The Marks Of Cain Part 2

He now knew that some people thought the Basques were descended from Neanderthals. He knew that they had surprisingly long earlobes. He knew they had a unique and complex language unrelated to any other language in the world; he knew that Arrauktaka Arrauktaka meant 'to hit someone with an oar'. meant 'to hit someone with an oar'.

He had also learned that the word 'bizarre' came from the Basque word for 'bearded'; that the people were tall and burly compared to Spaniards; that the Basques were expert whalers; that they had special cherries, a pa.s.sion for rugby, their own form of linen, a wavy solar symbol called a lauburu lauburu, and a tiny wild horse called a pottok. pottok.

David buzzed the window shut. The research had been diverting enough, but it hadn't been able to give him any of the information he really wanted. Who was Jose Garovillo? What was this reference to churches? What about Granddad's map?

The memory of Granddad was a discernible pain. David fought back the emotion; if he thought of his grandfather the thread of cognition could so easily lead to his parents. So he needed to do and not think do and not think; and he had one more severance to make, one more definite change to enact.

He picked up his mobile and pressed.

The phone rang in London.

'Roland De Villiers. Yes? Yes?'

It was the normal snooty, self-consciously weary locution. The same voice that David had endured for half a decade.

'Roland, it's David. I '

'Oh for G.o.d's sake. Rilly. David. Where are you now now?'

'Roland '

'You do realize your desk is piled high? I don't care about your frankly peripheral circ.u.mstances. You are a professional, get a grip. I expect to see you behind that screen in the next hour or '

'I'm not coming back.'

A pause.

'You have one hour to get back here '

'Give my job to that guy in accounts. The one who's banging your wife. Bye.'

David clicked off. And then he laughed, quietly. He could picture his boss in his office, red faced with anger.

Good.

In front of him the motorway dipped and curved; they seemed to be cutting towards the middle of the city. Grey apartment blocks, stained by rain, stood to attention along the route.

The taxi driver looked up at David, mirrorwise: 'Centro urbano, senor? Hotel Donostia? Hotel Donostia? Si? Si?'

'Si. Er...si. Yes. Centre of the city. Hotel...Donostia.'

The driver turned off the autopista autopista and headed down into the wide and princ.i.p.al streets of the town. Large grey offices exuded an air of damp pomposity in the gloom. Many of them seemed to be banks. Banco Vizkaya. Banco Santander. Banco de Bilbao. People were scurrying past the sombre architecture, with umbrellas aloft; it was like a photo of London in the 1950s. and headed down into the wide and princ.i.p.al streets of the town. Large grey offices exuded an air of damp pomposity in the gloom. Many of them seemed to be banks. Banco Vizkaya. Banco Santander. Banco de Bilbao. People were scurrying past the sombre architecture, with umbrellas aloft; it was like a photo of London in the 1950s.

The Hotel Donostia was very much as it had appeared on the website: faded but formal. The concierge looked disdainfully at David's creased shirt. But David didn't care he was almost delirious with tiredness. He found his room and fought with his keycard; then he collapsed into his oversoft bed and slept for eleven straight hours, dreaming of a house with no one inside. He dreamed of his parents, alive, in a car with small wild horses, cantering across the road.

Then a scream. Then redness. Then a small boy running across an enormous empty beach. Running towards the sea.

When he woke, he opened the curtains and gawped. The sky was bright blue: the September sun had returned. David pulled on his clothes, filled up on coffee and pastries, then called a cab, and hired a car at the railway station. After a moment's hesitation, he rented the vehicle for a month.

The main road out of grimy Bilbao took him east towards the French border. Again he thought of his mum and dad and Granddad; he averted himself from the thought, and concentrated on the route. Was he going the right way? He pulled over at an Agip service station; its huge plastic logo of a black dog spitting red fire was overly bright in the harsh sunlight. Parked up, he took out the old map and traced his finger over the cartography, examining those delicate blue stars dotting the grey foothills. They looked like distant policelights, glimpsed through mist and rain.

