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The Poet at the Breakfast-Table Part 16

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I adjourned from the table in company with the old Master to his apartments. He was evidently in easy circ.u.mstances, for he had the best accommodations the house afforded. We pa.s.sed through a reception room to his library, where everything showed that he had ample means for indulging the modest tastes of a scholar.

--The first thing, naturally, when one enters a scholar's study or library, is to look at his books. One gets a notion very speedily of his tastes and the range of his pursuits by a glance round his bookshelves.

Of course, you know there are many fine houses where the library is a part of the upholstery, so to speak. Books in handsome binding kept locked under plate-gla.s.s in showy dwarf bookcases are as important to stylish establishments as servants in livery; who sit with folded arms, are to stylish equipages. I suppose those wonderful statues with the folded arms do sometimes change their att.i.tude, and I suppose those books with the gilded backs do sometimes get opened, but it is n.o.body's business whether they do or not, and it is not best to ask too many questions.

This sort of thing is common enough, but there is another case that may prove deceptive if you undertake to judge from appearances. Once in a while you will come on a house where you will find a family of readers and almost no library. Some of the most indefatigable devourers of literature have very few books. They belong to book clubs, they haunt the public libraries, they borrow of friends, and somehow or other get hold of everything they want, scoop out all it holds for them, and have done with it. When I want a book, it is as a tiger wants a sheep. I must have it with one spring, and, if I miss it, go away defeated and hungry.

And my experience with public libraries is that the first volume of the book I inquire for is out, unless I happen to want the second, when that is out.

--I was pretty well prepared to understand the Master's library and his account of it. We seated ourselves in two very comfortable chairs, and I began the conversation.

-I see you have a large and rather miscellaneous collection of books.

Did you get them together by accident or according to some preconceived plan?

--Both, sir, both,--the Master answered. When Providence throws a good book in my way, I bow to its decree and purchase it as an act of piety, if it is reasonably or unreasonably cheap. I adopt a certain number of books every year, out of a love for the foundlings and stray children of other people's brains that n.o.body seems to care for. Look here.

He took down a Greek Lexicon finely bound in calf, and spread it open.

Do you see that Hedericus? I had Greek dictionaries enough and to spare, but I saw that n.o.ble quarto lying in the midst of an ign.o.ble crowd of cheap books, and marked with a price which I felt to be an insult to scholarship, to the memory of Homer, sir, and the awful shade of AEschylus. I paid the mean price asked for it, and I wanted to double it, but I suppose it would have been a foolish sacrifice of coin to sentiment: I love that book for its looks and behavior. None of your "half-calf" economies in that volume, sir! And see how it lies open anywhere! There is n't a book in my library that has such a generous way of laying its treasures before you. From Alpha to Omega, calm, a.s.sured rest at any page that your choice or accident may light on. No lifting of a rebellious leaf like an upstart servant that does not know his place and can never be taught manners, but tranquil, well-bred repose.

A book may be a perfect gentleman in its aspect and demeanor, and this book would be good company for personages like Roger Ascham and his pupils the Lady Elizabeth and the Lady Jane Grey.

The Master was evidently riding a hobby, and what I wanted to know was the plan on which he had formed his library. So I brought him back to the point by asking him the question in so many words.

Yes,--he said,--I have a kind of notion of the way in which a library ought to be put together--no, I don't mean that, I mean ought to grow.

I don't pretend to say that mine is a model, but it serves my turn well enough, and it represents me pretty accurately. A scholar must shape his own sh.e.l.l, secrete it one might almost say, for secretion is only separation, you know, of certain elements derived from the materials of the world about us. And a scholar's study, with the books lining its walls, is his sh.e.l.l. It is n't a mollusk's sh.e.l.l, either; it 's a caddice-worm's sh.e.l.l. You know about the caddice-worm?

--More or less; less rather than more,--was my humble reply.

