The Man with Two Left Feet, and Other Stories Part 32

'But, good gracious, how do you suppose I should feel, knowing that you were all alone and that I had sneaked your-your ewe lamb, as it were?'

'And how do you suppose I should feel if your play failed simply for lack of a black cat?'

He started, and ran his fingers through his rough hair in an overwrought manner.

'Solomon couldn't have solved this problem,' he said. 'How would it be-it seems the only possible way out-if you were to retain a sort of managerial right in him? Couldn't you sometimes step across and chat with him-and me, incidentally-over here? I'm very nearly as lonesome as you are. Chicago is my home. I hardly know a soul in New York.'

Her solitary life in the big city had forced upon Elizabeth the ability to form instantaneous judgements on the men she met. She flashed a glance at the young man and decided in his favour.

'It's very kind of you,' she said. 'I should love to. I want to hear all about your play. I write myself, you know, in a very small way, so a successful playwright is Someone to me.'

'I wish I were a successful playwright.'

'Well, you are having the first play you have ever written produced on Broadway. That's pretty wonderful.'

"M-yes,' said the young man. It seemed to Elizabeth that he spoke doubtfully, and this modesty consolidated the favourable impression she had formed.

The G.o.ds are just. For every ill which they inflict they also supply a compensation. It seems good to them that individuals in big cities shall be lonely, but they have so arranged that, if one of these individuals does at last contrive to seek out and form a friendship with another, that friendship shall grow more swiftly than the tepid acquaintanceships of those on whom the icy touch of loneliness has never fallen. Within a week Elizabeth was feeling that she had known this James Renshaw Boyd all her life.

And yet there was a tantalizing incompleteness about his personal reminiscences. Elizabeth was one of those persons who like to begin a friendship with a full statement of their position, their previous life, and the causes which led up to their being in this particular spot at this particular time. At their next meeting, before he had had time to say much on his own account, she had told him of her life in the small Canadian town where she had pa.s.sed the early part of her life; of the rich and unexpected aunt who had sent her to college for no particular reason that anyone could ascertain except that she enjoyed being unexpected; of the legacy from this same aunt, far smaller than might have been hoped for, but sufficient to send a grateful Elizabeth to New York, to try her luck there; of editors, magazines, ma.n.u.scripts refused or accepted, plots for stories; of life in general, as lived down where the Arch spans Fifth Avenue and the lighted cross of the Judson shines by night on Washington Square.

Ceasing eventually, she waited for him to begin; and he did not begin-not, that is to say, in the sense the word conveyed to Elizabeth. He spoke briefly of college, still more briefly of Chicago-which city he appeared to regard with a distaste that made Lot's att.i.tude towards the Cities of the Plain almost kindly by comparison. Then, as if he had fulfilled the demands of the most exacting inquisitor in the matter of personal reminiscence, he began to speak of the play.

The only facts concerning him to which Elizabeth could really have sworn with a clear conscience at the end of the second week of their acquaintance were that he was very poor, and that this play meant everything to him.

The statement that it meant everything to him insinuated itself so frequently into his conversation that it weighed on Elizabeth's mind like a burden, and by degrees she found herself giving the play place of honour in her thoughts over and above her own little ventures. With this stupendous thing hanging in the balance, it seemed almost wicked of her to devote a moment to wondering whether the editor of an evening paper, who had half promised to give her the entrancing post of Adviser to the Lovelorn on his journal, would fulfil that half-promise.

At an early stage in their friendship the young man had told her the plot of the piece; and if he had not unfortunately forgotten several important episodes and had to leap back to them across a gulf of one or two acts, and if he had referred to his characters by name instead of by such descriptions as 'the fellow who's in love with the girl-not what's-his-name but the other chap'-she would no doubt have got that mental half-Nelson on it which is such a help towards the proper understanding of a four-act comedy. As it was, his precis had left her a little vague; but she said it was perfectly splendid, and he said did she really think so. And she said yes, she did, and they were both happy.

Rehearsals seemed to prey on his spirits a good deal. He attended them with the pathetic regularity of the young dramatist, but they appeared to bring him little balm. Elizabeth generally found him steeped in gloom, and then she would postpone the recital, to which she had been looking forward, of whatever little triumph she might have happened to win, and devote herself to the task of cheering him up. If women were wonderful in no other way, they would be wonderful for their genius for listening to shop instead of talking it.