Then he half-folded the map, and for the first time he noticed there was proper writing, in a different hand, scribbled on a corner of the map's reverse. Seen in the stark sunlight the writing was very faint, and possibly possibly in Basque, or Spanish. Maybe even German. The writing was so small and faded it was quite indecipherable. in Basque, or Spanish. Maybe even German. The writing was so small and faded it was quite indecipherable.

It was another puzzle and he was no nearer to solving any of it. But at least the map told him one thing: he was going the right way, into the 'real' Basque Country. He started the car once again.

The drive was hypnotic. Sometimes he could see the blue ocean, the Bay of Biscay, sparkling in the sun. Sometimes the road ducked instead through those dark green shady valleys, where the white-painted Basque houses looked like cuboid mushrooms, suddenly sprouted overnight.

At last the road divided, near San Sebastian; thence the smaller, prettier road headed for the interior: the Bidasoa Valley. It was as scenic as his research had promised. Tumbling mountain rivers ran down shady gorges, enormous oak and chestnut forests whispered in the delicate September air. Lesaka was close. He was in the Basque Navarre. He was nearly there.

As David slowed, he noticed.

Something was happening in Lesaka. The edge of the town was marked by big black police vans, with metal grilles over the windscreens. Surly-looking Spanish riot policemen were sitting on walls, and chatting on mobile phones; they all had very obvious guns.

One of the cops stared at David, and frowned at the car, and checked the numberplate. Then he shook his head, and pointed at a parking s.p.a.ce. Mildly unnerved, David slotted in the car. The policeman turned away, uninterested. He just wanted David to stop and walk.

Obediently, David slung his rucksack over his shoulder and paced the rest of the way into Lesaka. He remembered what he had read about Basque terrorism: the campaign for Basque independence by the terror group ETA. It was a nasty business: killings and bombings, intense and surreal atrocities, men in women's wigs shooting teenagers dead. Very nasty.

Was this police activity connected with that?

It was surely possible; yet it was hard to reconcile such horrible enormities with a place like Lesaka. The quiet air was cool and sweet: mountain freshness. The sky was patched with cloud, but the sun was still shining down on ancient stone houses, and an old church on a hill, and mild stone palazzos surrounding little squares. On streetcorners there were strange pillars, carved with the curvilinear sun symbol, like an Art Nouveau swastika. The lauburu lauburu. David said the word to himself, as he walked through Lesaka.

Lauburu.

Not knowing quite what to do next, he sat on a bench in the central plaza, staring at a large stone house hung with the green, red and white Basque flag, the ikkurina. ikkurina. He felt a sudden foolishness: what He felt a sudden foolishness: what should should he do next? Just...ask people? Like some amateur detective? he do next? Just...ask people? Like some amateur detective?

An old woman was sitting next to him, clutching a rosary, and muttering.

David coughed, as courteously as he could, then leaned nearer and asked the woman, in his faltering Spanish: did she know a man called...Jose Garovillo? did she know a man called...Jose Garovillo?

The woman glanced warily his way, like she suspected him of some imminent street crime; then she shook her head, rose to her feet, and walked off scattering pigeons as she departed. David watched her shadow disappear around a corner.

For the rest of the afternoon he tried his best: he asked more strangers on the streets and stepped inside two supermercados, supermercados, but he got the same blank or even hostile reactions. No one knew Jose Garovillo, or no one, at least, wanted to talk about him. In frustration David retreated to his car, hauled out some clothes and a toothbrush, and booked into a little hotel at the end of the main road: the Hotel Eguzki. but he got the same blank or even hostile reactions. No one knew Jose Garovillo, or no one, at least, wanted to talk about him. In frustration David retreated to his car, hauled out some clothes and a toothbrush, and booked into a little hotel at the end of the main road: the Hotel Eguzki.