Well, sir, the caddice-worm is the larva of a fly, and he makes a case for himself out of all sorts of bits of everything that happen to suit his particular fancy, dead or alive, sticks and stones and small sh.e.l.ls with their owners in 'em, living as comfortable as ever. Every one of these caddice-worms has his special fancy as to what he will pick up and glue together, with a kind of natural cement he provides himself, to make his case out of. In it he lives, sticking his head and shoulders out once in a while, that is all. Don't you see that a student in his library is a caddice-worm in his case? I've told you that I take an interest in pretty much everything, and don't mean to fence out any human interests from the private grounds of my intelligence. Then, again, there is a subject, perhaps I may say there is more than one, that I want to exhaust, to know to the very bottom. And besides, of course I must have my literary harem, my pare aux cerfs, where my favorites await my moments of leisure and pleasure,--my scarce and precious editions, my luxurious typographical masterpieces; my Delilahs, that take my head in their lap: the pleasant story-tellers and the like; the books I love because they are fair to look upon, prized by collectors, endeared by old a.s.sociations, secret treasures that n.o.body else knows anything about; books, in short, that I like for insufficient reasons it may be, but peremptorily, and mean to like and to love and to cherish till death us do part.

Don't you see I have given you a key to the way my library is made up, so that you can apriorize the plan according to which I have filled my bookcases? I will tell you how it is carried out.

In the first place, you see, I have four extensive cyclopaedias. Out of these I can get information enough to serve my immediate purpose on almost any subject. These, of course, are supplemented by geographical, biographical, bibliographical, and other dictionaries, including of course lexicons to all the languages I ever meddle with. Next to these come the works relating to my one or two specialties, and these collections I make as perfect as I can. Every library should try to be complete on something, if it were only on the history of pin-heads.

I don't mean that I buy all the trashy compilations on my special subjects, but I try to have all the works of any real importance relating to them, old as well as new. In the following compartment you will find the great authors in all the languages I have mastered, from Homer and Hesiod downward to the last great English name.

This division, you see, you can make almost as extensive or as limited as you choose. You can crowd the great representative writers into a small compa.s.s; or you can make a library consisting only of the different editions of Horace, if you have s.p.a.ce and money enough. Then comes the Harem, the shelf or the bookcase of Delilahs, that you have paid wicked prices for, that you love without pretending to be reasonable about it, and would bag in case of fire before all the rest, just as Mr. Townley took the Clytie to his carriage when the anti-Catholic mob threatened his house in 1780. As for the foundlings like my Hedericus, they go among their peers; it is a pleasure to take them, from the dusty stall where they were elbowed by plebeian school-books and battered odd volumes, and give them Alduses and Elzevirs for companions.

Nothing remains but the Infirmary. The most painful subjects are the unfortunates that have lost a cover. Bound a hundred years ago, perhaps, and one of the rich old browned covers gone--what a pity! Do you know what to do about it? I 'll tell you,--no, I 'll show you. Look at this volume. M. T. Ciceronis Opera,--a dozen of 'em,--one of 'em minus half his cover, a poor one-legged cripple, six months ago,--now see him.

--He looked very respectably indeed, both covers dark, ancient, very decently matched; one would hardly notice the fact that they were not twins.

-I 'll tell you what I did. You poor devil, said I, you are a disgrace to your family. We must send you to a surgeon and have some kind of a Taliacotian operation performed on you. (You remember the operation as described in Hudibras, of course.) The first thing was to find a subject of similar age and aspect ready to part with one of his members. So I went to Quidlibet's,--you know Quidlibet and that hieroglyphic sign of his with the omniscient-looking eye as its most prominent feature,--and laid my case before him. I want you, said I, to look up an old book of mighty little value,--one of your ten-cent vagabonds would be the sort of thing,--but an old beggar, with a cover like this, and lay it by for me.

