The Old Blood Part 5

She laughed without understanding why, except that she was liking this frank American cousin better and better. Indeed, the glow of a new emotion, sounding through years which had had their omnipresent sadness, had possessed her since she had looked at the portrait in the dining-room. The cheer of it was in her voice as she called outside Henriette's door to know if she needed anything; and then after she had pa.s.sed Helen's door she remembered Helen and called to her also.

Henriette made a leisurely business of her toilet before the mirror.

Why shouldn't she? It was merely a fit expression of sincere grat.i.tude for nature's kindness. She might enjoy the grace of the movement of her fingers in caressing expertness around the face that she saw as she arranged her hair.

Helen come up from the kitchen with a blistered finger and her cheeks hot from the oven heat, saw that same face looking back at her. Often she had wished for some magic that would show a new one. Plain people, she thought, ought at least to have a change of plain faces for variety's sake. If others were as tired of her own as she was, she wondered how anybody on earth could look at it except as a punishment.

As long as she knew that her face was clean, why should she pay any attention to it? She might have made more of her hair, which fell below her waist in abundant glory; but if she took pains with it she had that face in front of her during the process. So she ever gave her hair a hurried doing in order to escape enforced companionship with her features. To-night they insisted on a prolonged glance of attention.

She made a grimace which was reflected back, and then she laughed at the reflection, making light of her self-consciousness, only to become more self-conscious and blushing, as if caught in a secret. For she saw that she was at her best when she laughed. Then her mobile features, including the lumpy nose, made harmony with the beaming mischief of her eyes and the gleam of her regular teeth.

"If I wore a mask over my nose and a perpetual grin I might be an advertis.e.m.e.nt for a dentist, at least!" she thought, only to purse out her lips in a "Poof!" as she turned away from the mirror. Then a sigh, whose prolongation apprised her of its existence and brought a shrug of disgust. The next impulse turned her to some charcoal drawings on the table--her own offspring. She loved them, punished them, disowned them at intervals. Now she took up one after the other, critically turning her head, wrinkling her brow, grumbling under her breath, and even sticking out her tongue in indecorous fashion at her own handiwork.

"I never can!" she cried. "I'm no good! Oh, cusses!"

So long was she preoccupied with the inspection, oblivious of seventeenth cousins and the strawberry shortcake thing, that she had to "jump" into her gown when the gong sounded, which was no new thing for her. It was not much of a gown. That being the case, why not jump into it? If it appeared to be thrown on it would be more harmonious with her style of beauty. What did it matter, anyway, when the harder you tried to draw the worse you drew?

The gown which Henriette wore was a good deal of a gown, as even the eye of the man who grasps effects (which are all that he is meant to grasp) and not the details which make the effects might see. Its simplicity, perhaps, made it as suitable for dinner at the vicarage as at a more pretentious board. Experts who charge more for their talents than for the material they use had fashioned it to make the most of Henriette, a delightful task because she supplied talent with such a good start. However, she was not satisfied with the gown after her inspection of it before the mirror, though possibly better pleased when she saw its effect on the seventeenth cousin.

Mrs. Sanford had seated Philip under the portrait across from Helen.

When Henriette was seated at his side, the gown which had set off her figure so attractively as she entered the room became only the vase from which rose the flower of her white shoulders and the white column of neck supporting the small head. She did not appear to direct the talk, yet it seemed only natural that she should be its creative spirit. Mostly it was between the two. The vicar and his wife were glad enough to listen and to exchange glance after glance at the portrait behind Phil's chair. Henriette frequently spoke of "we,"

which meant herself and Helen, as if they were inseparable; and if Helen spoke it was in answer to some reference which her sister made to her.

"I am the talker, you see," she said, "and Helen is the wise one."

"If I keep still," Helen interjected, "and let Henriette say that I'm wise, she is so convincing that lots of people think that I really am."

Phil was not the first traveller who hardly realised that he was having a meal at the same time that he sat next to a pretty girl at dinner.

An exclamation from the others first apprised him that the strawberry shortcake thing had arrived. By all external criteria it might have come from the kitchen at Longfield. The main body was properly accompanied by a satellite bowl of crushed berries.

"You cut it," said Helen to Phil.

He did as bidden.

"Now!"

He tasted it with judicial care.

