The Old Homestead Part 52

"Then, there is Frederick," continued Mary, "who loved his father so much, and who is so full of kindness to us both--he wishes to make up for the wrong his father did."

"He has been kind to you, not to me; you are his pet, I am Mrs.

Farnham's," said Isabel, a little petulantly. "I shouldn't so much mind if I were in your place, but from her"--

"He has been very kind to you, Isabel; was it nothing to buy all the pretty things you have told me of in your chamber, out of his own pocket-money too?"

"What, my pretty bed, and the lace curtains, and that carpet, did he buy them?" exclaimed Isabel, eagerly.

"Yes, they were his choice, and for you."

"Who told you this, Mary? I--I'm so surprised--so glad. Who told you about it, dear Mary?"

"Joseph Esmond. Fred made a confidant of him, and they went together to look at the things."

"And that's what makes my room different from his mother's. Oh, Mary, I wish you could see it--so white, so fresh and breezy, and hers so hot looking and smothered up with silk. How I shall love that dear room after this."

After a moment Isabel's face lost its sparkling expression. She was accusing herself of selfishness.

"But why did he get nothing of the kind for you, Mary!" she said very seriously.

"Oh, I'm to be brought up so differently, such things would look queer enough at the Old Homestead, you know," answered Mary, laughing.

Isabel shook her head, but there was light in her eyes, and a rich color in her cheeks. She no longer felt it wicked to receive kindness from the Farnhams, and her little heart beat with grat.i.tude to them, the first she had ever felt, for the pretty things with which she was surrounded.

"Come," she said cheerfully, gathering up her ap.r.o.n with its treasure of leaves. "How long we have been sitting here. It is almost sun-down."

Mary started up. True enough, the woods were flooded with a dusky purple, and the sunset was shooting its golden arrows everywhere among the trees around them.

It seemed as if some of the maple boughs had taken fire, they kindled up so like living flame. The fruit of a frost-grape vine that had clambered up one of the slender elms overhead, took a richness from the atmosphere and hung amid the leaves like cl.u.s.tering amethysts growing dusky in the shadow, and when they left it the hemlock log which they had occupied was flecked with gleams of light, that lay among its soft green like a delicate embroidery of gold.

"It is so very beautiful," said Mary, looking around, "I hate to go yet."

"But it will be dark and the hill is steep," persisted Isabel, less enthralled by the scene. "Do hurry, the sun is sinking fast--we will come every day next week, just as soon as school is out."

Mary drew a deep breath and followed. Isabel led the way out of the woods.

The next time Mary went there it was alone, for in the morning Mrs.

Farnham left for the city, with scarcely an hour's notice--and a week from that time Isabel Chester was entered as a scholar in one of the most fashionable boarding-schools in New York.

Mary Fuller continued in her school, pursuing a strangely desultory course of studies, but improving greatly both in intellect and health.

Where her heart urged the effort, her progress was wonderful, and it was not three months before the most neatly written letters that went out from the village post-office, were known to be in Mary Fuller's handwriting.

Joseph Esmond and Isabel Chester, these were her only correspondents, and she was indeed a proud girl when the answers came directed entirely to herself. That day was an epoch in Mary's life.

Sometimes Mary broke over the rules of the school by drawing profiles and rude landscapes in her copy-book and on the slate, till the teacher, detecting her one day, examined the productions with a smile, and gave her a few rudimental lessons in drawing. These rough efforts of her pencil happened to come under Judge Sharp's observation, and he who never forgot the smallest thing that could make others happy, brought her some brushes and a box of water-colors from the city.

True genius requires but little encouragement, and most frequently develops itself against opposition. This little box of paints and pencils was enough to bring forth a latent talent, and the enthusiasm that had exhausted itself in tears of delight on the hill-side, grew into a power of creation. This beautiful development became a strong bond of sympathy between her and the boy-artist, Joseph Esmond. In truth, Mary was drawing many sources of happiness around her, as the good can never fail of doing.

But we cannot follow this strange child through her school life, so monotonous, and yet full of incident, or what seemed such to her inexperience. All studies that she undertook were singularly broken up and independent. Indeed, I much doubt if regular methodical teaching can ever be applied to a nature like hers. Such organisms generally study through the taste and heart.

