The Primadonna Part 18

'I've not heard a word against you,' he answered, almost angrily. 'Why do you imagine such things?'

'Because I'm honest enough to own that your friendship has meant a great deal to me, even at a distance; and as I see that it has broken its neck at some fence or other, I'm natural enough to ask what the jump was like!'

He would not answer. He only looked at her suddenly for an instant, with a slight pinching of the lids, and his blue eyes glittered a little; then he turned away with a displeased air.

'Am I just or not?' Margaret asked, almost sternly.

'Yes, you are just,' he said, for it was impossible not to reply.

'And do you think it is just to me to change your manner altogether, without giving me a reason? I don't!'

'You will force me to say something I would rather not say.'

'That is what I am trying to do,' Margaret retorted.

'Since you insist on knowing the truth,' answered Lushington, yielding to what was very like necessity, 'I think you are very much changed since I saw you last. You do not seem to me the same person.'

For a moment Margaret looked at him with something like wonder, and her lips parted, though she said nothing. Then they met again and shut very tight, while her brown eyes darkened till they looked almost black; she turned a shade paler, too, and there was something almost tragic in her face.

'I'm sorry,' Lushington said, watching her, 'but you made me tell you.'

'Yes,' she answered slowly. 'I made you tell me, and I'm glad I did.

So I have changed as much as that, have I? In two years!'

She folded her hands on the little shelf of the empty music desk, bent far forwards and looked down between the polished wooden bars at the strings below, as if she were suddenly interested in the mechanism of the piano.

Lushington turned his eyes to the darkening windows, and both sat thus in silence for some time.

'Yes,' she repeated at last, 'I'm glad I made you tell me. It explains everything very well.'

Still Lushington said nothing, and she was still examining the strings. Her right hand stole to the keys, and she pressed down one note so gently that it did not strike; she watched the little hammer that rose till it touched the string and then fell back into its place.

'You said I should change--I remember your words.' Her voice was quiet and thoughtful, whatever she felt. 'I suppose there is something about me now that grates on your nerves.'

There was no resentment in her tone, nor the least intonation of sarcasm. But Lushington said nothing; he was thinking of the time when he had thought her an ideal of refined girlhood, and had believed in his heart that she could never stand the life of the stage, and would surely give it up in sheer disgust, no matter how successful she might be. Yet now, she did not even seem offended by what he had told her.

So much the better, he thought; for he was far too truthful to take back one word in order to make peace, even if she burst into tears.

Possibly, of the two, his reflections were sadder than hers just then, but she interrupted them with a question.

'Can you tell me of any one thing I do that jars on you?' she asked.

'Or is it what I say, or my way of speaking? I should like to know.'

'It's nothing, and it's everything,' answered Lushington, taking refuge in a commonplace phrase, 'and I suppose no one else would ever notice it. But I'm so awfully sensitive about certain things. You know why.'

She knew why; yet it was with a sort of wonder that she asked herself what there was in her tone or manner that could remind him of his mother; but though she had spoken quietly, and almost humbly, a cold and secret anger was slowly rising in her. The great artist, who held thousands spellbound and breathless, could not submit easily to losing in such a way the only friendship that had ever meant much to her. The man who had just told her that she had lost her charm for him meant that she was sinking to the level of her surroundings, and he was the only man she had ever believed that she loved. Two years ago, and even less, she would have been generously angry with him, and would have spoken out, and perhaps all would have been over; but those two years of life on the stage had given her the self-control of an actress when she chose to exercise it, and she had acquired an artificial command of her face and voice which had not belonged to her original frank and simple self. Perhaps Lushington knew that too, as a part of the change that offended his taste. At twenty-two, Margaret Donne would have coloured, and would have given him a piece of her young mind very plainly; Margarita da Cordova, aged twenty-four, turned a trifle paler, shut her lips, and was frigidly angry, as if some ignorant music-hall reporter had attacked her singing in print. She was convinced that Lushington was mistaken, and that he was merely yielding to that love of finding fault with what he liked which a familiar pa.s.sage in Scripture attributes to the Divinity, but with which many of us are better acquainted in our friends; in her opinion, such fault-finding was personal criticism, and it irritated her vanity, over-fed with public adulation and the sincere praise of musical critics. 'If you don't like me as I am, there are so many people who do that you don't count!' That was the sub-conscious form of her mental retort, and it was in the manner of Cordova, and not of Margaret.