The allegedly double room had a design of shepherds' crooks on the wall, and bathtaps which coughed rusty water. David spent the evening eating supermarket chorizo, watching Spanish TV quiz shows, or gazing at the indecipherable writing on the map. He could feel the loneliness like a song in the air. A wistful old folk song.

The morning found him more determined. His first visit was to the church, a decayed and musty building with a fragrance of mildewed leather ha.s.socks. A stricken wooden Christ gazed longingly at the vacant pews. There were two fonts. The smaller of these was carved with a strange symbol, like an arrow, incised brutally into the old grey stone.

He touched the stone, which had been polished to smoothness by the centuries, by a million peasant hands, reaching in for the magic water, daubing it on grubby foreheads.

In nomine patris, et filii, et spiritus sancti...

Enough. This was useless. David hoisted his bag and exited the church, stepping with relief into the gra.s.s-scented daylight. Where would people congregate? Where would he find life and chatter and answers answers?

A bar.

He made for the busiest street, lined with shops and cafes; then he selected the Bar Bilbo. There was music jangling inside, and through the thick windows he could see people drinking. There was music jangling inside, and through the thick windows he could see people drinking.

A few faces turned as he entered. The dark and dingy bar was crowded. A group of teens were chattering in a corner, talking the most guttural Spanish David had ever heard. Sitting at the opposite table was a young woman, an attractive blonde girl. She glanced his way, then turned back to her cellphone. The rest of the bar was dominated by swarthy, black-haired men, downing gla.s.ses of cloudy cider and laughing along to the music.

It was then that David recalled the music. It was the same kind of music that had been playing at Granddad's funeral. Wasn't it? A vigorous, slightly discordant guitar song. What did this mean? Was there some direct link to the Basques? Was his grandfather actually...Basque?

David had never heard his granddad speak anything but Spanish and English. And their family name was authentically Hispanic. Martinez. Martinez. Yet the stocky men actually looked like Granddad. And David's father, for that matter. Yet the stocky men actually looked like Granddad. And David's father, for that matter.

Another mystery. The mysteries were breeding. breeding.

Leaning on the bartop, he ordered some cerveza cerveza in his conspicuously pathetic Spanish. Then David sat down at a nearby table and drank the beer. Again he felt paralyzed: idiotic. But he also remembered his grandfather's words: go to Lesaka, find Jose Garovillo, and ask about the map. So he should do it. in his conspicuously pathetic Spanish. Then David sat down at a nearby table and drank the beer. Again he felt paralyzed: idiotic. But he also remembered his grandfather's words: go to Lesaka, find Jose Garovillo, and ask about the map. So he should do it. Just do it. Just do it.

He stood up, and tapped the shoulder of the largest guy at the bar.

'Ola?'

The man ignored him.

'Er...Buenos dias.'

Several other customers, with wide brooding faces, were contemplating David's failed attempt at conversation. Faces impa.s.sive. Yet somehow surly.

He tapped the man's burly shoulder once more.

'Buenos dias, senor?'

Again, the man ignored him.

Two of the other drinkers were now glaring at David and asking him sharp questions in their glottal accents. He didn't understand what they were saying. So David pointed at the map, and reverted to English.

'Look, I'm sorry to interrupt...but. Really sorry. But this map...I was just kinda given this by my grandfather...and told to come here and look...at these places see, Ariz...kun, Elizonda? Also I need to find a guy called Jose Garovillo. Do you know where I could find him?' Do you know where I could find him?'

Now the biggest man turned, and he said something very terse.

David was lost.

'Er...I'm sorry...But...my Spanish is pretty poor?'

The men scowled, with real fury; David realized he must have made some major error. He'd gone too far. He had no idea why or how, but he'd done something stupid. The atmosphere had most definitely intensified. The music had been switched off.

One of the cider drinkers was yelling abusively at David. Across the room the barman was jerking a thumb at the door. David knew he should take the hint. He raised both hands and made for the exit.

