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The Old Wives' Tale Part 67

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There is only my bedroom, and I want that. What are we to do?"

"Listen," he suggested diffidently. "Will you do me the honour to come for a drive? That will do you good. There is sunshine. And you are always very pale."

"With pleasure," she agreed cordially.

While dressing, she heard him walking up and down the corridor; occasionally they exchanged a few words. Before leaving, Sophia pulled off the paper from one of the key-holes of the sealed suite of rooms, and they peered through, one after the other, and saw the green glow of the sulphur, and were troubled by its uncanniness. And then Sophia refixed the paper.

In descending the stairs of the house she felt the infirmity of her knees; but in other respects, though she had been out only once before since her illness, she was conscious of a sufficient strength. A disinclination for any enterprise had prevented her from taking the air as she ought to have done, but within the flat she had exercised her limbs in many small tasks. The little Chirac, nervously active and restless, wanted to take her arm, but she would not allow it.

The concierge and part of her family stared curiously at Sophia as she pa.s.sed under the archway, for the course of her illness had excited the interest of the whole house. Just as the carriage was driving off, the concierge came across the pavement and paid her compliments, and then said:

"You do not know by hazard why Madame Foucault has not returned for lunch, madame?"

"Returned for lunch!" said Sophia. "She will not come back till to-morrow."

The concierge made a face. "Ah! How curious it is! She told my husband that she would return in two hours. It is very grave! Question of business."

"I know nothing, madame," said Sophia. She and Chirac looked at each other. The concierge murmured thanks and went off muttering indistinctly.

The fiacre turned down the Rue Laferriere, the horse slipping and sliding as usual over the cobblestones. Soon they were on the boulevard, making for the Champs Elysees and the Bois de Boulogne.

The fresh breeze and bright sunshine and the large freedom of the streets quickly intoxicated Sophia--intoxicated her, that is to say, in quite a physical sense. She was almost drunk, with the heady savour of life itself. A mild ecstasy of well-being overcame her. She saw the flat as a horrible, vile prison, and blamed herself for not leaving it sooner and oftener. The air was medicine, for body and mind too. Her perspective was instantly corrected. She was happy, living neither in the past nor in the future, but in and for that hour. And beneath her happiness moved a wistful melancholy for the Sophia who had suffered such a captivity and such woes. She yearned for more and yet more delight, for careless orgies of pa.s.sionate pleasure, in the midst of which she would forget all trouble. Why had she refused the offer of Laurence? Why had she not rushed at once into the splendid fire of joyous indulgence, ignoring everything but the crude, sensuous instinct? Acutely aware as she was of her youth, her beauty, and her charm, she wondered at her refusal. She did not regret her refusal. She placidly observed it as the result of some tremendously powerful motive in herself, which could not be questioned or reasoned with--which was, in fact, the essential HER.

"Do I look like an invalid?" she asked, leaning back luxuriously in the carriage among the crowd of other vehicles.

Chirac hesitated. "My faith! Yes!" he said at length. "But it becomes you. If I did not know that you have little love for compliments, I--"

"But I adore compliments!" she exclaimed. "What made you think that?"

"Well, then," he youthfully burst out, "you are more ravishing than ever."

She gave herself up deliciously to his admiration.

After a silence, he said: "Ah! if you knew how disquieted I was about you, away there...! I should not know how to tell you. Veritably disquieted, you comprehend! What could I do? Tell me a little about your illness."

She recounted details.

As the fiacre entered the Rue Royale, they noticed a crowd of people in front of the Madeleine shouting and cheering.

The cabman turned towards them. "It appears there has been a victory!"

he said.

"A victory! If only it was true!" murmured Chirac, cynically.

In the Rue Royale people were running frantically to and fro, laughing and gesticulating in glee. The customers in the cafes stood on their chairs, and even on tables, to watch, and occasionally to join in, the sudden fever. The fiacre was slowed to a walking pace. Flags and carpets began to show from the upper storeys of houses. The crowd grew thicker and more febrile. "Victory! Victory!" rang hoa.r.s.ely, shrilly, and hoa.r.s.ely again in the air.

"My G.o.d!" said Chirac, trembling. "It must be a true victory! We are saved! We are saved! ... Oh yes, it is true!"

"But naturally it is true! What are you saying?" demanded the driver.

At the Place de la Concorde the fiacre had to stop altogether. The immense square was a sea of white hats and flowers and happy faces, with carriages anch.o.r.ed like boats on its surface. Flag after flag waved out from neighbouring roofs in the breeze that tempered the August sun. Then hats began to go up, and cheers rolled across the square like echoes of firing in an enclosed valley. Chirac's driver jumped madly on to his seat, and cracked his whip.

"Vive la France!" he bawled with all the force of his lungs.

A thousand throats answered him.

Then there was a stir behind them. Another carriage was being slowly forced to the front. The crowd was pushing it, and crying, "Ma.r.s.eillaise! Ma.r.s.eillaise!" In the carriage was a woman alone; not beautiful, but distinguished, and with the a.s.sured gaze of one who is accustomed to homage and mult.i.tudinous applause.