Certain it is, Mary Fuller, whom no one understood, except, it may be, Enoch Sharp, through his acute observation, and uncle Nathan through his great warm heart, had pretty much her own way, and oftener studied poems and histories from Judge Sharp's library, than anything else even in the schoolroom. Thus her mind grew and thrived in its own rich fancies; and in the wholesome atmosphere of the old homestead her heart expanded and lost nothing of its native goodness. It is wonderful how soon the scholars forgot to think her plain, if anything is wonderful which genius and goodness has the power to accomplish.

Thus three years wore on, and each day was one of progression to that young mind.

Besides this, Mary began to grow; the invigorating air of the mountains, wholesome food, and active habits, had overcome the deficiencies of her former life, and though still slight and unusually small, she ceased to look like a mere child.

I dare not say that Mary was beautiful, or even handsome, for she was still a plain little creature, and persons who could not understand her might cavil at the a.s.sertion; yet, to aunt Hannah and uncle Nat--yes, and to the Judge also--one might venture to say that Mary was a very interesting girl, and, at times really pretty; but, then, these persons loved her very dearly, and affection is, proverbially, a great beautifier of the face. Yes, on the day she received her letters, almost any one would have thought the young girl pretty, but, then, it was not her features that looked lovely, but the deep, bright joy that broke over them.

CHAPTER x.x.xIV.

SUNSET IN AN ITALIAN CATHEDRAL.

A dim, religious light came softly stealing Along the solemn stillness of those aisles-- The sculptured arch and groined roof revealing-- As the bright present on tradition smiles.

But Isabel Chester. I wish you could have seen her as she stood upon the deck of the Atlantic steamer, which was to convey the Farnhams to Europe! Those large almond-shaped eyes, velvety and soft, yet capable of intense brilliancy--that raven hair, so glossy and with a purple glow in it, and those oval cheeks, with their peachy richness of bloom. Indeed, Isabel was very beautiful. No wonder she was embarra.s.sed, with all that quant.i.ty of bouquets, and seemed a little annoyed by their profusion; for young Farnham was looking on, and he did not appear particularly well pleased.

Isabel was not the least of a flirt, but she really could not prevent all this crowd of persons coming down to see her off, with lavish flowers and more lavish compliments; besides, what right had Fred to be angry? he was not even a brother!

Mrs. Farnham was delighted with this display of her protege's popularity. It seemed to cast a reflected glory on herself, and she began to calculate, very seriously, on marrying so much beauty to a Prince of the blood, at least, of whose palace she was herself to dispense the honors. But Frederick Farnham had little time to devote even to the jealousy this crowd of admirers was calculated to excite, if, in reality, he cared for the matter at all. He was looking eagerly over the side of the steamer, as if in expectation of some one who had not arrived.

At last his eyes brightened, and he threw out his handkerchief as a signal.

A young man who stood near the gangway answered this recognition with a wave of the hand; a moment after he was on the deck, and Isabel came gladly forward.

"Dear Joseph! this is so kind of you; we heard that your father was worse, and hardly expected you," she said.

"He is worse, but I could not let you and Farnham go away for so long without a parting word," answered the youth, reaching his hand to Frederick, who held it affectionately in his.

"Don't say anything sorrowful now, or you will set me off into another crying fit," said Isabel, striving to laugh back the tears that came into her eyes, as she turned away, burying her face in the flowers with which she was still enc.u.mbered.

"Come this way one moment, Edward, I want to speak with you," said young Farnham, drawing the young artist aside. "I want you to paint me a picture, old fellow, anything you please!"

"Shall I paint Isabel from memory?" said the young man, with a quiet smile, glancing at the young girl.

Farnham blushed.

"You can't do it, Joseph; no pencil on earth can paint her! but--but if you are not joking, I should like it of all things."

"I can make the effort," was the good-natured reply.

"And will?"

"And will!"

"Thank you, Esmond, you are a capital fellow, now let me--let me. It isn't half what a picture of her would be worth."