But the drinkers moved first, three of them were up and blocking the way: obstructing his escape route. The big guy had been joined by a man with a denim shirt and muddy boots, and another guy with a Led Zeppelin singlet and tatts on his shoulders.

Jesus. What now?

His best choice was to just barge his way through, hope to reach the door and the light and freedom. But he made one more attempt at talking his way out.

'Look guys sorry por favor por favor ' It was useless; he was stammering. One of the cider drinkers was actually rolling up his sleeves. ' It was useless; he was stammering. One of the cider drinkers was actually rolling up his sleeves.

'Stop!'

David swivelled, and saw the blonde girl. She was physically interposing herself between David and his a.s.sailants and she was talking very quickly to the men. Her smart and staccato Spanish was accented, and the words came too fast for David to understand.

Yet her intervention was...working. Whatever she was saying it was succeeding. The anger in the men perceptibly dwindled; scowls became sullen glares, the cold angry faces sank back into the shadows. She was rescuing him from a nasty beating.

He looked at the girl, she looked at him, and then she looked right past him.

Now David realized maybe there was another another reason the guys had fallen back. Right behind him, a figure was walking across the room. If the drinkers had been calmed by the girl, they were positively cowed by this new figure emerging from the shadows. Where had he come from? reason the guys had fallen back. Right behind him, a figure was walking across the room. If the drinkers had been calmed by the girl, they were positively cowed by this new figure emerging from the shadows. Where had he come from?

The man was tall and dark. His face was stern, half shaven, and mournfully aggressive. He was maybe thirty-five years old. Maybe an athletic forty. Who was this? Why had he silenced everyone?

'Miguel...?'

It was the barman gabbling nervously.

'Er...Miguel...Eh...Dos equis?'

Miguel ignored the offer. He was gazing with his dark, deepset eyes directly at the blonde girl and David. He was standing close. His breath was tinged with some alcohol, strong wine or brandy. But he didn't seem drunk. Miguel turned, and looked at the girl. His voice was deep and smooth.

'Amy?'

Her answer was defiant. 'Adios, Miguel.'

She took David's hand, and started pulling him towards the door. Quickly and firmly. But Miguel stopped her. He reached out and simply grabbed Amy's throat. Her fingers loosened from David's grasp.

And then Miguel hit her. Hard. A shocking and brutal blow across the face. The girl fell to the floorboards, sprawling in the cigarette b.u.t.ts and screwed tapas napkins.

David gaped. This sudden violence, against a much smaller young woman, was so shocking, so utterly and casually outrageous, David was stunned. Immobile. What should he do? He gazed around. No one else was going to intervene. Some of the drinkers were actually turning away, giving each other weak and cowardly grins.

David leapt on Miguel. The Basque man may have been bigger and taller than David and David wasn't short but David didn't care. He remembered being beaten as a teenager. The angry orphan. People picking on the weak or vulnerable. f.u.c.k that.

He had Miguel round the neck, he was trying to get room for a punch.

He failed. Grabbing this man was like riding a surging bull: the taller man stiffened, swivelled, and threw him contemptuously onto the floor. David grabbed at a bar stool, pulling himself to his feet. But then he felt another, quite absolute pain: he was being struck by something metal.

As the blackness descended, he realized he was being pistol-whipped.

4.

Simon Quinn paid the cabbie, quit the taxi, and shot a glance along the stucco Georgian terrace. His laptop bag felt heavy on his shoulder.

The murder house was painfully obvious: two police vans were parked outside, with forensic officers in white paper suits offloading steel-grey Scene of Crime suitcases. Festoons of blue and yellow police tape roped off the frontage of the tall, elegant London terrace.

He felt a sudden twinge of apprehension. DCI Sanderson had described the murder as a...knotting. What the h.e.l.l did that mean? What the h.e.l.l did that mean?

The nerves were palpable, indeed visible: a faint tremble in his hand. He'd attended a lot of murder scenes in his job crime and punishment were his journalistic meat and drink but that word...knotting. It was odd. Disquieting. It was odd. Disquieting.