"It is Gueymard!" said Chirac to Sophia. He was very pale. And he too shouted, "Ma.r.s.eillaise!" All his features were distorted.

The woman rose and spoke to her coachman, who offered his hand and she climbed to the box seat, and stood on it and bowed several times.

"Ma.r.s.eillaise!" The cry continued. Then a roar of cheers, and then silence spread round the square like an inundation. And amid this silence the woman began to sing the Ma.r.s.eillaise. As she sang, the tears ran down her cheeks. Everybody in the vicinity was weeping or sternly frowning. In the pauses of the first verse could be heard the rattle of horses' bits, or a whistle of a tug on the river. The refrain, signalled by a proud challenging toss of Gueymard's head, leapt up like a tropical tempest, formidable, overpowering. Sophia, who had had no warning of the emotion gathering within her, sobbed violently. At the close of the hymn Gueymard's carriage was a.s.saulted by worshippers. All around, in the tumult of shouting, men were kissing and embracing each other; and hats went up continually in fountains.

Chirac leaned over the side of the carriage and wrung the hand of a man who was standing by the wheel.

"Who is that?" Sophia asked, in an unsteady voice, to break the inexplicable tension within her.

"I don't know," said Chirac. He was weeping like a child. And he sang out: "Victory! To Berlin! Victory!"

V

Sophia walked alone, with tired limbs, up the damaged oak stairs to the flat. Chirac had decided that, in the circ.u.mstances of the victory, he would do well to go to the offices of his paper rather earlier than usual. He had brought her back to the Rue Breda. They had taken leave of each other in a sort of dream or general enchantment due to their partic.i.p.ation in the vast national delirium which somehow dominated individual feelings. They did not define their relations. They had been conscious only of emotion.

The stairs, which smelt of damp even in summer, disgusted Sophia. She thought of the flat with horror and longed for green places and luxury.

On the landing were two stoutish, ill-dressed men, of middle age, apparently waiting. Sophia found her key and opened the door.

"Pardon, madame!" said one of the men, raising his hat, and they both pushed into the flat after her. They stared, puzzled, at the strips of paper pasted on the doors.

"What do you want?" she asked haughtily. She was very frightened. The extraordinary interruption brought her down with a shock to the scale of the individual.

"I am the concierge," said the man who had addressed her. He had the air of a superior artisan. "It was my wife who spoke to you this afternoon. This," pointing to his companion, "this is the law. I regret it, but ..."

The law saluted and shut the front door. Like the concierge, the law emitted an odour--the odour of uncleanliness on a hot August day.

"The rent?" exclaimed Sophia.

"No, madame, not the rent: the furniture!"

Then she learnt the history of the furniture. It had belonged to the concierge, who had acquired it from a previous tenant and sold it on credit to Madame Foucault. Madame Foucault had signed bills and had not met them. She had made promises and broken them. She had done everything except discharge her liabilities. She had been warned and warned again. That day had been fixed as the last limit, and she had solemnly a.s.sured her creditor that on that day she would pay. On leaving the house she had stated precisely and clearly that she would return before lunch with all the money. She had made no mention of a sick father.

Sophia slowly perceived the extent of Madame Foucault's duplicity and moral cowardice. No doubt the sick father was an invention. The woman, at the end of a tether which no ingenuity of lies could further lengthen, had probably absented herself solely to avoid the pain of witnessing the seizure. She would do anything, however silly, to avoid an immediate unpleasantness. Or perhaps she had absented herself without any particular aim, but simply in the hope that something fortunate might occur. Perhaps she had hoped that Sophia, taken unawares, would generously pay. Sophia smiled grimly.

"Well," she said. "I can't do anything. I suppose you must do what you have to do. You will let me pack up my own affairs?"

"Perfectly, madame!"

She warned them as to the danger of opening the sealed rooms. The man of the law seemed prepared to stay in the corridor indefinitely. No prospect of delay disturbed him.

Strange and disturbing, the triumph of the concierge! He was a locksmith by trade. He and his wife and their children lived in two little dark rooms by the archway--an insignificant fragment of the house. He was away from home about fourteen hours every day, except Sundays, when he washed the courtyard. All the other duties of the concierge were performed by the wife. The pair always looked poor, untidy, dirty, and rather forlorn. But they were steadily levying toll on everybody in the big house. They ama.s.sed money in forty ways. They lived for money, and all men have what they live for. With what arrogant gestures Madame Foucault would descend from a carriage at the great door! What respectful att.i.tudes and tones the ageing courtesan would receive from the wife and children of the concierge! But beneath these conventional fictions the truth was that the concierge held the whip. At last he was using it. And he had given himself a half-holiday in order to celebrate his second acquirement of the ostentatious furniture and the crimson lampshades. This was one of the dramatic crises in his career as a man of substance. The national thrill of victory had not penetrated into the flat with the concierge and the law. The emotions of the concierge were entirely independent of the Napoleonic foreign policy.

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The Old Wives' Tale Part 67 summary

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