The Man Without a Country Part 4

"Who have they there?" asked a third.

"One of those Ziklag-men," replied the chief. "He came into camp a few days ago, seems to be an old favorite of the king's, and is posted with his men, by the old tomb on the edge of the hill. If you cross the brook, he is not far from the Carmel post; and some of his young men have made acquaintance there."

"One is not a soldier for nothing. If we make enemies at sight, we make friends at sight too."

"Echish here says that the harper is a Jew."

"What!--a deserter?"

"I do not know that; that is the king's lookout. Their company came up a week ago, were reviewed the day I was on guard at the outposts, and they had this post I tell you of a.s.signed to them. So the king is satisfied; and, if he is, I am."

"Jew or Gentile, Jehovah's man or Dagon's man," said one of the younger soldiers, with a half-irreverent tone, "I wish we had him here to sing to us."

"And to keep us awake," yawned another.

"Or to keep us from thinking of to-morrow," said a third.

"Can n.o.body sing here, or play, or tell an old-time story?"

There was n.o.body. The only two soldiers of the post, who affected musical skill, were the two who had gone up to the Carmelites' bivouac; and the little company of Joppa--catching louder notes and louder, as the bard's inspiration carried him farther and farther away--crept as far up the stream as the limits of their station would permit; and lay, without noise, to catch, as they best could, the rich tones of the music as it swept down the valley.

Soothed by the sound, and by the moonlight, and by the summer breeze, they were just in mood to welcome the first interruption which broke the quiet of the night. It was the approach of one of their company, who had been detached to Accho a day or two before; and who came hurrying in to announce the speedy arrival of companions, for whom he bespoke a welcome. Just as they were to leave Accho, he said, that day, on their return to camp, an Ionian trading-vessel had entered port. He and his fellow-soldiers had waited to help her moor, and had been chatting with her seamen. They had told them of the chance of battle to which they were returning; and two or three of the younger Ionians, enchanted at the relief from the sea's imprisonment, had begged them to let them volunteer in company with them. These men had come up into the country with the soldiers, therefore; and he who had broken the silence of the listeners to the distant serenade had hurried on to tell his comrades that such visitors were on their way.

They soon appeared on foot, but hardly burdened by the light packs they bore.

A soldier's welcome soon made the Ionian sailors as much at home with the men of the bivouac, as they had been through the day with the detachment from the sea-board. A few minutes were enough to draw out sheep-skins for them to lie upon, a skin of wine for their thirst, a bunch of raisins and some oat-cakes for their hunger; a few minutes more had told the news which each party asked from the other; and then these sons of the sea and these war-bronzed Philistines were as much at ease with each other as if they had served under the same sky for years.

"We were listening to music," said the old chief, "when you came up.

Some of our young men have gone up, indeed, to the picket yonder, to hear the harper sing, whose voice you catch sometimes, when we are not speaking."

"You find the Muses in the midst of arms, then," said one of the young Ionians.

"Muses?" said the old Philistine, laughing. "That sounds like you Greeks. Ah! sir, in our rocks here we have few enough Muses, but those who carry these lances, or teach us how to trade with the islands for tin."

"That's not quite fair," cried another. "The youngsters who are gone sing well; and one of them has a harp I should be glad you should see.

He made it himself from a gnarled olive-root." And he turned to look for it.

"You'll not find it in the tent: the boy took it with him. They hoped the Ziklag minstrel might ask them to sing, I suppose."

"A harp of olive-wood," said the Ionian, "seems Muse-born and Pallas-blessed."

And, as he spoke, one of the new-comers of the Philistines leaned over, and whispered to the chief: "He is a bard himself, and we made him promise to sing to us. I brought his harp with me that he might cheer up our bivouac. Pray, do you ask him."

The old chief needed no persuasion; and the eyes of the whole force brightened as they found they had a minstrel "of their own" now, when the old man pressed the young Ionian courteously to let them hear him: "I told you, sir, that we had no Muses of our own; but we welcome all the more those who come to us from over seas."

Homer smiled; for it was Homer whom he spoke to,--Homer still in the freshness of his unblinded youth. He took the harp which the young Philistine handed to him, thrummed upon its chords, and as he tuned them said: "I have no harp of olive-wood; we cut this out, it was years ago, from an old oleander in the marshes behind Colophon. What will you hear, gentlemen?"

"The poet chooses for himself," said the courtly old captain.

"Let me sing you, then, of _the Olive Harp_"; and he struck the chords in a gentle, quieting harmony, which attuned itself to his own spirit, pleased as he was to find music and harmony and the olive of peace in the midst of the rough bivouac, where he had come up to look for war.

But he was destined to be disappointed. Just as his prelude closed, one of the young soldiers turned upon his elbow, and whispered contemptuously to his neighbor: "Always _olives_, always _peace_: that's all your music's good for!"

The boy spoke too loud, and Homer caught the discontented tone and words with an ear quicker than the speaker had given him credit for. He ended the prelude with a sudden crash on the strings, and said shortly, "And what is better to sing of than the olive?"

