The Night Stalker_ A Novel Of Suspense Part 29

An ugly sound broke my concentration. Turning around in my chair, I saw Lefty standing in the middle of the room, belting out a drunken ballad. He sounded like a cat being strangled.

"Hey," I called out.

Lefty stopped singing. "What's your problem, mate?"

"I think it's your voice," I said.

"Don't you like music?"

"That's not music."

The Dwarfs hooted and hollered. Lefty glared at me.

"Can you do better?" Lefty asked.

I couldn't sing worth a d.a.m.n. But if I didn't respond, Lefty was going to think he'd won, and go back to torturing me. Then I remembered the jukebox sitting in the trunk of my car.

"Give me a minute, and I'll let you hear what real music sounds like," I said.

"Sure you will," Lefty said.

With Sonny's help, I mounted the jukebox onto a wall in the bar, and plugged it in. As colored neon flowed magically through the gla.s.s tubes, the Dwarfs crowded around me, oohing and awwing like a bunch of dumbstruck kids.

"Play something," one of them said.

The playlist contained dozens of cla.s.sic rock 'n' roll songs. I dropped a dime into the machine, and Elvis Presley's "Don't Be Cruel" filled the bar. The Dwarfs danced in place and clapped their hands. I returned to my chair, and Sonny served me a cold beer.

"You made Lefty's day," Sonny said.

I glanced across the bar. Lefty was dancing by his stool, and having more fun than anyone in the room. His voice didn't sound nearly as bad singing backup, and he winked at me as he belted out the lyrics.

You know I can be found,Sitting home all alone,If you can't come around,At least please telephone.Don't be cruel to a heart that's true.

An alarm went off inside my head. I lowered my drink to the table, and picked up the photograph of Sampson. For a long moment, I simply stared at it.

Sampson was being held in a hotel room with a telephone jack, but no telephone. He was also being kept in a dog crate. The two things hadn't seemed connected, but now I realized that they were. Sampson had used the phone in the hotel room to call 911, only the drug enforcers had caught him. Fearful that he'd try again, they'd taken the phone out of the room, and stuck him in a dog crate. The kid had nearly rescued himself.

The song ended, and Lefty came over to where I sat.

"Still don't like my singing?" he asked.

I stood up and hugged the old drunk.

"It's beautiful," I said.

Standing in the parking lot beside the bar, I called Burrell on my cell. My heart was beating so fast I could hear a ba.s.s line in my ears. With a little help from Burrell, I was going to find Sampson. Her voice mail picked up. I left a message saying it was urgent, and asked her to call me back.

I waited a few minutes, and called again. Still no answer. I scrolled through the address book of my cell, and discovered I didn't have her home number.

The stairs groaned as I ran upstairs to my rented room. From my closet I removed the cardboard box containing the c.r.a.p from my police department days, and dumped it on the bed, praying my address book hadn't gotten lost. My address book contained the phone numbers of every cop I'd ever worked with. Work numbers, cell numbers, and home numbers. The home phone numbers were all unlisted. Finding Burrell's, I punched it into my cell, and heard the call go through.

"Pick up the phone," I said.

She didn't answer. Her home address was also in my book. Burrell lived on Sheridan Street in Hollywood, just a few miles away.

I ran down the stairs, Buster on my heels.

CHAPTER FORTY.

I arrived at Burrell's apartment building a few minutes later. The architecture of south Florida was of two distinct schools: before the great land grab of the eighties, and after. The stuff built before was low-key and charming, the stuff after towering and harsh. Burrell's building was six stories of concrete and gla.s.s, and I waved to the dozing guard inside the booth and drove in. arrived at Burrell's apartment building a few minutes later. The architecture of south Florida was of two distinct schools: before the great land grab of the eighties, and after. The stuff built before was low-key and charming, the stuff after towering and harsh. Burrell's building was six stories of concrete and gla.s.s, and I waved to the dozing guard inside the booth and drove in.

I found Burrell's Mustang and parked beside it. She was home, and I wondered why she hadn't picked up her phone. It gave me a bad feeling, and I grabbed Buster and went inside the building.

Burrell lived on the first floor, and I walked down a hallway filled with dinner smells while trying to remember the last home-cooked meal I'd eaten. Reaching her door, I stopped and banged a greeting. When she didn't answer, my nervousness grew.

I went to her neighbor's door and knocked. The door opened, and a young woman holding a kid appeared.

"Who are you?" she asked suspiciously.

"I'm a friend of Candy's," I said. "Have you seen her around?"

"Boyfriend?"

"No, just a friend. We used to work together."

"You a cop?"

"Ex-cop. I'm worried about her."

I've been told that I wear my emotions on my sleeve. The woman decided I was telling the truth and went into her living room, leaving the door open. With her palm she banged on the wall separating her apartment from Burrell's.