Once upon a time, when his exaggerated sense of honour was driving him away, she had said rather foolishly that if he left her she would not answer for herself. She had felt a little desperate, but he had told her quietly that he, who knew her, would answer for her, and her mood had changed, and she had been herself again. But it was different this time. He meant much more than he said; he meant that she had lowered herself, and she was sure that he would not 'answer' for her now. On the contrary, it was his intention to let her know that he no longer believed in her, and perhaps no longer respected or trusted her. Yet, little by little, during their last separation, his belief in her, and his respect for her, had grown in her estimation, because they alone still connected her with the maidenliness and feminine refinement in which she had grown up. Lushington had broken a link that had been strong.

She was at one of the cross-roads of her life; she was at a turning point in the labyrinth, after pa.s.sing which it would be hard to come back and find the right way. Perhaps old Griggs could help her if it occurred to him; but that was unlikely, for he had reached the age when men who have seen much take people as they find them. Logotheti would certainly not help her, though she knew instinctively that she was still to him what she had always been, and that if he ever had the opportunity he sought, her chances of escape would be small indeed.

Therefore she felt more lonely after Lushington had spoken than she had ever felt since her parents had died, and much more desperate. But nothing in the world would have induced her to let him know it, and her anger against him rose slowly, and it was cold and enduring, as that sort of resentment is. She was so proud that it gave her the power to smile carelessly after a minute's silence, and she asked him some perfectly idle questions about the news of the day. He should not know that he had hurt her very much; he should not suspect for a moment that she wished him to go away.

She rose presently and turned up the lights, rang the bell, and when the window curtains were drawn, and tea was brought, she did everything she could to make Lushington feel at his ease; she did it out of sheer pride, for she did not meditate any vengeance, but was only angry, and wished to get rid of him without a scene.

At last he rose to go away, and when he held out his hand there was a dramatic moment.

'I hope you're not angry with me,' he said with a cheerful smile, for he was quite sure that she bore him no lasting grudge.

'I?'

She laughed so frankly and musically after p.r.o.nouncing the syllable, that he took it for a disclaimer.

So he went away, shutting the door after him in a contented way, not sharply as if he were annoyed with her, nor very softly and considerately as if he were sorry for her, but with a moderate, businesslike snap of the latch as if everything were all right.

She went back to the piano when she was alone, and sat down on the music-stool, but her hands did not go to the keys till she was sure that Lushington was already far from the house.

A few chords, and then she suddenly began to sing with the full power of her voice, as if she were on the stage. She sang Rosina's song in the _Barbiere di Siviglia_ as she had never sung it in her life, and for the first time the words pleased her.

'... una vipera sar!'

What 'nice English girl' ever told herself or any one else that she would be a 'viper'?

CHAPTER VII

Two days later Margaret was somewhat surprised by an informal invitation to dine at the Turkish Emba.s.sy. The Amba.s.sador had lately been transferred to London from Paris, where she had known him through Logotheti and had met him two or three times. The latter, as a Fanariote Greek, was a Turkish subject, and although he had once told Margaret that the Turks had murdered his father in some insurrection, and though he himself might have hesitated to spend much time in Constantinople, he nevertheless maintained friendly relations with the representatives of what was his country; and for obvious reasons, connected with Turkish finance, they treated him with marked consideration. On general principles and in theory Turks and Greeks hate each other; in practice they can live very amicably side by side.

In the many cases in which Armenians have been attacked and killed by the Turks no Greek has ever been hurt except by accident; on the other hand, none has lifted a hand to defend an Armenian in distress, which sufficiently proves that the question of religion has not been concerned at all.