"Amazing!" he declared. "Let no one say that England's insularity means lack of adaptability. Next to my mother's, it is the best I've ever eaten. I must give my compliments to the cook."

"I will for you," put in Helen.

"But the object is proselytisation," said Phil. "I wait on the opinion of others."

The vicar took a mouthful and then another; his wife followed the same process; and--well, they both had second helpings. The strawberry shortcake thing had won no less a victory at Truckleford than had Virginia ham.

"It wasn't the taxation without representation on Virginia ham and shortcake that led to your Declaration of Independence, was it?" the vicar asked jocularly.

"No, that was tea," Phil replied. "Afterwards we became a nation of coffee drinkers, further to prove our independence."

"When you come to Mervaux," Henriette said, "Jacqueline will make you forest strawberry tartlets as only a French cook can and omelets so light that they have to be weighed down lest they fly out of the window when they are brought to table. We're all for art at Mervaux."

She again had the monopoly of his attention.

"Do you allow spectators?" he asked. "May I lie on the gra.s.s and watch you paint, or shall I be required to pull up trees and rearrange the landscape?"

"It depends. I----" she murmured thoughtfully as she stirred her coffee.

Helen did not hear what they were saying. If they were preoccupied with each other, she was preoccupied with the portrait. The living face underneath the frame was in the same pose as its prototype.

Phil's unconsciousness of what was so apparent to other eyes gave dramatic point to the situation. At last she could restrain herself no longer. She cut into Henriette's sentence with her outcry:

"Look! You must look!"

For him there was a sudden transition from a concentration of attention on Henriette to Helen's eyes, flaming with intensity, not lacking in mischief, as she leaned across the table.

"Where?" he asked.

"I didn't mean to shout as if there were an alarm of fire. Look at the portrait behind you!"

He turned and under the lettering of "General Thomas Sanford" he saw a clear-cut, positive face, lean, with a humorous curve to the mouth and eyes surveying the world with ready candour. When he turned back he was conscious of a silence and that all were watching him.

"Don't you see it?" asked Helen, speaking what was in the mind of the others.

"The portrait, yes. What has happened to it?" he asked. He was a little wary of something lurking in the eyes of the plain girl opposite him. They seemed to have unexplored depths. If she were having some joke on him he would feel his way, this stranger in foreign climes, and leave the next move to her.

"Of course you don't," she said. "Wait! Everybody wait!" She was gone on the errand of her impulse.

"You never know quite what Helen is going to do next," Henriette explained.

"Her French blood," murmured Mrs. Sanford.

Helen returned bearing a mirror which she had taken from above her washstand.

"Of course you didn't see it. They say that if one met his double in the street he would be the last to recognise it," she told Phil, as she held the mirror at such an angle that both General Thomas Sanford's face and his own were reflected.

Phil drew back startled after a first glance, to look into Helen's eyes expressive of her intense enjoyment of the situation; and then irresistibly he looked again in the mirror. Two and a half centuries stood between the two Sanfords. Add thirty years to those of the man sitting at the table and dress him in the same garb as the man in the portrait and it would be difficult to tell them apart. Phil was not more thrilled than confused. And then another face appeared beside his in the mirror. It was Henriette's, peeping in at the edge, her lips parted in a teasing smile.

"Very like, isn't it?" she said softly.

"Yes," he murmured to the reflection; and the reflection was gone, leaving him alone with that of the ancestor.

"The old blood!" exclaimed the vicar, with deep emotion. "His brother was the founder of the American family and your father and you and I are the only male descendants. Wait!" And he left the room.

"Which means that the plot thickens, I suppose," Phil remarked, with an accusing look at Helen.

"Honestly, I'm in the dark about his intentions," she said, still holding the mirror. The humour of the situation suddenly smote her, and she was laughing as she had into that same mirror before dinner.

She noted a shade of surprise in his eyes, and realisation that the cause of it was his discovery that when she laughed she did have a certain charm that brought the blood to her cheeks. She had been caught posing--nothing less. The laugh died; not even a smile remained. The lump of nose, the irregular features, the broad mouth--she was her plain, usual self again.

"Go on laughing!" he exclaimed, unconsciously voicing his thought in his surprise. "I mean----" embarra.s.sedly, "it's your joke. I believe your conscience is already troubling you for the trick."