The Music Master Part 1

The Music Master.

by Charles Klein.

Chapter One

Anton Von Barwig rapped on the conductor's desk for silence and laid down his baton. The hundred men const.i.tuting the Leipsic Philharmonic Orchestra stopped playing as if by magic, and those who looked up from their music saw in their leader's face, for the first time in their three years' experience under his direction, a pained expression of helplessness.

"Either I can't hear you this morning, or the first violins are late in attacking and the wood wind drags--drags--drags."

"What's the matter? We've played this a hundred times," growled Karlschmidt, the ba.s.s clarionet player, to Poons, the Dutch horn soloist, who sat at the desk next to him.

Karlschmidt was a socialist, a student of Karl Marx, and took more interest in communism than in his allotted share of the score of Isolde's _Liebestodt_. Indeed, nearly all the men were interested in something other than the occupation which afforded them a living. For them the pleasure of music had died in the business of attaining accuracy.

"What did he say?" asked Poons, losing Von Barwig's next remark in trying to hear what Karlschmidt was mumbling.

"He said it's his own fault," whispered the second flute.

"He's quite right," a.s.sented Karlschmidt.

"Hush, hush!" came from one or two others. Von Barwig was addressing the men again, and they wanted to hear.

"Let's play; cut the speeches out," growled Karlschmidt. "For G.o.d's sake, what's he saying now?"

"d.a.m.n it! How can we hear when you won't keep quiet?" blurted a Germanised Englishman who had an engagement at the old Rathaus and wanted to get away.

"We're dismissed," said Poons, who couldn't hear. But the men at the violin desks down front were rising and putting away their instruments, and the others were slowly following their example.

Karlschmidt's face expanded into a smile; the prospect of avoiding the unpleasant grind of rehearsal had restored him to good humour. The lines of men were now breaking up into knots; bows were being loosened, violins put into cases and bra.s.s instruments into bags, while laughing and chatting became general. Poons looked at Von Barwig, who still stood on the small dais, staring out into s.p.a.ce, and he saw that something was the matter. He loved Von Barwig; for years before, when hard times had sent him over the border from Amsterdam toward the German music centres, Von Barwig had extended him a helping hand, indeed had almost kept him from starving until he got an engagement in one of the minor Dresden theatres; Poons was grateful; and grat.i.tude is a form of love that lies deeper than mere sympathy.

"Can I do something for you, Anton?" he asked a few moments later, as he stood at the conductor's desk. Von Barwig did not answer; and with his round face, and smiling eyes glancing appealingly at his conductor, Poons stood waiting like a little dog that patiently wags his tall in hope of his master's recognition. Presently he shook his head gravely and sighed. Surely something was wrong, for Anton was not himself.

Never before had he stopped rehearsal and dismissed his men on the morning preceding a concert night, and, moreover, the night of the first performance of a new symphony--Von Barwig's own work.

The men were rapidly disappearing, and the Gewandhaus concert platform was almost empty. Von Barwig seemed deeply interested in watching his men carry off their instruments, and yet, when Poons looked closely into his face, he knew that the leader did not see that which he was apparently watching so closely.

"Shall I wait for you, Anton?" ventured Poons finally. As if to remind Von Barwig of his presence, he touched him gently on the arm. Von Barwig started. A look of recognition came into his eye, and with it a smile that metamorphosed his homely, almost ugly face into something beyond mere beauty; a smile that transformed a somewhat commonplace personality into an appealing and compelling individuality. There is no need to describe the delicate, sensitive, rugged countenance, which, when he smiled, radiated love and sympathy for his fellow-beings and made him what is ordinarily described as magnetic.

Poons caught this smile, and his own broad grin deepened as he recognised his old friend again.

"Come, let's go," Von Barwig said briefly; and without another word they walked out of the Gewandhaus. They pa.s.sed the statue of Mendelssohn erected in front of the building, walking down the August Platz as far as the University. Poons noticed that unusual things were happening that morning. First, his friend was walking rapidly, so rapidly that he himself almost had to trot to keep up with him; second, he was muttering to himself, a most unusual thing for Von Barwig to do; third, every now and then a look of intense hatred beclouded his face; and last, he was not talking over the events of the morning with his friend. Furthermore, so engrossed was Von Barwig in his own thoughts that he pa.s.sed Schumann's monument without lifting his hat, and Bismarck's monument without shaking his fist; and these two things Von Barwig had done, day in and day out, ever since Poons had known him.

Finally, when at the Thomas Kirche Poons ventured to ask, "Where are we going?" Von Barwig stopped short in the middle of the street he was crossing.

"That's it, that's it!" he said excitedly; "where am I going? Where am I going?" and he looked at Poons as if he expected that his frightened friend would answer his question.

Poons took his friend's arm and pushed him out of the road on to the pavement just in time to save him from being grazed by a cab which rapidly whisked by them. Then he stopped and laid his hand on Von Barwig's shoulder.

"What's the matter, Anton?" he said soothingly. "Can't you tell me?

In G.o.d's name, what has happened?"

Anton looked at Poons. The unexpected had happened; his devoted follower had dared to question him. The shock almost awoke him to a sense of his surroundings, and the ghost of his old smile stole over his face as he shook his head slowly.