Margaret accepted the Amba.s.sador's invitation, feeling tolerably sure of meeting Logotheti at the dinner. If there were any other women they would be of the meteoric sort, the fragments of former social planets that go on revolving in the old orbit, more or less divorced, bankrupt, or otherwise unsound, though still smart, the kind of women who are asked to fill a table on such occasions 'because they won't mind'--that is to say, they will not object to dining with a primadonna or an actress whose husband has become nebulous and whose reputation is mottled. The men, of whom there might be several, would be either very clever or overpoweringly n.o.ble, because all geniuses and all peers are supposed to like their birds of paradise a little high. I wonder why. I have met and talked with a good many men of genius, from Wagner and Liszt to Zola and some still living contemporaries, and, really, their general preference for highly correct social gatherings has struck me as phenomenal. There are even n.o.blemen who seem to be quite respectable, and pretend that they would rather talk to an honest woman at a dinner party than drink b.u.mpers of brut champagne out of Astarte's satin slipper.

Mustapha Pasha, the Turkish Amba.s.sador, was a fair, pale man of fifty, who had spiritual features, quiet blue eyes, and a pleasant smile. His hands were delicately made and very white, but not effeminate. He had been educated partly in England, and spoke English without difficulty and almost without accent, as Logotheti did. He came forward to meet Margaret as she entered the room, and he greeted her warmly, thanking her for being so good as to come at short notice.

Logotheti was the next to take her hand, and she looked at him attentively when her eyes met his, wondering whether he, too, would think her changed. He himself was not, at all events. Mustapha Pasha, a born Musalman and a genuine Turk, never arrested attention in an English drawing-room by his appearance; but Constantino Logotheti, the Greek, was an Oriental in looks as well as in character. His beautiful eyes were almond-shaped, his lips were broad and rather flat, and the small black moustache grew upwards and away from them so as not to hide his mouth at all. He had an even olive complexion, and any judge of men would have seen at a glance that he was thoroughly sound and as strong as a professional athlete. His coat had a velvet collar; a single emerald stud, worth several thousand pounds, diffused a green refulgence round itself in the middle of his very shiny shirt front; his waistcoat was embroidered and adorned with diamond b.u.t.tons, his trousers were tight, and his name, with those of three or four other European financiers, made it alternately possible or impossible for impecunious empires and kingdoms to raise money in England, France and Germany. In matters of business, in the East, the Jew fears the Greek, the Greek fears the Armenian, the Armenian fears the Persian, and the Persian fears only Allah. One reason why the Jews do not care to return to Palestine and Asia Minor is that they cannot get a living amongst Christians and Mohammedans, a plain fact which those eminent and charitable European Jews who are trying to draw their fellow-believers eastward would do well to consider. Even in Europe there are far more poor Jews than Christians realise; in Asia there are hardly any rich ones. The Venetians were too much for Shylock, and he lost his ducats and his daughter; amongst Christian Greeks, Christian Armenians, and Musalman Persians, from Constantinople to Tiflis, Teheran, Bagdad and Cairo, the poor man could not have saved sixpence a year.

This is not a mere digression, since it may serve to define Logotheti's position in the scale of the financial forces.

Margaret took his hand and looked at him just a little longer than she had looked at Mustapha Pasha. He never wrote to her, and never took the trouble to let her know where he was; but when they met his time was hers, and when he could be with her he seemed to have no other pre-occupation in life.

'I came over from Paris to-day,' he said. 'When may I come and see you?'

That was always the first question, for he never wasted time.

'To-morrow, if you like. Come late--about seven.'

The Amba.s.sador was on her other side. A little knot of men and one lady were standing near the fire in an expectant sort of way, ready to be introduced to Margaret. She saw the bony head of Paul Griggs, and she smiled at him from a distance. He was talking to a very handsome and thoroughbred looking woman in plain black velvet, who had the most perfectly beautiful shoulders Margaret had ever seen.