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The Motor Maids in Fair Japan Part 4

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"How do you do, Mr. Ito?" cried Miss Campbell. "Is it possible that this is your house we have broken into so rudely?"

It was indeed Mr. Ito's home, and, the three ladies were his mother, his aunt and his sister.

"It is a great pleasure, I am sure, that you have found refuge in my home. I trust they have served you well."

Then he spoke rapidly in j.a.panese to his mother, who smiled and clasped her hands with joy, as if heaven could not have bestowed a greater gift than the privilege to entertain these delightful foreigners.

"And are you the head of the family, Mr. Ito?" asked Miss Campbell.

"No, my father takes first place. He is a tea merchant in Tokyo. I have also a younger brother who works with him. He did not wish to go to America with me."

At this moment a human doll baby toddled into the room. His round little head was bald except for a thick mat of hair on top. His beady black eyes gleamed like polished gla.s.s. He wore a dark red kimono and his feet and legs were bare.

"Oh, the darling," cried Mary whose love of children overcame any shyness she might feel before strangers. The three j.a.panese were pleased at the attention the little person created. The girls gathered around him in a circle while he stood perfectly still regarding them curiously, as if they were some new strange birds which had dropped into his room from the skies.

Yoritomo also was pleased. He took the little fellow's hand in his and led him from one to another while his relatives stood in a beaming row.

Children are called "treasure-flowers" in j.a.pan, and are petted and spoiled quite as much as American children.

"What a cunning little baby brother, Mr. Ito," said Nancy. "What is his name?"

"Kenkyo," answered Yoritomo. Suddenly he turned and spoke to one of the women and the "treasure-flower" was led from the room.

"Oh, don't send him away," objected Miss Campbell. "I haven't had half a chance to see him yet."

"He is not dressed to see distinguished visitors," answered Yoritomo, quickly. "My mother would like to show you some of her embroidery if you would care to see it."

So the subject of little Kenkyo was dropped and Madame Ito, hurrying away, returned in a moment with an armful of linen and silk on which she had worked the most wonderful floral designs.

In the meantime, the faithful 'riksha man, Komatsu, had trotted all the way through floods of rain to the Campbell villa half a mile distant, and now returned in company with O'Haru. Between them they carried a covered basket containing five mackintoshes, five pairs of overshoes and five umbrellas.

Komatsu was very angry with O'Haru. He explained to Miss Campbell:

"I not wish, but she coming without not wish."

He pointed accusingly at the sad old face. O'Haru, dripping and imperturbable, stood on the piazza near the entrance to the villa.

"That was very good of you, O'Haru; we appreciate your devotion," said Miss Campbell, but the housekeeper did not appear to grasp all this fine English. She seemed to be taking in every detail of the room and its occupants. n.o.body took any notice of her. All the ladies and the servants were engaged in helping the guests on with their rain coats and overshoes. Mme. Ito insisted on doing up their hats in paper bundles.

In the midst of a great deal of leave-taking and much smiling and bowing, Yoritomo found time to say to Nancy:

"You see, chance has favored me to-day. The rain which kept me away from the bridge has brought you to my home."

Nancy blushed in spite of her efforts not to. She felt half pleased and half frightened at the earnest manner of the young j.a.panese. He was undeniably handsome and graceful, with a self-possession she had never seen equaled. Just then a dark figure darted across the floor so swiftly that it was like a flash of brown wings in the air. There was a low exclamation from the ladies, a bird-like chatter from the servants, and for one brief moment the surprised Americans beheld old O'Haru on her knees before little Kenkyo in the act of touching her forehead to the floor. She drew a beautiful, bright-colored toy from her bosom and gave it to the solemn-eyed little boy. Then, bowing again with extreme reverence, she rose and left the house. When they next saw her she was swinging along in the rain on her wooden clogs. Miss Campbell made Komatsu stop the 'riksha and invited her to climb in, but she refused politely but firmly.

"Extraordinary creature," exclaimed Miss Campbell, but Komatsu could offer no explanation.

CHAPTER IV.

THE GARDEN IN THE RAIN.

For three interminable days the rain poured down uninterruptedly. The floodgates of heaven had opened and it seemed as though they would never close again. The all-pervading dampness and chill brought illness to the Campbell household of a kind not to be healed by medicine. Homesickness it was, and it spread rapidly like a contagious disease. Only one member of the party of Americans was not afflicted and that was Mr. Campbell, who had lived in many climates and countries and was accustomed to seasons of rain and wet. Moreover, as he himself had said, he had no home to be sick for. He felt a supreme content in the thought of having his daughter with him and no amount of rain could chill his enthusiasm.

Miss Campbell took to her bed with an attack of rheumatism, brought on, she insisted, from having sat on the floor at the home of Mme. Ito. Mary began a diary of her experiences in j.a.pan and had several private weeping spells entirely due to the unsurpa.s.sed dismalness of the weather. Billie endeavored to throw off her depression by giving Onoye lessons in English in exchange for lessons in j.a.panese, and in the course of these lessons she learned a little of Onoye's history. O'Haru had been obliged to go to work after the death of her husband who had lost all his property in a fire. Onoye's only brother had been killed in great "bat-tel." The family had had "muchly unfortune. All money gone--nothing."