"Hey, Candy, some guy's here checking up on you!"

I thanked the woman and went to Burrell's door. It opened, and Burrell greeted me wearing a fluffy white bathrobe and slippers. Her hair was pinned up, the expression on her face a cross between disgust and pure anger.

"Jesus Christ, Jack, what is it now?" she asked.

"I guess I caught you at a bad time."

"Whatever gave you that idea?"

My ability to state the obvious was a sore point with every woman I'd ever known. Burrell crossed her arms and glared at me. I was hoping she'd ask me inside, and when she didn't, I looked up and down the hallway to make sure it was empty.

"I know how to find the hotel where Sampson Grimes is being kept," I said.

"You do? How?"

From my pocket I removed the photograph printed off Tim Small's computer, and gave it to her. "Sally Haskell's guy figured out that there's a phone jack in Sampson's room, but no phone. I think Sampson tried to call 911, and the drug enforcers caught him. I need you to check all interrupted 911 calls that occurred after Sampson's abduction, and backtrack them to their place of origin. If any match the address of an Armwood hotel that's now a crack den, we'll know where Sampson is being held."

While Burrell studied the photo, I glanced into her apartment. A candle was burning on the dining room table next to a bottle of wine. Then I looked at her. Her hair was doing the tango, and her skin emitted the heady aroma of s.e.x. She'd been dating another detective in Missing Persons for a while, and I guessed he was visiting.

"It's worth a shot," she said. "We need to go to headquarters, and put a trace on those calls."

"I'm ready when you are," I replied.

An awkward silence followed. I realized Burrell wasn't going to invite me inside, but didn't know how to say it without offending me. I decided to save her.

"I'll go walk my dog, and meet you in the parking lot," I said.

She smiled thinly and shut the door.

I followed her Mustang to headquarters, and we went upstairs to the War Room. A skeleton staff worked the night shift, and Burrell got on the phone and put them to work. A short while later, a deputy came into the War Room, and handed Burrell a printout of all interrupted 911 calls on the days since Sampson's disappearance.

"How many calls are there?" I asked.

Burrell ran her finger down the page. "About a hundred each day. I'll start with the first day, and read them aloud while you look for a match."

The sales transcript for Armwood hotels lay on the oval table in the room's center. As Burrell read off the address of each interrupted 911 call, I looked through the transcript for a match. Several times Burrell stumbled, and had to repeat herself.

"Still not wearing gla.s.ses, huh?" I said.

"My vision is fine," she said testily. "This print is faint."

"Wal-Mart has a special going on, three pairs of reading gla.s.ses for ten bucks. They have an eye chart right there in the store."

"Shut up, Jack."

At midnight, we had reached the third day of interrupted 911 calls and still hadn't gotten a hit. Burrell's eyes betrayed her weariness.

"I don't know about this," she said.

"I'll bet you it's the last call on the page you're looking at."

"You think so?"

"Yes. It's how the G.o.ds punish us."

Burrell read the last address. It was on Broward Boulevard, and I pored through the transcript and found an Armwood hotel at the same address.

"It's a match," I said.

We consulted the map of south Florida spread across the table. The seven thumbtacks showing known crack dens in Broward were still stuck in the map. I pointed at the thumbtack on Broward Boulevard.

"The call came from here," I said.

"I know that address," Burrell said. "It's in one of the worst sections of town."

My wife believed that everything happened for a reason. There was a reason that I'd found Sampson's whereabouts when I had, and I knew that I needed to rescue him right away. I started across the room.

"Where are you going?" Burrell said.

"Where do you think I'm going?" I replied.

"Cool your jets. I'm calling for backup."

Burrell got on the phone and ordered reinforcements. The War Room had a panoramic view of the county, and my eyes scanned the sea of shimmering lights until I'd found Broward Boulevard, and the block where Sampson was being held. He was right around the corner, and I was going to bring him home.

Burrell appeared by my side. "Everyone's in bed, and can't get over here for an hour or more. I know you're not a fan, but what would you think if I called Whitley?"

I clenched my teeth. Whitley had done nothing to help the investigation. But if he was the only person available, I wasn't going to say no.

"Go ahead," I said.

CHAPTER FORTY-ONE.

We went downstairs to the parking lot and waited for Whitley. I had worked with the FBI on busts before, and it was always the same. They talked, and you listened.

Whitley pulled into the lot driving a black SUV with tinted windows. He got out of his vehicle, said h.e.l.lo to Burrell, and nodded to me. His leather jacket was unzipped, and I spied a big sidearm strapped to his waist. He looked ready for bear.

"Let's go," he said.

I pointed at my car on the other side of the empty lot.

"Let's take my vehicle," I said. "It's in the worst shape."

"Does that make a difference?" Whitley asked.