many tender hours spent with Adelaide.

One evening, as he left his studio, he saw the door of the ladies' rooms half open. Somebody was standing in the recess of the window, and the position of the door and the staircase made it impossible that the painter should pa.s.s without seeing Adelaide. He bowed coldly, with a glance of supreme indifference; but judging of the girl's suffering by his own, he felt an inward shudder as he reflected on the bitterness which that look and that coldness must produce in a loving heart. To crown the most delightful feast which ever brought joy to two pure souls, by eight days of disdain, of the deepest and most utter contempt!--A frightful conclusion. And perhaps the purse had been found, perhaps Adelaide had looked for her friend every evening.

This simple and natural idea filled the lover with fresh remorse; he asked himself whether the proofs of attachment given him by the young girl, the delightful talks, full of the love that had so charmed him, did not deserve at least an inquiry; were not worthy of some justification. Ashamed of having resisted the promptings of his heart for a whole week, and feeling himself almost a criminal in this mental struggle, he called the same evening on Madame de Rouville.

All his suspicions, all his evil thoughts vanished at the sight of the young girl, who had grown pale and thin.

"Good heavens! what is the matter?" he asked her, after greeting the Baroness.

Adelaide made no reply, but she gave him a look of deep melancholy, a sad, dejected look, which pained him.

"You have, no doubt, been working hard," said the old lady. "You are altered. We are the cause of your seclusion. That portrait had delayed some pictures essential to your reputation."

Hippolyte was glad to find so good an excuse for his rudeness.

"Yes," he said, "I have been very busy, but I have been suffering----"

At these words Adelaide raised her head, looked at her lover, and her anxious eyes had now no hint of reproach.

"You must have thought us quite indifferent to any good or ill that may befall you?" said the old lady.

"I was wrong," he replied. "Still, there are forms of pain which we know not how to confide to any one, even to a friendship of older date than that with which you honor me."

"The sincerity and strength of friendship are not to be measured by time. I have seen old friends who had not a tear to bestow on misfortune," said the Baroness, nodding sadly.

"But you--what ails you?" the young man asked Adelaide.

"Oh, nothing," replied the Baroness. "Adelaide has sat up late for some nights to finish some little piece of woman's work, and would not listen to me when I told her that a day more or less did not matter----"

Hippolyte was not listening. As he looked at these two n.o.ble, calm faces, he blushed for his suspicions, and ascribed the loss of his purse to some unknown accident.

This was a delicious evening to him, and perhaps to her too. There are some secrets which young souls understand so well. Adelaide could read Hippolyte's thoughts. Though he could not confess his misdeeds, the painter knew them, and he had come back to his mistress more in love, and more affectionate, trying thus to purchase her tacit forgiveness.

Adelaide was enjoying such perfect, such sweet happiness, that she did not think she had paid too dear for it with all the grief that had so cruelly crushed her soul. And yet, this true concord of hearts, this understanding so full of magic charm, was disturbed by a little speech of Madame de Rouville's.

"Let us have our little game," she said, "for my old friend Kergarouet will not let me off."

These words revived all the young painter's fears; he colored as he looked at Adelaide's mother, but he saw nothing in her countenance but the expression of the frankest good-nature; no double meaning marred its charm; its keenness was not perifidious, its humor seemed kindly, and no trace of remorse disturbed its equanimity.

He sat down to the card-table. Adelaide took side with the painter, saying that he did not know piquet, and needed a partner.

All through the game Madame de Rouville and her daughter exchanged looks of intelligence, which alarmed Hippolyte all the more because he was winning; but at last a final hand left the lovers in the old lady's debt.

To feel for some money in his pocket the painter took his hands off the table, and he then saw before him a purse which Adelaide had slipped in front of him without his noticing it; the poor child had the old one in her hand, and, to keep her countenance, was looking into it for the money to pay her mother. The blood rushed to Hippolyte's heart with such force that he was near fainting.

The new purse, subst.i.tuted for his own, and which contained his fifteen gold louis, was worked with gilt beads. The rings and ta.s.sels bore witness to Adelaide's good taste, and she had no doubt spent all her little h.o.a.rd in ornamenting this pretty piece of work. It was impossible to say with greater delicacy that the painter's gift could only be repaid by some proof of affection.

Hippolyte, overcome with happiness, turned to look at Adelaide and her mother, and saw that they were tremulous with pleasure and delight at their little trick. He felt himself mean, sordid, a fool; he longed to punish himself, to rend his heart. A few tears rose to his eyes; by an irresistible impulse he sprang up, clasped Adelaide in his arms, pressed her to his heart, and stole a kiss; then with the simple heartiness of an artist, "I ask for her for my wife!" he exclaimed, looking at the Baroness.

Adelaide looked at him with half-wrathful eyes, and Madame de Rouville, somewhat astonished, was considering her reply, when the scene was interrupted by a ring at the bell. The old vice-admiral came in, followed by his shadow, and Madame Schinner. Having guessed the cause of the grief her son vainly endeavored to conceal, Hippolyte's mother had made inquiries among her friends concerning Adelaide. Very justly alarmed by the calumnies which weighed on the young girl, unknown to the Comte de Kergarouet, whose name she learned from the porter's wife, she went to report them to the vice-admiral; and he, in his rage, declared "he would crop all the scoundrels' ears for them."

Then, prompted by his wrath, he went on to explain to Madame Schinner the secret of his losing intentionally at cards, because the Baronne's pride left him none but these ingenious means of a.s.sisting her.

When Madame Schinner had paid her respects to Madame de Rouville, the Baroness looked at the Comte de Kergarouet, at the Chevalier du Halga--the friend of the departed Comtesse de Kergarouet--at Hippolyte, and Adelaide, and said, with the grace that comes from the heart, "So we are a family party this evening."

PARIS, May 1832