And Quidlibet, who is a pleasant body to deal with,--only he has insulted one or two gentlemanly books by selling them to me at very low-bred and shamefully insufficient prices,--Quidlibet, I say, laid by three old books for me to help myself from, and did n't take the trouble even to make me pay the thirty cents for 'em. Well, said I to myself, let us look at our three books that have undergone the last insult short of the trunkmaker's or the paper-mills, and see what they are. There may be something worth looking at in one or the other of 'em.

Now do you know it was with a kind of a tremor that I untied the package and looked at these three unfortunates, too humble for the companionable dime to recognize as its equal in value. The same sort of feeling you know if you ever tried the Bible-and-key, or the Sortes Virgiliance.

I think you will like to know what the three books were which had been bestowed upon me gratis, that I might tear away one of the covers of the one that best matched my Cicero, and give it to the binder to cobble my crippled volume with.

The Master took the three books from a cupboard and continued.

No. I. An odd volume of The Adventurer. It has many interesting things enough, but is made precious by containing Simon Browne's famous Dedication to the Queen of his Answer to Tindal's "Christianity as old as the Creation." Simon Browne was the Man without a Soul. An excellent person, a most worthy dissenting minister, but lying under a strange delusion.

Here is a paragraph from his Dedication:

"He was once a man; and of some little name; but of no worth, as his present unparalleled case makes but too manifest; for by the immediate hand of an avenging G.o.d, his very thinking substance has, for more than seven years, been continually wasting away, till it is wholly perished out of him, if it be not utterly come to nothing. None, no, not the least remembrance of its very ruins, remains, not the shadow of an idea is left, nor any sense that so much as one single one, perfect or imperfect, whole or diminished, ever did appear to a mind within him, or was perceived by it."

Think of this as the Dedication of a book "universally allowed to be the best which that controversy produced," and what a flood of light it pours on the insanities of those self-a.n.a.lyzing diarists whose morbid reveries have been so often mistaken for piety! No. I. had something for me, then, besides the cover, which was all it claimed to have worth offering.

No. II. was "A View of Society and Manners in Italy." Vol. III. By John Moore, M. D. (Zeluco Moore.) You know his pleasant book. In this particular volume what interested me most, perhaps, was the very spirited and intelligent account of the miracle of the liquefaction of the blood of Saint Januarius, but it gave me an hour's mighty agreeable reading. So much for Number Two.

No. III. was "An ESSAY On the Great EFFECTS of Even Languid and Unheeded LOCAL MOTION." By the Hon. Robert Boyle. Published in 1685, and, as appears from other sources, "received with great and general applause."

I confess I was a little startled to find how near this earlier philosopher had come to the modern doctrines, such as are ill.u.s.trated in Tyndall's "Heat considered as a Mode of Motion." He speaks of "Us, who endeavor to resolve the Phenomena of Nature into Matter and Local motion." That sounds like the nineteenth century, but what shall we say to this? "As when a bar of iron or silver, having been well hammered, is newly taken off of the anvil; though the eye can discern no motion in it, yet the touch will readily perceive it to be very hot, and if you spit upon it, the brisk agitation of the insensible parts will become visible in that which they will produce in the liquor." He takes a bar of tin, and tries whether by bending it to and fro two or three times he cannot "procure a considerable internal commotion among the parts "; and having by this means broken or cracked it in the middle, finds, as he expected, that the middle parts had considerably heated each other.

There are many other curious and interesting observations in the volume which I should like to tell you of, but these will serve my purpose.

--Which book furnished you the old cover you wanted?--said I.

--Did he kill the owl?--said the Master, laughing. [I suppose you, the reader, know the owl story.]--It was Number Two that lent me one of his covers. Poor wretch! He was one of three, and had lost his two brothers.