"That's it!" he gasped. "I don't know! I don't know! It's the uncertainty that is killing me. By G.o.d, August, I'll kill him! I'll kill him!" And then Poons understood.

They walked on in silence, whither neither of them knew. It was now Poons's turn to walk faster than his companion and to mutter to himself. His face had lost its grin, and he was no longer conscious of his immediate surroundings. After they had pa.s.sed Auerbach's cellar he could contain himself no longer, and an explosion took place. He stopped Von Barwig in the middle of the pavement, grabbing him by the arm, and in a hoa.r.s.e, gutteral voice, choked with emotion, shouted, "Anton! Anton!"

Von Barwig looked at his friend in mute surprise. Poons, oblivious of the bystanders--who were looking to see why a man should shout so unnecessarily--went on:

"By G.o.d, Anton, I kill him, too!"

This appealed to Von Barwig's sense of humour, and he burst Into laughter, a laughter perilously near to tears. It never occurred to him to ask Poons what he knew or what he had heard. The fact that what was preying on his mind, his carefully guarded secret, was common property did not strike him at that moment. He merely thought that his friend was agreeing with him in the sentiment of killing "some one" as he agreed with him in all matters of music, philosophy and art. In Anton Von Barwig's condition of mind at that moment, had it occurred to him that Poons knew the awful fact that was confronting him, he would have taken him by the throat and then and there compelled him to confess what he knew or thought he knew; but he walked on in silence, followed by his devoted friend.

They turned up a small side street of the August Platz and stopped in front of the house where Anton Von Barwig lived. It was the centre of a row of large modern apartment houses where lived for the most part the art world of Leipsic, and this world included beside the rich, professional element, the wealthy publishers, of whom in this important centre of Germany there were a large number. As Von Barwig stood waiting for Poons to enter with him, he noticed Poons's outstretched hand.

"Aren't you coming in?" he asked. Poons shook his head.

"I'd better not," he said simply.

"Why not?" asked Von Barwig.

"Because," Poons faltered. He did not want to tell his friend that at such times as these it is better for a man to be alone with his thoughts.

"Why not?" cried Von Barwig; but Poons did not speak. He stood like some dumb animal awaiting his master's lash; and then Von Barwig knew that Poons knew.

"Come!" said Von Barwig in a low, hard voice, with such firmness and determination that Poons, in spite of himself, was compelled to go forward. Silently they walked up three flights, neither of them noticing the salute of the porter as they pa.s.sed him. Anton took out his keys and opened a door which led into a magnificently furnished musical studio, the largest apartment in Koenigs Stra.s.se. It was here that he and Madam Elene Von Barwig, his wife, held their musical receptions and entertained the great German and foreign artists that came to Leipsic. These receptions were famous affairs, and invitations were eagerly sought, not only by musical celebrities, but by such of the n.o.bility as happened to be in town. Members of the royal family had been known to grace more than one of these affairs; for though a conductor of the Leipsic Philharmonic is not necessarily a rich man, his social position is unquestioned.

Perhaps some such fleeting thoughts as these--glimpses into the past like those of a drowning man--came into Anton Von Barwig's consciousness as he stepped quietly to the door leading from the reception-room and studio and pa.s.sed into the corridor toward the living apartments. He listened intently; but hearing nothing, closed the door quietly, and somewhat to Poons's alarm turned the key in the lock.

"Now tell me," he demanded, in a voice that was as strange as it was determined; "what do you know? Sit down." This last was a direct command.

Poons felt that nothing was to be gained by silence. He had, so to speak, put his foot in it by allowing himself, through sympathy in his friend's affairs, to betray the fact that he knew what was troubling him. He felt, therefore, that by making a clean breast of it, he might not only mitigate Von Barwig's sufferings but enable him to see what the world, or at least the world of Leipsic, had seen for some time.

Poons was not a rapid thinker, but these thoughts flashed through his mind in less time than it took him to obey Von Barwig. He sat down in the chair indicated by his friend and tried to collect his thoughts.

"What do you know?" repeated Von Barwig. Poons moistened his lips with his tongue, as if to enable him to speak; but words would not come. He loved Anton; he knew that what he had to say would make him suffer; and that he could not bear to see. He tried to speak, faltered "I cannot, I cannot!" and burst into tears. Von Barwig walked up to the window and gazed steadily into the street.

"It's more serious than I thought," he said after a few moments' pause, giving Poons time to recover in some slight degree from his emotion.

"It is serious, eh?"

"Yes," a.s.sented Poons, relieved that Anton's question required only a monosyllable for an answer.

"Very serious, eh?" asked Von Barwig, steeling himself for the answer he expected.

"Yes, I think so," nodded Poons, gulping down a sob.

"The worst, eh?"

"G.o.d, you know what scandal-mongers are; what people say--when they do say--how they talk! They have no mercy, no brains, no sense! What is a woman's reputation to them? They repeat, they--they--the wretches--the murderers--" Poons seemed to be trying to shift the blame on a number of people; it was easier for him to generalise at this moment than to answer his questioner straightforwardly.

"Do they say that my wife--that Madam Von Barwig neglects her home?"