At the conclusion of this sad story told mostly by expressive gestures and queerly chosen words, Onoye smiled sweetly. That is the only polite thing for a well brought up j.a.panese girl to do even when her own misfortunes are the subject of the conversation.

"What a shame," Billie exclaimed sympathetically. "I should think you would learn something, some trade, I mean, Onoye. You are much too clever to be a housemaid. But I suppose you will marry. I hear there are no old maids in j.a.pan."

Onoye shook her head and smiled sadly. Perhaps she did not understand Billie's remark because she did not reply.

"Old maid, Onoye, is one who never marries," explained Nancy at the dressing table arranging her hair.

"Ah, Komatsu old maid. He not marry."

"No, no, Komatsu is a man," said Billie trying not to laugh. "Old maid is a woman who has no husband, like Miss Campbell."

"Old maid," repeated Onoye, and because of what happened that very evening, it was evident that the retentive j.a.panese memory had not lost the words.

In the afternoon there came a characteristic note from Mr. Campbell to his cousin.

"Tell O'Haru to put on the big pot and the little," it ran, "and to kill the fatted calf. I am going to cheer up my gloomy household by bringing four men home to dinner. If it were not for these flimsy little card houses, I would suggest a dance afterwards, but I couldn't answer for the walls and roof if two young Americans danced a two-step in the parlor."

"I am sure a two-step is no rougher than one of these storms of wind and rain," observed Miss Campbell, feeling a sudden loyalty toward everything American, including dances.

O'Haru was informed of the party and the house became at once a beehive of activity. Several of the little maids, without being told, took down all the dresses in the wardrobes and began drying them out with square boxes of red embers.

"I'd like to be done the same way," remarked Miss Campbell. "I think I am just as mildewed as my clothes."

The kitchen quarters of the house fairly vibrated with the stir of preparation. In the living rooms the air was dried with small charcoal stoves. The gardener was seen bringing in armfuls of flowers; and with all the activity and preparation, there was no noise, not a sound. It was positively uncanny.

Late in the afternoon Nancy slipped away from this noiseless busy scene and tripped demurely down a garden path toward the bridge. She was not exactly bent on mischief but she wanted to satisfy her curiosity about something. The rain had lessened considerably but it was still necessary for her to protect her recently arranged curls with her small blue silk umbrella. In her mackintosh of changeable silk in two shades of blue, she made a charming picture coming down the rain-soaked path. The garden itself was a thing of beauty. On the end of every pine needle hung a crystal drop, and through the thin veil of mist clinging to the shrubbery a clump of azaleas glowed like a crimson flame. Taking a path to the left, Nancy began the gentle and almost imperceptible descent to the little bridge. The air was filled with the perfume of wild roses and late plum blossoms. It was really a fairy land, this j.a.pan; a place too exquisite and unreal for human beings to live in. She began to sing softly to herself Elinor's favorite song:

"'Know'st thou the land of the citron bloom?'"

As she approached the bridge she felt a little frightened for some reason. It was rather reckless of her to come down to this lonely place in the late afternoon even if it was their own premises. It was the first time she had done it and she decided it would be the last. But as long as she had come, she would see it through. Nancy could hardly explain to herself what she meant by "seeing it through."

She would stroll carelessly down the path, walk across the bridge, pause a moment and walk back again, not looking behind her of course, as, if she were observed, and she was sure she was not, she would pretend she was out for a walk and had not expected to meet anyone. Thus Nancy reasoned with herself, but by the time she had reached the bridge she had changed her mind and was about to turn and hasten back, when she noticed a beautiful tea rose that had been laid conspicuously on the hand rail of the bridge.

"He has been here," she thought. "He must have just gone. The rose is quite fresh."

Sticking its long stem through the b.u.t.tonhole of her raincoat, she glanced about her curiously. Somehow, behind every clump of shrubs and every branching pine tree she felt black eyes staring at her and yet she was sure she was alone. Again she started for the house, feeling profoundly relieved that Yoritomo had not waited, if, indeed, it was he who had left the rose. Suddenly Nancy's heart jumped into her throat and she felt a cold chill down her spinal column,--and for no reason, except that standing in front of her was not a man, but a woman. The stranger was too tall to be a j.a.panese and she was dressed, moreover, in European clothes,--a beautifully fitting tailor-made suit and English traveling hat of st.i.tched cloth. But there was something faintly suggestive of the j.a.panese about her face. Perhaps it was the slightly slanting eyes and the smooth olive skin. Her hair was much lighter than her eyes and quite fluffy; her features were regular and there was a graceful dignity in the poise of her head on her shoulders. Nancy concluded after a swift examination that she was, if peculiar looking, still strangely fascinating.

"May I ask your pardon for intruding on your beautiful gardens?" began the woman, speaking with a slightly English accent. "I did not expect to meet any one on this rainy afternoon."

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The Motor Maids in Fair Japan Part 4 summary

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