From him that hath not shall be taken even that which he hath. The Scripture had to be fulfilled in his case. But I couldn't help saying to myself, What do you keep writing books for, when the stalls are covered all over with 'em, good books, too, that n.o.body will give ten cents apiece for, lying there like so many dead beasts of burden, of no account except to strip off their hides? What is the use, I say? I have made a book or two in my time, and I am making another that perhaps will see the light one of these days. But if I had my life to live over again, I think I should go in for silence, and get as near to Nirvana as I could. This language is such a paltry tool! The handle of it cuts and the blade doesn't. You muddle yourself by not knowing what you mean by a word, and send out your unanswered riddles and rebuses to clear up other people's difficulties. It always seems to me that talk is a ripple and thought is a ground swell. A string of words, that mean pretty much anything, helps you in a certain sense to get hold of a thought, just as a string of syllables that mean nothing helps you to a word; but it's a poor business, it's a poor business, and the more you study definition the more you find out how poor it is. Do you know I sometimes think our little entomological neighbor is doing a sounder business than we people that make books about ourselves and our slippery abstractions? A man can see the spots on a bug and count 'em, and tell what their color is, and put another bug alongside of him and see whether the two are alike or different. And when he uses a word he knows just what he means. There is no mistake as to the meaning and ident.i.ty of pulex irritans, confound him!

--What if we should look in, some day, on the Scarabeeist, as he calls himself?--said I.--The fact is the Master had got agoing at such a rate that I was willing to give a little turn to the conversation.

--Oh, very well,--said the Master,--I had some more things to say, but I don't doubt they'll keep. And besides, I take an interest in entomology, and have my own opinion on the meloe question.

--You don't mean to say you have studied insects as well as solar systems and the order of things generally?

--He looked pleased. All philosophers look pleased when people say to them virtually, "Ye are G.o.ds." The Master says he is vain const.i.tutionally, and thanks G.o.d that he is. I don't think he has enough vanity to make a fool of himself with it, but the simple truth is he cannot help knowing that he has a wide and lively intelligence, and it pleases him to know it, and to be reminded of it, especially in an oblique and tangential sort of way, so as not to look like downright flattery.

Yes, yes, I have amused a summer or two with insects, among other things. I described a new taba.n.u.s,--horsefly, you know,--which, I think, had escaped notice. I felt as grand when I showed up my new discovery as if I had created the beast. I don't doubt Herschel felt as if he had made a planet when he first showed the astronomers Georgium Sidus, as he called it. And that reminds me of something. I was riding on the outside of a stagecoach from London to Windsor in the year--never mind the year, but it must have been in June, I suppose, for I bought some strawberries. England owes me a sixpence with interest from date, for I gave the woman a shilling, and the coach contrived to start or the woman timed it so that I just missed getting my change. What an odd thing memory is, to be sure, to have kept such a triviality, and have lost so much that was invaluable! She is a crazy wench, that Mnemosyne; she throws her jewels out of the window and locks up straws and old rags in her strong box.

[De profundis! said I to myself, the bottom of the bushel has dropped out! Sancta--Maria, ora pro n.o.bis!]

--But as I was saying, I was riding on the outside of a stage-coach from London to Windsor, when all at once a picture familiar to me from my New England village childhood came upon me like a reminiscence rather than a revelation. It was a mighty bewilderment of slanted masts and spars and ladders and ropes, from the midst of which a vast tube, looking as if it might be a piece of ordnance such as the revolted angels battered the walls of Heaven with, according to Milton, lifted its muzzle defiantly towards the sky. Why, you blessed old rattletrap, said I to myself, I know you as well as I know my father's spectacles and snuff-box! And that same crazy witch of a Memory, so divinely wise and foolish, travels thirty-five hundred miles or so in a single pulse-beat, makes straight for an old house and an old library and an old corner of it, and whisks out a volume of an old cyclopaedia, and there is the picture of which this is the original. Sir William Herschel's great telescope! It was just about as big, as it stood there by the roadside, as it was in the picture, not much different any way. Why should it be? The pupil of your eye is only a gimlet-hole, not so very much bigger than the eye of a sail-needle, and a camel has to go through it before you can see him.

You look into a stereoscope and think you see a miniature of a building or a mountain; you don't, you 're made a fool of by your lying intelligence, as you call it; you see the building and the mountain just as large as with your naked eye looking straight at the real objects.