Elizabeth was feeling more than a little proud of the way in which her judgement of this young man was being justified. Life in Bohemian New York had left her decidedly wary of strange young men, not formally introduced; her faith in human nature had had to undergo much straining. Wolves in sheep's clothing were common objects of the wayside in her unprotected life; and perhaps her chief reason for appreciating this friendship was the feeling of safety which it gave her.

Their relations, she told herself, were so splendidly unsentimental. There was no need for that silent defensiveness which had come to seem almost an inevitable accompaniment to dealings with the opposite s.e.x. James Boyd, she felt, she could trust; and it was wonderful how soothing the reflexion was.

And that was why, when the thing happened, it so shocked and frightened her.

It had been one of their quiet evenings. Of late they had fallen into the habit of sitting for long periods together without speaking. But it had differed from other quiet evenings through the fact that Elizabeth's silence hid a slight but well-defined feeling of injury. Usually she sat happy with her thoughts, but tonight she was ruffled. She had a grievance.

That afternoon the editor of the evening paper, whose angelic status not even a bald head and an absence of wings and harp could conceal, had definitely informed her that the man who had conducted the column hitherto having resigned, the post of Heloise Milton, official adviser to readers troubled with affairs of the heart, was hers; and he looked to her to justify the daring experiment of letting a woman handle so responsible a job. Imagine how Napoleon felt after Austerlitz, picture Colonel Goethale contemplating the last spadeful of dirt from the Panama Ca.n.a.l, try to visualize a suburban householder who sees a flower emerging from the soil in which he has inserted a packet of guaranteed seeds, and you will have some faint conception how Elizabeth felt as those golden words proceeded from that editor's lips. For the moment Ambition was sated. The years, rolling by, might perchance open out other vistas; but for the moment she was content.

Into James Boyd's apartment she had walked, stepping on fleecy clouds of rapture, to tell him the great news.

She told him the great news.

He said, 'Ah!'

There are many ways of saying 'Ah!' You can put joy, amazement, rapture into it; you can also make it sound as if it were a reply to a remark on the weather. James Boyd made it sound just like that. His hair was rumpled, his brow contracted, and his manner absent. The impression he gave Elizabeth was that he had barely heard her. The next moment he was deep in a recital of the misdemeanours of the actors now rehearsing for his four-act comedy. The star had done this, the leading woman that, the juvenile something else. For the first time Elizabeth listened unsympathetically.

The time came when speech failed James Boyd, and he sat back in his chair, brooding. Elizabeth, cross and wounded, sat in hers, nursing Joseph. And so, in a dim light, time flowed by.

Just how it happened she never knew. One moment, peace; the next chaos. One moment stillness; the next, Joseph hurtling through the air, all claws and expletives, and herself caught in a clasp which shook the breath from her.

One can dimly reconstruct James's train of thought. He is in despair; things are going badly at the theatre, and life has lost its savour. His eye, as he sits, is caught by Elizabeth's profile. It is a pretty-above all, a soothing-profile. An almost painful sentimentality sweeps over James Boyd. There she sits, his only friend in this cruel city. If you argue that there is no necessity to spring at your only friend and nearly choke her, you argue soundly; the point is well taken. But James Boyd was beyond the reach of sound argument. Much rehearsing had frayed his nerves to ribbons. One may say that he was not responsible for his actions.

That is the case for James. Elizabeth, naturally, was not in a position to take a wide and understanding view of it. All she knew was that James had played her false, abused her trust in him. For a moment, such was the shock of the surprise, she was not conscious of indignation-or, indeed, of any sensation except the purely physical one of semi-strangulation. Then, flushed, and more bitterly angry than she could ever have imagined herself capable of being, she began to struggle. She tore herself away from him. Coming on top of her grievance, this thing filled her with a sudden, very vivid hatred of James. At the back of her anger, feeding it, was the humiliating thought that it was all her own fault, that by her presence there she had invited this.

She groped her way to the door. Something was writhing and struggling inside her, blinding her eyes, and robbing her of speech. She was only conscious of a desire to be alone, to be back and safe in her own home. She was aware that he was speaking, but the words did not reach her. She found the door, and pulled it open. She felt a hand on her arm, but she shook it off. And then she was back behind her own door, alone and at liberty to contemplate at leisure the ruins of that little temple of friendship which she had built up so carefully and in which she had been so happy.