The more courteous Philistines looked sternly on the young soldier; but he had gone too far to be frightened, and he flashed back: "War is better. My broadsword is better. If I could sing, I would sing to your Ares; we call him Mars!"

Homer smiled gravely. "Let it be so," said he; and, in a lower tone, to the captain, who was troubled at the breach of courtesy, he added, "Let the boy see what war and Mars are for."

He struck another prelude and began. Then was it that Homer composed his "Hymn to Mars." In wild measure, and impetuous, he swept along through the list of Mars's t.i.tles and attributes; then his key changed, and his hearers listened more intently, more solemnly, as in a graver strain, with slower music, and an almost awed dignity of voice, the bard went on.--

"Helper of mortals, hear!

As thy fires give The present boldnesses that strive In youth for honor; So would I likewise wish to have the power To keep off from my head thy bitter hour, And quench the false fire of my soul's low kind, By the fit ruling of my highest mind I Control that sting of wealth That stirs me on still to the horrid scath Of hideous battle!

"Do thou, O ever blessed! give me still Presence of mind to put in act my will, Whate'er the occasion be; And so to live, unforced by any fear, Beneath those laws of peace, that never are Affected with pollutions popular Of unjust injury, As to bear safe the burden of hard fates, Of foes inflexive, and inhuman hates!"

The tones died away; the company was hushed for a moment; and the old chief then said gravely to his petulant follower, "That is what _men_ fight for, boy." But the boy did not need the counsel. Homer's manner, his voice, the music itself, the spirit of the song, as much as the words, had overcome him; and the boasting soldier was covering his tears with his hands.

Homer felt at once (the prince of gentlemen he) that the little outbreak, and the rebuke of it, had jarred the ease of their unexpected meeting. How blessed is the presence of mind with which the musician of real genius pa.s.ses from song to song, "whate'er the occasion be!" With the ease of genius he changed the tone of his melody again, and sang his own hymn, "To Earth, the Mother of all."

The triumphant strain is one which harmonizes with every sentiment; and he commanded instantly the rapt attention of the circle. So engrossed was he, that he did not seem to observe, as he sang, an addition to their company of some soldiers from above in the valley, just _as_ he entered on the pa.s.sage:--

"Happy, then, are they Whom thou, O great in reverence!

Are bent to honor. They shall all things find In all abundance! All their pastures yield Herds in all plenty. All their roofs are filled With rich possessions.

High happiness and wealth attend them, While, with laws well-ordered, they Cities of happy households sway; And their sons exult in the pleasure of youth, And their daughters dance with the flower-decked girls, Who play among the flowers of summer!

Such are the honors thy full hands divide; Mother of G.o.ds and starry Heaven's bride!"[A]

A buzz of pleasure and a smile ran round the circle, in which the new-comers joined. They were the soldiers who had been to hear and join the music at the Carmel-men's post. The tones of Homer's harp had tempted them to return; and they had brought with them the Hebrew minstrel, to whom they had been listening. It was the outlaw David, of Bethlehem Ephrata.

David had listened to Homer more intently than any one; and, as the pleased applause subsided, the eyes of the circle gathered upon him, and the manner of all showed that they expected him, in minstrel-fashion, to take up the same strain.

He accepted the implied invitation, played a short prelude, and taking Homer's suggestion of topic, sang in parallel with it:--

"I will sing a new song unto thee, O G.o.d!

Upon psaltery and harp will I sing praise to thee.

Thou art He that giveth salvation to kings, That delivereth David, thy servant, from the sword.

Rid me and save me from those who speak vanity, Whose right hand is a right hand of falsehood,-- That our sons may be as plants in fresh youth; That our daughters may be as corner-stones,-- The polished stones of our palaces; That our garners may be full with all manner of store; That our sheep may bring forth thousands and ten thousands in the way; That there may be no cry nor complaint in our streets Happy is the people that is in such a case; Yea, happy is the people whose G.o.d is the Lord!"

The melody was triumphant; and the enthusiastic manner yet more so. The Philistines listened delighted,--too careless of religion, they, indeed not to be catholic in presence of religious enthusiasm; and Homer wore the exalted expression which his face seldom wore. For the first time since his childhood, Homer felt that he was not alone in the world!

Who shall venture to tell what pa.s.sed between the two minstrels, when Homer, leaving his couch, crossed the circle at once, flung himself on the ground by David's side, gave him his hand; when they looked each other in the face, and sank down into the rapid murmuring of talk, which constant gesture ill.u.s.trated, but did not fully explain to the rough men around them? They respected the poets' colloquy for a while; but then, eager again to hear one harp or the other, they persuaded one of the Ionian sailors to ask Homer again to sing to them.

It was hard to persuade Homer. He shook his head, and turned back to the soldier-poet.

"What should _I_ sing?" he said.

They did not enter into his notion: hearers will not always. And so, taking his question literally, they replied, "Sing? Sing us of the snow-storm, the storm of stones, of which you sang at noon."

Poor Homer! It was easier to do it than to be pressed to do it; and he struck his harp again:--