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The girls looked on while the pictures of themselves, their father and others of the company were thrown on the white screen. They saw the scene at the gang-plank, where the runaway had almost spoiled it, but there was no sign of the horse in the pictures. Sandy Apgar had taken care of that.
"I really must go out to see his farm," said Mr. Pertell. "I believe it may be just the place for us. But I wonder what made Sandy so sad, and so much in need of money? Perhaps I can help him."
There came the incident of Pepper Sneed falling down with the lifeboat.
"Look! Look!" cried the grouchy actor. "I don't like that! It makes me ridiculous. I demand that it be taken out, Mr. Pertell!"
"Can't do it! That's the best part of the play!" laughed the manager.
"And as for me--I positively refuse to act again, if I am to be shown as a sailor, in those ridiculous white trousers!" cried Wellington Bunn.
"Very well, then, I suppose you don't care to go on the rural circuit with us," said Mr. Pertell.
"Oh--er--ah! Um! Well, you may with-hold my resignation for a time,"
said the Shakespearean actor, stiffly. "But it is against my principles."
"Then we are going on the rural circuit?" asked Alice, eagerly.
"Yes," the manager a.s.sured her. "This play is going to be a big success, I'm sure. I want to try a new kind now--outdoor scenes."
And that the play was a success was soon evidenced by the receipts which poured into the treasury of the Comet Film Company.
"Oh, what do you imagine it will be like--in the country?" asked Ruth of Alice, a little later, when it was definitely decided that they were to go.
"I don't know," answered Alice. "It depends on what happens."
And what did happen may be learned by reading the next volume of this series, to be called: "The Moving Picture Girls at Oak Farm; Or, Queer Happenings While Taking Rural Plays."
"Well, I'll be glad of a little rest," said Alice, one day, when they were coming from the studio, after having posed in some scenes for a little parlor drama.
"So will I," agreed Ruth. "We have been very busy these last two weeks."
"Especially since we helped Russ to get back his patent," added her sister. "And now for Oak Farm!"
"Oh, then it's been definitely decided that we are to go there?"
"Yes, Mr. Pertell said he went out there, met Sandy Apgar and arranged to use the place. We're to board there, too. I guess it will be a help to the Apgars. Mr. Pertell said they needed money. And, Ruth, he said there was some sort of a mystery out there, too."
"A mystery? What sort?"
"I don't know. We'll have to wait until we get there. Come on, let's hurry home and tell daddy."
And now, for a time, we will take leave of the Moving Picture Girls.
THE END
=THE JANICE DAY SERIES=
=By HELEN BEECHER LONG=
_12 mo, cloth, ill.u.s.trated, and colored jacket_
A series of books for girls which have been uniformly successful.
Janice Day is a character that will live long in juvenile fiction.
Every volume is full of inspiration. There is an abundance of humor, quaint situations, and worth-while effort, and likewise plenty of plot and mystery.
An ideal series for girls from nine to sixteen.
JANICE DAY, THE YOUNG HOMEMAKER
JANICE DAY AT POKETOWN
THE TESTING OF JANICE DAY
HOW JANICE DAY WON
THE MISSION OF JANICE DAY
=THE NAN SHERWOOD SERIES=
By Annie Roe Carr
In Annie Roe Carr we have found a young woman of wide experience among girls--in schoolroom, in camp and while traveling. She knows girls of to-day thoroughly--their likes and dislikes--and knows that they demand almost as much action as do the boys. And she knows humor--good, clean fun and plenty of it.
NAN SHERWOOD AT PINE CAMP or The Old Lumberman's Secret
NAN SHERWOOD AT LAKEVIEW HALL or The Mystery of the Haunted Boathouse
NAN SHERWOOD'S WINTER HOLIDAYS or Rescuing the Runaways
NAN SHERWOOD AT ROSE RANCH or The Old Mexican's Treasure
NAN SHERWOOD AT PALM BEACH or Strange Adventures Among the Orange Groves