Doubt it, do you? Perhaps you'd like to doubt it to the music of a couple of gold five-dollar pieces. If you would, say the word, and man and money, as Messrs. Heenan and Morrissey have it, shall be forthcoming; for I will make you look at a real landscape with your right eye, and a stereoscopic view of it with your left eye, both at once, and you can slide one over the other by a little management and see how exactly the picture overlies the true landscape. We won't try it now, because I want to read you something out of my book.

--I have noticed that the Master very rarely fails to come back to his original proposition, though he, like myself, is fond of zigzagging in order to reach it. Men's minds are like the pieces on a chess-board in their way of moving. One mind creeps from the square it is on to the next, straight forward, like the p.a.w.ns. Another sticks close to its own line of thought and follows it as far as it goes, with no heed for others' opinions, as the bishop sweeps the board in the line of his own color. And another cla.s.s of minds break through everything that lies before them, ride over argument and opposition, and go to the end of the board, like the castle. But there is still another sort of intellect which is very apt to jump over the thought that stands next and come down in the unexpected way of the knight. But that same knight, as the chess manuals will show you, will contrive to get on to every square of the board in a pretty series of moves that looks like a pattern of embroidery, and so these zigzagging minds like the Master's, and I suppose my own is something like it, will sooner or later get back to the square next the one they started from.

The Master took down a volume from one of the shelves. I could not help noticing that it was a shelf near his hand as he sat, and that the volume looked as if he had made frequent use of it. I saw, too, that he handled it in a loving sort of way; the tenderness he would have bestowed on a wife and children had to find a channel somewhere, and what more natural than that he should look fondly on the volume which held the thoughts that had rolled themselves smooth and round in his mind like pebbles on a beach, the dreams which, under cover of the simple artifices such as all writers use, told the little world of readers his secret hopes and aspirations, the fancies which had pleased him and which he could not bear to let die without trying to please others with them? I have a great sympathy with authors, most of all with unsuccessful ones. If one had a dozen lives or so, it would all be very well, but to have only a single ticket in the great lottery, and have that drawn a blank, is a rather sad sort of thing. So I was pleased to see the affectionate kind of pride with which the Master handled his book; it was a success, in its way, and he looked on it with a cheerful sense that he had a right to be proud of it. The Master opened the volume, and, putting on his large round gla.s.ses, began reading, as authors love to read that love their books.

--The only good reason for believing in the stability of the moral order of things is to be found in the tolerable steadiness of human averages.

Out of a hundred human beings fifty-one will be found in the long run on the side of the right, so far as they know it, and against the wrong.

They will be organizers rather than disorganizers, helpers and not hinderers in the upward movement of the race. This is the main fact we have to depend on. The right hand of the great organism is a little stronger than the left, that is all.

Now and then we come across a left-handed man. So now and then we find a tribe or a generation, the subject of what we may call moral left-handedness, but that need not trouble us about our formula. All we have to do is to spread the average over a wider territory or a longer period of time. Any race or period that insists on being left-handed must go under if it comes in contact with a right-handed one. If there were, as a general rule, fifty-one rogues in the hundred instead of forty-nine, all other qualities of mind and body being equally distributed between the two sections, the order of things would sooner or later end in universal disorder. It is the question between the leak and the pumps.

It does not seem very likely that the Creator of all things is taken by surprise at witnessing anything any of his creatures do or think. Men have sought out many inventions, but they can have contrived nothing which did not exist as an idea in the omniscient consciousness to which past, present, and future are alike Now.

We read what travellers tell us about the King of Dahomey, or the Fejee Island people, or the short and simple annals of the celebrities recorded in the Newgate Calendar, and do not know just what to make of these brothers and sisters of the race; but I do not suppose an intelligence even as high as the angelic beings, to stop short there, would see anything very peculiar or wonderful about them, except as everything is wonderful and unlike everything else.

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The Poet at the Breakfast-Table Part 16 summary

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