The broad fact that she would never forgive him was for a while her only coherent thought. To this succeeded the determination that she would never forgive herself. And having thus placed beyond the pale the only two friends she had in New York, she was free to devote herself without hindrance to the task of feeling thoroughly lonely and wretched.

The shadows deepened. Across the street a sort of bubbling explosion, followed by a jerky glare that shot athwart the room, announced the lighting of the big arc-lamp on the opposite side-walk. She resented it, being in the mood for undiluted gloom; but she had not the energy to pull down the shade and shut it out. She sat where she was, thinking thoughts that hurt.

The door of the apartment opposite opened. There was a single ring at her bell. She did not answer it. There came another. She sat where she was, motionless. The door closed again.

The days dragged by. Elizabeth lost count of time. Each day had its duties, which ended when you went to bed; that was all she knew-except that life had become very grey and very lonely, far lonelier even than in the time when James Boyd was nothing to her but an occasional sound of footsteps.

Of James she saw nothing. It is not difficult to avoid anyone in New York, even when you live just across the way.

It was Elizabeth's first act each morning, immediately on awaking, to open her front door and gather in whatever lay outside it. Sometimes there would be mail; and always, unless Francis, as he sometimes did, got mixed and absent-minded, the morning milk and the morning paper.

One morning, some two weeks after that evening of which she tried not to think, Elizabeth, opening the door, found immediately outside it a folded sc.r.a.p of paper. She unfolded it.

I am just off to the theatre. Won't you wish me luck? I feel sure it is going to be a hit. Joseph is purring like a dynamo.-J.R.B.

In the early morning the brain works sluggishly. For an instant Elizabeth stood looking at the words uncomprehendingly; then, with a leaping of the heart, their meaning came home to her. He must have left this at her door on the previous night. The play had been produced! And somewhere in the folded interior of the morning paper at her feet must be the opinion of 'One in Authority' concerning it!

Dramatic criticisms have this peculiarity, that if you are looking for them, they burrow and hide like rabbits. They dodge behind murders; they duck behind baseball scores; they lie up snugly behind the Wall Street news. It was a full minute before Elizabeth found what she sought, and the first words she read smote her like a blow.

In that vein of delightful facetiousness which so endears him to all followers and perpetrators of the drama, the 'One in Authority' rent and tore James Boyd's play. He knocked James Boyd's play down, and kicked it; he jumped on it with large feet; he poured cold water on it, and chopped it into little bits. He merrily disembowelled James Boyd's play.

Elizabeth quivered from head to foot. She caught at the door-post to steady herself. In a flash all her resentment had gone, wiped away and annihilated like a mist before the sun. She loved him, and she knew now that she had always loved him.

It took her two seconds to realize that the 'One in Authority' was a miserable incompetent, incapable of recognizing merit when it was displayed before him. It took her five minutes to dress. It took her a minute to run downstairs and out to the news-stand on the corner of the street. Here, with a lavishness which charmed and exhilarated the proprietor, she bought all the other papers which he could supply.

Moments of tragedy are best described briefly. Each of the papers noticed the play, and each of them d.a.m.ned it with uncompromising heartiness. The criticisms varied only in tone. One cursed with relish and gusto; another with a certain pity; a third with a kind of wounded superiority, as of one compelled against his will to speak of something unspeakable; but the meaning of all was the same. James Boyd's play was a hideous failure.

Back to the house sped Elizabeth, leaving the organs of a free people to be gathered up, smoothed, and replaced on the stand by the now more than ever charmed proprietor. Up the stairs she sped, and arriving breathlessly at James's door rang the bell.

Heavy footsteps came down the pa.s.sage; crushed, disheartened footsteps; footsteps that sent a chill to Elizabeth's heart. The door opened. James Boyd stood before her, heavy-eyed and haggard. In his eyes was despair, and on his chin the blue growth of beard of the man from whom the mailed fist of Fate has smitten the energy to perform his morning shave.

Behind him, littering the floor, were the morning papers; and at the sight of them Elizabeth broke down.

'Oh, Jimmy, darling!' she cried; and the next moment she was in his arms, and for a s.p.a.ce time stood still.